Ian McKeever - Galleri Andersson Sandström
Ian McKeever - Galleri Andersson Sandström
Ian McKeever - Galleri Andersson Sandström
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<strong>Ian</strong> <strong>McKeever</strong><br />
Born 1946 Withernsea, Yorkshire, England<br />
Selected one-person exhibitions<br />
CV/Biografi 1/9<br />
1971 <strong>Ian</strong> <strong>McKeever</strong>, Cardiff Arts Centre<br />
1973 <strong>Ian</strong> <strong>McKeever</strong>, Institute of Contemporary Arts, London<br />
1976 <strong>Ian</strong> <strong>McKeever</strong>, Icon Gallery, Birmingham<br />
Works 1974-76, <strong>Galleri</strong>a del Cavellino, Venice<br />
1977 Sand and Sea Series, Nigel Greenwood Gallery, London and<br />
<strong>Galleri</strong>a Tommaseo, Trieste<br />
1978 Sand and Sea Series, Spectro Arts, Newcastle<br />
Sand and Sea Series, Richard Demarco Gallery, Edinburgh<br />
Sand and Sea Series, <strong>Galleri</strong>a Foksal, Warsaw<br />
1979 Field Series 1978, Nigel Greenwood Gallery, London<br />
1980 Fields, Waterfalls and Birds, Arnolfini, Bristol;<br />
Third Eye Centre, Glasgow and Institute of Contemporary Art, London<br />
Vacuum, London (with Rafael Jablonka)<br />
Aspects of Work 1973-1980, Walker Art Gallery, Liverpool<br />
<strong>Ian</strong> <strong>McKeever</strong>, <strong>Galleri</strong>a del Cavellino, Venice<br />
1981 Islands, Nigel Greenwood Gallery, London (with Bernd Koberling)<br />
Paintings: Islands and Night Flak Series, Walker Art Gallery, Liverpool and<br />
Museum of Modern Art, Oxford<br />
1982 Deutscher Zyklus, Kunsthalle Nuremberg<br />
Neue Arbeiten, Galerie Arno Kohnen, Dusseldorf<br />
Black and White…or How to Paint With a Hammer, Matt's Gallery, London<br />
Lino-Cuts, Riverside Studios, London<br />
1983 Traditional Landscapes, Nigel Greenwood Gallery, London<br />
1984 Traditional Landscapes, Galerie Tanit, Munich<br />
Recent Paintings, John Hansard Gallery, Southampton<br />
1985 Traditional Landscapes and Works on Paper, Galerie Nachst St. Stephan, Vienna<br />
Works on Paper, Galerie Janine Mautsch, Cologne<br />
Borderlines-Abstracting Art from Nature, Arnolfini, Bristol<br />
(with Frank Auerbach)<br />
1986 Traditional Landscapes and Works on Paper, Galerie Ralph Wernicke, Stuttgart<br />
Recent Paintings, Nigel Greenwood Gallery, London<br />
Through the Ice Lens, Galerie Tanit, Munich<br />
1987 The Staffa Project, Harris Museum and Art Gallery, Preston; Arnolfini, Bristol;<br />
Glasgow Art Gallery and Museum and Provinciaal Museum, Hasselt<br />
(with Thomas Joshua Cooper)<br />
Recent Paintings, <strong>Galleri</strong>a Krista Mikkola, Helsinki<br />
<strong>Ian</strong> <strong>McKeever</strong> im Innsbrucker Kunstverein, Kunstverein Innsbruck<br />
Echo and Reflection, Arbeiten 1983-1987, Kunstverein Braunschweig<br />
Recent Paintings and Drawings, Galerie Harald Behm, Hamburg<br />
Paintings 1986-1987, Galerie Janine Mautsch, Cologne<br />
1988 Qororssuaq (Greenland 1988), <strong>Galleri</strong>a Fantasia/ Pelin, Helsinki<br />
(with Timo Valjakka)<br />
1989 A History of Rocks 1986 - 1988, Kunstforum, Stadtische Galerie im<br />
Lenbachhaus, Munich<br />
Greenland, Galerie Tanit, Munich and Cairn Gallery, Nailsworth<br />
1990 Notes, DAAD Galerie, West Berlin<br />
Ein Diptychon, Galerie Weisser Elephant, East Berlin<br />
