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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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272 reMeMberING <strong>the</strong> SpaCe aGe<br />

black-and-white image published over and over in various print media venues<br />

that, over <strong>the</strong> last fve decades, has become a convincing visual report on <strong>the</strong><br />

american efort to compete with <strong>the</strong> Soviets who already had two satellites in<br />

earth-orbit. <strong>the</strong> Vanguard image is one of many now-familiar images that<br />

visually communicate <strong>the</strong> early days of <strong>the</strong> <strong>Space</strong> age. as a result, it can be<br />

argued that this photograph has become iconic in <strong>the</strong> sense that it is a recognizable<br />

image whose familiarity is framed both by its historic relevance and its repeated<br />

publication in chronicling <strong>the</strong> frst 50 years of space exploration.<br />

In my process of rediscovering <strong>the</strong> iconic within <strong>the</strong>se frst 50 years of<br />

space exploration photography, I will frst identify those images that I consider<br />

to be iconic, including <strong>the</strong> Vanguard launch explosion. <strong>the</strong>reafter, I will discuss<br />

<strong>the</strong>se photographs within <strong>the</strong> context of <strong>the</strong> history of photography, looking at<br />

both <strong>the</strong>ir technical evolution as record-keeping tools and <strong>the</strong>ir aes<strong>the</strong>tic appeal<br />

and importance as historic markers of american culture and beyond. Once<br />

this historical framework is established, I will move beyond <strong>the</strong> known iconic<br />

imagery to <strong>the</strong> emergence of o<strong>the</strong>r imagery. and why not consider new imagery?<br />

aren’t <strong>the</strong>re o<strong>the</strong>r photographs beyond that one iconic photograph—<strong>the</strong> new<br />

and largely undiscovered photograph that tells <strong>the</strong> same story of an event? In<br />

fact, that new photograph may even ofer a fresh perspective on <strong>the</strong> event. I<br />

will <strong>the</strong>n critique <strong>the</strong>se new and emerging photographs and juxtapose <strong>the</strong>m<br />

to aes<strong>the</strong>tic markers in <strong>the</strong> history of photography, drawing from landscape,<br />

portraiture, documentation, photojournalism and fne art photography.<br />

II. beGINNINGS<br />

On a January night in 1958, not even 60 days after <strong>the</strong> Vanguard’s explosive<br />

entrée, <strong>the</strong> U.S. army launched its Jupiter-C version of <strong>the</strong> redstone rocket,<br />

introducing <strong>the</strong> frst successful orbiting of an american satellite: explorer 1.<br />

this event was historically signifcant for both space science and photography<br />

because it created a new and emerging iconographic image: <strong>the</strong> launching of a<br />

rocket thrusting into space. In addition, <strong>the</strong> postfight news conference was<br />

memorialized in a photograph of <strong>the</strong> jubilant Wernher Von braun, William<br />

pickering, and James Van allen holding a model of america’s frst satellite over<br />

<strong>the</strong>ir heads. 3 <strong>the</strong> photographs of Vanguard One, explorer 1, and <strong>the</strong> postfight<br />

press conference were products of a distinctly american culture. With <strong>the</strong><br />

Soviets not providing any immediate photographic evidence of <strong>the</strong>ir similar<br />

events, <strong>the</strong> american print media had ushered in a new photographic genre:<br />

space exploration photography. <strong>the</strong>se photographs would be repeated again and<br />

again in both <strong>the</strong> print and electronic media for <strong>the</strong> next fve decades. Moreover,<br />

images of a rocket explosion, a rocket launch and <strong>the</strong> people behind <strong>the</strong> scenes<br />

3. <strong>the</strong> photographer of this image is unknown, according to erik M. Conway, <strong>the</strong> historian at <strong>the</strong><br />

Jet propulsion Laboratory.

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