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Remembering the Space Age. - Black Vault Radio Network (BVRN)

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Chapter 10<br />

Far Out:<br />

<strong>the</strong> <strong>Space</strong> age in american Culture<br />

emily S. rosenberg<br />

S pace has long provided a canvas for <strong>the</strong> imagination. For me, <strong>the</strong> early<br />

<strong>Space</strong> age intertwined with a sense of youth’s almost limitless possibilities—<br />

<strong>the</strong> excitement of discovery, <strong>the</strong> allure of adventure, <strong>the</strong> challenge of competition,<br />

<strong>the</strong> confdence of mastery. as a girl in Montana, I looked up into that Big Sky<br />

hoping to glimpse a future that would, somehow, allow my escape from <strong>the</strong><br />

claustrophobia of small towns separated by long distances.<br />

But <strong>the</strong> <strong>Space</strong> age was also bound up with <strong>the</strong> encroaching cynicism of<br />

my young adulthood: <strong>the</strong> fear of a future driven by thoughtless fascination with<br />

technique and a Vietnam-era disillusionment with <strong>the</strong> country’s benevolence<br />

and with <strong>the</strong> credibility of its leaders. <strong>the</strong> night that <strong>the</strong> frst american landed<br />

on <strong>the</strong> Moon, I was in <strong>the</strong> audience at <strong>the</strong> Newport Folk Festival. Someone from<br />

<strong>the</strong> audience yelled “What were <strong>the</strong> frst words on <strong>the</strong> Moon?” <strong>the</strong> announcer<br />

replied, “<strong>the</strong>y were: ‘<strong>the</strong> simulation was better!’” a cluster of people grumbled<br />

that <strong>the</strong> Moonwalk was probably faked, a suspicion that my barely literate<br />

immigrant grandmo<strong>the</strong>r—and a few o<strong>the</strong>rs in <strong>the</strong> country—shared.<br />

<strong>the</strong> new <strong>Space</strong> age could promise giant leaps and also threaten hal of<br />

2001: A <strong>Space</strong> Odyssey. <strong>Space</strong> could be far away or “far out.”<br />

anyone who has been around for <strong>the</strong> past half century harbors private<br />

memories of <strong>the</strong> early <strong>Space</strong> age. a toy, a tV program, a book, a painting,<br />

a school science fair project can each touch of remembrance of a place, an<br />

emotion, <strong>the</strong> person we once were. For each individual, <strong>the</strong> <strong>Space</strong> age ofered<br />

an array of visual representations and symbolic threads that could, intimately<br />

and personally, weave a unique tapestry.<br />

But <strong>the</strong> <strong>Space</strong> age was not simply an infnitely personalizable canvas for<br />

individual memories. It also ofered national and global imaginaries that projected<br />

assumptions about, and debates over, national identities and global futures.<br />

<strong>the</strong> <strong>Space</strong> age, of course, is in one sense as old as historical time—<br />

humans have long looked to <strong>the</strong> heavens for meaning. and it is also an age<br />

still of <strong>the</strong> present as <strong>the</strong> current schemes to militarize space and <strong>the</strong> renewed<br />

public visibility of public and private missions into space remind us. But this<br />

essay addresses that shorter moment of <strong>the</strong> <strong>Space</strong> age, <strong>the</strong> couple of decades<br />

beginning in <strong>the</strong> early 1950s when transcending earth’s atmosphere and

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