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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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Far OUt: <strong>the</strong> SpaCe age IN aMerICaN CUltUre<br />

183<br />

In some cases <strong>the</strong> trajectory of vision for abstract expressionist painters<br />

seemed quite directly in synch with space exploration, even if <strong>the</strong> connections<br />

often stood largely unnoticed or unarticulated at <strong>the</strong> time. richard pousette-dart,<br />

for example, brought to canvass <strong>Space</strong> age motifs in Night Landscape (1969-71), a<br />

blue, black, white, and yellow sky dense with layered planets and rotations; Starry<br />

<strong>Space</strong> (1961); and Earth Shadow in Time (1969). O<strong>the</strong>r artists also explored <strong>Space</strong><br />

age concerns. robert rauschenberg, for example, produced his “Stoned Moon”<br />

cycle of paintings after being invited by NaSa to witness <strong>the</strong> launch of apollo<br />

11. 61 <strong>the</strong>re were many, many more artists who drew from new understandings in<br />

physics and astronomy to fashion commentaries on perspective, on <strong>the</strong> fungibility<br />

of matter and energy, and on <strong>the</strong> universe’s enigmatic proportions. Fascination with<br />

<strong>the</strong> “far out” provided <strong>the</strong> ethos of <strong>the</strong> era, in art as well as in science and politics.<br />

***<br />

For a couple of decades, googie design and its many ofshoots shined as<br />

brightly as <strong>the</strong> Moon and stars. googie was a style of optimism, an exemplar of<br />

free and unregimented spirits who broke <strong>the</strong> rules, an efervescence of populist<br />

self-confdence. If <strong>the</strong> <strong>Space</strong> age coincided with an increasingly powerful<br />

american imperium, <strong>the</strong>n googie represented <strong>the</strong> imperial signature of what<br />

one historian has termed america’s “empire of fun.” Its bold and shiny surfaces<br />

revealed few dark sides.<br />

5. CONClUSION<br />

From <strong>the</strong> 1950s to <strong>the</strong> 1970s, space held many meanings: it was a symbolladen<br />

arena in which people and nations staged Cold War competitions, a “star”<br />

in <strong>the</strong> media frmament, an ultimate challenge for scientists and engineers, and<br />

an inspiration for artists and designers.<br />

In 1966, Wernher von Braun ended his book on <strong>the</strong> history of space travel<br />

with a vision of what steps would follow after <strong>the</strong> projected apollo Moon<br />

landing. he asserted that <strong>the</strong>re would soon be semi-permanent bases on <strong>the</strong><br />

Moon, growing vegetables and chickens. he <strong>the</strong>n predicted a fyby to Mars or<br />

Venus by <strong>the</strong> late 1970s, landings on Mars in <strong>the</strong> 1980s, and <strong>the</strong> exploration of<br />

o<strong>the</strong>r planets and moons until <strong>the</strong> process of discovery became routine. 62<br />

61. robert rauschenberg; Stoned Moon, http://www.orbit.zkm.de/?q=node/277 (accessed September<br />

15, 2007).<br />

62. Von Braun and Ordway, History of Rocketry, p. 222. For a well-illustrated, recent attempt to<br />

reimagine <strong>the</strong> past and future of space exploration, see roger d. launius and howard e.<br />

McCurdy, Imagining <strong>Space</strong>: Achievements, Predictions, Possibilities, 1950-2050 (San Francisco,<br />

Ca: Chronicle Books, 2001).

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