Large Diptychs, Galerie Tanit, Munich<br />
Paintings 1978 - 1990, Whitechapel Art Gallery, London<br />
1991 Greenland, Watercolours and Drawings from the Morat-Institut, Freiburg,<br />
Stadtische Galerie, Wurzburg<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
CV/Biografi 2/9<br />
1992 Door Paintings, Galerie Tanit, Munich<br />
Door Paintings, Galerie Stadtpark, Krems<br />
Recent Paintings, Galerie Modulo, Lisbon<br />
Recent Paintings, Galerie Elisabeth Kaufmann, Basle<br />
1993 Ninety New Guinea Gouaches, Morat-Institut, Freiburg<br />
Door Paintings, Cairn Galleery, Nailsworth<br />
Hour Paintings, Stephen Solovy Gallery, Chicago<br />
1994 Recent Paintings and Drawings, The Haggerty Museum of Art, Milwaukee.<br />
Hartgrove, Recent Woodcuts and Monoprints, Galerie Elisabeth Kaufmann, Basle<br />
Hartgrove Paintings, Bernhard Jacobson Gallery, London<br />
Hour Paintings, Galerie Tanit Munich<br />
1995 The Marianne North Paintings, Matt's Gallery, London<br />
Paintings, Galerie Janine Mautsch, Cologne<br />
An Aspect of Landscape, Al Bustan, Beirut<br />
1996 Hour Paintings, Galerie Elisabeth Kaufmann, Basle<br />
Works on Paper 1980-1996, University of Brighton and<br />
The Terrace Gallery, Harewood House, Leeds<br />
1997 Paintings 1990 - 1996, Angel Row Gallery, Nottingham and<br />
The Bonnington Gallery, University of Trent, Nottingham;<br />
Porin Taidemuseo, Pori<br />
Recent Paintings, Galerie Modulo, Lisbon<br />
Recent Paintings, Galerie Tanit, Munich<br />
Colour Etchings, Monoprints and One Painting, Alan Cristea Gallery, London<br />
1998 Recent Paintings, <strong>Galleri</strong> Susanne Ottesen, Copenhagen<br />
Twelve x Eight and Other Woodcut Monoprints, Alan Cristea Gallery, London<br />
1999 <strong>Ian</strong> <strong>McKeever</strong> and Kurt Kocherscheidt, Galerie 3, Klagenfurt<br />
2000 <strong>Ian</strong> <strong>McKeever</strong> and Richard Deacon, <strong>Galleri</strong> Susanne Ottesen, Copenhagen<br />
Paintings and Works on Paper, Alan Cristea Gallery, London and<br />
Michael Hue-Williams Gallery, London<br />
2001 Paintings 1993-2000, Kunsthallen Brandts Klaedefabrik, Odense<br />
2002 New Paintings, <strong>Galleri</strong> Stefan <strong>Andersson</strong>, Umeå<br />
<strong>Ian</strong> <strong>McKeever</strong>: William Blake's Jerusalem, Alan Cristea Gallery, London<br />
Paintings from the Four Quartet Series, Horsens Kunstmuseum, Horsens<br />
Self-Shadow Paintings, Galerie Stadtpark, Krems<br />
2003 Watercolours and Gouaches 1993-2003, Nordiska Akvarellmuseet, Skarhamn<br />
Paintings, <strong>Galleri</strong> Susanne Ottesen, Copenhagen<br />
Text and Work, <strong>Ian</strong> <strong>McKeever</strong> and David Miller, The Arts Institute,<br />
Bournemouth<br />
2004 Sentinel, Recent Paintings and Works on Paper, Alan Cristea Gallery, London<br />
Four Quartets, Recent Paintings, Newlyn Art Gallery, Newlyn<br />
Recent Paintings and Ten Years of Drawing, Kettle's Yard, Cambridge<br />
2005 Bilder, 1983-1993, Morat-Institut fur Kunst und Kunstwissenschaft, Freiburg<br />
2006 New Paintings, Galerie Kaj Forsblom, Helsinki<br />
New Paintings, Galerie <strong>Andersson</strong> Sandstrom, Umea<br />
Whispers, New Drawings, Ny Carlsberg Glyptotek, Copenhagen<br />
Temple Paintings, Galerie Susanne Ottesen, Copenhagen<br />
