Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN) Remembering the Space Age. - Black Vault Radio Network (BVRN)

documents.theblackvault.com
from documents.theblackvault.com More from this publisher
05.02.2013 Views

Chapter 15 examining the IConic and rediscovering the photography of Space exploration in Context to the history of photography 1 Michael Soluri The exactly repeatable pictorial statement in its photographic forms has played an operational role of the greatest importance in the development of modern science and technology. It has become an essential to most of our industries and to all of our engineering. 2 I. prefaCe My earliest recollection of space travel was the star-size dot of the Soviet Union’s Sputnik blinking on then of then on as it arced across the then starry sky of Niagara falls, New York. and the frst photograph that ignited my fantasies of space exploration (not withstanding motion pictures like Forbidden Planet, This Island Earth, and The Day the Earth Stood Still) was the dismaying launch-explosion of the Navy’s Vanguard One. It was the United States’ frst efort to place a satellite into earth orbit in December 1957. the result was a 1. I wish to thank Steve Dick and his committee (which included asif Siddiqi) for having chosen me to participate in the “remembering the Space age Conference”—a dream come true. thank you as well to Leslie Martin and the aperture foundation for their invaluable assistance in obtaining the artists’ rights to some of the fne art photographs used in this paper. My gratitude to them for the inspiration I constantly receive from the world-class exhibitions, books, and lectures that have catalyzed my thinking for this paper. NaSa Johnson Space Center’s (JSC) Media resource Center, Michael Gentry (and his dedicated team) was always available to fnd sought-after imagery, along with a wealth of information and insight on human spacefight photography. Mary ann hager at the Lunar and planetary Institute provided invaluable guidance on the fight photography of project apollo. ed Wilson and Maura White of JSC’s Information and Imaging Systems branch provided research and high resolution fles from apollo fight flms. the hubble SM4 crew of StS-125, whose wish to make more insightful images during their mission, inspired me to explore and share with them the photographic history of astronaut fight photography. and thanks to Loralee Nolletti, my wife and mother to our son, Gabriel, for her remarkable skill and patience in the editing of this paper. 2. William M. Ivins, Jr., Prints and Visual Communication (Cambridge, Ma: the MIt press, 1969), p. 179.

Chapter 15<br />

examining <strong>the</strong> IConic and rediscovering<br />

<strong>the</strong> photography of <strong>Space</strong> exploration in<br />

Context to <strong>the</strong> history of photography 1<br />

Michael Soluri<br />

The exactly repeatable pictorial statement in its photographic forms<br />

has played an operational role of <strong>the</strong> greatest importance in <strong>the</strong> development<br />

of modern science and technology. It has become an essential<br />

to most of our industries and to all of our engineering. 2<br />

I. prefaCe<br />

My earliest recollection of space travel was <strong>the</strong> star-size dot of <strong>the</strong> Soviet<br />

Union’s Sputnik blinking on <strong>the</strong>n of <strong>the</strong>n on as it arced across <strong>the</strong> <strong>the</strong>n<br />

starry sky of Niagara falls, New York. and <strong>the</strong> frst photograph that ignited my<br />

fantasies of space exploration (not withstanding motion pictures like Forbidden<br />

Planet, This Island Earth, and The Day <strong>the</strong> Earth Stood Still) was <strong>the</strong> dismaying<br />

launch-explosion of <strong>the</strong> Navy’s Vanguard One. It was <strong>the</strong> United States’ frst<br />

efort to place a satellite into earth orbit in December 1957. <strong>the</strong> result was a<br />

1. I wish to thank Steve Dick and his committee (which included asif Siddiqi) for having<br />

chosen me to participate in <strong>the</strong> “remembering <strong>the</strong> <strong>Space</strong> age Conference”—a dream come<br />

true. thank you as well to Leslie Martin and <strong>the</strong> aperture foundation for <strong>the</strong>ir invaluable<br />

assistance in obtaining <strong>the</strong> artists’ rights to some of <strong>the</strong> fne art photographs used in this paper.<br />

My gratitude to <strong>the</strong>m for <strong>the</strong> inspiration I constantly receive from <strong>the</strong> world-class exhibitions,<br />

books, and lectures that have catalyzed my thinking for this paper. NaSa Johnson <strong>Space</strong><br />

Center’s (JSC) Media resource Center, Michael Gentry (and his dedicated team) was always<br />

available to fnd sought-after imagery, along with a wealth of information and insight on<br />

human spacefight photography. Mary ann hager at <strong>the</strong> Lunar and planetary Institute<br />

provided invaluable guidance on <strong>the</strong> fight photography of project apollo. ed Wilson and<br />

Maura White of JSC’s Information and Imaging Systems branch provided research and high<br />

resolution fles from apollo fight flms. <strong>the</strong> hubble SM4 crew of StS-125, whose wish<br />

to make more insightful images during <strong>the</strong>ir mission, inspired me to explore and share<br />

with <strong>the</strong>m <strong>the</strong> photographic history of astronaut fight photography. and thanks to Loralee<br />

Nolletti, my wife and mo<strong>the</strong>r to our son, Gabriel, for her remarkable skill and patience in <strong>the</strong><br />

editing of this paper.<br />

2. William M. Ivins, Jr., Prints and Visual Communication (Cambridge, Ma: <strong>the</strong> MIt press,<br />

1969), p. 179.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!