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Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN)

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exaMINING <strong>the</strong> ICONIC aND reDISCOVerING <strong>the</strong> phOtOGraphY Of 331<br />

SpaCe expLOratION IN CONtext tO <strong>the</strong> hIStOrY Of phOtOGraphY<br />

surface imagery from apollo 16. It also recalls a staged black-and-white NaSa<br />

Lewis research Center photograph—in <strong>the</strong> construction spirit of a bonestell—<br />

of an early model of <strong>the</strong> LeM on a faux lunar surface with stars in a black sky<br />

and a buck rogers style of astronaut. 79<br />

In <strong>the</strong> photograph that begins <strong>the</strong> second panorama of <strong>the</strong> book, <strong>the</strong> two<br />

astronauts have emerged from <strong>the</strong>ir lunar rover and have just discovered <strong>the</strong><br />

edwardian’s camp. With <strong>the</strong> long-coated edwardians’ backs to <strong>the</strong> camera, <strong>the</strong><br />

“apollo” explorers survey <strong>the</strong> camp’s infrastructure of housed rocks and spacesuited<br />

pets, like a dog and elephant. <strong>the</strong> visual tone on <strong>the</strong> lunar surface can be<br />

compared to a black-and-white image of <strong>the</strong> apollo 16 astronaut John Young. 80<br />

In <strong>the</strong> photograph Young is just breaking into <strong>the</strong> right side of <strong>the</strong> camera<br />

frame and <strong>the</strong> lunar rover—its antenna aimed towards earth—is parked in<br />

<strong>the</strong> background of <strong>the</strong> Descartes region landing site. <strong>the</strong> two images toge<strong>the</strong>r<br />

create a contemplative, non-conspiratorial juxtaposition between historical fact<br />

and staged historical fction.<br />

VIII. ChOICeS, traNSItIONS, aND OppOrtUNItIeS<br />

Who built <strong>the</strong> seven towers of <strong>the</strong>bes?<br />

<strong>the</strong> books are flled with <strong>the</strong> names of kings.<br />

Was it kings who hauled <strong>the</strong> craggy blocks of stone…<br />

In <strong>the</strong> evening when <strong>the</strong> Chinese Wall fnished where did<br />

<strong>the</strong> masons go?<br />

—bertolt brecht 81<br />

<strong>the</strong> frst 50 years of space exploration has been visualized largely through<br />

<strong>the</strong> publication of iconic photography, those few identifable and often<br />

repeated images. as I have argued, however, <strong>the</strong>re are o<strong>the</strong>r images that exist.<br />

for <strong>the</strong> most part, <strong>the</strong>se photographs have been largely overlooked or even<br />

undiscovered, and yet <strong>the</strong>y too can be placed alongside <strong>the</strong>se iconic images and<br />

be considered within <strong>the</strong> context of <strong>the</strong> history of photography. I have also been<br />

discussing <strong>the</strong> aes<strong>the</strong>tics of space exploration photography in terms of landscape,<br />

documentary, and snapshot photography as a means to a visual literacy. how<br />

<strong>the</strong>n can some of <strong>the</strong>se photographs of space exploration be defned as artistic?<br />

<strong>the</strong> noted landscape photographer robert adams ofers some thought on art<br />

and <strong>the</strong> making of photographs:<br />

79. See Glenn research Center GrC Image Net:C-1963-65465,“Model of apollo bug to Simulate<br />

Lunar Landing” by bill bowles.<br />

80. See Lunar and planetary Institute Apollo Image Atlas – 70mm Hasselblad Image catalog for apollo<br />

16 http://www.lpi.usra.edu/resources/apollo/catalog/70mm/mission/?16.<br />

81. Studs terkel, Working – People Talk About What They Do All Day and How They Feel About What<br />

They Do (New York, NY:<strong>the</strong> New press, 1972), p. xxxi.

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