05.02.2013 Views

Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN)

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

320 reMeMberING <strong>the</strong> SpaCe aGe<br />

apollo spacecraft and <strong>the</strong>ir launch complexes were aforded such stylistic and<br />

personal interpretation. 66<br />

having successfully navigated NaSa’s public afairs Ofce (paO)<br />

between <strong>the</strong> post-Challenger era of 1990 and <strong>the</strong> events of 9/11, Sexton was able<br />

to document in large format black-and-white, both <strong>the</strong> elegance and dignity<br />

of <strong>the</strong> most complex machine ever created by humans. With <strong>the</strong> coveted<br />

combination of quality access and time, Sexton, over a period of 13 visits to<br />

<strong>the</strong> Kennedy <strong>Space</strong> Center, carefully portrayed various angles of <strong>the</strong> orbiter in<br />

context to <strong>the</strong> ca<strong>the</strong>dral-like interior of <strong>the</strong> Vehicle assembly building (Vab)<br />

as it was being processed for spacefight. he also systematically identifed and<br />

isolated distinctive elements of <strong>the</strong> <strong>Space</strong> Shuttle orbiter like one of its three<br />

main rocket engines, landing gear, <strong>the</strong> fight deck’s glass cockpit, <strong>the</strong> <strong>the</strong>rmal<br />

protection system tiles, and <strong>the</strong> skeletal interior of a stripped down cargo bay.<br />

<strong>the</strong> subtleness and monumentality to <strong>the</strong> scale of surroundings, and <strong>the</strong><br />

distinct qualities of light that typically emerge from an adams landscape<br />

photograph like “Moonrise over hernandez, New Mexico” can be examined<br />

in many of Sexton’s nature and industrial landscape images. In his many<br />

interpretations of <strong>the</strong> <strong>Space</strong> Shuttle orbiter—in this example, hanging vertically<br />

by its nose in preparation for mating to its fuel tank and two solid rocket<br />

boosters—he conveys a similar adherence to scale, monumentality, and qualities<br />

of light. Comparisons to Sexton’s sense of organic shapes in his nature work can<br />

also be seen in his composition of one of <strong>the</strong> <strong>Space</strong> Shuttle’s forward reaction<br />

Control thrusters.<br />

VII. reSOUrCefUL eDItING, aUthOrING, aND <strong>the</strong><br />

apprOprIatION Of SpaCe expLOratION phOtOGraphY<br />

It is time to remember that <strong>the</strong> camera lures. Then compels a man<br />

to create through seeing. It demands that he learn to make <strong>the</strong> realm<br />

of his responses to <strong>the</strong> world <strong>the</strong> raw material of his creative activity.<br />

Creative understanding is more camera-like than invention.<br />

– Minor White 67<br />

In examining <strong>the</strong> context of diferent photographic genre to space exploration<br />

photography, it would be remiss to ignore fne arts photography.although limited<br />

in number, a signifcant body of work by photographer-editors and fne art<br />

photographers has resulted in a range of signifcant, single-<strong>the</strong>med books and fne<br />

art photography that references <strong>the</strong> history of space exploration photography.<br />

66. <strong>the</strong>re are no known industrial landscape studies of <strong>the</strong> apollo and Skylab confgured launchpads,<br />

<strong>the</strong>ir crawler transports,Vab, and fring room confgurations by fne art photographers.<br />

67. Nathan Lyons, Photographers on Photography (englewood Clifs, NJ: prentice-hall, 1966), p. 164.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!