New Paintings, <strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong>, Umeå<br />
2007 Four Quartets, Paintings 2001-2007, Morat-Institut für Kunst und Kunstwissenschaft,<br />
Freiburg<br />
Assembly,Paintings 2002-2007, Kunsthallen Brandts, Odense<br />
2008 Assembly, Paintings and Works on Paper 2006-2007, Alan Cristea Gallery, London<br />
2009 Assembly, Paintings 2006-2008, Galerie Forsblom, Helsinki<br />
Recent Paintings, <strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong>, Stockholm<br />
The Temple Paintings, Kings Place, London<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
CV/Biografi 3/9<br />
Selected group exhibitions<br />
1971 London Now, Messehallen am Funkturm, West Berlin<br />
1972 Inquisitive Eye, Institute of Contemporary Arts, London<br />
Spring in the Air, Scottish Arts Council Gallery, Glasgow and<br />
Scottish Arts Council Gallery, Edinburgh<br />
1973 The English Landscape, Arts Centre, Lincoln<br />
1974 Institute of Contemporary Arts, London<br />
1975 From Britain '75, Taidehalli Helsinki; Alvar Aalto-Museo, Jyvaskyla;<br />
and Taidemuseo, Tampere<br />
Sculture in the Park, South Hill Park Arts Centre, Bracknell<br />
Coversation, Folkstone Arts Centre<br />
1976 Englische Landschaftsmalerei, Badischer Kunstverein, Karlsruhe; Haus am<br />
Waldsee, Berlin and Kunsthalle Wilhelmshaven<br />
Figures into Space, Curwen Gallery, London<br />
1978 Reference Works, Arnolfini, Bristol<br />
1979 Zeichen-Triennale, Kunsthalle Nuremberg<br />
Photographic Works, <strong>Galleri</strong>a Cannaviello, Milan<br />
1980 Works from the British Council Collection, Serpentine Gallery, London<br />
Paesaggio di Paesaggi, Salone degli Specchi del Teatro Communale, Milan<br />
1981 Art and the Sea, Institute of Contemporary Arts, London<br />
1982 Presences of Nature-Words and Pictures from the Lake District, Carlisle<br />
Museum and Art Gallery<br />
1983 The Granada Collection-New British Painting and Drawing, Whitworth Art<br />
Gallery, Manchester<br />
z.B. Landschaft, Bonner Kunstverein, Bonn<br />
Photo (Graphic) Vision, The Winchester Art Gallery, Winchester<br />
Art Itinera 1983, Castello Pasquine, Castigliancello, Volterra<br />
1984 British Art Show 2…Old Allegiances and New Directions 1979-84,<br />
Ikon Gallery Birmingham; National Gallery of Scotland and City Art Gallery,<br />
Southampton<br />
1985 John Moores Liverpool Exhibition 14, Walker Art Gallery, Liverpool<br />
Modern Landscape, Sunderland Arts Centre<br />
Painting- Photography, Seventh Floor Gallery, St. Martin's School of Art,<br />
London<br />
4. Europaische Grafik-Biennale, Baden-Baden<br />
Landscape: Fact and Feeling, Plymouth Arts Centre<br />
A Journey Through Contemporary Art with Nigel Greenwood, Hayward Annual<br />
1985, Hayward Gallery, London<br />
Ambiguities and Characters, Konsthall Landskrona<br />
Dialogue, Moderna Museet, Stockholm<br />
Living Art, Guinness Hop Store, Dublin<br />
Steirischer Herbst'85 - Phase II: Das Bild einer Ausstellung, Stadtmuseum Graz<br />
1986 British Painting 1986, Kunstlerhaus, Vienna<br />
Prospect '86, Frankfurter Kunstverein/Schirn Kunsthalle, Frankfurt<br />
The Forest, Arnolfini, Bristol<br />
1987 Current Affairs - British Painting and Sculpture in the 80s, Museum of Modern Art,<br />
Oxford; Mucsarnok,Budapest; Narodni Galerie, Prague and Zacheta, Warsaw<br />
