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KHNA - <strong>2011</strong><br />

Anjali January<br />

1


Anjali January<br />

2 KHNA - <strong>2011</strong>


From Editors' Desk<br />

This issue of Anjali comes out to coincide with the arrival of<br />

Makara Sankranti, the auspicious occasion of Sun’s passage to the<br />

Northern hemisphere. Makara Sankranti, a Hindu festival celebrated<br />

through out India, signifies change. The southern sojourn<br />

(Dakshinaayanam) of the Sun ends on this day and the Sun’s journey<br />

to the northern hemisphere (Uttaraayanam) begins. The religious<br />

significance of Makara Sankranti is explained in the beautifully narrative<br />

article of Shri Mannady Hari Ji appearing elsewhere in this Anjali<br />

issue<br />

Hindus always cloaked complicated religious thesis not easily<br />

understood by the common people in traditions and rituals that<br />

needed no deep understanding of the religious books or discourses.<br />

‘Makara Sankranti’ is thus observed as an auspicious event that<br />

brings in brighter days and prosperity to the world.<br />

KHNA that attempts change is a remarkable vehicle for change<br />

and unity in the Kerala Hindu society of North America. As the Home<br />

Page of the KHNA website shows, ‘the organization provides a<br />

platform for all Hindus in North America to get together without any<br />

social divisions of caste and creed’. As we all know, the bane of<br />

Hindu society has been its structural defects that crept into the<br />

system through ages. When started, the system was perfect for<br />

every member of the faith. But in course of time, when narrow<br />

personal gains and narrower caste divisions perpetuated the<br />

decadent system for profit, the structural degeneration started.<br />

This slow degeneration has seeped into the Kerala society so deep<br />

that even in writing the history of Kerala, objectivity was affected<br />

lamentably and grievous distortions occurred.<br />

KHNA’s laudable scholarship program has been acclaimed as a<br />

great success by the Kerala community as a whole. Those who<br />

thought of starting the program did a yeoman service to the<br />

community back home. It would be a pioneering effort on the part of<br />

the KHNA if a chair is established in any of the Universities in Kerala<br />

to do scientific research into the ancestry of the land that we call<br />

Kerala. The research will also provide an opportunity to critically<br />

examine the various legends surrounding Keralolpathi including the<br />

story of Mahabali’s reign when society was egalitarian and the people<br />

were virtuous, Parasurama’s retrieval of the land from the sea and<br />

others. The ‘Vadakkan Pattukal’ of North Kerala depicts the social<br />

set up of 14th and 15th century Kerala and the stories of the valor of<br />

Thacholi Othenan, Aromal Chekavar, Unniarcha and many others.<br />

All these could be rich sources of information for historians to<br />

rewrite history of Kerala objectively. They could also compare and<br />

winnow the numerous writings of Kerala history currently available<br />

and discard the chaff and adopt the kernel where ever they find<br />

them. We wish the present President of KHNA, Shri M.G. Menon,<br />

who has been our guiding light be the beacon to guide us along to<br />

the goal of success in this effort also.<br />

The Editorial Committee of KHNA takes this opportunity to wish<br />

all Malayalees a Very Happy and Bright Future.<br />

Editor : P. Balarajan, Joint Editor : Chandran Pillai<br />

P. Balarajan Chandran Pillai<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

3


Anjali January<br />

4 KHNA - <strong>2011</strong>


M.G. Menon<br />

Hindus all over the world are<br />

celebrating the Makara Sankranthi which<br />

marks the beginning of Sun’s northward<br />

journey from the Tropic of Capricorn<br />

towards the Tropic of Cancer. This<br />

northward journey for the six months<br />

duration marks the Utharaayanam, a<br />

period considered to be auspicious for<br />

conducting events like marriage,<br />

Upanayanam, consecration of idols, etc.<br />

On Makara Sankranti the Sun’s position<br />

transits from Dhanur Rasi to Makaram Rasi<br />

and as we all know, this event is celebrated<br />

every year at Sabarimala by hundreds of<br />

thousands of devotees watching the<br />

Makara Jyothi. At the same time, millions<br />

of people at Kumbha Mela dip themselves<br />

in the waters of the holy rivers at Prayag<br />

(Thriveni Sangamam) near Allahabad,<br />

Haridwar, Ujjain and Nasik.<br />

Let us pray that this Utharaayana<br />

Kalam be a significant period in KHNA’s<br />

history for celebrating the tenth<br />

anniversary of KHNA during its 6th Biennial<br />

Convention on the first, second and third<br />

of July <strong>2011</strong>. Let this convention be a forum<br />

where all, specially the younger generation,<br />

discover that we the Hindus have an<br />

imperishable common thread which unites<br />

us and that is basically our rich philosophy<br />

which is the treasure of knowledge of the<br />

Supreme Being. Let this convention be a<br />

forum to learn that the teachings of our<br />

religion are of eternal value (Sanathana)<br />

and that our scriptures are text books<br />

perfected in thousands of years of<br />

research and they provide solutions to life’s<br />

problems - physical or psychological - and<br />

guide us to an appropriate path to spiritual<br />

realization.<br />

Let this Convention be a forum to<br />

remind ourselves that thousands of years<br />

ago it was the Hindu scholars who<br />

formulated the basic theories of<br />

Mathematics, the number system, the Zero,<br />

the decimal system, geometry,<br />

trigonometry, astronomy and medicine. We<br />

also know now that it was not a set of<br />

nomads called Aryan invaders, who brought<br />

the “knowledge”, but it was the indigenous<br />

people of Bharath who wrote the Hindu<br />

scriptures and the ancient books of<br />

knowledge and Sanskrit is considered the<br />

mother of European languages. No wonder<br />

why the great scientist Albert Einstein<br />

declared, “We owe a lot to Indians who<br />

taught us how to count, without which no<br />

worthwhile scientific discovery could have<br />

been made.”<br />

A large number of volunteers are<br />

working behind the scene to bring you the<br />

convention on a silver platter. Come and<br />

enjoy the beautifully decorated Swami<br />

Sathyananda Nagar at the Hyatt Regency<br />

in the premises of Washington DC where<br />

the three days of festivities will enthrall you<br />

with programs of children and youth,<br />

seminars, lectures, yoga, music, display of<br />

Kerala arts by guest artists and of our own<br />

KHNA members from all over North<br />

America. Enjoy the stay in one of the largest<br />

hotels in Washington area surrounded by<br />

breath-taking scenes and the world famous<br />

museums, monuments and memorials.<br />

In the meantime, I wish you all a Makara<br />

Sankranti filled with joy as well as prosperity<br />

in the days ahead.<br />

President’s Message<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

5


Anjali January<br />

Harinamakeerthanam is a mellifluous<br />

devotional hymn to the name of Sri Hari, the<br />

all pervading Iswara. Though considered a<br />

devotional hymn, the content it envisaged is<br />

highly vedantic. The principles of the<br />

Upanishadic contentions are summarized in<br />

Harinaamakeerthanam. The sweet melody of<br />

Harinaamakeerthanam emanating from the<br />

Hindu households and temples in Kerala is<br />

a pleasant experience. When sung with faith<br />

and devotion Harinaamakeerthanam is<br />

soothing to the heart and guides the devotee<br />

to the realms of superior Truth, the bliss<br />

eternal. Its appeal to the masses and the elites<br />

was so profound that it soon spread to all<br />

corners of Kerala, by word of mouth in an<br />

era when the printing press and other means<br />

6 KHNA - <strong>2011</strong><br />

Dr. Viswanath Kurup<br />

of mass communication was not available.<br />

Harinaamakeerthanam composed by<br />

Ramanujan Ezhuthachan contains 66 verses<br />

written in chaste Malayalam. The life and time<br />

of Ezhuthachan is shrouded with obscurity.<br />

The place and date of his birth are not known.<br />

However, the learned opinion based on<br />

gathered information, it is assumed that<br />

Ezhurhachan lived in the 17th century AD.<br />

From the available information it is believed<br />

that Ezhuthachan was a contemporary of<br />

Poonthanam Namoodiri who wrote<br />

Jnanappana and Melpathoor Bhattathiri of<br />

Narayaneeyam. Both Ezhuthachan and<br />

Poonthanam composed their work in<br />

Malayalam, while Melpathur Narayana<br />

Bhattathiri, a great scholar and poet, wrote his<br />

Naarayaneeyam in Sanskrit. This period<br />

witnessed the blossoming of writings in<br />

Malayalam mostly on devotional themes;<br />

Harinaamakeerthanam being the crown jewel<br />

and the sublimest among them all.<br />

Harinaamakeerthanam means praise to<br />

the name of Sri Hari, the Almighty<br />

Mahavishnu- the most compassionate<br />

Guruvayurappan. Every verse in<br />

Harinaamakeerthanam ends with the words<br />

“ Narayanaya Namaha”, obeisance to Lord


Naraayana. The contents of the verses are<br />

appealing to both illiterate and the learned<br />

alike. Every Hindu home in Kerala holds<br />

Harinaamakeerthanam sacred and included<br />

the verses in their daily prayers. It is not<br />

incorrect to say that there will not be a<br />

Malayalee irrespective of religion, cast, creed<br />

or any other demarcation who cannot recite<br />

at least a verse from Harinaamakeerthanam.<br />

Ezhuthachan, the father of modern<br />

Malayalam literature is revered by all<br />

Malayalees irrespective of cast or creed. His<br />

other major contributions to Hindu spiritual<br />

literature include translations of the epics<br />

Ramayanam, Mahabharatam and Srimad<br />

Bhagavatham from their Sanskrit originals.<br />

All these translations are renowned for their<br />

literal values, lucidity, profundity and all<br />

embracing spirituality. Born in a non-brahmin<br />

caste and denied access to spiritual<br />

knowledge, Ezhuthahan defied all cast taboos<br />

and nonchalantly took the message of the<br />

spiritual texts to the masses in a simple, but<br />

extremely forceful language, in the form of<br />

Harinamakeerthanam.<br />

By Ezhuthachan’s time, Hinduism had<br />

fallen from the great heights of spiritualism<br />

it had reached earlier, to profane depth of<br />

ritualism. Superstition had displaced faith;<br />

scholarship remained the exclusive preserve<br />

of Brahmins, who formed a miniscule<br />

proportion of the population. The Sanskrit<br />

language considered as devabhasha (the<br />

language of the gods) was guarded<br />

deplorably from the reaches of the masses.<br />

The spiritual pursuit of the society came to a<br />

standstill. Harinaamakeerthanam came into<br />

this stagnant society as a bolt from the blue.<br />

Ezhuthachan, who used Manipravalam,<br />

which is a mixture of Sanskrit and<br />

Malayalam, in his major works considered<br />

it inadequate and incapable of reaching all<br />

the people with little acquaintance with<br />

Sanskrit. Hence he composed Harinama<br />

keerthanam in plain and simple Malayalam<br />

containing profound philosophic contents.<br />

Harnaamakeerthanam proved to be a<br />

vehicle of moral and spiritual uplift for all the<br />

people and particularly those who had been<br />

denied access to spiritual messages such as<br />

non-Brahmins, woman and out casts. An<br />

aspect that made Harinaamakeerthanam the<br />

most popular is its simple and inimitable style<br />

of composition. Written in pure and simple<br />

Malayalam understandable even to the least<br />

educated it has endeared everyone.<br />

Ezhuthachan is therefore hailed as the<br />

architect of Malayalam literature and<br />

Harinaamakeerthanam proved an instant<br />

success and has survived the test of times.<br />

Harinaamakeerthanam blends the diverse<br />

strands of metaphysical thought into a<br />

wholesome harmonious system. Of course it<br />

has beneath its placid surface many a spiritual<br />

idea that would shine in their intrinsic<br />

brilliance only if unraveled. To undertake<br />

such a formidable task one has first to delve<br />

deep into the philosophical systems of<br />

Hinduism, which Ezhuthachan has<br />

systematically presented in Harinaama<br />

keerthanam. All these diverse systems are<br />

paths to the one and only supreme Truth. But<br />

all paths may not suit everyone; each may<br />

suit a different set of seekers, depending on<br />

their psychological, moral and spiritual<br />

proclivities.<br />

Some of these verses praise the Almighty,<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

7


Anjali January<br />

while others deal with devotion. Yet others<br />

provide the in-depth discourse on different<br />

philosophical approaches leading to self<br />

realization, the ultimate goal of all beings.<br />

Prayers and hymns formed a major mode<br />

of worship in Sanathana Dharma as in many<br />

other religions. Their psychological effects<br />

manifest in ennoblement of human mind and<br />

unfolding of spirituality. In one of such verses<br />

Ezhuthachan depict the state of a devotee<br />

who can effortlessly seek the Almighty<br />

without any physical interruptions.<br />

Yathonnu kanmathathu Narayana pratima<br />

Yathonnu kelppathathu Narayana sruthikal<br />

Yathonnu cheiyvathathu Narayana archanakal<br />

Yathonnathokke Hari Narayanaya Namaha.<br />

“ All that is seen is Narayana form<br />

All that is heard is Narayana’s praise<br />

All that is performed is Narayana offering<br />

All that exists, is only Narayana<br />

O’ Narayana my humble salutations to Thee.”<br />

Ezhuthachan emphasizes in this verse the<br />

ultimate truth that nothing exist other than<br />

Hari, the supreme Brahman. All that is<br />

visualized through organs of perceptions and<br />

beyond are nothing but Brahman. This verse<br />

in its simple form is a heartfelt prayer to<br />

Guruvayurappan, but also depicts the highest<br />

level of realization that everything<br />

conceivable is Sri Hari only.<br />

Harinaamakeerthanam also presents the<br />

true nature of the individual self or Atman<br />

and its relationship with the universal self or<br />

Paramatman. The first verse itself illustrates<br />

the dilemma caused as a result of the falsely<br />

conceived duality.<br />

AUM karamaaya porul moonnay pirinjutane<br />

Aamkaramayathinu taan tanne saakshiyatu<br />

Bodham varuttuvatinaalaayi ninna para-<br />

Maacharya roopa Hari Narayanaaya Namaha.<br />

Omkar, the sole entity split itself into Three<br />

The “I-ness” only remained to witness this<br />

You existed as the ultimate consciousness<br />

Imparted the profound blissfulness to all<br />

My prostrations at your feet, O’great Hari.<br />

8 KHNA - <strong>2011</strong><br />

Brahman, the all pervading primordial<br />

one without a second differentiated into three<br />

entities with the same I-ness or Ahamkara.<br />

The Brahman alone served as the witness for<br />

this tremendous transformation. This<br />

transformation can be explained only by that<br />

teacher, who is Brahman, as no one else will<br />

have that knowledge. O’ supreme Lord,<br />

Narayana, I bow before you. The poet<br />

emphasizes that the real bliss can be<br />

experienced by understanding that there is<br />

nothing other than Brahman, and all duality<br />

and multiplicity are nothing but illusions.<br />

Through the knowledge gained from the<br />

scriptures this nescience can be eradicated<br />

and will result in the realization of the eternal<br />

Truth.<br />

Throughout the 66 verses, one can find<br />

soothing messages and systematic<br />

instructions for attaining self realization<br />

through Bhakti (devotion) and Jnana<br />

(knowledge). The psychological effects<br />

manifest in ennoblement of the human mind<br />

and intellect in unfolding spirituality.<br />

Harinaamakeerthanam came into existence<br />

with invigorating principles of the Vedas,<br />

Upanishads, Brahmasutra, Bhagavad Gita<br />

and the Puranas, particularly Srimad<br />

Bhagavatham and it got rooted firmly in the<br />

spiritual and literary field of Kerala.<br />

(Based on the Book “ Ezhuthachan’s<br />

Harinaamakeerthanam, An Ode to Hari” by<br />

the author, published by Swami<br />

Kaivalyananda, Sri Ramakrishnashram,<br />

Kayamkulam, Kerala)<br />

Viswanath Kurup, Ph.D, a faculty member of the<br />

Medical college of Wisconsin for over 33 years; he<br />

is retired as professor of Pediatrics and currently<br />

continues as Professor Emeritus. He has published<br />

over 300 research papers in allergy and<br />

immunology. He is recipient of NIH, NASA and<br />

VA funding for research. As a National Career<br />

Scientist of the Veterans Administration, he has<br />

published 3 books.<br />

Keenly interested in the study of Hindu scriptures,<br />

Dr. Kurup has published a commentary of<br />

Harinaamakeertanam, and written articles in<br />

several magazines including Bhavan’s Journal and<br />

Hinduism Today. He is currently translating<br />

Poonthanam’s Jnanappana. He lives in Lewisville,<br />

Texas. (Web site: VI Kurup.com)


