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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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238 reMeMBerING <strong>the</strong> SpaCe aGe<br />

celebrity and complex historical memory surrounding “Laika,” <strong>the</strong> mixedbreed<br />

dog that became <strong>the</strong> frst living being to orbit earth in November 1957,<br />

is certainly one of <strong>the</strong> most intriguing examples. Instantly famous as evidence<br />

that <strong>the</strong> Soviets led <strong>the</strong> race to conquer space, Laika joined a small group of<br />

animals who are celebrities in <strong>the</strong>ir own right. But while <strong>the</strong> fame of o<strong>the</strong>r<br />

creatures in this cohort often derives from humans’ shared assessment of <strong>the</strong>ir<br />

symbolic importance—as an emblem of grit and courage in <strong>the</strong> case of a depression-era<br />

racehorse such as Seabiscuit or as an exotic token of national rivalry in<br />

<strong>the</strong> case of p. t. Barnum’s giant pachyderm, Jumbo, (purchased in 1882 from<br />

<strong>the</strong> London zoo for a <strong>the</strong>n-record sum of $10,000), 5 Laika’s celebrity was more<br />

controversial at <strong>the</strong> outset and remains more complicated 50 years after <strong>the</strong><br />

fight of Sputnik II. By examining <strong>the</strong> ongoing resonance of <strong>the</strong> frst space dog<br />

in global popular culture, this essay shows how a defning episode of <strong>the</strong> early<br />

<strong>Space</strong> age has been remembered even as its specifc historical circumstances<br />

have been efaced. this contradictory legacy has much to say about <strong>the</strong> shifting,<br />

mutable nature of social frames of memory (and, by extension, forgetting), and<br />

about <strong>the</strong> complex ways that humans engage, imagine, and remember <strong>the</strong> life<br />

and death of an individual dog.<br />

Speculation about Laika’s fate and <strong>the</strong> signifcance of her voyage served<br />

as <strong>the</strong> crux of <strong>the</strong> initial controversy. as Susan Buck-Morss and David Caute<br />

have recently noted, <strong>the</strong> ferceness of <strong>the</strong> cultural Cold War derived, somewhat<br />

ironically, from <strong>the</strong> superpowers’ shared enlightenment heritage and <strong>the</strong> fact<br />

that both sides largely agreed on cultural values, including a faith in progress, a<br />

veneration of science and technology, and a determination to harness nature to<br />

human ends. <strong>the</strong> space race, inaugurated a short month before Laika’s voyage<br />

with <strong>the</strong> launch of <strong>the</strong> frst artifcial satellite, tapped into all of <strong>the</strong>se concerns<br />

while also serving as a proxy for armed confict. Caute’s bemused assertion that<br />

“a Soviet dog orbiting in space caused all american dogs to howl” highlights<br />

<strong>the</strong> international drama precipitated by Laika’s fight. as ordinary citizens<br />

scanned <strong>the</strong> night sky and amateur radio operators tracked <strong>the</strong> satellite’s radio<br />

signal, world headlines confrmed <strong>the</strong> Soviets’ latest victory in <strong>the</strong> space race—a<br />

competition of scientifc, engineering, and industrial might that was both more<br />

threatening and more fascinating than conventional warfare. 6<br />

Sending a dog into orbit fur<strong>the</strong>r undermined Western confdence already<br />

shaken by <strong>the</strong> launch of Sputnik I. at <strong>the</strong> same time, this bizarre, public form of<br />

animal experimentation outraged animal welfare groups. For although Laika’s<br />

5. Laura hillenbrand, Seabiscuit an American Legend (New York, NY: random house, 2001); harriet<br />

ritvo, The Animal Estate.The English and O<strong>the</strong>r Creatures in <strong>the</strong> Victorian <strong>Age</strong> (Cambridge, Ma:<br />

harvard University press, 1987), pp. 220, 232-233.<br />

6. David Caute, The Dancer Defects.The Struggle for Cultural Supremacy during <strong>the</strong> Cold War (Oxford,<br />

UK: Oxford University press, 2003), pp. 4, 38-39; Susan Buck-Morss, Dreamworld and Catastrophe.<br />

The Passing of Mass Utopia in East and West (Cambridge, Ma: MIt press, 2002).

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