British Art of the 1980s, Liljevalchs Konsthall, Stockholm and Sara Hildenin Taidemuseo,<br />
Tampere<br />
Photography: Art and Image, Oldham Art Gallery<br />
Watercolours, Galerie Harald Behm, Hamburg<br />
Viewpoint: British Art of the 1980s, Musees Royaux d'Art et d'Histoire, Brussels<br />
1988 ROSC '88, Guinness Hop Store, Dublin<br />
New British Painting, Contemporary Arts Center, Cincinnati<br />
Zuruck zur Natur, aber wie? Stadtische Galerie im Prinz-Max-Palais, Karlsruhe<br />
A British View, Koplin Gallery, Los Angeles<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
CV/Biografi 4/9<br />
1989 Landschaft in der Erfahrung, Kolnischer Kunstverein, Cologne<br />
Lifelines: Four British Artists, BASF-Feierabendhaus, Ludwigshafen and<br />
Tate Gallery, Liverpool<br />
Synnyt: Sources of Contemporary Art, Museum of Contemporary Art, Helsinki<br />
1990 Le Paysage, Trace de la Memoire, Galerie Barbar & Cie, Paris<br />
1991 Nature, Creation du Peintre, Musee Cantonal des Beaux-Arts, Lausanne<br />
1992 Geteilte Bilder; das Diptychon in der neuen Kunst, Museum Folkwang, Essen<br />
Des Dessins, Museum fur Gegenwartskunst, Basle<br />
Air and Other Elements, Porin Taidemuseo, Pori<br />
Tierra de Nadie, Hospital Real, Granada<br />
Aus der Sammlung, Kunsthalle Nuremberg<br />
1994 Paintmarks, Kettle's Yard, Cambridge; Southampton City Art Gallery, Southampton and<br />
Mead Gallery, University of Warwick<br />
Artists Impressions, Kettle's Yard, Cambridge and Castle Museum, Nottingham<br />
1995 Contemporary British Art in Print, Scottish National Gallery of Modern Art, Edinburgh;<br />
Yale Center for British Art, New Haven and McNay Museum, San Antonio, Texas<br />
Life Patterns, Tate Gallery, London<br />
Zeichnungen Sammeln, Galerie Elisabeth Kaufmann, Basle<br />
Desenho Contemporaneo, Galerie Modulo, Porto<br />
From Picasso to Woodrow, New Acquisitions of Prints, Tate Gallery, London<br />
Zehn von Hundert, BASF-Feierabendhaus, Ludwigshafen<br />
International Biennale of Graphic Art, Ljubljana<br />
Artists Books, Rocket Gallery, London<br />
1996 Strangers in the Arctic, Rundeturn, Copenhagen; Museum of Contemporary Art,<br />
Helsinki and The Art Gallery of Ontario, Toronto<br />
Nuevas Abstracciones, Museo Nacional Centro de Arte, Reina Sofia, Madrid; Museo d'Art<br />
Contemporarie de Barcelona and Kunsthalle Bielefeld<br />
A Series of Twelve Prints by Six Artists, Alan Cristea Gallery, London<br />
1999 Graphic, British Print Now, Yale Center for British Art, Newhaven<br />
Last Dreams of the Millennium, The Stephen Solovy Art Foundation, Chicago<br />
Into the Light, The Royal Photographic Society, Bath; Callografia Nacional,<br />
Madrid and Fundacion Municipal de Cultura, Valladolid<br />
2001 Eigenschatten, Museumsberg Flensburg and Kunsthallen Brandts Klaedefabrik,<br />
Odense<br />
2002 Centenary Exhibition, Carlsberg Foundation, Glyptothek, Copenhagen<br />
In Print, The Art Pavilion Gallery, Belgrade; Yaroslavl Museum of Fine Art,<br />
Yaroslavl;<br />
2003 Hakodate Museum of Art and Marugame Museum of Contemporary Art, Shikoku<br />
Island<br />
2004 Works and Days, Acquisitions for the Louisiana Collection 2000-2004, Louisiana,<br />
Museum of Modern Art<br />
2005 Seven Royal Academicians in China, National Art Gallery, Beijing; Shanghai Art<br />
Museum, Shanghai, and Royal Academy of Arts, London<br />