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KHNA - <strong>2011</strong><br />

Anjali January<br />

9


Anjali January<br />

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10 KHNA - <strong>2011</strong><br />

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F∂p XpS-ßp∂ {]kn≤<br />

kvXh-Ønse "If-`-tI-kco hmPnhm-l\w'<br />

F∂ `mKhpw ChnsS<br />

kvac-Wo-b-am-Wv. imkvXm-hn\v<br />

hml\w hym{Lw am{X-a√ B\,<br />

knwlw, IpXnc˛ F¥p-am-Imw.<br />

Icp-am-Sn-°p-´\p a‰pw<br />

XI-gn-tØm-Sn≥I-c-bv°p≈<br />

Icp-am-Sn-°p-´\pw Xr°p-∂-∏p-g-°-<br />

S¬Øo-c-Øp-\n∂pw a‰pw an°t∏mgpw<br />

AwK-`w-K-tØmsS In´n-bn-<br />

´p≈ \nc-h[n hn{K-l-߃°pw<br />

imkvXm-hns‚ hn{K-l-tØmSv<br />

]e-Xcw kam-\-X-Iƒ ImWmw.<br />

\mtSm-Sn-Ø-]-T-\w(Folkloristics),<br />

`mjm-im-kv{Xw(Linguistics) F∂nh-bn¬\n-∂p≈<br />

Dƒ°m-gvN-Iƒ<br />

ka-\z-bn-∏n-®m¬ NmØ\pw<br />

imkvXm-hpw cq]m-¥-c-߃ am{Xsa∂p<br />

sXfn-bpw. "NmØ≥' {Zmhn-<br />

U-co-Xn-°p≈ hmsamgn cq]hpw<br />

imkvXmhv kwkvIr-X -am-Xr-I-bnep≈<br />

hc-samgn cq]hpamWv.<br />

NmØ-aw-K-ew, imkvX-aw-K-ew,<br />

imkvXmw-tIm-´, NmØ-∂q¿,<br />

NmØ≥Im-hv, _p≤m-Pw-Kvj≥,<br />

Icp-\m-K-∏-≈n, Im¿Øn-I-∏-≈n,<br />

CS-∏-≈n, Xe-∏-≈n, ta∏-≈n,<br />

NmØ-t\dv, imkvXm-√v XpSßnb<br />

ÿe-\m-a-ßfpw {]tbm-Kßfpw<br />

]e -{]-Im-c-Ønepw {it≤b-am-Wv.<br />

.......awK-ew-, ........]≈n<br />

F∂o ÿe\mam¥-߃ tZhme-b-Xpeyw<br />

]hn-{X-amb ÿm\ßsf<br />

Ipdn-°p-∂p.<br />

i-c-\m-cm-b-W\pw lcn-l-ckp-X\pw<br />

lnμp-aX \thm-∞m-\-ImeØv<br />

{ioi--c-k-Ω-Xn-bn-eqsS<br />

{]N-cn® i-c-\m-cm-bW<br />

k¬]hpw imkvXm-hn-s\-°p-dn-<br />

°p∂ lcn-lckpX≥ F∂<br />

k-ev]hpw XΩn-ep-ap≠v at\m-<br />

⁄-amb Cg-s∏m-cp-Øw. ssih-<br />

˛-ssh-jvWh hn`m-K-߃ sXm´b¬]-°sØ<br />

Xan-gv\m-´n¬ ]ckv]cw<br />

t]mc-Sn®pw ]nW-ßnbpw<br />

Ign--t∏mƒ tIc-f-Øn¬ Ah¿<br />

ssIsabv ad∂p ]pW¿s∂m-∂mbn.<br />

hn`n-∂-a-X-ß-fp-sSbpw


hyXykvX cmjv{Sob I£n-I-fpsSbpw<br />

kl-h¿Øn-Xzhpw Iq´p-ap-<br />

∂Wn `c-Whpw k¿h-k-Ω-X-amhp∂<br />

tIc-f-kw-kvIm-c-Øns‚<br />

khn-ti-j-X-bpsS Xnf-°-am¿∂<br />

apt∂m-Sn-X-s∂.<br />

tIc-f-Øn-s‚-kw-`m-h\<br />

`mc-Xo-b-]p-cm-W-IYm {]]-©-<br />

Øn-te°v tIc-f-kw-kvIm-cw<br />

kw`m-h\ sNbvX kzbm¿PnX<br />

kºm-Zy-Øn¬s∏´ Aaq-ey-c-Xv\amWv<br />

Aø-∏-k-¬]w. tZi-c-£bv°mbn<br />

{io]-c-ip-cm-a≥ 108<br />

imkvXm-t£-{X-߃ ae-hm-c-<br />

Ønepw 108 Zp¿Km-e-b-߃ IStem-cØpw<br />

ÿm]n-®p-h-t{X.<br />

imkvXm-hn-s\-∏‰n kwkvIrX<br />

Øn¬ ]g-b-]p-cm-W-sam-∂p-an-√.<br />

D≠m-bn-´p≈ Io¿Ø-\-ßfpw<br />

kvXh-ß-fp-sa√mw A¿hm-No-\-am-<br />

Wv. As√-n¬, tIc-f-N-cn-{X-<br />

Øn¬t∏mepw hf-sc-sbm-∂pw<br />

]g°w Ah-Im-i-s∏-Sm-\n-√mØ<br />

]¥fw cmPm-hns‚ hf¿Øp-]p-<br />

{X\v ]ucm-Wn-I-X-sIm-≠p-th-<br />

≠t√m amlmflyanb-em≥.<br />

Bcy˛F∂v kwkvIr-X-<br />

Ønepw A÷˛F∂p {]mIr-X-ßfnepw<br />

Aø˛F∂v ]men-bn-ep-ap≈<br />

kPm-X(cognate) cq]-ß-tfm-Sp<br />

_‘-am¿∂ BZ-Ø-]-Z-amWv<br />

"Aø≥'; BZ-c-Wo-b≥ F∂¿Yw.<br />

"A∏'s‚ Hma-\-Ø-am-Is´ tIc-f-<br />

Øn¬, DÆm-bn-ssi-en-bn¬ ]d-<br />

m¬ "k¿h-hn-ZnXw tIhew'.<br />

Npcp-°-Øn¬ Htc-k-abw Bcm-<br />

[y\pw emf-\o-b-\p-am-hp∂p Aø-<br />

∏≥.<br />

imkvXmw-]m-´v, Aø-∏≥hn-f-<br />

°v, Aø-∏≥Xo-bm´v F∂n-hbv°v<br />

tIc-fo-b-amb A\p-jvTm-\-I-em-]mc-º-cy-Øn-ep≈<br />

{]m[m\yw FSp-<br />

Øp-]-d-tb-≠-X-s{X.<br />

Aø-∏≥]m´pw hnf°pw<br />

Aø-∏-N-cn-{X-Ønse Hmtcm<br />

L´hpw khn-kvXcw {]Xn-]m-Zn-<br />

°p∂ \mS≥ ae-bm-f-Øns‚ \dpaWw<br />

Xpfp-ºp∂ \qdp-I-W-°n\p<br />

]m´p-Iƒ A⁄m-X-I¿Xr-I-am-bp-<br />

≠v. {KmaoW Kmb-I¿ Ah a\-<br />

∏m-T-am-°n-h-bv°pw; F∂n´v LS-<br />

\-bn¬ AXn-e-fn-X-sa-nepw ^e-<br />

Øn¬ NSp-tem-Pz-ehpw kμ¿`m-<br />

\p-k-cWw AXy-¥-i-‡-hp-amb<br />

DSp°v F∂ Ah-\-≤-hm-Zy-Øns‚<br />

am{Xw AI-º-Sn-tbmsS hnIm-c-Xo-<br />

{hhpw \mS-Io-bhpw `‡n-\n¿`-chp-ambn<br />

kwLw-tN¿∂p ]mSp-∂p.<br />

imkvXmw-]m-´p-I-fpsS Xmc-kzchpw<br />

DSp-°ns‚ NSp-e-Xm-fhpw<br />

sIm≠v afi-e-°me cmhp-I-fn¬<br />

A¥-co£w apJ-cn-X-am-hmØ<br />

\m´n≥]pd-ß-ƒ GXm\pw ]Xn-‰m-<br />

≠p-ap-ºp-hsc tIc-f-°-c-bn¬<br />

Npcp-°-am-bn-cp-∂p. CS-°m-eØv<br />

Pohn-X-ssien ]mtS amdn-a-dns-nepw<br />

Nne {Kma-ß-fn¬ ]ga-°msc<br />

ap≥\n¿Øn-s°m≠v<br />

bphm-°-fmb `‡-Km-b-I-cpsS<br />

kwL-߃ B ]Xnhv C°meØpw<br />

XpS-cp-∂p.<br />

DSp-°ns‚ Xmf-˛-Im-e-߃<br />

amXwKotZho \n¿an-X-ambn<br />

\S-cmP {Xniq-e-Øn¬ ÿm\-hpw,<br />

imkvXm-hv, kp{_-“-Wy≥, \mc-<br />

Z≥, Zp¿hm-kmhv F∂o tZh ap\nam-cpsS<br />

{]oXnbpw t\Sn. kwkvIr-<br />

X-ssh-bm-I-c-W-Ip-e-]-Xn-bmb<br />

]mWn-\n-a-l¿jn°v amtl-iz-c-kq-<br />

{X-߃ Nn´-s∏-Sp-Øm≥ hgn-Im-<br />

Wn-®p-sIm-SpØ Znhy-hm-Zy-amWv<br />

DSp°v F∂ Nn{Xw sFXn-ly-ßfnepw<br />

]pcm-W-ß-fnepw \n∂p-sXfn-p-h-cp-∂p.<br />

GIw, cq]-Iw, sNº-S, Imcn-<br />

I, h¿aw, Ipw`w, Nqgm-cn, apØmfw,<br />

{Xn]p-S, \memw-Xm-fw, IpΩn-<br />

Xmfw Ch-bmWv DSp-°p-sIm-´n¬<br />

{]tbm-Kn-°p∂ Xmf-߃°p ]dbm-dp≈<br />

t]cp-Iƒ. DSp-°p-sIm-´n-<br />

∏m´v an°-t∏mgpw ]Xn-Im-e-Øn¬<br />

XpSßn apdbv°v a[y-˛-{Zp-X-Im-e߃<br />

IS∂v AXn-{Zp-X-Im-e-Øn¬<br />

Ah-km-\n-°p-∂p.<br />

hnf-°p-N-S-ßp-Iƒ<br />

i_-cn-ae imkvXm-hns\<br />

k-ev]n®v t£{X-_m-lym-¥-co-<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

11


Anjali January<br />

£-Øn¬, tZisØ \n›n-X-tI-<br />

{μ-ß-fntem hoSp-I-fntem h®v \S-<br />

°p∂ Aø-∏-`-‡n-\n-jvT-amb<br />

A\p-jvTm-\-tØm-S-\p-_-‘n-<br />

®mWv hnf-°v, tZi-hn-f°v, Aø-<br />

∏-]q-P, Bgn-]qP XpS-ßnb ]et]-cp-Ifpw<br />

]d-bm-dp≈ NS-ßp-Iƒ<br />

cq]w sIm≠n-´p-≈-Xv. hnf-°ns‚<br />

apJyNS-ßp-Iƒ NphtS kqNn-∏n-<br />

°p-∂p.<br />

hnf°n\p-Ip-dn-°¬, Z£n-W-<br />

\¬In aT-]-Xn-bn¬ \n∂v hnf-°p-<br />

Nm¿Øp kzoI-cn-°¬, ip≤o-Ir-<br />

X-ÿ-eØv aT-]-Xn°pw klm-bn-<br />

Iƒ°pw hc-th¬∏v, Np‰p-h-´-Øp-<br />

In-´p-∂ hmg-t∏m-fbpw a‰pwsIm≠v<br />

Aº-ew-]-Wn, Aºew<br />

G‰p-hm-߬, DSp-s°m-enbpw<br />

Xme-s∏m-enbpw Ipc-hbpw<br />

B¿∏pw icWwhnfnbpw<br />

tImacw Xp≈-ep-sam-s°-bmbn<br />

Aø-∏-kzm-an-bpsS _nw_hpw<br />

]´pw Xncp-hm-bp-[-ßfpw amfn-I-<br />

∏p-d-Ø-Ω-bp-sSbpw Icn-a-e-kzm-anbp-sSbpw<br />

Idp-∏-kzm-an-bp-sSbpw<br />

{]Xo-I-ßfpw `qX-K-W-{]-Xo-I-amb<br />

]me-s°mºpw kao-]-ÿ-amb<br />

tZh-ÿm-\-Øp-\nt∂m ]pWy-hr-<br />

£-®p-h-´n¬ \nt∂m kmtLmjw<br />

