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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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FrOM <strong>the</strong> CradLe tO <strong>the</strong> GraVe:<br />

COSMONaut NOStaLGIa IN SOVIet aNd pOSt-SOVIet FILM<br />

pOSt-SOVIet reexaMINatIONS<br />

265<br />

after <strong>the</strong> dissolution of <strong>the</strong> Soviet union in 1991, postmortem examination<br />

of <strong>the</strong> Soviet experience became a national pastime. artists, writers, and<br />

flmmakers joined with journalists and common citizens to assess what <strong>the</strong><br />

75-year Bolshevik experiment had meant. <strong>the</strong>re have been two recent russian<br />

<strong>the</strong>atrical flms, aleksei uchitel’s Kosmos kak predchuvstvie (<strong>Space</strong> as Premonition,<br />

2005) 31 and aleksei Fëdorchenko’s Pervye na lune (First on <strong>the</strong> Moon, 2005), 32 that<br />

address <strong>the</strong> legacy of <strong>the</strong> golden years of Soviet spacefight in <strong>the</strong>ir own unique<br />

manner. each flm places spacefight into <strong>the</strong> context of a specifc period.<br />

uchitel’s flm is set in <strong>the</strong> early 1960s and Fëdorchenko’s begins in <strong>the</strong> 1930s.<br />

Both dissect <strong>the</strong> origins of <strong>the</strong> culture of real spacefight.<br />

aleksei uchitel’s flm takes a nostalgic approach in which <strong>the</strong> early Soviet<br />

space program provides <strong>the</strong> background for a story about <strong>the</strong> illusion of nostalgic<br />

optimism. <strong>the</strong> flm takes place between <strong>the</strong> time of <strong>the</strong> launch of Sputnik and<br />

Yuri Gagarin’s fight. <strong>the</strong> protagonist of <strong>the</strong> story is a hapless young man,<br />

Konëk, whose naïveté has benefted him. unaware of <strong>the</strong> injustices around him,<br />

he is able to wonder through life unafected by it. <strong>the</strong> main character is a cook<br />

whose real name is Viktor, but he goes by <strong>the</strong> nickname “Konëk” (horsie).<br />

<strong>the</strong> story focuses on Konëk’s relationship with a former sailor and dockworker,<br />

German. German, who is also known as “Lefty,” is a former sailor who is<br />

trying to defect to <strong>the</strong> West. his persona allures Konëk, a man who is haplessly<br />

living with his mo<strong>the</strong>r and indecisive about committing to his girlfriend, Lara.<br />

In contrast, German is worldly and sophisticated. <strong>the</strong> men form bonds: both<br />

are war orphans and relish fghts with sailors. to Konëk’s mind, German is<br />

exotic and mysterious, possessing superior skills and knowledge about <strong>the</strong><br />

world, as well as material possessions including an east German radio that<br />

picks up BBC. In spite of his seeming sophistication, German cannot articulate<br />

properly <strong>the</strong> english words to declare his intention to defect. Ironically, his<br />

new hapless friend demonstrates <strong>the</strong> ability to mimic <strong>the</strong> voices on BBC radio<br />

almost perfectly, although he has no ambitions for contact with <strong>the</strong> West and<br />

understands little of what he is saying.<br />

Over <strong>the</strong> course of <strong>the</strong>ir relationship, Konëk begins to dress and act like<br />

German. he goes as so far as to practice swimming in <strong>the</strong> harbor. Konëk assumes<br />

that this activity is to improve his athletic performance; he is clueless that his<br />

31. aleksei uchitel,’ Kosmos kak predchuvstvie (<strong>Space</strong> as Premonition), Mironov, evgenii; pegova, Irina;<br />

tsyganov, evgenii; Liadova, elena (rock Film Studio, 2005), 90 minutes. uchitel’ won <strong>the</strong><br />

“Golden St. George” award at <strong>the</strong> Moscow International Film Festival in 2005 for this movie.<br />

32. aleksei Fedorchenko, Pervye na lune (First on <strong>the</strong> Moon),Vlasov, Boris; Slavnin, aleksei; Osipov,<br />

andrei; Otradnov, anatolii; Ilinskaia, Viktoriia (Sverdlovsk Film Studio and Film Company<br />

Strana, 2005), 75 minutes. Ironically, this flm won <strong>the</strong> “Best documentary” award at <strong>the</strong> Venice<br />

Film Festival in 2005.<strong>the</strong> same year, it won “<strong>the</strong> Best debut” prize at <strong>the</strong> Kinotaur Festival in<br />

Sochi, russia.

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