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Remembering the Space Age. - Black Vault Radio Network (BVRN)

Remembering the Space Age. - Black Vault Radio Network (BVRN)

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184 reMeMBerINg <strong>the</strong> SpaCe age<br />

even by <strong>the</strong> time of <strong>the</strong>se breathless predictions, however, <strong>the</strong> most storied<br />

days of <strong>the</strong> <strong>Space</strong> age were already coming to a close. an image-saturated<br />

public seemed to be tiring of spectacles in space. Only a major triumph, such<br />

as <strong>the</strong> walk on <strong>the</strong> Moon in 1969, or a major disaster—such as <strong>the</strong> death of<br />

three apollo astronauts in January 1967, <strong>the</strong> apollo 13 travails in april 1970,<br />

or <strong>the</strong> Challenger explosion in January 1986—could reclaim a large viewing<br />

public. Between 1969 and 1972, <strong>the</strong> United States landed six sets of astronauts<br />

on <strong>the</strong> Moon. <strong>the</strong> successes of <strong>the</strong> Moon program, frst amazing and <strong>the</strong>n<br />

routine, became its greatest burden. Media attention ebbed along with <strong>the</strong><br />

public’s investment of emotional and monetary assets. In 1979, tom Wolfe’s<br />

The Right Stuf seemed <strong>the</strong> stuf of nostalgia. Wolfe recalled <strong>the</strong> early 1960s<br />

fascination with <strong>the</strong> buccaneer days of space and concluded with <strong>the</strong> epitaph<br />

“<strong>the</strong> era of america’s frst single-combat warriors had come, and it had gone,<br />

perhaps never to be relived.” 63<br />

even as <strong>the</strong> exuberant high of <strong>the</strong> <strong>Space</strong> age slipped away, it none<strong>the</strong>less<br />

left an enduring array of creative and rhetorical resources in american culture.<br />

like any star celebrity, <strong>the</strong> legacy of meanings for national identities and global<br />

futures were complex and multiple. <strong>Space</strong> exploration in this era—entangled<br />

in Cold War rivalries, magnifed by <strong>the</strong> explosion of new image-based media,<br />

intertwined with discussions over <strong>the</strong> role of technology and planetary<br />

stewardship, and expressed through innovative artistic products and designs—<br />

anchored diverse images and representations.<br />

<strong>the</strong> <strong>Space</strong> age boosted national pride—and placed it under threat. It<br />

forged pipelines to pump money into fantastic new projects—and prompted<br />

warnings about <strong>the</strong> size of a “Moon-doggle” and an enervating dependence<br />

on government largesse. It promoted techno-science—and stimulated new<br />

fears about “technocracy.” It encouraged <strong>the</strong> triumph of rational endeavor—<br />

and a mystical faith about <strong>the</strong> meanings of <strong>the</strong> heavens. It promised peace and<br />

social justice—and more frightening forms of hierarchy and war. It ofered <strong>the</strong><br />

excitement of new modes of living—and apprehensions about <strong>the</strong> unknown. It<br />

inspired creativity—and created bureaucracies that could stife it.<br />

In its intersections with <strong>the</strong> Cold War, <strong>the</strong> Media age, <strong>the</strong> technetronic<br />

age, and Mid-century Modernism, <strong>the</strong> <strong>Space</strong> age provided a canvas for many<br />

visions, a setting for multiple narratives about who “we” were and could be.<br />

loaded with so many meanings, space indeed seemed infnite. and in its<br />

undefnability and semiotic expansiveness, space was—and still is—far out.<br />

63. tom Wolfe, The Right Stuf (New York, NY: Farrar, Straus, giroux, 1979), p. 436.

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