Fgp-∂-≈n-°¬; ]¥-en¬ _nw_-<br />

{]-Xn-jvT, ]qP, ]m´v, Xncn-bp-gn-®n¬,<br />

ImWn-∏m´v AYhm ]¥-en¬s∏men-hv,<br />

`K-h-Xnsb k-ev]n-®p≈<br />

]m¬°n-≠n-sb-gp-∂-≈n-∏v, hmh¿NcnXw<br />

]m´v, Aø-∏-kzm-an-bp-sSbpw<br />

amfn-I-∏p-d-Ø-Ω-bp-sSbpw tIma-c߃<br />

\S-Øp∂ Bgn-Nm´w<br />

AYhm I\-em-´w.<br />

]¥-en¬ ]Wn-bp∂ Aº-eß-fpsS<br />

FÆ-tØm-sSm∏w Aø-<br />

∏≥ hnf-°ns‚ tIa-Øhpw<br />

IqSpw. Im¬hn-f-°n\v Hc-º-ew-am-<br />

{Xw. AXv Aø-∏-kzm-an-°mWv;<br />

KW-]-Xn-bpƒs∏sS as‰√m tZh-<br />

X-Iƒ°pw ÿm\wam{Xw. Ac-hnf-°n\v<br />

aq∂-º-ew : Aø-∏-kzman°pw<br />

amfn-I-∏p-d-Ø-Ωbv°pw<br />

hmh¿kzm-an-°pw. apgp-hn-f-°n\v<br />

A©v : Icna-e-kzm-an, Idp-∏kzman<br />

F∂n-h¿°p-Iq-Sn.<br />

12 KHNA - <strong>2011</strong><br />

Aø-∏≥Xo-bm´v<br />

sIm®n-˛-a-e-_m¿ {]tZ-i-ßfnse<br />

Aø-∏≥Im-hp-I-fnepw \ºq-<br />

Xn-cn-˛-Xo-bmSn `h-\-ß-fnepw am{XamWv<br />

D’hw. hnti-jm-h-k-c߃<br />

Ch-tbm-S-\p-_-‘n®v Aø-<br />

∏≥Xo-bm´v F∂ A\p-jvTm-\-<br />

Ie CubSp-Ø-Im-ew-hsc \S-∂pt]m-∂Xpw<br />

Ign H∂-c-∏-Xn-‰m-<br />

≠mbn Pqsse-am-k-Øn¬ Xncp-h-<br />

\-¥-]p-cØv hnth-Im-\μ kmwkv<br />

Im-cn-I-tI-{μ-Øntem Xp©≥kvamc-I-a-WvU-]-Øntem<br />

h®v apfw-Ip-<br />

∂-Øp-Imhv XobmSn cma≥\-ºymcpsS<br />

Im¿an-I-Xz-Øn¬ Aø-<br />

∏≥Xo-bm´v sIm√w-tXmdw Ah-<br />

X-cn-∏n-®p-h-cp-∂p.<br />

hS-°≥]m-´nepw kwLw-I-fn-<br />

∏m-´nepw ]cm-a¿i-ap≈ "Aø-<br />

∏≥IqØv' Aø-∏≥ Xobm-´ns‚<br />

]q¿Δcq-]-am-Imw. tIc-fo-b-\m-SI<br />

]mc-º-cy-Øn¬ IqSn-bm-´-Øn\pw<br />

IY-I-fn-°p-an-Sbv°p ÿm\w<br />

\¬tI-≠p∂ A\p-jvTm-\m-`n-\-b-<br />

˛-\r-Ø-˛-kw-Ko-X-˛-km-ln-Xy-˛-Nn-{X-<br />

Iem ka-\z-b-amWv Aø-∏≥Xobm-´v.<br />

]e-tXm-Xn-ep≈ {Zmhn-Uo-b-<br />

Xm-ap-{Z-I-fm¿∂ `{Z-Im-fn, \mKw,<br />

th´-bvs°mcpaI≥(-th-t´-°m-c≥)<br />

F∂o tZh-X-I-fpsS Bcm-[-\-bnse-∂-t]mseAø-∏≥Xo-bm-´nsebpw<br />

IÆ-©n-∏n-°p∂ Hcn\w<br />

hnkvabm-h-I-amb lkvX-em-L-htØm-sS-bp≈\ne-sØ-gp-ØneqsS<br />

cq]w-sIm-≈p-∂ tZh-XbpsS<br />

[qfo-Nn{Xw F∂p ]d-bmhp-∂<br />

]©-h¿W-°fw Na®v<br />

Poh-{]-Xn-jvT-sNbvXv ]qPn®v<br />

]cy-h-km-\-Øn¬ Xo¿Øpw<br />

ambv°¬ F∂ Awiw-X-s∂.<br />

Acn, Dan-°-cn, hmI-bp-sStbm<br />

at‰m Ce, aƒ Ch DW-°ns∏m-Sn-®Xpw<br />

sNa-∏p-\n-d-Øn\v<br />

NpÆm-ºn-s‚bpw afn-s‚bpw<br />

an{in-X-hp-am-Wv If-sa-gp-Øn-\p-]tbm-Kn-°m-dv.<br />

If-sa-gp-Øv, Xncn-bpgn-®n¬,<br />

shfn-®-s∏-S¬, {]kmZ-hn-<br />

X-cWw F∂n-h-bv°p-]p-dsa Aø-<br />

∏≥Xo-bm-´n-ep≈ apJymw-i-߃


Xmsg-]-d-bp-∂-h-bm-Wv.<br />

If-Øn-∂-cn-In-en-cp∂v Gdn-b-<br />

Iqdpw tkm]m-\-ssi-en-bn¬ ]d,<br />

Ce-Ømfw F∂o Xmf-hm-Zy-ßfpsS<br />

am{Xw ]°-tØm-sS-bp≈<br />

"sIm´pw-]m´v'; `mjm-]-chpw Ah-<br />

X-c-W-\n-jvS-hp-amb khn-ti-j-X-<br />

Iƒ, {]I-S-amb KZy-˛-Km-\-am-[yaw<br />

aptJ-\-bp≈ Aø-∏-N-cn-Xm-<br />

Jym\w; ap≥]-d BJym-\-am-<br />

[y-a-amb hmNn-I-Øn\v Xo¿Øpw<br />

apJ-kvtXm-`-c-ln-X-am-bn, kmXzn-<br />

Im-`n-\-bsØ Xo¿Øpw Xnc-kvIcn-®p-sIm≠vBwKn-Im-`n-\-b-am-[ya-Øn-eqsS<br />

inh-]m¿j-Z-]pw-K-h-<br />

\mb \μn-tIiz-cs‚ `mh-Øn¬<br />

BwKn-Im-`n-\-b-am-[y-a-Øn-eqsS<br />

\¬Ip∂ Nn”-]-c(semiotic)<br />

hnh¿Ø\w; AWn-b-d-sb-b-<br />

∏msS Ac-ß-tØ-°m-\-bn-°pw-a-<br />

´n¬ t{]£-I¿°p- ap-∂n¬h-®p-<br />

Xs∂ Nabw ]q¿Øn-bm-°p∂<br />

Blmcyw; sN≠, ho°≥sN-≠,<br />

Ce-Ømfw F∂n-h-bpsS NSp-tem-<br />

Pz-e-]-›m-Ø-e-Øn¬ NpcnI<br />

Iøn-te¥n Aø-∏s‚ tImacw<br />

CuSpw-Iqdpw F∂ t]cn¬ hoc-<br />

Xm-WvU-h-am-Sn-s°m-≠p-\-S-Øp∂<br />

If-{]-Z-£nWw; \mfn-tI-c-߃<br />

sIms≠m-cp-°nb Ccn-∏n-S-Øn¬<br />

H‰-bv°n-cp∂v Ccp-ssI-<br />

IfpwsIm≠vam-dn-amdn ho°≥sN-<br />

≠-bpsS Xmf-Øn-s\mØv ]¥ocm-bncpw<br />

hsc FÆwh-cp∂ \mfotIcw<br />

Fdn-p-S-bv°¬.<br />

Aø-∏\pw<br />

th´-bvs°m-cp-a-I\pw<br />

If-Ønse Aø-∏s‚<br />

hml\w ]pentbm IpXn-ctbm<br />

BImw. th´-bvs°m-cp-a-I\pw<br />

Aø-∏\pw XΩn¬ Ht´sd kam-<br />

\-X-I-fp-s≠-nepw If-sa-gp-Øn¬<br />

apJsØ D{K-`m-h-Øns‚<br />

tXmXn¬ hyXymkw {]I-S-am-Wv.<br />

Aø-∏\v XmSnbpw aoibpw<br />

IqSntb Xocq F∂n√; IÆp-Iƒ<br />

th´-bvs°mcp aIs‚b{X Xpdn-<br />

°p-∂n-√. hn√p-a-ºp-amWv Aø-<br />

∏s‚ Bbp-[-߃. Aizm-cq-Vcq-]-Øns‚<br />

ssIbn¬ sNdnsbmcp<br />

Ip¥hpw hc-bv°p-∂p.<br />

Krl-ÿim-kvXmhv<br />

Aø-∏≥ \nXy-{_-“-Nm-cn-sb-<br />

∂mWv {]kn-≤n. ]t£ ]q¿W,<br />

]pjvIe F∂o ]Xv\n-amcpw<br />

kXy-I≥ F∂ ]p{X-\p-ap≈<br />

Aø-∏-s\bpw IY-I-fn¬ I≠p-ap-<br />

´p-∂p. Xobm-´p-I-f-Ønepw ]Xv\o-<br />

]p-{X-k-ta-X-\mbn "aq∂p-cq]w'<br />

F∂ t]cn¬ Aø-∏≥ Nn{Xo-Ir-<br />

X-\m-bn-°m-Wmw.<br />

Aø-∏-k-¬∏-kzm-[o\w<br />

tIc-f-km-ln-Xy-Ønse kp_≤<br />

]mc-º-cy-Ønepw ap{Zn-X-am-Wv.<br />

Aø-∏-N-cn-Xw- B-´-°-Y-Iƒ H∂nte-sd-bp-≠v.<br />

Aø-∏s‚ IqsS-∏n-ds∏∂p<br />

Icp-Xm-hp∂ th´-bvs°mcp-a-I-s\-°p-dn-®p-ap-≠m-bn-´p≠v<br />

B´-°-Y. sIm´m-c-Øn¬ ip-ÆnbpsS<br />

Incm-X-kq-\p-N-cnXw. Aø-<br />

∏-s\-°p-dn-®p≈ cN-\-Iƒ tIcf-kw-Ko-X-Ønse<br />

kp_v[tam efn-<br />

Xtam Bb F√m-h-gn-I-fnepw<br />

{]Xn-h¿jw s]cp-In-h-cp-∂p. aWn-<br />

I-WvT-hn-Pbw F∂ Xp≈¬<br />

°rXn cNn® tUm.-F-kv.-sI.-\mb¿<br />

Aø-∏-s\-°p-dn®v Hcp<br />

t\mhepw Fgp-Xn-bn-´p-≠v. Ne-®n-<br />

{X-th-Zn-bnepw Aø-∏-IY P\-{]nb-X<br />

-ssI-h-cn-®p.<br />

tUm. hn. B¿.<br />

{]t_m-[-N-{μ≥ \mb¿<br />

{]ikvX `mjm-im-kv{X-<br />

⁄\pw, Fgp-Øp-Im-c-\pw, tIcf<br />

k¿Δ-I-em-im-e-bnse `mjmimkv{X<br />

hn`m-Km-[y-£≥, A¥m-cmjv{S-tI-cf<br />

]T-\-tI-{μ-Øns‚ Ubd-IvS¿,<br />

tIcf Iem-a-fiew<br />

sNb¿am≥, C¥y-bnepw hntZ-i-ßfnepw<br />

hnhn[ k¿Δ-I-em-im-e-Ifn¬<br />

AXnYn {]`m-j-I≥ F∂o<br />

\ne-I-fn¬ {]h¿Øn-®p.<br />

Ct∏mƒ Xncp-h-\-¥-]p-cØv<br />

Fgp-Ø-—≥ \mj-W-¬ A°m-Z-an,<br />

Xp©≥ kvamcI kan-Xn, Infn-∏m´v<br />

F∂ amkn-I-bpsS ]{Xm-[n-]-k-an-<br />

Xn, hnth-Im-\μ kmwkvIm-cn-ItI-<br />

{μw, imkv{Xob kwKo-X-Ønse<br />

tIc-fob ]mcºcy t{]m’m-l\<br />

cwKØv {]h¿Øn-°p∂ A¥mcmjv{S<br />

ÿm]-\-amb kwkvIrXn<br />

F∂n-h-bpsS A[y-£≥. Cw•o-<br />

January<br />

jnepw ae-bm-f-Ønepw Ht´sd<br />

]pkvX-I-ß-fp-sSbpw cNbn-Xm-hv,<br />

{]`m-j-I≥. Anjali<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

13


Anjali January<br />

BƒssZ-hw-˛-B-fmWp<br />

ssZhw. ]t£ "Bf-kp-c-∑m¿'<br />

FÆ-Øn¬ IqSp-X-em-Wv. (Bfkp-c-∑m¿<br />

F∂p tI´n-´n-√, At√?<br />

kmc-an-√. AXn-∂p-≠m-°nb ]ZamWv).<br />

Ct∏mƒ ae-bm-f-`m-jbnse<br />