2 nd Beijing Biennale, Beijing<br />
Matisse to Freud, A Critic’s Choice: The Alexander Walker Bequest, The British Museum,<br />
London and Hayward Gallery, London<br />
2006 The Art of White, The Lowry, Manchester<br />
50 Years with Art, Lovjbergsamlingen, Horsens Kunstmuseum, Horsens<br />
2007 At Home, Portraits of Artists in The Royal Academy Collection, The John Madejski Fine<br />
Rooms, Royal Academy, London<br />
Fairytale Cabinets, Montana, Kunsthallen Brandts, Odense<br />
Hugh Stoneman: Master Printer, Tate St.Ives, Cornwall<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
Collections<br />
Tate Gallery, London<br />
British Museum, London<br />
The British Council<br />
The Royal Academy of Arts, London<br />
The Government Art Collection<br />
The Arts Council of Great Britain<br />
The Scottish National Gallery of Modern Art<br />
Birmingham Museum and Art Gallery<br />
Leeds City Art Gallery, Leeds<br />
Harris Museum and Art Gallery, Preston<br />
Mead Gallery, University of Warwick, Warwick<br />
Red Mansion Foundation, London<br />
Museum des 20. Jahrhunderts, Vienna<br />
Kunsthalle Kiel<br />
Morat Institut fur Kunst, Freiburg<br />
Schloss Morsbroich Leverkusen<br />
Kunsthalle Nuremberg<br />
Museum of Fine Art, Budapest<br />
Museum of Contemporary Art, Helsinki<br />
Porin Taidemuseo, Pori<br />
Louisiana Museum of Modern Art<br />
The New Carlsberg Foundation, Copenhagen<br />
Horsens Kunstmuseum<br />
Sønderjyllands Kunstmuseum, Tønder, Denmark<br />
New Carlsberg Glytotek, Copenhagen, Denmark<br />
The Nordic Aquarell Museum, Skarhamn<br />
National Gallery of South Africa, Johannesburg, South Africa<br />
Metropolitan Museum New York<br />
Brooklyn Museum of Art, New York<br />
New York City Library<br />
Yale Center for British Art<br />
Boston Museum of Fine Art<br />
MIT List Visual Arts Centre, Massachusetts<br />
Haggerty Museum of Art, Milwaukee<br />
Cincinnati Museum of Modern Art, Cincinnati<br />
Massachusetts Institute of Technology<br />
Bibliography<br />
Selected catalogues<br />
CV/Biografi 5/9<br />
1984 Recent Paintings, essay by Lynne Cooke, John Hansard Gallery, Southampton<br />
Traditional Landscapes, essay by Tony Godfrey, Galerie Tanit, Munich<br />
1985 Phase II, essays by Wolfgang Drechsler and Wilfried Dickhoff, Stadtmuseum<br />
Graz<br />
1986 Prospect 86, essay by Lynne Cooke, Frankfurter Kunstverein, Schirn Kunsthalle,<br />
Frankfurt, 1986<br />
British Painting 1986, essay by Mel Gooding, Kunstlerhaus, Vienna<br />
1987 Echo and Reflection, Paintings 1983 - 1987, essays by Wilhelm Bojescul and<br />
Stephen Bann, Kunstverein Braunschweig<br />
The Staffa Project, essay by David Reason, Harris Museum and Art Gallery,Preston<br />
Recent Paintings, essay by Rafael Jablonka, Galeria Krista Mikkola, Helsinki<br />
Current Affairs, British Painting and Sculpture in the 1980s, essays by Lewis<br />
Biggs, David Elliott and Andrew Brighton, Museum of Modeern Art, Oxford<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
CV/Biografi 6/9<br />
Britannia, Paintings and Sculptures from the 1980's, essays by Richard Francis<br />
and Timo<br />
Valjakka, Sara Hilden Art Museum, Tampere and Liljevalchs Konsthall,Stockholm<br />
1988 Viewpoint - L'art contemporain en Grande Bretagne, essays by Richard Cork and<br />
