Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN) Remembering the Space Age. - Black Vault Radio Network (BVRN)

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exaMINING the ICONIC aND reDISCOVerING the phOtOGraphY Of 303 SpaCe expLOratION IN CONtext tO the hIStOrY Of phOtOGraphY Snapshot portraits of the Apollo 7 crew in fight: October 1968. (left top) Donn Eisele, (left bottom) Wally Schirra (Cunningham/NASA), (above) Walt Cunningham. (Schirra/NASA) like ralph Morse, Otis Imboden and Jon Schneeberge revealed the early years of space exploration that often revealed the “manners” of the men of NaSa. 48 these photographers provided their (stylistic) interpretations of astronaut training to the launchings of the atlas, titan and Saturn-apollo. however, access to these photographers’ complete work is challenging because it tends to be centralized within the news organization that they represented. editorial photography made under contract by in-house photographers like Morse, Imboden, and Schneeberge is essentially owned and copyrighted by the magazine corporation, such as Time-Life and National Geographic. Unlike access to NaSa’s public domain photographs, either in a fight center’s archive or through its online Web portal, the decentralization of photographic archives among news media outlets creates a major challenge for 48. Other signifcant wire service photographers that covered the early years of the american space program were Jim Kerlin, russ Yoder, frank beattie, and hugo Wessels.

exaMINING <strong>the</strong> ICONIC aND reDISCOVerING <strong>the</strong> phOtOGraphY Of 303<br />

SpaCe expLOratION IN CONtext tO <strong>the</strong> hIStOrY Of phOtOGraphY<br />

Snapshot portraits of <strong>the</strong> Apollo 7 crew in fight: October 1968. (left<br />

top) Donn Eisele, (left bottom) Wally Schirra (Cunningham/NASA),<br />

(above) Walt Cunningham. (Schirra/NASA)<br />

like ralph Morse, Otis Imboden and Jon Schneeberge revealed <strong>the</strong> early<br />

years of space exploration that often revealed <strong>the</strong> “manners” of <strong>the</strong> men of<br />

NaSa. 48 <strong>the</strong>se photographers provided <strong>the</strong>ir (stylistic) interpretations of<br />

astronaut training to <strong>the</strong> launchings of <strong>the</strong> atlas, titan and Saturn-apollo.<br />

however, access to <strong>the</strong>se photographers’ complete work is challenging because<br />

it tends to be centralized within <strong>the</strong> news organization that <strong>the</strong>y represented.<br />

editorial photography made under contract by in-house photographers like<br />

Morse, Imboden, and Schneeberge is essentially owned and copyrighted by <strong>the</strong><br />

magazine corporation, such as Time-Life and National Geographic.<br />

Unlike access to NaSa’s public domain photographs, ei<strong>the</strong>r in a fight<br />

center’s archive or through its online Web portal, <strong>the</strong> decentralization of photographic<br />

archives among news media outlets creates a major challenge for<br />

48. O<strong>the</strong>r signifcant wire service photographers that covered <strong>the</strong> early years of <strong>the</strong> american space<br />

program were Jim Kerlin, russ Yoder, frank beattie, and hugo Wessels.

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