GsXmcp {]kn-≤o-I-c-Wsa-Sp-Ømepw<br />

"BƒssZhw' F∂v<br />

]p—-tØm-sS-bp≈ Hcp {]tbmKw<br />

ImWmw. Gsd-t∏¿ BZ-cn-°p-<br />

Ibpw Hcp ]t£ ]qPn-°p-Ibpw<br />

sNøp∂ al-Zvhy-‡n-Isf {]Xy-<br />

£-ambpw ]tcm-£-ambpw ]cma¿in-°p∂<br />

teJ-\-߃ F√mbnSØpw<br />

ImWmw. Hcp Nn¥bpw<br />

IqSmsX AX-®-Sn®p hn¬°p∂<br />

]{Xm-[n-]-∑m-cp-s≠∂pw hy‡w.<br />

kmwkvIm-cn-I-\m-b-I-∑mcpw<br />

hnπ-h-{]-Xn-hn-πh t\Xm-°-<br />

∑mcpw Cu {]tbm-K-Øn¬<br />

Ft¥m Hcp kpJw Xm\-dn-bm-sX-<br />

14 KHNA - <strong>2011</strong><br />

tbm Adntm In´p-∂p-s≠∂<br />

a´n¬ Fgp-Xm-dp-ap-≠v. hmkvX-h-<br />

Øn¬ thZm-¥-Øns‚ lcn{io<br />

]Tn-®-h¿°¿°-dnbmw ssZhw<br />

F∂Xv BƒssZhw A√msX<br />

as‰m-∂p-am-hpI hø, F∂ bmYm˛<br />

¿∞yw. F√m-hcpw BƒssZ-h߃<br />

Xs∂. Htc Hcp t\cnb<br />

hyXym-kw Fs¥-∂m¬ Nne¿°dnbmw<br />

Xm≥ ssZhØzw Xs∂<br />

F∂v. a‰p-≈-hcv AXp kzbw a\n-em-°m≥<br />

"Bƒ' F∂p ]d-bptºmƒ<br />

a\p-jysc am{Xsa ]cma¿in°q<br />

Fs∂mcp kp-Nn-X-a-<br />

\ pw \ap-s°m-gn-hm-°mw.<br />

Alw {_“mkvan ˛ Rm≥<br />

Xs∂ {_“w ˛ krjvSn°pw<br />

ÿnXn°pw kwlm-c-Øn\pw<br />

km£n-˛-Im-cy-˛-Im-c-W-am-bn-cn-<br />

tUm.-F.-]n.-kp-Ip-am-c≥<br />

°p∂ {_“w Rm\-√msX as‰m-<br />

∂p-a-√˛ F∂mWv D]-\n-jZv<br />

hmIyw. c≠n-√, H∂p-am-{X-ta-bp-<br />

≈p. AXm-bXv Rm\n-s√-n¬<br />

{_“hpw C√˛ {_“-an-s√-n¬<br />

Rm-\pw. Rm≥ Xs∂-bmWv<br />

ssZh-sØ-bp-≠m-°p-∂-Xv. AtX<br />

ssZhw Xs∂-bmWv Fs∂-bp-<br />

≠m-°n-b-Xpw. Cu Xncn-®-dnhv<br />

DW¿Δm-Ip-tºmƒ ssZho-I-<br />

Xbv°v \mw I¬∏n-°p-∂<br />

kz`mh KpW-K-W-ß-fn¬ Ipds®-nepw<br />

D≈-h-sc(-Bƒ) ssZhß-fmbn<br />

\mw Xncn-®-dn-bp∂Xv<br />

IÆmSn t\m°n kz¥w<br />

kuμcyw Bkz-Zn-°p-∂-Xpt]mse<br />

kzm`m-hn-I-sa∂p<br />

tht≠ Icp-Xm≥? F∂n´pw hnhc-ap-≈-h¿<br />

F¥p-sIm≠m-Wv<br />

BƒssZ-h-߃°p t\tc<br />

hmtfm-ßn-b-Sp-°p-∂Xv? CXns\mcp<br />

adp-]pdw IqSn-bp-s≠-∂p-<br />

≈-XmWp kXyw. ssZho-I-Xt]mse<br />

Xs∂ cm£-ko-b-Xbpw<br />

Rm≥ Xs∂ F∂p≈ Xncn-®dnhpw<br />

\ap-°p-≠m-h-Ww. \man-<br />

√msX ssZh-an-s√-n¬, \man-<br />

√msX cm£-ko-b-Xbpw D≠mhpI<br />

hø-t√m. At∏mƒ "Bƒ<br />

cm£-k≥' Ft∂m "Bf-kp-c≥'<br />

Ft∂m Hcp {]tbmKw IqSn \ap-<br />

°p-≠m-°mw. F∂n´v Bscm-s°bmWv<br />

C°q-´-Øn¬s∏-´-h¿


F∂p hnth-I-tØmsS ]cn-tim-<br />

[n-°-bp-am-Imw. Xo¿®mbpw<br />

Ah¿°pw In´p-∂p≠v \ndsb<br />

A\p-bm-bn-Ifpw Bcm-[-I-hrμhpw!<br />

\mw IÆm-Sn-bn¬ t\m°ptºmƒ<br />

\ap°p Xm¬∏-cy-ap≈<br />

Imcy-ß-fmWv {i≤n-°p-I.<br />

IÆn¬ Ic-Sp-≈-h¿ AsX-Sp-Øpam-‰pw.<br />

apJ-Øp≈ sshcq]yw<br />

ImWp-∂-h¿ AXp-am{Xw {i≤n-<br />

°pw. AtX-∏‰n thh-em-Xn-s∏-´psIm-≠n-cn-°pw.<br />

AXp-t]mse<br />

kuμ-cyw-am{Xw \ap°p ImWmdm-hp-tºmƒ<br />

BbXv ssZhn-I-Xbp-ambn<br />

ASpØ H∂m-Wv.<br />

Aßns\ \mw alm-flm-°-fnte°v<br />

BIr-jvS-cm-hp-∂p.<br />

\Ωnse Xs∂ ssZho-I-Xsb<br />

Xncn-®-dn-bp∂p F∂¿∞w.<br />

F∂m¬ F√pw amwkhpw<br />

sXmen-sIm-≠p-aq-Snb Hcp a\p-jycq]w<br />

X∂n¬ \n∂v Db-c-Øn¬<br />

h¿Øn-°p-∂-sh∂pw hn`n-∂-amsW-∂Xpw<br />

X\n°p a\- n-emhmØ<br />

`mj ]d-bp∂p F∂Xpw<br />

BƒssZ-hsØ a\- n-em-°m≥<br />

]e¿°pw XS- -am-Ip-∂p. F{X<br />

t\m_v Xncn-®mepw tISp-h-<br />

∂tXm _m‰-dn-bn-√m-ØtXm<br />

Bb tdUn-tbm-hn¬ ]m´p<br />

tIƒ°m-ØXv tdUntbm \ne-b-<br />

Øns‚ Ipg-∏-a-√-t√m. alm-flm-<br />

°-fpsS {]h¿Ø-\-ßfn¬<br />

Ft∏m-sg-nepw ]mfn-®-bp-≠mbn<br />

F∂-Xp-sIm≠v Ah¿ AXphsc<br />

]d Imcy-߃ icn-b√<br />

F∂¿∞-hp-an-√. AXn-\m-Wt√m<br />

hnth-N\ _p≤nbpw hnth-Ihpw<br />

\ap-°p-≈-Xv.<br />

"BfpI' F∂-Xn\v Pzen-<br />

°pI Fs∂m-c¿∞-hp-ap-≠v. {]]-<br />

©-Øn-s‚-tX-P v Bcn-emtWm(F-¥n-em-tWm)<br />

Pzen®p<br />

\n¬°p-∂-Xmbn ImW-s∏-Sp-∂-<br />

Xv, Ah-ct{X ssZh-tX-P- p-≈h¿˛<br />

BƒssZ-h-߃. F√m<br />

kapZm-b-k-{º-Zm-b-ß-fnepw<br />

CØcw ssZho-I-X-tb-∏‰n ]cma¿i-ap-≠v.<br />

s]mXp-th-sbmcp [mc-<br />

W-bp-≈Xv C…m-anI coXn-bn¬<br />

_lp-ssZhmcm-[\ \nμy-am-sW-<br />

∂m-Wv. F∂m¬ Ahn-sSbpw<br />

ssZho-IX a\p-jy-\n-eqsS {]I-<br />

S-am-Ip-∂-Xn-s\-∏‰n hlvZ-Xp¬hp-<br />

PqZv t]mep≈ Z¿i-\-ß-fn¬<br />

ImWmw. tbiphpw ]d-n-´p≠v<br />

Rm≥ ap¥n-cn-h-≈nbpw \n߃<br />

AXns‚ imJ-Ifpw BsW-∂v<br />

(-tbm-l-∂m≥ 15:5). F√m-h-cnepw<br />

D≈ Cuiz-c-kØ Nne-cn¬<br />

Bfp-∂p As√-n¬ Pzen®p<br />

ImW-s∏-Sp-∂p. A{X-X-s∂.<br />

kq^n tbmKn-Iƒ ]ecpw (D-Zml-c-W-Øn\v<br />

a¨kq¨) X߃<br />

kzbw ssZh-am-sa∂p ]d-n-´p-<br />

≈Xpw Cu A¿∞-Øn-em-Wv.<br />

{]]© tXP v a\p-jy-\n-eqsS<br />

{]I-S-am-hp-∂-Xn-s\-∏‰n kmbn-<br />

_m_ ]d-bp-∂Xv I√ns\ ssZham°mw<br />

F∂m¬ssZ-hsØ<br />

I√m-°-cpXv F∂m-Wv. a\p-jy≥<br />

ssZh-amWv F∂m¬ ssZhw a\pjy≥<br />

am{X-a-√. {]]-©-Ønse<br />

F√m-sa-√m-am-Wv.<br />

C\n B≤ym-flob hnj-b-<br />

߃ kwkm-cn-°p-Ibpw a\pjysc<br />

]‰n-°p-Ibpw sNøp∂<br />

sNdn-sbmcp hn`mKw Bƒ°m-cps≠-∂p-≈-Xm-Wv.<br />

GXp cwK-<br />

ØmWv AØ-c-°m¿ C√m-ØXv?<br />

hymP-tUm-IvS¿am¿°pw a‰p<br />

{]^-j-\n¬ D≈ hymP-∑m¿°pw<br />

]-apt≠m? AØcw<br />

Bƒ°m¿ Ds≠∂p IcpXn Hcp<br />

hn`m-K-Øn-ep-≈- F-√m-hcpw ]‰n-<br />

°m≥ \S-°p-∂-h-cmWv F∂p<br />

Icp-X-cp-Xv. "I≈-kzman'<br />

Fs∂mcp {]tbmKw I≠n-´p-≠v.<br />

I≈s\ kzman-sb∂p ]d-psIm≠p<br />

\S-s∂-n¬ \mW-t°Sv<br />

I≈t\m AXp ]d-p-sIm≠v<br />

\S-∂-ht\m? \√ kzman-amscm∂pw<br />

I≈\mb Ncn-{X-an-√.<br />

F∂m¬ I≈-∑m¿°pw ]nSn-®p-<br />

]-dn-°m¿°pw kzman-bm-hm≥ XS-<br />

-sam-∂p-an-√.<br />

Ct∏mƒ _lp-P-\-߃<br />

]ecpw a‰p-≈-hsc \∂m-°m-<br />

\p≈ Xnc-°n-em-Wv. \nkzm¿∞a-Xn-Iƒ<br />

F∂mWv Ah-c-dn-b-s∏-<br />

Sp-∂-Xv. a‰p-≈-h¿ \∂m-h-Ww,<br />

As√-n¬ Rm≥ Ahsc<br />

\∂m°pw F∂m-W-h-cpsS ap{Zmhm-Iyw.<br />

Rm≥ \nkzm¿∞-\m-b-<br />

Xp-sIm≠v kzbw \∂mbn "\in-<br />

°m≥' Ah¿ Xøm-d√ Xs∂.<br />

Kpcp-°-∑msc Xnc-s-Sp-°ptºmƒ<br />

Nne-Im-cy-߃ a\- n¬<br />

Icp-Xp-∂Xv \∂m-bn-cn-°pw.<br />

G‰hpw henb kzm¿∞-s\-bmWv<br />

Kpcp-hmbn Xnc-s-Sp-t°-≠-Xv.<br />

sX‰n-≤-cn-°-≠. kzm¿∞X<br />

\s√mcp KpWw Xs∂-bm-Wv.<br />

Ah-\-h≥ \∂m-hpI F∂m¬<br />

DØ-a-\m-hpI F∂m-W¿∞w.<br />

AXm-bXv BIm-hp-∂-Xn¬<br />

G‰hpw \√-h-\m-hp-I, D∂-X-\mhpI.<br />

A°m-cy-Øn¬ Hcp sshcm-<br />

Ky-_p-≤n-Xs∂ \√-Xm-Wv. `K-h-<br />

XvKo-X-bnse ""D≤-tcXv Bfl-\mflm\w<br />

\x Bflm-\w, Ah-km-<br />

[-tb-Xv, Bfl-ss\h ln<br />

_p‘px Bssflh cn]p-cmfl\x''<br />

F∂ XXzhpw CXn-t\m-<br />

Sp-tN¿Øp hmbn-°p-a-t√m. Xs∂<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

