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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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210 reMeMBerING <strong>the</strong> SpaCe aGe<br />

“foating signifers”—symbols without fxed meaning—that are reinterpreted<br />

again and again as <strong>the</strong>y pass through diferent contexts. No single group or<br />

agency—even a government agency—can fully control <strong>the</strong>m.<br />

From a cultural anthropologist’s perspective, <strong>the</strong> interaction between<br />

NaSa and broader culture could be recast as a dialogue of diferent cultures:<br />

NaSa’s own culture(s) and <strong>the</strong> diverse subcultures of space fans, activists,<br />

educators, and artists. a study of this interaction might fnally bring toge<strong>the</strong>r<br />

two disparate research areas—<strong>the</strong> analyses of <strong>the</strong> <strong>Space</strong> age in popular culture<br />

and <strong>the</strong> studies of NaSa’s own institutional culture(s). 28 <strong>the</strong> anthropological<br />

models of cultural contact, confict, translation, mediation, and <strong>the</strong> “trading<br />

zone” may prove useful here. 29<br />

Combining <strong>the</strong> notion of historical memory with <strong>the</strong> model of cultural<br />

exchange leads to an investigation of <strong>the</strong> dynamics of memory in diferent<br />

cultures. Within larger american culture, every distinct group—space engineers,<br />

astronauts, and space fans, for example—nurtures its own memories, its own<br />

folklore, and its own historical visions of <strong>the</strong> <strong>Space</strong> age. What happens when<br />

diferent groups interact and exchange <strong>the</strong>ir memories? What new mythologies<br />

and hybrid identities emerge?<br />

although diferent groups and diferent nations may have diferent<br />

memories of <strong>the</strong> <strong>Space</strong> age, <strong>the</strong> cultural mechanisms by which <strong>the</strong>se memories<br />

are exchanged and altered over time prove remarkably similar. If we look beyond<br />

american culture and examine <strong>the</strong> convolutions of <strong>the</strong> historical memory of <strong>the</strong><br />

<strong>Space</strong> age in russian and Soviet culture, we will fnd a similar struggle between<br />

a master narrative and an array of counter-stories, even though <strong>the</strong> dynamics of<br />

this struggle will follow a specifc russian political and cultural trajectory. 30<br />

28. On NaSa culture(s), see alexander Brown, “accidents, engineering, and history at NaSa,<br />

1967–2003,” in Critical Issues in <strong>the</strong> History of <strong>Space</strong>fight, pp. 377-402; Yasushi Sato, “Local<br />

engineering and Systems engineering: Cultural Confict at NaSa’s Marshall <strong>Space</strong> Flight<br />

Center, 1960-1966,” Technology and Culture 46:3 (July 2005): 561-583; Diane Vaughan,<br />

The Challenger Launch Decision: Risky Technology, Culture, and Deviance at NASA (Chicago:<br />

University of Chicago press, 1996); Vaughan, “Changing NaSa: <strong>the</strong> Challenges of<br />

Organizational System Failures,” in Critical Issues in <strong>the</strong> History of <strong>Space</strong>fight, pp. 349-376.<br />

29. See peter Galison,“trading Zone: Coordinating action and Belief,” in The Science Studies Reader,<br />

ed. Mario Biagioli (New York, NY: routledge, 1999), pp. 137-160.<br />

30. On memorialization practices in Soviet and post-Soviet contexts, see Svetlana Boym, The<br />

Future of Nostalgia (New York, NY: Basic Books, 2001); Frederick C. Corney, “rethinking a<br />

Great event:<strong>the</strong> October revolution as Memory project,” Social Science History 22:4 (Winter<br />

1998): 389-414; Geofrey a. hosking,“Memory in a totalitarian Society:<strong>the</strong> Case of <strong>the</strong> Soviet<br />

Union,” in Memory, ed. Butler, pp. 97-114; and James V.Wertsch, Voices of Collective <strong>Remembering</strong><br />

(Cambridge, UK: Cambridge University press, 2002).

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