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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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Far OUt: <strong>the</strong> SpaCe age IN aMerICaN CUltUre<br />

181<br />

googie styles, which reached <strong>the</strong>ir apogee in <strong>the</strong> slice of sou<strong>the</strong>rn California<br />

that stretched between hollywood and disneyland. In 1949, <strong>the</strong> architect<br />

John lautner had designed a building for googie’s Cofee Shop on Sunset<br />

Boulevard in los angeles. architecture critic douglas haskell wrote an article<br />

in House and Home Magazine in 1952 in <strong>the</strong> form of a playful interview with a<br />

fcticious expert on “googie” architecture. “It seems to symbolize life today,”<br />

his imaginary expert explained, “skyward aspiration blocked by Schwab’s<br />

pharmacy.” <strong>the</strong> article closed with <strong>the</strong> rumination that seemed to be at <strong>the</strong><br />

heart of Cold War googie: “It’s too bad our taste is so horrible; but it’s pretty<br />

good to have men free.” 57<br />

googie quickly moved beyond cofee shops. architect John lautner’s<br />

own 1960 home, <strong>the</strong> Cemosphere (recently saved and rehabilitated by <strong>the</strong><br />

german book publisher Benedikt taschen) shimmered above <strong>the</strong> horizon like<br />

some extraterrestrial hovercraft. Built in <strong>the</strong> hollywood hills of Mulholland<br />

drive, lautner’s design responded to <strong>the</strong> challenge of building on a 45-degree<br />

slope. erected on top of a 30-foot concrete pole, it appeared to defy not just<br />

conventional forms but gravity itself. 58 googie, douglas haskell wrote, “was<br />

an architecture up in <strong>the</strong> air.”<br />

googie’s infuence fowed out into highways and towns throughout <strong>the</strong><br />

nation. “Serious” architects picked up <strong>the</strong> googie designation as a slur, but it<br />

became <strong>the</strong> roadside look of a <strong>Space</strong> age nation-on-<strong>the</strong>-go. Just as <strong>the</strong> space<br />

race defed gravitational laws, so representations of space ofered suggestive<br />

mixtures of lines and curves that faunted <strong>the</strong> conventions of earthbound<br />

realities. travelers in <strong>the</strong> late l960s could stay in <strong>the</strong> <strong>Space</strong> age Inn or <strong>the</strong><br />

Cosmic age lodge. after taking in disneyland (a googie paradise), <strong>the</strong>y might<br />

shop in Satellite Shopland and cruise by <strong>the</strong> fabulous anaheim Convention<br />

Center. gas stations might rest in <strong>the</strong> shade of characteristically upswept roofs<br />

and aerospace-inspired fying buttresses. In googie, domes hugged earth as<br />

spires and starbursts (see las Vegas and holiday Inn) transcended terra frma.<br />

<strong>the</strong> original Mcdonald’s golden arches projected a <strong>Space</strong> age ellipse. If googie<br />

had any rules of form, <strong>the</strong>y were <strong>the</strong> embrace of abstraction and surprise. 59<br />

as in o<strong>the</strong>r <strong>Space</strong> age representations of <strong>the</strong> future, googie’s futuristic elements<br />

often mixed anachronistically with primitivist motifs: tiki-hut roofs, South<br />

sea island-style lava rock walls, frontier <strong>the</strong>mes. long before <strong>the</strong> postmodern<br />

architecture of <strong>the</strong> end of <strong>the</strong> twentieth century self-consciously (and<br />

57. douglas haskell, House and Home Magazine, (February 1952) http://www.spaceagecity.com/googie/<br />

index.htm (accessed September 15, 2007).<br />

58. alan hess, The Architecture of John Lautner (New York, NY: rizzoli International publications,<br />

1999).<br />

59. alan hess, Googie: Fifties Cofeehouse Architecture, (San Francisco, Ca: Chronicle Books, 1985), and<br />

philip langdon, Orange Roofs, Golden Arches:The Architecture of American Chain Restaurants (New<br />

York, NY:alfred a. Knopf, 1986).

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