15


Anjali January<br />

16 KHNA - <strong>2011</strong>


Xm≥X-s∂-bmWv Db¿Øn-s°m-<br />

≠p-h-tc-≠-sX∂pw Hcp-hn-[-<br />

Ønepw kz¥w A]-N-b-Øn\p<br />

hgn-sX-fn-°-cp-sX-∂p-am-Wn-Xns‚<br />

A¿∞w. a\p-jy\v ssZho-I-X-bnte°p<br />

IS-°m≥ Hcp-]m-bhpw<br />

hgnbpw CX-t{X.<br />

Kpcp-°-∑m-cn¬ Nne-sc-nepw<br />

kzbw ]qPm-hn-{K-l-ß-fm-°m≥<br />

`‡-∑msc A\p-h-Zn-°m-dn-√.<br />

Nn∑-bm-\-μ-kzm-an-I-tfmSv Hcp<br />

Krl-ÿ≥ AXn-\p≈ A\phmZw<br />

tNmZn-®-Xn\v Cu teJ-I≥<br />

km£n-bm-Wv. ""Aß-bpsS thZm-<br />

¥-{]-`m-j-W-ßfpw Nn¥-Ifpw<br />

F√mw F\n°pw IpSpw-_-<br />

Øn\pw hfsc C≥kv]n-tc-j-<br />

W¬ BWv. a‰p tZh-X-Iƒs°m-<br />

∂p-an-√mØ ÿm\w Rß-fpsS<br />

a\- n¬ Atß-bv°p-≠v. RßfpsS<br />

ho´n¬ \nXyhpw AßbpsS<br />

]Sw-h®v ]qPn-°m≥ A\ph-Zn-°ptam''<br />

F∂v. kzmanPn adp-<br />

]-Sn-bmbn ]d-p. ""Hcp Kpcphn\v<br />

Xm≥ a÷bpw amwkhpw<br />

Bbn-cn-°p-tºmƒ AXm-bXv<br />

Pohn-®n-cn-°p-tºmƒ sX‰p-Iƒ<br />

]‰mw. ]t£ hymk-]o-T-Øn¬<br />

Ccp∂v Rm≥ ]d--Im-cy-߬<br />

\nXy-k-Xy-ß-fm-Wv. AXmWv<br />

\n߃ a\- n-em°n A\ph¿Øn-t°-≠-Xv.<br />

shdpsX Kpcphns\<br />

A\p-I-cn-°p-∂Xv<br />

sImt≠m ]qPn-°p-∂Xv<br />

sImt≠m B¿°pw {]tbm-P-\sam-∂p-an-√.<br />

C\n A{X \n¿_-‘am-sW-n¬<br />

Fs‚ Kpcp-hmb<br />

Xt]m-h-\m-\-μ-kzm-an-bpsS<br />

]Swh®v ]qPn-®p-sIm-≈p-I. \nXyk-Xy-Øns‚<br />

sISmØ hnf-<br />

°mbn Fs‚ Kpcp-h-c≥ F∂pw<br />

D≠t√m? Chn-sS-bmWv ssZho-<br />

IX Bfp-∂-Xv. Bfv ssZh-ambn<br />

a‰p-≈-h¿°v A\p-`-h-th-Zy-am-hp-<br />

∂-Xv.<br />

Hcp tNmZyw F√m-bvt∏mgpw<br />

\ΩpsS a\- n-ep-≠m-sb-∂n-cn-°-<br />

Ww. Xm≥ a‰p-≈-h-cpsS Fs¥-<br />

nepw A\m-h-iy-amtbm Ah-Imi-an-√m-sXtbm<br />

ssIh-i-am-°m≥<br />

{ian-°p-\-\pt≠m F∂v. X\n-<br />

°p≈ ]n-s\-°mƒ IqSp-X¬<br />

hkq-em-°m≥ {ian-°p-∂pt≠m<br />

F∂v. km[m-cW kzm¿∞-bn¬<br />

\mw F√mw F√mw kz¥-am-<br />

°m≥ {ian-°p-I-bm-Wt√m<br />

sNøp-I. sNdn-sbmcp `mKw am{Xambn<br />

kz¥-am-Ip-∂-X√ icn-bmb<br />

kzm¿∞-X. Cu hnizw apgp-h\pw<br />

kz¥-am-°p-I. CXn¬ hkvXp-h-<br />

I-Iƒ am{X-a-√, ka-bhpw s]Sp-<br />

∂p. Ah-\-h-\m-fl-kp-J-Øn-\m-Ncn-°p-∂h<br />

A]-c∂p kpJ-Øn-<br />

\mbv htcWw F∂v \mcm-b-W-<br />

Kpcp ]d-bp-tºmƒ \tΩmSv<br />

kpJw tXSn t]mtI≠ F∂√<br />

]d-bp-∂Xv. A]-cs‚ Imcy-<br />

Øn¬ Hcp-I-cp-Xepw {i≤bpw<br />

Ft∏mgpw thWw F∂m-Wv.<br />

Ah-\p-≈-Xp-IqSn X\n-°m-°pI<br />

F∂-√, Ah-s\-°qSn Xt‚-Xm-<br />

°pI F∂m-Wv. F∂m¬ Cu<br />

"Rm\mcv' F∂ Nn¥m-]-YØnte-°p≈<br />

Im¬hbv]v kXzkzm¿∞-Øns‚<br />

BZy-]-Sn-bm-Wv.<br />

Bb-X-dnv Adn-hp-d-®-bm-fmWv<br />

Kpcp. AXm-bXv eLp-hmb<br />

kzm¿∞-Øn-\-Sn-a-s∏-Sm-Ø-bmƒ.<br />

CØ-c-Øn-semcp kºq¿Wkzm¿∞X<br />

e£y-am-°n-bm¬<br />

kºq¿W km£-c-cmb \ap°pw<br />

BƒssZ-h-߃ Bhmw. a‰p≈<br />

BƒssZ-h-ß-sf-∏‰n tNmZn-°m-<br />

sX-bp-an-cn-°mw. Ah-cn¬ \ap°v<br />

Kpcp-°-∑msc Z¿in-°mw. \ap°p<br />

Np‰pw Aßn-s\-bp≈ Kpc-ÿm-<br />

\o-b¿ Ipd-®p-t]-sc-nepw D≠v.<br />

adn®v \mw A¬]-kzm¿∞n-Iƒ<br />

Bbn amdn-bm¬ \ap°v Bf-kpc-∑mcpw<br />

Bhmw.<br />

lcn-\m-a-Io¿Ø-\-Øn¬<br />

Fgp-Ø-»≥ A¿∞-i--°n-S-an-<br />

√m-Ø-hÆw ]d-bp-∂p. "Rms\∂<br />

`mh-aXp tXm∂mbvI thWanl;<br />

tXm∂p-∂-Xm-In¬ AJnew<br />

Rm\n-sX-∂-hgn tXmt∂-Wta<br />

hcZ \mcm-b-Wmb \ax'. At∏mƒ<br />

\mcm-b-W-Kpcp ]d Cu A]c≥,<br />

Rm≥ Xs∂ F∂v Dƒ°mgvN-bp-≠m-bm¬<br />

F√m-‰n\pw ]cnlm-c-am-bn.<br />

kz¥w Ah-b-h-ßsf<br />

\mw Ipcp-Ø-t°-Sn\p in£n-°mdpt≠m?<br />

\mh-dn-bmsX ISn® ]√ns\tbm<br />

acw sh´p-tºmƒ A{i-<br />

≤-bm¬ kz¥w Imep-ap-dn--<br />

Xn\p Iøn-t\tbm \mw in£n-<br />

°m-dpt≠m? ]t£ apdn-hn¬ acp-<br />

∂p-sh-bv°mw. th≠n-h-∂m¬<br />

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KHNA - <strong>2011</strong><br />

Anjali January<br />

17


Anjali January<br />

As in every year, Makarsamkranti will<br />

come in January, <strong>2011</strong>. It is a great festival<br />

and an auspicious day for Hindus<br />

worldwide. We, the Kerala Hindu<br />

community, also celebrate it in our own style,<br />

where ever we are. The rays of the Sun<br />

remain perpendicular on the tropic of<br />

Capricorn on this day and the Sun starts its<br />

movement towards northern hemisphere<br />

from this day. Many people observe different<br />

traditions on this day in their particular<br />

localities. Accordingly, though the pattern<br />

of celebration varies from place to place, the<br />

basic significance of the celebrations remains<br />

the same.<br />

The significance of this day is that it<br />

18 KHNA - <strong>2011</strong><br />

”Asato maa sadgamaya, Tamaso maa jyothirgamaya,<br />

Mrityormaa amritham gamaya”<br />

Lead me, O Lord, from untruth to Truth, from darkness<br />

to Light, and from death to Immortality.<br />

MAKARA SAMKRAANTHI<br />

MANNADY HARI<br />

marks the commencement of the Sun's<br />

northern course in the Heavens, the<br />

Uttaraayana patha. This turn in the Sun's<br />

course takes place at the point of time when<br />

it enters the sign of Makara or Capricorn.<br />

From this day the duration of day time<br />

increases and the night time starts<br />

decreasing. It is the harbinger of light and<br />

sunshine in human life and lessening of its<br />

darker aspects. This happy occasion is<br />

celebrated as Pongal in Tamilnadu and<br />

Khichadi in northern Bharat, both of the<br />

terms signifying names of sweet delicacies<br />

specially prepared for that day!<br />

Light symbolizes warmth and love and<br />

affection of human heart. In many areas of


Bharat, this is translated by the distribution<br />

of til-gul - the til seed and jaggery. Til,<br />

brimming with fragrant and delicious oil,<br />

stands for friendship and comradeship and<br />

jaggery for sweetness of speech and behavior.<br />

The distribution of til-gul, therefore, forms a<br />

touching aspect of the Makara Sankramana<br />

celebrations.<br />

On the social plane, the Samkraanti carries<br />

a vital significance for our national welfare.<br />

It is the warmth of love and fellow-feeling<br />

among the people of a country that ultimately<br />

make them stand up in unison in adversity<br />

or in prosperity. It is the necessary lubricant<br />

to make the nation's psychic machine work<br />

smoothly without friction. Even the great<br />

precepts of ‘liberty and equality’ lose their<br />

meaning without the basic requisite of<br />

‘fraternity’ among the people. Fraternity<br />

alone will ensure a spirit of selfless service<br />

and sacrifice in the cause of fellow<br />

countrymen. Selfishness - the ultimate<br />

destructor of the social fabric - is cured and<br />

social consciousness generated where a spirit<br />

of fraternity is alive.<br />

Bhagavan Sathya Sai Baba says, on the<br />

significance of the day:<br />

"There are three sacred festival nights for<br />

Bharatiyas: Sankranti, Shiva-ratri and<br />

Navaratri. Each of these has special<br />

significance. Sankranti enables man to turn<br />

his vision towards the sublime. It is the day<br />

when the apparent northward motion of the<br />

sun begins (Uttarayana Kaala). The day is<br />

considered auspicious for man to embark on<br />

his journey towards the goal of a purposeful,<br />

sacred and blissful life”<br />

"This festive day has been celebrated from<br />

ancient times as a day of fulfillment and joy.<br />

Every festival is a social occasion, arising in<br />

society, flourishing in society, and promoting<br />

the well-being of society. Every festival has<br />

been designed to promote the welfare of<br />

society. Today's festival is an extremely<br />

important one for Bharatiyas (Indians). It is<br />

a festival to celebrate the glory of the Sun<br />

God."<br />

"Today is a sacred festival day. It is a day<br />

for the celebration of plenty and prosperity.<br />

This day of Sankranti brings with it an<br />

abundance of crop and wealth. This Pushya<br />

month brings with it a cool breeze, a bright<br />

sun, golden fields and trees echoing the songs<br />

of birds. The earth shines in the glory of<br />

nature. People admire the beauty of nature,<br />

but are not aware of the beauty in their inner<br />

hearts. Make your heart beautiful by adoring<br />

it with the sacred love of God."<br />

Samkraanti, signifying light, also gives the<br />

message of intellectual illumination. It gives<br />

the capacity to discriminate between the right<br />

and the wrong, the just and the unjust, truth<br />

and falsehood, virtue and vice. It is this<br />

discriminative wisdom - Viveka - which leads<br />

the individual on the path of human<br />

evolution and human happiness. Mere dry<br />

reasoning power devoid of this insight will<br />

be like the charging of a wild horse without<br />

the stirrup and the rider.<br />

The present-day galloping race of science<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

19


Anjali January<br />

and technology is indeed turning the modern<br />

civilization into such a `wild horse'. The<br />

looming and growing catastrophic<br />

consequences of air, water and soil pollutions<br />

are a few instances of how far our modern<br />

intellect has strayed away from the true path<br />

of intellectual enlightenment. Mahabhaarata<br />

defines pursuit of truth and real knowledge<br />

as that which leads to the welfare of all living<br />

beings - Yad bhootahitamatyantam tat<br />

satyamiti dhaaranaa. It is this supreme light<br />

and intelligence coupled with the warmth of<br />

the heart that can ultimately lead to all round<br />

human harmony and happiness.<br />

The Hindu philosophy has eulogized<br />

human endeavor as a supreme value without<br />

which nothing worth while can be achieved<br />

in life. Says a Subhaashita:<br />

“Udyamam saahasam dhairyam<br />

buddhisshaktih paraakramaha<br />

Shadete yatra vartante tatra<br />

devaassahaayakrit ”<br />

The Gods will help those who display the<br />

six attributes of endeavour, daring, fortitude,<br />

wisdom, strength and valor. Makara<br />

Samkramana gives the call for the awakening<br />

of all these latent powers in man not only for<br />

20 KHNA - <strong>2011</strong><br />

the flowering of his individual personality<br />

to its fullest unfoldment, but also for the wellbeing<br />

and glory of society as a whole. It is<br />

for this holy day that Bhishma, after laying<br />

down his arms in the Mahaabhaarata war<br />

and lying on a bed of arrows, waited 56 days,<br />

to give up his body. For, as the traditional<br />

belief goes, a person dying on this day<br />

reaches the Abode of Light and Eternal Bliss.<br />

Synchronization of one of their great<br />

festivals with an extremely meaningful and<br />

regular phenomenon of nature speaks of an<br />

innate quality of the Hindus. They look upon<br />

themselves as children of Mother Nature and<br />

strive to imbibe her milk of bounty in all fields<br />

of their activity. Makara Samkramana is such<br />

an occasion.<br />

In short, Makara Samkramana is the<br />

commencement of the activity of charging<br />

of every living being with more and more of<br />

positive energy. As a community let us, the<br />

Kerala Hindus, also welcome and celebrate<br />

this day for all its symbolic yet scientific<br />

significance for our physical and spiritual<br />

empowerment.<br />

AUM SHANTHI: SHANTHI: SHANTHI:


India and Her<br />

Secular Ideals<br />

P. Balarajan<br />

From time immemorial India as a State<br />

has been secular in her approach to<br />

individual or personal beliefs. This is no<br />

accident by any reckoning. India as a<br />

civilization also might have gone through<br />

in her early stages of evolution of religious<br />

faith the same rigidity of beliefs in a lesser<br />

form and the same intolerance we see in<br />

comparatively younger faiths even in this<br />

twenty first century. India must have gone<br />

through many millennia to evolve her present<br />

day philosophy of tolerance and secular ideals.<br />

Through ages, India has shown the world<br />

that religious beliefs are personal to each<br />

individual and all beliefs irrespective of his or<br />

her denominational affiliations lead ultimately to<br />

the same goal. The ancient Indian books of learning<br />

proclaim thus, "Truth is one, learned seers describe<br />

it variously (Ekam Sat, Vipraa Bahudha Vadanti)".<br />

India always "Let noble thoughts come to her from<br />

every where (Aano Bhadra Kratavo Yantu<br />

Sarvataha). Knowledge brings enlightenment and<br />

that in turn leads to realization of the truth and<br />

resultant tolerance and welfare. Any rigid<br />

ideology that does not respect others right to belief<br />

is incompatible with the idealism that India<br />

cherishes.<br />

India’s secular ideals are founded on her<br />

religious philosophy. The majority of the people<br />

of India are Hindus and the Hindu religion never<br />

advocated exclusion of anybody for his or her beliefs.<br />

Her Advaita Vedanta proclaims the essential oneness of<br />

humanity. From that philosophy sprung the high ideals<br />

of the rulers that sheltered the Persian refugees (Parsees)<br />

hunted out of their country centuries back. These are<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

