Remembering the Space Age. - Black Vault Radio Network (BVRN)
Remembering the Space Age. - Black Vault Radio Network (BVRN) Remembering the Space Age. - Black Vault Radio Network (BVRN)
Moxy Früvous, 247 MTS billboard campaign, 232–33, 233 Multinational corporations, 197–200 Mumford, Lewis, 174, 193 Muncy, James A. M., 125 Murray, Charles, 395 Music: Laika-inspired, 239–40, 242–43, 244, 245, 246–48, 249, 251–52; technology for, 241 “Muttnik, the First dog in Space,” 248 Mutual assured destruction (MAd) strategy, 127, 129 Muybridge, edward, 284 My Life as a Dog, 239, 243–44 Myth of the Machine, The (Mumford), 193 n nagasaki, 63 narratives:American exceptionalism, 24, 354, 355–60, 360n17, 384–85; conspiracy theories, 353–54, 373–84; cosmonaut myth, 214–17, 216; master narratives, 350, 384–85; nASA, image creation by, 167–72, 208–10; reality, memory, and meaning, xi–xii; Soviet counternarratives, 221–23, 226–28; Soviet master narrative, 217–21; Soviet narrative, collapse of, 224–28; Star Trek narrative, 411; U.S. space program narratives, 353–85. See also Culture; Memory national Advisory Committee for Aeronautics (nACA), 55, 355–56 national Aeronautics and Space Act (1958), 45, 57, 64–69, 355 national Aeronautics and Space Administration (nASA): atomic diplomacy and, ix n1, 57–58, 64–69; budget of, 125–26, 164–66, 356, 362–63, 364, 372, 393; Commercial Index 455 Space Policy, 133; Commercial Technology Program, 29; criticism of goals of, 63, 360–72; dOd’s relationship with, 64, 65–67; employment numbers, 164, 356; european space program, role in, 40–41, 45–46, 51–53; flms produced by, 171; formation of, 55–58, 64–69, 162, 355–56; History division, x; History Ofce, 151–52; history use by, 151–52; image creation by, 167–72, 208–10; industrial photographs, 316, 318, 319, 319–20; institutional culture of, 210; intellectual property rights, 68–69; international collaboration policy, 45, 51–53; justifcation of, 28–29, 48–49, 410; labor force photographs, 309–16, 313, 315, 316, 317; laboratories, 57, 57n8; liaison committees, 66–67; national prestige and, 58, 63; Ofce of Public Afairs, 171; Ofce of Strategic Communications Planning, 410; photographers, 304, 307–9, 309n55; reform of, calls for, 133–34; return on R&d investment, 371; space race, entrance into, 162; Spinof, 28–29; Sustaining University Program, 141; as technocracy, 56–58, 69–70; technology transfer from space program to civilian use (spinofs), 146, 169, 171, 173;Technology Utilization Program, 28; transition of nACA into, 55 national Aeronautics and Space Council, 66 national Aero-Space Plane (nASP), 124 national Air and Space Museum, 171, 336; Space History division, x national Archives, xii national Commission on Space, 412
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Moxy Früvous, 247<br />
MTS billboard campaign, 232–33, 233<br />
Multinational corporations, 197–200<br />
Mumford, Lewis, 174, 193<br />
Muncy, James A. M., 125<br />
Murray, Charles, 395<br />
Music: Laika-inspired, 239–40,<br />
242–43, 244, 245, 246–48, 249,<br />
251–52; technology for, 241<br />
“Muttnik, <strong>the</strong> First dog in <strong>Space</strong>,”<br />
248<br />
Mutual assured destruction (MAd)<br />
strategy, 127, 129<br />
Muybridge, edward, 284<br />
My Life as a Dog, 239, 243–44<br />
Myth of <strong>the</strong> Machine, The (Mumford),<br />
193<br />
n<br />
nagasaki, 63<br />
narratives:American exceptionalism,<br />
24, 354, 355–60, 360n17, 384–85;<br />
conspiracy <strong>the</strong>ories, 353–54, 373–84;<br />
cosmonaut myth, 214–17, 216;<br />
master narratives, 350, 384–85;<br />
nASA, image creation by, 167–72,<br />
208–10; reality, memory, and<br />
meaning, xi–xii; Soviet counternarratives,<br />
221–23, 226–28; Soviet<br />
master narrative, 217–21; Soviet<br />
narrative, collapse of, 224–28; Star<br />
Trek narrative, 411; U.S. space<br />
program narratives, 353–85. See also<br />
Culture; Memory<br />
national Advisory Committee for<br />
Aeronautics (nACA), 55, 355–56<br />
national Aeronautics and <strong>Space</strong> Act<br />
(1958), 45, 57, 64–69, 355<br />
national Aeronautics and <strong>Space</strong><br />
Administration (nASA): atomic<br />
diplomacy and, ix n1, 57–58, 64–69;<br />
budget of, 125–26, 164–66, 356,<br />
362–63, 364, 372, 393; Commercial<br />
Index 455<br />
<strong>Space</strong> Policy, 133; Commercial<br />
Technology Program, 29; criticism<br />
of goals of, 63, 360–72; dOd’s<br />
relationship with, 64, 65–67;<br />
employment numbers, 164, 356;<br />
european space program, role<br />
in, 40–41, 45–46, 51–53; flms<br />
produced by, 171; formation<br />
of, 55–58, 64–69, 162, 355–56;<br />
History division, x; History Ofce,<br />
151–52; history use by, 151–52;<br />
image creation by, 167–72, 208–10;<br />
industrial photographs, 316, 318,<br />
319, 319–20; institutional culture<br />
of, 210; intellectual property rights,<br />
68–69; international collaboration<br />
policy, 45, 51–53; justifcation of,<br />
28–29, 48–49, 410; labor force<br />
photographs, 309–16, 313, 315,<br />
316, 317; laboratories, 57, 57n8;<br />
liaison committees, 66–67; national<br />
prestige and, 58, 63; Ofce of Public<br />
Afairs, 171; Ofce of Strategic<br />
Communications Planning, 410;<br />
photographers, 304, 307–9, 309n55;<br />
reform of, calls for, 133–34; return<br />
on R&d investment, 371; space race,<br />
entrance into, 162; Spinof, 28–29;<br />
Sustaining University Program,<br />
141; as technocracy, 56–58, 69–70;<br />
technology transfer from space<br />
program to civilian use (spinofs),<br />
146, 169, 171, 173;Technology<br />
Utilization Program, 28; transition of<br />
nACA into, 55<br />
national Aeronautics and <strong>Space</strong><br />
Council, 66<br />
national Aero-<strong>Space</strong> Plane (nASP),<br />
124<br />
national Air and <strong>Space</strong> Museum, 171,<br />
336; <strong>Space</strong> History division, x<br />
national Archives, xii<br />
national Commission on <strong>Space</strong>, 412