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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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290 reMeMberING <strong>the</strong> SpaCe aGe<br />

Walpi Village v.12: 1907. (Edward S. Curtis/McCormick Library of Special Collections,<br />

NW University Library)<br />

Mars. It also ofers consideration to <strong>the</strong> erosion of a landscape that may have<br />

once nurtured some form of life.<br />

<strong>the</strong> Curtis hopi landscapes were part of a grand design: <strong>the</strong> photographer<br />

attempted to systematically document <strong>the</strong> indigenous peoples of North america,<br />

focusing on Native americans west of <strong>the</strong> Mississippi and into Canada. 31<br />

Consider Curtis’s 1903 black-and-white portrait of a Zuni woman with a<br />

decorated ceramic bowl. <strong>the</strong> photographer’s connection with his subject and<br />

<strong>the</strong> simplicity of his lighting and composition make this photograph a symbol<br />

of its era. <strong>the</strong> Zuni woman has a quality of <strong>the</strong> timeless, contributing to a<br />

sense of her profound dignity and humanity. Nearly a hundred years later, <strong>the</strong><br />

relevance of Curtis’s cardinal points and his aes<strong>the</strong>tic approach to documentary<br />

portraiture serve to infuence my own photographic documentation of <strong>the</strong><br />

people and place in space exploration. by comparison, my 2007 black-and-white<br />

portrait of an american astronaut, Megan Mcarthur, conveys a similar quality<br />

of lighting and composition. as with <strong>the</strong> Curtis image, I sought compositional<br />

31. Ibid.

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