21


Anjali January<br />

the same ideals that prompted<br />

the present day India to shelter<br />

the fleeing His Holiness Dalai<br />

Lama and his Tibetan<br />

followers from their homeland<br />

despite severe adverse political<br />

ramifications. It was a further<br />

testimony of India’s secular<br />

credentials that in the not so<br />

distant past a Congressman in<br />

the United States Congress<br />

stated that India was perhaps<br />

the only country in the whole<br />

world where Jews were never<br />

got persecuted for their<br />

divergent religious beliefs and<br />

practices as against their bitter<br />

experience in other parts of the<br />

world!<br />

The great leaders of<br />

contemporary India born and<br />

brought up in such a<br />

philosophical environment<br />

always advocated and<br />

practiced secularism in their<br />

daily life. So much so that<br />

even though modern India<br />

was divided to carve out<br />

Pakistan for Muslims, the<br />

Indian leaders who never<br />

believed in the partition of the<br />

country on the basis of<br />

religious belief, encouraged<br />

those minority who did not<br />

22 KHNA - <strong>2011</strong><br />

wish to leave their homes to<br />

stay on. And when the<br />

modern India’s constitution<br />

was drawn up, one of its<br />

corner stones was secularism!<br />

Now India has the second<br />

largest Muslim population<br />

after Indonesia in the world<br />

despite the partition of the<br />

country over six decades ago<br />

on the insistence of a section<br />

of the Muslim population of<br />

the subcontinent!<br />

India’s secular ideals which<br />

have been transparent and<br />

clear need no credentials. The<br />

ancient Hindu rulers never<br />

sought to impose a particular<br />

state-creed upon the people.<br />

Nor did anybody get<br />

persecuted in India, ancient or<br />

modern, for his or her<br />

divergent religious ideas.<br />

Siddhartha Gautama (later the<br />

Buddha)’s parting ways from<br />

the Hindu fold six centuries<br />

before Christ is an example to<br />

quote. He was never persecuted.<br />

Buddha lived long to attain his<br />

Parinirvana in his eighties. In<br />

recent times, Guru Nanak<br />

founded Sikhism, another<br />

example of Hindu religious<br />

tolerance. The Hindu religious<br />

philosophy proclaims the<br />

ultimate truth "Tat Twam Asi"<br />

(Thou art that) which means<br />

we are all one!<br />

Discrimination on account<br />

of religious faith in India came<br />

with the coming of Islam to the<br />

Indian subcontinent. Though<br />

most of the Muslim monarchs<br />

who ruled parts of India never<br />

interfered with the religion of<br />

their subjects, discrimination<br />

existed depending upon the<br />

ruler’s fancies and fantasies.<br />

While Emperor Akhbar, the<br />

greatest of the rulers of<br />

Mughal empire in India who<br />

happened to be the most<br />

tolerant and enlightened of all<br />

the Muslim rulers even tried<br />

to bring out an eclectic religion<br />

integrating the best in the<br />

various contemporary<br />

religions of his time, religious<br />

intolerance peaked during the<br />

reign of Aurangazeb who<br />

imposed a special tax directed<br />

only against non-Muslims. In<br />

the process Aurangazeb<br />

paved the way for the decline<br />

and ultimate disintegration of<br />

the Mughal rule in the<br />

subcontinent!<br />

Swami Vivekananda said,<br />

"Never quarrel about religion.<br />

All quarrels and disputations<br />

concerning religion simply<br />

show that spirituality is not<br />

present. Religious quarrels<br />

are always over the husks.<br />

When spirituality goes,<br />

leaving the soul dry, quarrels<br />

begin and not before. Do not<br />

care for doctrines, do not care<br />

for dogmas, or sects, or<br />

churches or temples; they<br />

count for little compared with<br />

the essence of existence in each<br />

man which is spirituality and<br />

the more this is developed in a


man, the more powerful is he<br />

for good". When Mahatma<br />

Gandhi said that the name of<br />

his god was Ram and also<br />

Rahim, Mohammad Ali Jinnah<br />

derisively said that only a<br />

Hindu could say a thing like<br />

that! Though his comment was<br />

meant to be derision it turned<br />

out to be a tribute to the secular<br />

ideals of the country to which<br />

the Mahatma belonged.<br />

Ancient wisdom of India was<br />

always for inclusion and<br />

absolute freedom from rigidity<br />

and bigotry. As an extension of<br />

his belief, Mahatma Gandhi<br />

even advocated for a world<br />

without boundaries! When<br />

ever rigidity and exclusion tried<br />

to raise its head, degeneration<br />

and decline resulted as in the<br />

case of the disintegration of<br />

Mughal Empire in India.<br />

Modern India’s Constitution<br />

is a continuing testament of her<br />

ancient wisdom and tolerance.<br />

It is a shrine in which all the faiths<br />

find shelter and solace. Those<br />

who promote and propagate<br />

divisive ideologies in India and<br />

also in the world do not mean<br />

well for India or for the mankind.<br />

Every day when we witness<br />

interminable quarrels and<br />

extreme intolerance over<br />

religion around the world, we<br />

can only wish fervently that the<br />

ancient wisdom of India<br />

(Vasudhaiva Kutumbakam - the<br />

whole world is a family) finds its<br />

way as a moderating factor into<br />

the lives of the people of the<br />

world.<br />

Balarajan P. is a retired Indian<br />

diplomat. Since 2003 he runs<br />

a consulting business. He lives<br />

in Virginia with his wife<br />

Meera.<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

23


Anjali January<br />

According to the tenets<br />

of Sanathana Dharma, Vidyarambham<br />

is the subhara<br />

mbham (auspicious beginning)<br />

of life-long learning.<br />

Since the ritual of Ezhuthiniruthu<br />

is such a meaningful<br />

and deeply symbolic procedure,<br />

parents who practice<br />

other religions also have been<br />

fascinated by Vidyara mbham.<br />

KHNA joined hands<br />

with all Hindu organi zations<br />

in the Washington DC-Metro<br />

24 KHNA - <strong>2011</strong><br />

area to celebrate Vijaya<br />

Dashami with Vidyarambham<br />

on Sunday, October 17th,<br />

2010. More than 350<br />

individuals, including about<br />

130 children attended the<br />

event at the beautifully decora<br />

ted Washington Murugan<br />

Temple (Lanham, MD).<br />

The festivities began with<br />

Saraswathi Puja by Brah<br />

masri Kallampally Easwaran<br />

Nampoothiri (Melsanthi of<br />

Ayyappa shrine, Sri Siva<br />

Vishnu Temple, Lanham, MD<br />

and former Melsanthi of<br />

Sabarimala Ayyappa temple).<br />

The priests of Murugan Temple<br />

and KHNA-YuVA volunteers<br />

helped with the arrangements<br />

for the puja. The ritual of<br />

Ezhuthiniruthu started after the<br />

Saraswathi puja. Children<br />

were initiated by writing “Hari<br />

Sri Ganapathaye Namah,<br />

Avighnamasthu” in rice. This<br />

was followed by writing the<br />

mantra on their tongue with


a gold ring to receive the<br />

blessings of Saraswathi, the<br />

Goddess of Knowledge.<br />

Religious story books<br />

donated by the famous<br />

Malayalam film star Bharath<br />

Suresh Gopi were distributed to<br />

all the children who participated<br />

in the celebration. This<br />

was followed by a delicious<br />

Kerala style lunch, a brief public<br />

meeting and a melodious<br />

January<br />

classical music concert by Sri<br />

Ajay Namboodiri. Anjali<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

25


Anjali January<br />

26 KHNA - <strong>2011</strong>


The recognition of Mudiyettu, the ageold<br />

ritualistic dance-drama of Kerala, by the<br />

United Nations Educational, Scientific and<br />

Cultural Organization (UNESCO) in<br />

November 2010 is an event that should make<br />

every Malayalee proud of their cultural<br />

heritage. UNESCO bestowed this recognition<br />

by its inclusion of Mudiyettu in the<br />

Representative List of the Intangible Cultural<br />

Heritage of Humanity. Equally important is<br />

the increased awareness this recognition will<br />

generate among Malayalees about the<br />

mythological and social aspects of this art<br />

form.<br />

Like much of Hindu mythology,<br />

Mudiyettu depicts the battle between good<br />

and evil and the ultimate victory of good over<br />

evil. It is the story of Goddess Bhadrakaali’s<br />

fight against and ultimate destruction of the<br />

demon, Daarikan. Having gained a boon<br />

Mudiyettu –<br />

Kerala’s<br />

Ritualistic<br />

Dance-Drama<br />

Chandran Pillai<br />

from Lord Brahma through intense Tapas that<br />

no males could kill him (in his haughtiness<br />

he thought that no female was capable of<br />

killing him), he caused immense suffering to<br />

gods, goddesses, saints and the common<br />

people. In order to alleviate their sufferings<br />

and protect the world, Sage Narada<br />

beseeched Lord Shiva to find a solution to<br />

destroy Daarikan. Lord Shiva promised that<br />

he would create Goddess Bhadrakaali from<br />

his third eye to slay the demon. Mudiyettu<br />

depicts the appearance of Bhadrakkaali and<br />

the fierce battle ensuing between the<br />

goddess and Daarikan that is portrayed in a<br />

very ritualistic manner in a community<br />

setting. The appearance of secondary<br />

characters, i.e. Koyimpata Nayar (Lord<br />

Shiva’s bodyguard) and Kooli (one of the<br />

Pancha Bhoothams who make comic speech<br />

and actions) help the progression of the story<br />

and ease the tension.<br />

Mudiyettu is traditionally performed in<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

27


Anjali January<br />

“Bhagavati Kavus”, the temples of the<br />

goddesses. Unlike other theatrical forms such<br />

as Koodiyattam and Kathakali, there is more<br />

direct community involvement in Mudiyettu,<br />

which includes close proximity of the<br />

spectators to the performers, and the interaction<br />

of the main character, Bhadrakaali with<br />

the members of the community. For example,<br />

after the killing of Daarikan by the infuriated<br />

Kaali, infants and children are lifted by the<br />

goddess while dancing around the “Arangu<br />

Vilaku” (main oil lamp) three times. This<br />

ritual is believed to immunize the children<br />

from diseases, particularly from chicken pox<br />

and small pox and bless them with long and<br />

healthy life. “Thelli Eriyal” (throwing of pine<br />

resin powder to the cotton torch) is another<br />

ritual during “Purappadu”, making the<br />

nightly atmosphere refreshing and pure.<br />

When the flaming cotton torch (pantham) is<br />

taken to the devotees after the “Pantham<br />

Uzhiyal” (encircling with flaming cotton<br />

torch) by Kaali to worship Lord Shiva, the<br />

devotees witness the most auspicious ritual<br />

of the night with bhakthi and contentment.<br />

When the devotees leave the venue after<br />

28 KHNA - <strong>2011</strong><br />

“Pantham Uzhiyal”, Kaali takes off her head<br />

gear (Mudi Uzhiyal), offers Prasadam to the<br />

organizers and receive Dakshina.<br />

The progression of the story of Mudiyettu<br />

is noteworthy for its strict adherence to<br />

ritualistic tradition as against other temple<br />

oriented dance-dramas. As the first event of<br />

the day, “Kotti Ariyippu” (announcement) is<br />

done using Chenda (drum), and Elathalam<br />

(cymbals). The detailed “Kalam Ezhuthu”<br />

(multi-color portrait of Bhadrakaali on the<br />

floor using different colors), and “Kalam<br />

Pattu” (songs in praise of Bhadrakaali and the<br />

disfiguration of the Kalam by the chief artist<br />

who transforms himself as Bhadrakaali)<br />

ensues. This is followed by the detailed<br />

“Chutti Kuthal” (make-up) and “Vilakku<br />

Veppu” (lighting of the oil lamp). The<br />

announcement of commencing the<br />

performance is accomplished through “Keli<br />

Kottu”. All these day and night long steps<br />

involve close involvement of the community<br />

in Mudiyattu.<br />

The enactment of Mudeyettu near<br />

“Bhagavathi Kavu” requires strict “vrata”<br />

(penance) by the artists and this custom


makes Mudiyettu more than a ritualistic art<br />

form. Keezhillam Unnikrishnan, a<br />

contemporary exponent of the tradition says<br />

“Unlike classical theatres Kathakali or<br />

Koodiyattam, Mudiyettu is considered a<br />

sacred offering to Goddess Kaali rather than<br />

a medium of pure entertainment. It derived<br />

its name from the tall and glittering headgear<br />

worn by the artist who appears as Kali.” It is<br />

believed that the entire village, where<br />

Mudiyettu was conducted, will be bestowed<br />

with Kali’s blessing.<br />

The entire atmosphere in which<br />

Mudiyettu is enacted transports the<br />

spectators to a different world. The vicinity<br />

of the “Bhagavathi Kaavu” alone gives the<br />

dance-drama a sacred and serene<br />

atmosphere. When the mythological content<br />

of the slaying of Daarikan by Kaali is<br />

combined with the ritualistic and tantric<br />

Kalam Pattu and Kalam Ezhuthu, it provides<br />

the whole community that witnesses the<br />

performance a very unique experience.<br />

While describing the relevance of Mudiyettu<br />

as an art form, UNESCO concludes that<br />

Mudiyettu serves as an important cultural<br />

offering for transmission of traditional values,<br />

ethics, moral codes and aesthetic norms of the<br />

community to the next generation, thereby<br />

ensuring continuity and relevance in present<br />

times.<br />

It is the responsibility of every Malayalee<br />

who is interested in culture, art forms and<br />

traditional values to preserve Mudiyettu for<br />

the next generation. Unfortunately, there is<br />

only very little published information about<br />

the history of Mudiyettu. C.K. Thomas, a<br />

theatre researcher and coordinator of<br />

Natyavedi (the organization that took action<br />

to place Mudiyettu in UNESCO’s cultural<br />

heritage list) hopes that “The international<br />

recognition would open opportunities for<br />

scientific documentations and more research<br />

into the evolution of the age-old art which<br />

largely remained to the Bhadra Kali Temples<br />

of Central Travancore.” Regarding the future<br />

of Mudiyettu, Varanattu Narayana Kurup, a<br />

contemporary Mudiyettu artist, believes that<br />

while the ritualistic tradition should be<br />

continued, it should be open to girls too “who<br />

have the dedication, interest and respect for<br />

rules.” Nanu Kurup, who started the<br />

Kizhakke Varanattu Mudiyettu<br />

Kalasangham, includes few girls in his class<br />

of about 30 students. He plans to train them<br />

in every aspects of Mudiyettu – percussion,<br />

Kalamezhuthu, Kalam Pattu, and the<br />

performance.<br />

Reference Sources:<br />

Information from UNESCO website<br />

Articles appeared in Hindu Newspaper<br />

Chandran Pillai, currently settled in Virginia<br />

with his family, immigrated to the United<br />

States from the small village of Kudayathoor<br />

near Thodupuzha, Kerala. His childhood<br />

memories of Mudiyettu at the Bhagavathi Kavu<br />

near his house inspired him to write this article.<br />

He works for the National Aeronautics and<br />

Space Administration (NASA).<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

29


Anjali January<br />

30 KHNA - <strong>2011</strong>


I came to Sabarimala<br />

about 12 years ago. Back in<br />

1998, I was not very much a<br />

believer. Having influence of<br />

youthful energy, I was only<br />

beginning to get interested in<br />

our culture, Bhakti etc.<br />

I came to Sabarimala<br />

because I had a “Swapna<br />

Darshan”.. I myself was shocked<br />

to see, “a devan riding a tiger”. I<br />

was unaware of such a Devan,<br />

and I enquired. I have heard<br />

about Sabarimala. But then I<br />

was not aware of such an<br />

image of Swamy Ayyappan.<br />

Then I came to Sabari<br />

mala. It was the experience<br />

of a life time. From that time<br />

onwards I have been coming<br />

here every year. I am proud<br />

to say that I am the<br />

Guruswamy of over 15-20<br />

Ayyappas from Bollywood<br />

to Sabarimala. We have<br />

Muslims, Christians, Hindus<br />

and from last 2 years we<br />

even have 2 Parsi Ayyappas<br />

coming with me to<br />

Sabarimala every year.<br />

Sabarimala is a symbol<br />

of India’s secularism, seeing<br />

spirituality in all religions,<br />

respecting all paths towards<br />

god. As I told last year, after<br />

Mumbai Attacks, where<br />

ever I go to speak, I speak<br />

about Sabarimala Swamy<br />

Ayyappa as I believe he is an<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

