Remembering the Space Age. - Black Vault Radio Network (BVRN)
Remembering the Space Age. - Black Vault Radio Network (BVRN) Remembering the Space Age. - Black Vault Radio Network (BVRN)
236 reMeMBerING the SpaCe aGe to Sputnik or Gagarin’s fight. 100 In order to remember, we have to create our memories. and we create them out of the myths and symbols of our culture. Cultural myths should not be seen merely as distorted memories. It is precisely these “distortions,” cultural adaptations and appropriations of symbols, that give cultures their individuality, their unique character, and distinct perspective. Just as one’s personal memories reveal more about one’s current identity than about one’s past, historical myths provide a valuable insight into the culture that produces them. at the intersection of space history and cultural history, the semiotics of Space age remembrance ties together individual memory and collective myth, the materiality of objects and the pliability of symbols, the authenticity of fantasy and the deceptive nature of truth. there can be no “true” memory, as any act of recollection reconstitutes our memories. as diferent cultures remember the Space age, it keeps changing, revealing new symbolic meanings and providing an inexhaustible source of study for historians. By shifting the focus from debunking myths to examining their origins and their constructive role in culture, we can understand memory as a dynamic cultural force, not a static snapshot of the past. 100. Donald J. raleigh, tran. and ed., Russia’s Sputnik Generation: Soviet Baby Boomers Talk about Their Lives (Bloomington, IN: Indiana University press, 2006).
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236 reMeMBerING <strong>the</strong> SpaCe aGe<br />
to Sputnik or Gagarin’s fight. 100 In order to remember, we have to create our<br />
memories. and we create <strong>the</strong>m out of <strong>the</strong> myths and symbols of our culture.<br />
Cultural myths should not be seen merely as distorted memories. It is<br />
precisely <strong>the</strong>se “distortions,” cultural adaptations and appropriations of symbols,<br />
that give cultures <strong>the</strong>ir individuality, <strong>the</strong>ir unique character, and distinct<br />
perspective. Just as one’s personal memories reveal more about one’s current<br />
identity than about one’s past, historical myths provide a valuable insight into<br />
<strong>the</strong> culture that produces <strong>the</strong>m. at <strong>the</strong> intersection of space history and cultural<br />
history, <strong>the</strong> semiotics of <strong>Space</strong> age remembrance ties toge<strong>the</strong>r individual<br />
memory and collective myth, <strong>the</strong> materiality of objects and <strong>the</strong> pliability of<br />
symbols, <strong>the</strong> au<strong>the</strong>nticity of fantasy and <strong>the</strong> deceptive nature of truth.<br />
<strong>the</strong>re can be no “true” memory, as any act of recollection reconstitutes<br />
our memories. as diferent cultures remember <strong>the</strong> <strong>Space</strong> age, it keeps changing,<br />
revealing new symbolic meanings and providing an inexhaustible source of<br />
study for historians. By shifting <strong>the</strong> focus from debunking myths to examining<br />
<strong>the</strong>ir origins and <strong>the</strong>ir constructive role in culture, we can understand memory<br />
as a dynamic cultural force, not a static snapshot of <strong>the</strong> past.<br />
100. Donald J. raleigh, tran. and ed., Russia’s Sputnik Generation: Soviet Baby Boomers Talk about Their<br />
Lives (Bloomington, IN: Indiana University press, 2006).