Remembering the Space Age. - Black Vault Radio Network (BVRN)
Remembering the Space Age. - Black Vault Radio Network (BVRN) Remembering the Space Age. - Black Vault Radio Network (BVRN)
Chapter 13 the Music of Memory and Forgetting: Global echoes of Sputnik II 1 amy Nelson In times when history still moved slowly, events were few and far between and easily committed to memory. they formed a commonly accepted backdrop for thrilling scenes of adventure in private life. Nowadays, history moves at a brisk clip. a historical event, though soon forgotten, sparkles the morning after with the dew of novelty. — Milan Kundera 2 It’s been four long days since we frst started experimenting on the dearly departed soon she won’t communicate anymore. — amoree Lovell 3 W 4 hile americans’ memory of the “evil empire” might be fading, the Cold War continues to inform an increasingly diverse and interrelated global popular culture in often surprising ways. among these, the enduring 1. the research for this essay was supported by a Summer humanities Stipend from Virginia tech, the Summer research Laboratory on russia, eastern europe, and eurasia at the University of Illinois, and a Faculty research Grant from Virginia tech’s College of Liberal arts and human Sciences. For assistance tracking down musical and poetic tributes to space dogs I am grateful to Karl Larson, tom ewing, Mark Barrow, robert Stephens, erik heine, andrew Jenks, and especially evan Noble. I am indebted to Brian Britt and Greta Kroeker for their help translating lyrics in languages I wish I knew better. Some material from this essay also appears in amy Nelson, “Der abwesende Freund: Laikas kulturelles Nachleben,” in Jessica Ullrich, Friedrich Welzien, and heike Fuhlbrügge, eds, Ich, das Tier. Tiere als Personlichkeiten in der Kulturgeschichte (Berlin: reimer Verlag, 2008), pp. 215-224. 2. Kundera, Milan. The Book of Laughter and Forgetting, trans. Michael henry heim (Middlesex, england: penguin Books, Ltd, 1980 [1979]), pp. 7-8. 3. Lines from the song “Laika: an allegory,” Six Sadistic Songs for Children (2005). 4. In its annual assessment of the attitudes of today’s youth, Beloit College’s “Mindset List for the Class of 2010” notes that for today’s college students “the Soviet Union has never existed and therefore is about as scary as the student union.”“Beloit College Mindset List,” http://www.beloit. edu/~pubaf/mindset/2010.php (accessed January 20, 2008).
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Chapter 13<br />
<strong>the</strong> Music of Memory and Forgetting:<br />
Global echoes of Sputnik II 1<br />
amy Nelson<br />
In times when history still moved slowly, events were few<br />
and far between and easily committed to memory. <strong>the</strong>y<br />
formed a commonly accepted backdrop for thrilling scenes of<br />
adventure in private life. Nowadays, history moves at a brisk<br />
clip. a historical event, though soon forgotten, sparkles <strong>the</strong><br />
morning after with <strong>the</strong> dew of novelty.<br />
— Milan Kundera 2<br />
It’s been four long days since we frst started experimenting<br />
on <strong>the</strong> dearly departed<br />
soon she won’t communicate anymore.<br />
— amoree Lovell 3<br />
W<br />
4 hile americans’ memory of <strong>the</strong> “evil empire” might be fading, <strong>the</strong><br />
Cold War continues to inform an increasingly diverse and interrelated<br />
global popular culture in often surprising ways. among <strong>the</strong>se, <strong>the</strong> enduring<br />
1. <strong>the</strong> research for this essay was supported by a Summer humanities Stipend from Virginia tech,<br />
<strong>the</strong> Summer research Laboratory on russia, eastern europe, and eurasia at <strong>the</strong> University of<br />
Illinois, and a Faculty research Grant from Virginia tech’s College of Liberal arts and human<br />
Sciences. For assistance tracking down musical and poetic tributes to space dogs I am grateful<br />
to Karl Larson, tom ewing, Mark Barrow, robert Stephens, erik heine, andrew Jenks, and<br />
especially evan Noble. I am indebted to Brian Britt and Greta Kroeker for <strong>the</strong>ir help translating<br />
lyrics in languages I wish I knew better. Some material from this essay also appears in amy<br />
Nelson, “Der abwesende Freund: Laikas kulturelles Nachleben,” in Jessica Ullrich, Friedrich<br />
Welzien, and heike Fuhlbrügge, eds, Ich, das Tier. Tiere als Personlichkeiten in der Kulturgeschichte<br />
(Berlin: reimer Verlag, 2008), pp. 215-224.<br />
2. Kundera, Milan. The Book of Laughter and Forgetting, trans. Michael henry heim (Middlesex,<br />
england: penguin Books, Ltd, 1980 [1979]), pp. 7-8.<br />
3. Lines from <strong>the</strong> song “Laika: an allegory,” Six Sadistic Songs for Children (2005).<br />
4. In its annual assessment of <strong>the</strong> attitudes of today’s youth, Beloit College’s “Mindset List for <strong>the</strong><br />
Class of 2010” notes that for today’s college students “<strong>the</strong> Soviet Union has never existed and<br />
<strong>the</strong>refore is about as scary as <strong>the</strong> student union.”“Beloit College Mindset List,” http://www.beloit.<br />
edu/~pubaf/mindset/2010.php (accessed January 20, 2008).