31


Anjali January<br />

32 KHNA - <strong>2011</strong>


sIF-®v-F≥F kvtImf¿jn∏v At]£ £Wn®p<br />

hm-jnw-KvS¨ :- Ata-cn-°bnse<br />

ae-bmfn lnμp kwL-<br />

S\I-fpsS s]mXp-thZnbmb<br />

tIcf lnμqkv Hm^v t\m¿Øv<br />

Ata-cn-°-bpsS kvtImf¿jn-<br />

∏n\v At]£ £Wn-®p. tIcf-Øn-se<br />

]mh-s∏´ lnμp-Ip-´n-<br />

Iƒ°mWv kvtImf¿jn∏v<br />

\¬Ip-I.<br />

F©n-\o-b-dnw-Kv, saUn-kn≥,<br />

t\gvknw-Kv, ^m¿a-t°m-f-Pn, Z¥n-<br />

Ãdn XpS-ßnb s{]m^-j-W¬<br />

tImgvkp-Iƒ°v H∂mw h¿j<br />

{]th-i\w tXSp∂ Ip´n-<br />

Iƒ°mWv {]Xn-h¿jw 250<br />

tUmf¿ hoXw \¬Ip-I. πkvSp<br />

]co-£-bn¬ 85 iX-am-\-Øn-e-<br />

[nIw am¿°pw IpSpw-_-Ønse<br />

hm¿jnI hcp-am\w Ac-e-£-<br />

Øn¬ Ipd-hp-amWv At]-£n-<br />

°m-\p≈ ASn-ÿm\ tbmKy-X.<br />

www.khnascholarships.org F∂<br />

sh_vssk-‰n¬ \n∂pw e`n-<br />

°p∂ t^md-amWv ]qcn-∏n®v<br />

Ab-bvt°-≠-Xv. hcp-am\ k¿´n-<br />

^n-°-‰v, am¿°venÃns‚<br />

A‰ÃUvtIm-∏n, ]mkvt]m¿´v<br />

sskkv t^mt´m, kmº-ØnI<br />

Bhiyw hy‡-am-°n-s°m-<br />

≠p≈ Ip´n-bpsS IØv, s{]m^j-W¬<br />

tImgvkn\v {]th-i\w<br />

e`n-®-Xns‚ sXfn-hv, {]mtZ-inI<br />

lnμp kwL-S-\-bpsS ip]m¿i-<br />

I-Øv, ""CjvS-s∏´ sslμh<br />

k\ym-kn/k\ym-kn , Ah¿<br />

sslμh kaqlØn\v -<br />

\¬Inb kw`m-h\'' F∂ hnjb-Øn¬<br />

3 t]Pn¬ Ipd-bmsX<br />

D]-\ymkw F∂n-hbpw At]-<br />

£-tbm-sSm∏w Ab-bv°-Ww.<br />

<strong>2011</strong> P\p-hcn 30\v ap≥]v ]n.-<br />

H., t_mIvkv 144, Pn.-]n.-H. Xncph-\-¥-]pcw<br />

1 F∂ hnem-k-<br />

Øn¬ At]-£-Iƒ e-`n-°-Ww.<br />

XpS¿®-bmb A©mw h¿jamWv<br />

sIF-®v-F≥F kvtImf¿<br />

jn∏v hnX-cWw sNøp-∂Xv. 178<br />

Ip´n-Iƒ°v CtXm-SIw \¬In-°gn-p.<br />

lcn-Zm-k≥]n≈ (Um-fkv)<br />

sNb¿am-\mb IΩn-‰n-bmWv<br />

CØ-hW kvtImf¿jn∏n\v<br />

t\XrXzw \¬Ip-∂-Xv.<br />

IΩyq-Wn-‰n-bpsS ]n¥p-WbmWv<br />

kvtImf¿jn∏v ]≤Xn<br />

icon that could not only give us spiritual<br />

strength, but also a great social strength<br />

as a Nation. In him, all rivers merge as<br />

the ocean.<br />

About 5000-5500 year old history for<br />

Sabarimala, starting from the time of<br />

Parasurama and Sri Ram, Sabari from<br />

whom the name derived, I also tell as<br />

Guru Swamy, to study the history and<br />

philosophy of Sabarimala when they go<br />

there.<br />

I also tell my Ayyappa Group to study<br />

Ayyappa Dharma with its thousands of<br />

years of history, mythology, charity<br />

attitude and spirituality. I believe such a<br />

philosophy is the answer to all problems<br />

of the world which is troubled by<br />

terrorism, poverty etc.<br />

Vivek Oberoy<br />

`wKn-bmbn \S-Øm≥ klm-b-Iam-b-sX∂v<br />

lcn-Zm-k≥]n≈ ]d-<br />

p. kvt\l-ap-≈-h-cpsS<br />

Hm¿°mbn hy‡n-Ifpw IpSpw-_ß-fp-amWv<br />

kvtImf¿jn∏v<br />

G¿s∏-Sp-Øn-bn-cn-°p-∂-Xv. IqSp-<br />

X¬ t]cpsS ]n¥pW C°m-cy-<br />

Øn¬ D≠m-I-W-sa∂v At±lw<br />

A`y¿∞n-®p.<br />

tIc-f-Ønse ]T\ sNe-hv<br />

henb tXmXn¬ Db¿∂ kml-<br />

N-cy-Øn¬ IqSp-X¬ Ip´n-Iƒ°v<br />

klmbw FØn-°m≥ sIF-®v-<br />

F≥F kaqlw apt∂m´p hc-Wsa∂v<br />

{SÃv t_m¿Uv sNb¿am≥<br />

cmPp-\m-Wp (\yq-tbm¿°v)<br />

A`y¿∞n-®p. ap≥ h¿j-ß-fn-set∏mse<br />

kvtImf¿jn-∏n-\mbn<br />

{]N-cW ]cn-]m-Sn°pw ^≠v<br />

kzcq-]-Whpw \S-Øp-sa∂v<br />

At±lw ]d-p.<br />

IqSp-X¬ DZm-c-a-\-t msS<br />

Ata-cn-°-bnse sIF®v-F≥F<br />

kaqlw kvtImf¿j∏ns\<br />

]n¥p-W-bv°-W-sa∂v {]kn-<br />

U‚ v Fw.-Pn. tat\m≥ (hm-jnw-<br />

KvS¨) A`y¿∞n-®p.<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

33


Anjali January<br />

`-K-h-Xv- ssN-X-\y-Øn-s‚s]m-cpƒ-<br />

tX-Sn-sb-Øp-∂- `-‡tIm-Sn-I-fp-sS-<br />

A-`-b-k-t-X-am-<br />

Wv- i-_-cn-a-e.- `-K-hm-\pw- `-‡-<br />

\pw- H-∂m-sW-∂- X-Xzw- tem-I-<br />

Øn-\v- ap-∂n¬- Im-´n-s°m-Sp-Øtem-I-Øn-se-<br />

X-s∂- G-I- t£-<br />

{X-am-Wv- {io- A-ø-∏≥- Ip-Sn-sImf-fp-∂-<br />

i-_-cn-a-e.- X-Øz-a-kn-bpsS-<br />

s]m-cpƒ- tX-Sn-bpw- I-en-bp-<br />

K- h-c-Z-\m-b- A-ø-∏-s\- Z¿-in-<br />

34 KHNA - <strong>2011</strong><br />

°m-\p-am-bn- Im-Spw- ta-Spw- Im-´mdp-I-fpw-<br />

Xm-≠n- F-Øp-∂- `-‡cp-sS-<br />

F-Æw- Hm-tcm-h¿-j-hpwh¿-≤n-°p-I-bm-Wv.-<br />

A-\m-Zn-Im-ew- ap-X¬- ]-c-tZh-Xm-<br />

k-¬-∏-Øn-em-Wv- tI-cfo-b¿-<br />

im-kv-Xm-hn-s\- B-cm-[n-<br />

®v- t]m-cp-∂-Xv.- im-kv-Xm-hn-\v- Aø-∏≥-<br />

F-∂- \m-a-hp-ap-≠v. -ssih-˛-ssh-jv-W-h-k-¬-∏-ß-fpsS-<br />

k-a-\z-b-`m-h-am-Wv- im-kv-Xm-<br />

IWvT-cv cmPo-h-cv<br />

hn-s‚- D¬-∏-Øn-bn-epw- Z¿-i-\-<br />

Øn-epw- sX-fn-bp-∂-Xv.- [¿-Ω- i-<br />

_v-Zw-sIm-≠v- hn-ti-jn-∏n-°-s∏-<br />

Sp-∂- G-I-tZ-h≥- im-kv-Xm-hm-<br />

Wv.- [¿-Ω-im-kv-Xm-hv- F-∂m-Wvhn-fn-°-s∏-Sp-∂-Xv.-<br />

]m-em-gn- a-Y-\-Øn¬- D-b¿-<br />

∂p-h-∂- A-ar-Xv- ho-s≠-Sp-°m≥a-lm-hn-jv-Wp-<br />

tam-ln-\ocq-]w- ]qs≠-∂pw<br />

-Cu -cq-]-Øn¬- B-Irjv-S-\m-b-<br />

]-c-a-in-h-\v- tam-ln-\n-


n¬- P-\n-® -]p-{X-\m-Wv- im-kv-<br />

Xm-sh-∂pw- kv-I-μ-]p-cm-W-Øn¬hn-h-cn-°p-∂p.-<br />

Cu- I-Y- X-s∂-<br />

I-º-cm-am-b-W-Øn-epw- {_-“m-<br />

WvU-]p-cm-W-Øn-epw- hy-‡-am-<br />

°p-∂p-≠v.im-kv-Xm-hn-s‚-<br />

A-h-Xm-c-am-<br />

Wv- A-ø-∏≥. - -im-kv-Xm-hn-s\-<br />

_me-cq-]-Øn¬-<br />

Ip-f-Øq-∏p-g-bn-epw<br />

]-Xv-\o- k-ta-X-\m-bn- B-cy-m-hnepw<br />

Kr-l-ÿm-{i-an-bm-bn- A-®≥tIm-hn-en-epw-<br />

{]-Xn-jv-Tn-®n-´p-≠v.-<br />

F-∂m¬- C-Xn¬-\n-∂pw- hn-`n-∂am-b-<br />

`m-h-am-Wv- i-_-cn-a-e-bn-se-<br />

{]-Xn-jvT.- A-`-b-ap-{Z-I-tfm-Sp-Iq-Sntbm-K-]-´w-<br />

Np-‰n-bn-cn-°p-∂- {_-<br />

“-Nm-cn-bm-b- A-ø-∏-s\-bm-Wv- i-<br />

_-cn-a-e-bn¬- {]-Xn-jv-Tn-®n-cn-°p-<br />

∂-Xv.- Nn-∑p-{Zm-n-X-\m-b- `-K-hm≥-<br />

A-`-b-h-c-Zm-b-I-\m-Wv.- Nn≥-ap-<br />

{Z-bn¬- sX-fn-bp-∂- A-`-b-ap-{Z- {]-<br />

Ir-Xn-bpam-bn -_-‘-s∏-Sp-Øn-th-<br />

Ww- a-\-kn-em-t°-≠-Xv. -ssI-ønse-<br />

X-f-f-hn-c-en-t‚-bpw- Nq-≠m-<br />

Wn-hn-c-en-t‚-bpw- A-{Kw-tN¿-Øvhr-Øm-Ir-Xn-<br />

krjv-Sn-®m-Wv.- A-<br />

`-b-ap-{Z- ImWn-°p-∂-Xv.- I-øn-se-<br />

A-©p-hn-c-ep-Iƒ- B-≤ym-fl-nIam-bn-<br />

A-©p- {]-Xo-I-ß-fp-sS- kq-<br />

N-\-bm-bn- I-W-°m-°-Ww.- X-ff-hn-c¬-<br />

{]-Ir-Xn-tb-bpw Nq-≠phn-c¬-<br />

A-l-m-c-tØ-bpw,- \-Sp-hne-sØ-<br />

hn-c¬- X-tam-Kp-W-tØbpw,-tam-Xn-c-hn-c¬-c-tPm-Kp-WtØ-bpw-<br />

sN-dp-hn-c¬- k-Xz-Kp-WtØ-bpw-<br />

{]-Xn-\n-[m-\w- sN-øp-<br />

∂p.- A-`-b-ap-{Z-Im-´p-tºmƒ- ctPm-˛-X-tam-˛-k-Xz-<br />

Kp-W-ß-fp-sS-<br />

{]-Xo-I-ß-fm-b- hn-c-ep-Iƒ- amdn-\n¬-°pw.-{Xn-Kp-W-ß-fn¬-<br />

\n-<br />

∂v- A-l-m-c-sØ- A-I-‰n- {]-Ir-<br />

Xn-bp-am-bn- A-Sp-∏n-°p-∂- a-l-<br />

Øm-b- X-Xz-sØ-bm-Wv- `-Khm≥-<br />

\-ap-°v- sh-fn-hm-°n-Ø-cp-<br />

∂-Xv.- A-l-m-cw- i-an-∏n-®v- {Xn-<br />

Kp-W-ß-fpw- t\-Sn- ]-Xn-s\-´mw-<br />

]-Sn- I-b-dn- F-Øp-∂- `-‡-\v- \o-<br />

X-s∂-bm-Wv- Cu-iz-c≥- F-∂- h- January<br />

en-b- k-Xy-sØ-bm-Wv- sh-fn-hm-<br />

°n-s°m-Sp-°p-∂-Xv.- Anjali<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

35


Anjali January<br />

36 KHNA - <strong>2011</strong>


BImiw Hcp ]p≈n-∏p-en,<br />

sh≈n \£-{X-߃ AS- -bm-fs∏m-´p-Iƒ,<br />

AXn-t∑¬ Hcp<br />

]q¿W-N-{μs‚ Fgp-∂-≈-Øv.<br />

A\p-{Kl civan-IƒsIm≠v `qanbn¬<br />

ka-`m-h-\-bpsS \ne-sØgpØv!<br />

temIw? Ct∏mƒ AXn\v<br />

Hcp ]m¬°-S-ens‚ `mhw.<br />

sRmdn-p-SpØ h\-\o-en-abpsS<br />

hocm-fn-∏-´v. C-Sn-an-∂tem<br />

]≈n-hmƒ! Hcp lrZ-b-<br />

Øn¬\n∂v adp-lr-Z-b-Øn-te°v<br />

Hgp-Ip∂ ]º-°p-fncv! "kzmantbbv<br />

ic-W-a-ø∏m!' F∂p<br />

hnfn®v ae-I-b-dp∂ B{i-tbm-’h-Øn\v<br />

s\©n-Sn-∏ns‚ s]m∂p-<br />

Sp°v! \mK-c-]m-] -almIm]-Sy߃°v<br />

Zqsc, \h-ap-‡n-ta-Jebv°v<br />

Nmsc, {]tem-`\ aln-jol-kvXm-enw-K\<br />

Npw_-\m-Zn-<br />

Iƒ°p t\tc FXn-sc, ]cn-X-<br />

]vX-P∑w \nan-j-am{X Z¿i\<br />

el-cn-bn¬ Ipfn-sc, Fhn-sS-bpan-√mØ<br />

kam-[m\w hf-sc-˛-A-Xpt]mtc?<br />

Xmsg t\m°p-t¥mdpw XmgvN.<br />

Db-sc-t\m-°p-t¥mdpw Db¿®.<br />

AX-√msX as‰-¥mWv hf¿®?<br />

ad-t∂-t]mIpw CXp-h-sc-b-\p-`<br />

hn® t¢i-k-©m-c-Ø-f¿®! Hcmbp-<br />

ns‚ Kl-\-X-bp≠v GXp<br />

IÆn-s‚bpw \oen-a-bn¬. AXm<br />

Wv BIm-iw. AXmWv IS¬.<br />

AXmWv h\-hn-im-e-X.<br />

˛B \oen-a-bmWv \ap°v DSp-<br />

°m≥! sN∂p ImWm≥ Ign-bm-<br />

Ø-hsc h∂p ImWp∂ ae.<br />

thZ-an-√mØhs‚ tamZ-a-e.<br />

i_vZ-an-√m-Ø-hs‚ \mZ-a-e.<br />

Zp¿_-es‚ i‡n-a-e. apap-£phns‚<br />

ap‡n-a-e. k‡n-bpsS If-<br />

`-a-e. hnc-‡n-bpsS A·n-a-e.<br />

AXmWv i_-cn-a-e. hm¿≤-Iy-<br />

Øn\v Xcp-W-a-e. ss]X-߃°v<br />

Kpcp-a-e. Ccp-´n\v kqcy-a-e. Cutcgp-]-Xn-\m-en\pw<br />

Bcy-ae! AtX.<br />

AXv høm-Ø-hs‚ sshZy-a-e.<br />

DÆm-Ø-hs‚ A∂-a-e. Zcn-{Zs‚<br />

kz¿W-a-e. Dd-ßm-Ø-hs‚<br />

kz]v\-a-e. {`m¥s‚ im¥n-a-e.<br />

Xm¥s‚ Im¥-a-e. Cß-s\sbmcp<br />

ae as‰-hnsS?<br />

CXp-h-sc-b-dn Adn-hp-Isf√mw<br />

apdn-hp-Iƒ. ae-bmWv<br />

Adn-hv. a\-kmWv \nd-hv.<br />

alm-Im-cp-Wy-amWv Dd-hv.<br />

Fkv.-c-ta-i≥ \mb¿<br />

Adn-bm-\n-cn-°p∂ Adn-hp-IfpsS<br />

Adnth ic-W-a-ø∏! ]mZ-cln-X\v<br />

bm-{X. \b-\-hn-lo-\\p<br />

ImgvN. \n»q-\y\v hmgvN. `b-<br />

Øn\v A`-bw. Ccp-´n\v DZ-bw.<br />

BZn-Xy\v lrZ-bw. `K-hm≥ `‡-<br />

\-√. `‡≥ `K-hm-\√. c≠pw<br />

c≠v. tamcpw apXn-cbpw. H∂v<br />

Ht∂-bp-≈q; Aø-∏≥. Nn∑p-<br />

{Zsb \n∑p-{Z-bn-em-°n-bm¬ \o<br />

Aø-∏≥. \o `‡≥. \o `K-hm≥!<br />

ame-b-Wn-bp-∂ aplq¿Øw \ns‚<br />