David Reason, Musees Royaux des Beaux-Arts de Belgique, Bruxelles<br />
Zuruck zur Natur, aber wie? essay by Erika Rodiger-Diruf, Stadtische Galerie<br />
Im Prinz-Max-Palais, Karlsruhe<br />
1989 A History of Rocks, 1986 - 1988, essays by Helmut Friedel and Lynne Cooke,<br />
Kunstforum, Stadtische Galerie im Lenbachhaus, Munich<br />
Landschaft in der Erfahrung, essay by Manfred Brunner, Kolnischer Kunstverein<br />
1990 Werkgruppen 1974-90 and Notes 1989-90, daadgalerie, Berlin, essays by<br />
Joachim Sartorius and John Roberts<br />
Paintings 1978 - 1990, essays by Lewis Biggs, Wulf Herzogenrath and Wolfgang<br />
Max Faust, Whitechapel Art Gallery, London<br />
1991 Nature, Creation du Peintre, essay by Erika Billeter, Musee Cantonal des<br />
Beaux-Arts, Lausanne<br />
1992 Geteilte Bilder, essay by Gerhard Finckh, Museum Folkwang, Essen<br />
1994 Hartgrove Paintings, 1992-1994, essay by Norbert Lynton, Bernard Jacobson,Gallery,<br />
London Paintings and Drawings, essay by James Yood, The Haggerty Museum of Art,<br />
Milwaukee<br />
1995 Contemporary British Art in Print, essays by Jeremy Lewison and Patrick Elliott, The<br />
Scottish National Gallery of Modern Art, Edinburgh and The Paragon Press<br />
1996 Works on Paper, essays by Michael Tucker and Tony Godfrey, The University of<br />
Brighton<br />
<strong>Ian</strong> <strong>McKeever</strong> oder die Natur der Malerei, essay by Michael Luthy, Elisabeth Kaufmann<br />
Gallery, Basel<br />
Paintings 1990 - 1996, essays by Jeremy Lewison and Timo Valjakka, Angel Row Gallery,<br />
Nottingham and Porin Taidemuseo, Pori<br />
Nuevas Abstracciones, essays by Enrique Juncosa, Arthur C. Danto and Demetrio<br />
Paparoni, Museo Nacional, Centro de Arte Reina Sofia<br />
1997 Colour Etching, essay by Pat Gilmour, Alan Cristea Gallery, London<br />
1998 Twelve x Eight and Other Monoprint Woodcuts, essay by Jill Lloyd, Alan Cristea<br />
Gallery, London<br />
2000 Paintings and Works on Paper, artist's interview with Jill Lloyd, Alan Cristea Gallery,<br />
London<br />
2001 Paintings 1993 - 2000, essay and interview with the artist by Karsten Ohrt, Kunsthallen<br />
Brandts Klaederfabrik, Odense<br />
2001 Eigenschatten, essays by Frauke Rehder and Karsten Ohrt, Museumsberg Flensburg<br />
Contemporary Art in Print, essays by Jeremy Lewison and Patrick Elliott,<br />
Booth-Clibborn Editions, London<br />
2002 William Blake's Jerusalem: The Emanation of the Giant Albion, essay by Frances<br />
Carey, Alan Cristea Gallery, London<br />
Paintings from the Four Quartets Series, essay by Michael Tucker, Horsens<br />
Kunstmuseum<br />
2003 Watercolours and Gouaches 1993 - 2003, essay by Jill Lloyd, The Nordic<br />
Watercolour Museum, Skarhamn<br />
2004 Sentinel, Recent Paintings and Works on Paper, Alan Cristea Gallery<br />
Recent Paintings and Ten Years of Drawing, essay by Jill Lloyd, Kettle's Yard,<br />
Cambridge<br />
Milde himmel, essay by Erik Steffensen, Horsens Kunstmuseum<br />
Footprints in the Snow, essay by Clive Adams, The Lowry, Manchester<br />
2005 Seven Royal Academicians in China, essay by William Packer, The Red Mansion<br />
Foundation, London<br />
2006 Whispers, essay by Mette Berndsen, Ny Carlsberg Glyptotek, Copenhagen<br />
2007 <strong>Ian</strong> <strong>McKeever</strong>: Four Quartets, Malerei/ Paintings 2001-2007, essay by Martin<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
