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Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN)

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242 reMeMBerING <strong>the</strong> SpaCe aGe<br />

romania (1957), albania (1962), Sharjah/Mongolia (1963), and poland (1964). 17<br />

In <strong>the</strong> fall of 1958, <strong>the</strong> Soviet Union began to market its frst fltered cigarette,<br />

using Laika’s name and image on <strong>the</strong> wrapper, and initiating a now 50-year-old<br />

process of commodifcation and “branding” of <strong>the</strong> space dog. 18 <strong>the</strong> high-relief at<br />

<strong>the</strong> base of <strong>the</strong> monument “to <strong>the</strong> Conquerors of <strong>Space</strong>” (dedicated in 1964) at<br />

<strong>the</strong> exhibition of achievements of <strong>the</strong> National economy 19 (VDNKh) includes<br />

an alert, larger-than-life Laika, whose capsule provides <strong>the</strong> foundation for a rocket<br />

guided by <strong>the</strong> muscular male arms of an anonymous socialist-realist human.<br />

While <strong>the</strong> pins, stamps, and monuments of <strong>the</strong> 1950s and 1960s might<br />

be fairly straightforward commemorations of a signifcant event or individual,<br />

o<strong>the</strong>r tributes to Laika were more complex. 20 Outside <strong>the</strong> Soviet Union, at least<br />

two musical memorials addressed <strong>the</strong> main concerns raised by Sputnik II—<br />

american preoccupation with <strong>the</strong> specter of Soviet domination and widespread<br />

shock over sending a dog to its death in space.<br />

“Sputniks and Mutniks,” recorded by ray anderson and <strong>the</strong> homefolks<br />

in 1958, playfully captured <strong>the</strong> sensationalism and insecurity Laika’s fight<br />

generated in <strong>the</strong> United States. 21 Jaunty and playful, <strong>the</strong> song’s quick tempo and<br />

bluegrass style is at odds with <strong>the</strong> anxiety over <strong>the</strong> potential for weaponizing<br />

space expressed in <strong>the</strong> lyrics:<br />

Sputniks and mutniks fying through <strong>the</strong> air<br />

Sputniks and mutniks fying everywhere<br />

<strong>the</strong>y’re so ironic, are <strong>the</strong>y atomic?<br />

those funny missiles have got me scared.<br />

While anderson’s song received relatively little distribution before Jayne Loader<br />

and pierce and Kevin raferty identifed it as a “must have” for <strong>the</strong> soundtrack<br />

of <strong>the</strong>ir satirical documentary Atomic Cafe (1982), <strong>the</strong> second song from this<br />

era, “russian Satellite,” enjoyed instant and enduring acclaim. as one of <strong>the</strong><br />

Mighty Sparrow’s three Carnival road March Competition winners from 1958,<br />

<strong>the</strong> song helped catapult <strong>the</strong> “Sparrow” (born Slinger Francisco) to <strong>the</strong> forefront<br />

of <strong>the</strong> calypso world, where he has remained for nearly half a century. as in<br />

<strong>the</strong> case of “Sputniks and Mutniks,” <strong>the</strong> lyrics and music of “russian Satellite”<br />

17. In <strong>the</strong> sixties, <strong>the</strong> Soviet Union and several o<strong>the</strong>r eastern Bloc countries also issued stamps of<br />

o<strong>the</strong>r space dogs, especially Belka, Strelka, Chernushka, and Zvezdochka. Stamps of Laika were<br />

issued later in hungary (1982) and North Korea (1987).<br />

18. “Soviet Smokers Now have Filters,” New York Times, September 11, 1958.<br />

19. In 1992,<strong>the</strong> title of this center was changed to <strong>the</strong> all-russian exhibition Centre,but it continues<br />

to be referred to by its previous acronym of VDNKh.<br />

20. See for example, Leonid Vysheslavskii’s poem, “pamiati Laiki,” Zvezdnye sonety (Moscow:<br />

Sovetskii pisatel’, 1962), p. 71.<br />

21. Atomic Cafe Soundtrack (rounder Select, 1994).

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