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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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158 reMeMBerINg <strong>the</strong> SpaCe age<br />

gravitational pull so stirred emotions that space exploration became an intense<br />

cultural preoccupation.<br />

Focusing on representations that comprise collective, not individual<br />

memory, this essay seeks to suggest some of <strong>the</strong> diverse symbols and narratives<br />

of <strong>the</strong> <strong>Space</strong> age as <strong>the</strong>y circulated in american culture. as a complex of<br />

collective signs and symbols, <strong>the</strong> <strong>Space</strong> age intertwined with o<strong>the</strong>r rival<br />

designations for <strong>the</strong> postwar era: <strong>the</strong> Cold War, <strong>the</strong> Media age, what Zbigniew<br />

Brzezinski called <strong>the</strong> technetronic age, and <strong>the</strong> age of a Mid-century<br />

Modernist aes<strong>the</strong>tic. <strong>Space</strong> exploration augmented <strong>the</strong> Cold War with <strong>the</strong> space<br />

race, enhanced <strong>the</strong> Media age with truly amazing dramas and visual<br />

spectacularity, heightened <strong>the</strong> technetronic age’s moral and philosophical<br />

concerns over <strong>the</strong> implications of technocracy and a so-called “<strong>Space</strong>ship<br />

earth,” and inspired Mid-century Modernist impulses that emerged as googie<br />

and abstract expressionism. refracting aspirations and fears, <strong>the</strong> <strong>Space</strong> age held<br />

multiple meanings for foreign policy, politics, media, engineering, morality,<br />

art, and design. 1<br />

1. <strong>the</strong> COld War: SpaCe raCe<br />

In October 1957, Sputnik I became a media sensation. hurled into orbit<br />

by a massive rocket, <strong>the</strong> Soviet-launched space satellite, circling earth every<br />

95 minutes, appeared to demonstrate urgent strategic dangers. this “Sputnik<br />

moment,” in which fear mingled with fascination, prompted signifcant changes<br />

in america’s Cold War landscape. It by no means, however, began america’s<br />

fascination with a new <strong>Space</strong> age.<br />

a vibrant spacefight movement comprised largely of science fction writers<br />

and engineers had preceded Sputnik and helped set a tone for <strong>the</strong> space race that<br />

emerged in Sputnik’s wake. a team of mostly german rocket-scientists headed<br />

by Wernher von Braun had worked for <strong>the</strong> U.S. army since <strong>the</strong> summer of 1950<br />

under order to develop a ballistic missile capable of delivering a nuclear weapon. 2<br />

On <strong>the</strong> side, von Braun had energetically promoted popular interest in spacefight,<br />

and his eforts during <strong>the</strong> mid-1950s became part of a boom in both science and<br />

science fction writing about space. a group that <strong>the</strong> scholar de Witt douglas<br />

Kilgore has called “astrofuturists”—writers who based <strong>the</strong>ir tales of an<br />

intergallactical future on new scientifc breakthroughs in physics—included<br />

Isaac asimov, robert heinlein, arthur C. Clarke, Willy ley, and o<strong>the</strong>rs. 3<br />

1.<br />

2.<br />

3.<br />

<strong>the</strong> author wishes to express special thanks to Norman l. rosenberg for his contributions to<br />

this essay.<br />

tom d. Crouch, Aiming for <strong>the</strong> Stars: The Dreamers and Doers of <strong>the</strong> <strong>Space</strong> <strong>Age</strong> (Washington, dC:<br />

Smithsonian Institution press, 1999), p. 118.<br />

de Witt douglas Kilgore, Astrofuturism: Science, Race, and Visions of Utopia in <strong>Space</strong> (philadelphia, pa:<br />

University of pennsylvania press, 2003) examines <strong>the</strong> major scientifc and literary productions.

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