CV/Biografi 7/9<br />
Caiger- Smith, Morat Institute, Freiburg im Breisgau and Verlag der Buchhandlung<br />
Walther König, Cologne.<br />
<strong>Ian</strong> <strong>McKeever</strong>: Assembly, Malerier/ Paintings 2002-2007, essays by Karsten Ohrt and<br />
Henrik Wivel, Kunsthallen Brandts, Odense<br />
2008 Assembly, Paintings and Works on Paper 2006-2007, essay by Jill Lloyd, Alan Cristea<br />
Gallery, London<br />
2009 <strong>Ian</strong> <strong>McKeever</strong>, Paintings with texts by Marjorie Althorpe-Guyton, Michael Tucker and<br />
Catherine Lampert; Lund Humphries, London, 2009<br />
Selected writings by the artist<br />
1976 Works 1974-76, artist's statement, <strong>Galleri</strong>a del Cavellino, Venice<br />
Englische Landschaftsmalerei, artist's statement, Badischer Kunstverein, Karlsruhe<br />
1978 Field Series, an essay on Photography and Drawing, Nigel Greenwood Gallery,<br />
London<br />
Notes on Painting for a Hole in the Ground, artist's statement, Aspects, No.4<br />
1981 Photography as a Fine Art, transcript of lecture, Open Eye Magazine, No.14<br />
1982 Black and White ….or How to Paint with a Hammer, artist's statement, Matt's<br />
Gallery, London<br />
Notes on Drawing, Deutscher Zyklus, Kunsthalle Nuremburg<br />
1984 Artis'ts Statement, Kunstforum Landschaft - Ausgabe May 1984<br />
1987 Swedish Lapland; an Extract, transcript of audio-visual statement, Liljevalchs Konsthall,<br />
Stockholm<br />
1988 Index, artist's statement, Stadtische Galerie im Prinz-Max-Palais, Karlsruhe<br />
1989 Gronland, Diary Notes, Galerie Tanit, Munich and Morat-Institut, Freiburg im Breisgau<br />
1993 Hartgrove, artist's statement, Hartgrove Woodcuts, published by Paragon Press, London<br />
Strange Business - a text on Alan Davie, Lund Humphries and The Barbican Art Gallery,<br />
London<br />
1994 Black and White…..and Very Grey Areas, artist's statement, Cairn Gallery, Nailsworth<br />
1995 Ikijaa, Diary Notes, Pori Art Museum, Pori<br />
The Marianne North Paintings, Reflections on Painting, Matt's Gallery, London<br />
A Painting is a Door, artist's statement, Paintings and Drawings, The Haggerty<br />
Museum of Art, Milwaukee<br />
1996 Gradually going Magadan, artist's statement, Strangers in the Arctic, Rundetarn and<br />
Centralhallen Krystalgade, Copenhagen<br />
Thoughts on Emil Nolde, an essay, Whitechapel Art Gallery, London<br />
2002 Thinking about Georgia O'Keeffe, an essay, Louisiana Revy, Louisiana Museum<br />
for Modern Art<br />
Notes on Painting, an essay, Horsens Kunstmuseum<br />
2003 In Praise of Painters, an essay, Kehnet Nielsen, Kunsthallen Brandts<br />
Klaederfabrik<br />
Zwischen Wand und Boden, Die Holzskulpturen Kurt Kocherscheidts, an essay, Ritter<br />
Verlag, Klagenfurt<br />
In Praise of Painting, Three Essays, with an introduction by Michael Tucker,<br />
University of Brighton<br />
Chinese Whispers, limited edition of 30, Galerie Stadtpark, Krems<br />
2002 Finishing Touches, William Blake's Jerusalem, A&I (Artists and Illustrators), July<br />
2003 In Praise of Painters, essay on Kehnet Nielsen, Kunsthallen Brandts Klædefabrik, Odense<br />
2004 Sentinel, Recent Paintings and Works on Paper, series of quotations selected by the<br />
artist, Alan Cristea Gallery, London<br />
