Remembering the Space Age. - Black Vault Radio Network (BVRN)
Remembering the Space Age. - Black Vault Radio Network (BVRN) Remembering the Space Age. - Black Vault Radio Network (BVRN)
exaMINING the ICONIC aND reDISCOVerING the phOtOGraphY Of 303 SpaCe expLOratION IN CONtext tO the hIStOrY Of phOtOGraphY Snapshot portraits of the Apollo 7 crew in fight: October 1968. (left top) Donn Eisele, (left bottom) Wally Schirra (Cunningham/NASA), (above) Walt Cunningham. (Schirra/NASA) like ralph Morse, Otis Imboden and Jon Schneeberge revealed the early years of space exploration that often revealed the “manners” of the men of NaSa. 48 these photographers provided their (stylistic) interpretations of astronaut training to the launchings of the atlas, titan and Saturn-apollo. however, access to these photographers’ complete work is challenging because it tends to be centralized within the news organization that they represented. editorial photography made under contract by in-house photographers like Morse, Imboden, and Schneeberge is essentially owned and copyrighted by the magazine corporation, such as Time-Life and National Geographic. Unlike access to NaSa’s public domain photographs, either in a fight center’s archive or through its online Web portal, the decentralization of photographic archives among news media outlets creates a major challenge for 48. Other signifcant wire service photographers that covered the early years of the american space program were Jim Kerlin, russ Yoder, frank beattie, and hugo Wessels.
- Page 586: exaMINING the ICONIC aND reDISCOVer
- Page 590: exaMINING the ICONIC aND reDISCOVer
- Page 594: exaMINING the ICONIC aND reDISCOVer
- Page 598: exaMINING the ICONIC aND reDISCOVer
- Page 602: exaMINING the ICONIC aND reDISCOVer
- Page 606: exaMINING the ICONIC aND reDISCOVer
- Page 610: exaMINING the ICONIC aND reDISCOVer
- Page 614: exaMINING the ICONIC aND reDISCOVer
- Page 618: exaMINING the ICONIC aND reDISCOVer
- Page 622: exaMINING the ICONIC aND reDISCOVer
- Page 626: exaMINING the ICONIC aND reDISCOVer
- Page 630: exaMINING the ICONIC aND reDISCOVer
- Page 634: exaMINING the ICONIC aND reDISCOVer
- Page 640: 304 reMeMberING the SpaCe aGe resea
- Page 644: 306 reMeMberING the SpaCe aGe April
- Page 648: 308 reMeMberING the SpaCe aGe Exped
- Page 652: 310 reMeMberING the SpaCe aGe the c
- Page 656: 312 reMeMberING the SpaCe aGe “Go
- Page 660: 314 reMeMberING the SpaCe aGe Power
- Page 664: 316 reMeMberING the SpaCe aGe Techn
- Page 668: 318 reMeMberING the SpaCe aGe Forwa
- Page 672: 320 reMeMberING the SpaCe aGe apoll
- Page 676: 322 reMeMberING the SpaCe aGe the p
- Page 680: 324 reMeMberING the SpaCe aGe Henri
- Page 684: 326 reMeMberING the SpaCe aGe “Iv
exaMINING <strong>the</strong> ICONIC aND reDISCOVerING <strong>the</strong> phOtOGraphY Of 303<br />
SpaCe expLOratION IN CONtext tO <strong>the</strong> hIStOrY Of phOtOGraphY<br />
Snapshot portraits of <strong>the</strong> Apollo 7 crew in fight: October 1968. (left<br />
top) Donn Eisele, (left bottom) Wally Schirra (Cunningham/NASA),<br />
(above) Walt Cunningham. (Schirra/NASA)<br />
like ralph Morse, Otis Imboden and Jon Schneeberge revealed <strong>the</strong> early<br />
years of space exploration that often revealed <strong>the</strong> “manners” of <strong>the</strong> men of<br />
NaSa. 48 <strong>the</strong>se photographers provided <strong>the</strong>ir (stylistic) interpretations of<br />
astronaut training to <strong>the</strong> launchings of <strong>the</strong> atlas, titan and Saturn-apollo.<br />
however, access to <strong>the</strong>se photographers’ complete work is challenging because<br />
it tends to be centralized within <strong>the</strong> news organization that <strong>the</strong>y represented.<br />
editorial photography made under contract by in-house photographers like<br />
Morse, Imboden, and Schneeberge is essentially owned and copyrighted by <strong>the</strong><br />
magazine corporation, such as Time-Life and National Geographic.<br />
Unlike access to NaSa’s public domain photographs, ei<strong>the</strong>r in a fight<br />
center’s archive or through its online Web portal, <strong>the</strong> decentralization of photographic<br />
archives among news media outlets creates a major challenge for<br />
48. O<strong>the</strong>r signifcant wire service photographers that covered <strong>the</strong> early years of <strong>the</strong> american space<br />
program were Jim Kerlin, russ Yoder, frank beattie, and hugo Wessels.