Absolute Light, an essay on Russian Icons, British Museum Magazine, No.49<br />
2005 In Praise of Painting, Three Essays on Painting, Edited and with an Introduction by<br />
Michael Tucker, University of Brighton Publications<br />
Between the Wall and the Floor, The Wood Sculptures of Kurt Kocherscheidt<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
CV/Biografi 8/9<br />
an essay, Ritter Verlag, Klagenfurt<br />
Chinese Whispers, limited edition of 30, Galerie Stadtpark, Krems<br />
2006 Distances in ‘Visitor’s Voice’, artist's travel notes, Framework, No. 5<br />
2008 Stilled Life, an Essay on Vilhelm Hammershøi, Royal Academy of Arts Magazine, No 99<br />
<strong>Ian</strong> <strong>McKeever</strong>: Selected Statements and Notes, Art of England, Issue 43<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
Timeline<br />
CV/Biografi 9/9<br />
1965 Moved to London to study English literature<br />
1970 Began painting and took a SPACE Studio at St. Katherine’s Dock, London<br />
1971 Exhibited in a group show in Berlin, subsequently invited to teach part-<br />
time at the Slade School of Fine Art, London<br />
First one- man exhibition at Cardiff Arts Centre<br />
1973 Arts Council Bursary<br />
1976 Exhibition with <strong>Galleri</strong>a del Cavellino in Venice as a result of which he met London dealer<br />
Nigel Greenwood and exhibited with him from 1977 to 1987<br />
1978 Arts Council Bursary<br />
Arts Council of Great Britain Scholarship, Walker Art Gallery, Liverpool<br />
Scholarship, Kunsthalle Nuremberg and subsequent one-man exhibition<br />
Beginning of association with German galleries and museums<br />
1984 Calouste Gulbenkian Foundation Printmakers Award<br />
1984-89 Senior Lecturer in Painting, Camberwell School of Arts, London<br />
1987 Major exhibition at Kunstverein Braunschweig; also participated in<br />
British Art of the Eighties at Liljevalchs Konsthall, Stockholm<br />
1989-90 DAAD Scholarship, Berlin<br />
1990 Retrospective exhibition at Whitechapel Art Gallery, London<br />
1992-96 Trustee of the Whitechapel Art Gallery<br />
1992-96 Lecturer in Postgraduate Painting, Slade School of Fine Art, University<br />
College, London<br />
1993 Guest Professor at Staatliche Hochschule für Bildende Künste, Frankfurt<br />
Participated in Nuevas Abstracciones, Museo Nacional Centro de Arte, Reina Sofia,<br />
Madrid and Museo d’Art Contemporarie de Barcelona<br />
Commenced working with Alan Cristea Gallery, London<br />
First one-man exhibition in Denmark with <strong>Galleri</strong> Susanna Ottesen<br />
2000 Studio Scholarship, Josef and Anni Albers Foundation, Connecticut<br />
2000 Appointed Honorary Professor at University of Brighton<br />
2001 Honorary Fellowship, The Arts Institute at Bournemouth<br />
Retrospective exhibition at Kunsthallen Brandts Klaedefabrik, Odense<br />
2003 Elected Royal Academician of the Royal Academy of Arts, London<br />
2005 Participated in Royal Academicians in China at National Art Gallery, Bejiing<br />
2006 Appointed Professor of Drawing at the Royal Academy of Arts, London<br />
2007 Exhibition Four Quartets at Morat-Institut, Freiburg im Breisgau<br />
<strong>Galleri</strong> <strong>Andersson</strong> <strong>Sandström</strong> ● Aktrisgränd 34 ● 903 64 Umeå<br />
Telefon: 090-144 990 ● Fax: 090-144 970 ● www.gsa.se
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