ZznP-∏n-d-hn. Imew aWvU-ew,<br />

\ns‚ Ih-N-Ip-WvU-ew. \n\°v<br />

Bfl-c-£. \o hmcn-hm-cn-s°m-<br />

SpØv Ipt_-c-\m-Ipw. temIw<br />

Agn-mepw Agn-bmØ angnhmbn<br />

sXfn-bpw. Imc-Ww, \o<br />

Aø-∏≥.<br />

\n\°v kzm¿∞-an-√. Iog-S-°en-√.<br />

ta¬t°m-bva-bn-√. Ima-an-<br />

√. t{Im[-an-√. aZ-an-√. am’-cyan-√.<br />

tem`-an-√. taml-an-√. \o<br />

A[-a-\-√. \n\°v Xo≠epw<br />

sXmSo-ep-an-√. \o k¿h-X{¥<br />

kzX-{¥≥. {_“-]p-cp-j≥. \o<br />

PmXn-bpsS XS-h-dbv°p ]pd-Øv.<br />

I]S aX-]p-tcm-ln-X-]-cm-∂-Po-hn-<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

37


Anjali January<br />

Iƒ kz¥w Pohn-X-kp-J-t`m-K-]cm-{I-a-߃°n-Sbv°v<br />

\ns∂<br />

sR°n-∏n-gnv sXm ≠pw<br />

tXmSp-am-°p-I-bn√, hen-s®-dn-bn-<br />

√, cmjv{So-tbm-]-Po-hn-I-sf∂<br />

apX-e-ap-X-em-fn-Iƒ \ns∂<br />

Iqen°gpX-bm°n Npa-sS-Sp-∏n-°p-<br />

I-bn-√. ]nWn-bm-fm°n tNmc<br />

]ngn-bp-I-bn-√. \o ap‡≥. \o<br />

kn≤≥. \o ssZhw. \o Aø-∏≥!<br />

I¿aw Xs∂ [¿aw. [¿asØ<br />

imkn®v IqsS \ndp-Øp∂ {_“w.<br />

kqcy-{_-“w, N{μ-{_“w. B N{μ-<br />

Xm-c-I-{_“w! inh-Øn\v ]nXr-<br />

]q¿W-X. inh-an-√mØh≥ ho≠pw<br />

ho≠pw acn-°p∂ ihw. h≈n<br />

IpWvUen-\n-bm-Wv. AXn-emWv<br />

Poh≥ {]h-ln®v kl-{km-c-]-fl-<br />

Øn¬ ]Øn Db¿tØ-≠-Xv. B<br />

h≈n inh-Øn-te-bp≈q; ih-Ønen√.<br />

\mcm-b-W-amWv amXr-]q¿W-<br />

X. inh-\m-cm-bW kºq¿W-XbmWv<br />

Xmc-I-{_-“w. AXp-X-s∂bmWv<br />

amXm-˛-]n-Xm-˛-Kpcp {_“ssZ-hw.<br />

AXns‚ L\o-`q-X-em-h-<br />

Wy-k-Ø-bmWv Aø-∏≥.<br />

]q¿W-Øn¬\n∂v ]q¿Ww<br />

Ingn-®mepw ]q¿W-ambn Ah-tijn-°p∂<br />

{_“w. ssIemk<br />

sshIpWvT ]c-{_-“w. AXmWv<br />

Aø-∏≥ hmgp∂ ]qm-h-\w.<br />

AhnsS ]q°ƒ°v \nd-]-cn-a-f-<br />

38 KHNA - <strong>2011</strong><br />

Øn-I-hv. AhnsS ss]°ƒ°p<br />

]me-ar-X-an-I-hv. AhnsS \nemhn\v<br />

ap‡n \olmc \\-hv,<br />

]qt¥-\n\v cpNn-b-dn-hv, ]ºbv°v<br />

Ipfn-c-en-hv-˛-C-sX√mw hr›n-I-<br />

Øns‚ hnfn-\n-d-hv.<br />

{]hm-N-I-a-X-߃ XΩn-e-Sn®v<br />

apSn-bpw. AXmWv Zzmc-I-bn¬<br />

kw`-hn-®-Xv. Ccp-ºp-e° Np°p-<br />

I-jm-b-Øn¬ Aen-bn-√. A]-I-<br />

SsØ K¿`w [cn-°p-∂-h≥ A]ar-Xyp-hns\<br />

{]k-hnt® Xocq.<br />

hnh-c-tZm-jn-Iƒ {]k-hn-°p∂<br />

Ccp-ºp-e° Ah¿°p-t]mepw<br />

hngp-ßm-\m-hn-√. P∑w apgp-h≥<br />

IpØn-bn-cp∂v AXp cmIn cmIn<br />

Ah¿ \-in-°pw. kzIpew \in-<br />

∏n-°pw. km{amPyw IS-se-Sp-°pw.<br />

Aø-∏≥ {]hm-N-I-\-√.<br />

hnf°v Fs∂ hmbn°q F∂p<br />

]d-bp-∂n-√. hnf-°ns‚ shfn-®-<br />

Øn-en-cp∂v \mw hmbn-°p-∂p.<br />

Ah-\-hs‚ PohnXw \√ shfn-<br />

®-Øn-cp∂v hmbn-°p-∂-XmWv<br />

hmb-\. A√m-Ø-sX√mw bmX-\.<br />

sh≈ hncn®v taem-∏n´<br />

am\w. `qan Xs∂-bmWv Bgn.<br />

taL-a-g-hn-√p-Iƒ sImSn-tXm-c-W߃.<br />

AXp-b¿Øp∂Xv `qX-K-<br />

W-߃. Hmtcm s\©nepw Fcn-<br />

p-Xo-cp∂ I¿∏q-cw. Hmtcm<br />

]Sn-bnepw cm∏-I-ep-I-fmbn<br />

hoWp-S-bp∂ Imew. Bflmhv<br />

`K-hm-\v. sXm≠v A·n-bv°v.<br />

Af-∂p-Xo-cmØ Kl-\-XbmWv<br />

\oen-a. \o IS-em-Wv; Icp-<br />

W-bpsS IS¬. \o hnf-°m-Wv,<br />

aI-c-hn-f-°v. \n\°v Hcp aX-tabp-≈q,<br />

Aø-∏-a-Xw. AXp temIa-Xw.<br />

AXm-bn-cn°pw hn[n-ln-Xw.<br />

B aXw temIw Iog-S-°pw. Imc-<br />

Ww, AXp kvt\l-am-Wv, kXyam-Wv,<br />

kmtlm-Z-cyhpw ka-`m-h-<br />

\-bp-am-Wv. AXp im¥nbpw kam-<br />

[m-\-hp-am-Wv. Ima-a-ln-jnsb<br />

a¿Zn-s®m-Sp-°nb t{]a-]-cn-]q¿W-<br />

X-bm-W-Xv. FXn-cn-Iƒ°v Fcn-<br />

Xo. Acp-a-Iƒ°v s]cp-a. B\μ-Øns‚<br />

Hcp-a. sX‰p-Ip-‰ßƒ°v<br />

imk-\. kwb-an-Iƒ°v<br />

ap‡n-]Y hmk-\.<br />

"ZpjvSm\mw [¿a-lo-\m\mw<br />

imkyXm AkvXp `qXte<br />

[¿a-imkvXm CXn t{]m‡w'<br />

˛\o AXm-hp-I. AXp-am-{X-amhp-I.<br />

As√-n¬, \o AXp-X-s∂bm-W-t√m.<br />

AhnsS a‰m-cp-an-√.<br />

\obpw {_“hpw am{Xw! ]ptcmln-X-\n-√.<br />

aX-an-√. t]mcn-√. ]pcm-<br />

W-an-√. PmXnbpw h¿Khpw h¿Whp-an-√.<br />

D≈Xv \o am{Xw!<br />

XØz-a-kn.<br />

Hmw `qXm-[n-]mb hnZvatl<br />

alm-tZ-hmb [o aln<br />

X∂x imkvXm {]tNm-Z-bm-Xv.


What is important at one<br />

stage of a person’s life may not<br />

be important at another stage.<br />

This change in attitude and<br />

outlook as the person mentally<br />

and spiritually matures is a<br />

subject that deserves attention<br />

and analysis from a philosophical<br />

point of view. The<br />

following story will elaborate<br />

this point.<br />

Once upon a time there<br />

lived a father and his eight year<br />

old son. As this was his only<br />

son, the father wanted him to<br />

have the best in this world.<br />

However, sometimes it went<br />

overboard. The father was<br />

cognizant of this and at times<br />

did not yield to son’s demands.<br />

One day, the father and the<br />

son were walking through the<br />

street. There was a chain of<br />

shops - jewelry, clothes,<br />

grocery, food stalls, toys, and<br />

many others. One Shop had<br />

lots of balloons and marbles;<br />

many colored marbles and<br />

many colored balloons. The<br />

boy asked his father to buy<br />

some. The Father said “No”.<br />

The boy repeated but father<br />

said no again. This went on for<br />

some time. Finally the father<br />

got angry and shouted, I SAID<br />

NO. The boy now got scared<br />

and started crying. Not only the<br />

boy did not get what he<br />

wanted, but now he made his<br />

father also angry.<br />

While all this was occurring,<br />

there was a stranger walking<br />

behind them watching all these<br />

events. The stranger looked at<br />

the crying boy and asked the<br />

father. “Why don’t you buy<br />

some for him? After all how<br />

much few marbles or few<br />

balloons would cost?” The<br />

father already in an angry<br />

mood, yelled at the stranger.<br />

“What do you know about my<br />

son? It is not the cost” he<br />

screamed. “You don’t know<br />

how much marbles and<br />

balloons he already got. Come<br />

to my home. I will show you.<br />

Now get out, and don’t<br />

BALLOONS AND MARBLES -<br />

VEDANTA THROUGH A STORY<br />

VIJAY KUMAR<br />

interfere in our matter.” The<br />

stranger was taken aback and<br />

was shocked to see the reaction<br />

of the father. He did not argue.<br />

He thought yes, it is right, it is<br />

their issue, but looking at the<br />

face of the boy he felt bad again,<br />

but did not say a word. The boy<br />

now stopped crying looking at<br />

the father’s reaction to the<br />

stranger. He looked at both his<br />

father and the stranger. He felt<br />

sorry for the stranger. The boy<br />

thought, “Poor man, he came to<br />

help me and he got screamed<br />

at for nothing.” The boy looked<br />

again at the stranger. The<br />

stranger walked away. The<br />

father and the son started<br />

walking again, though not in a<br />

quite happy mood. The boy<br />

was now thinking ‘it is all<br />

because I don’t have any<br />

money. What grandpa said was<br />

right. I should study hard and<br />

get higher grades’. He was now<br />

in a dream of his own.<br />

‘Then I will go to college,<br />

and there too I will study hard.<br />

Then I will get my degree, and<br />

then I will get a job. Then I will<br />

get my first pay check! Wow,<br />

that will be the greatest of<br />

moments in my life! Will that<br />

be not exciting? Yes, guess<br />

what, with that pay check, my<br />

first purchase will be lots of<br />

marbles and balloons in<br />

different colors and I will put<br />

them in my room”.<br />

“By then if I can find that<br />

stranger, who tried to help me,<br />

I will call him to my home and<br />

show my balloons and marbles.<br />

Then I will tell him, look at<br />

these; remember many years<br />

ago, you came to my rescue and<br />

my Dad won the fight, and I<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

39


Anjali January<br />

40 KHNA - <strong>2011</strong>


saw you were sad too like me.<br />

So here what you see is what I<br />

brought with my OWN money!<br />

That will be my moment, my<br />

moment of happiness”.<br />

Years passed. The boy’s<br />

dream came true. He studied<br />

hard, went to college, and got<br />

a degree and got a job in a<br />

reputed firm, with an excellent<br />

salary. As he dreamed, he got<br />

his first pay check also. The<br />

story is ending with a question<br />

to the readers. Will he buy what<br />

he promised to himself years<br />

ago? The answer is, most<br />

probably he will not !<br />

The next question is why<br />

not? The answer to this<br />

question is philosophical and<br />

will lead us to discussion on<br />

ultimate purpose of life and<br />

spirituality. As desires,<br />

priorities, likes and dislikes<br />

change with maturity, we are<br />

moving closer and closer<br />

towards a different plane<br />

where material objects dot not<br />

mean much or we look at them<br />

without any attachment.<br />

The emotions and feelings<br />

vary with different objects.<br />

Relationship and attitude differ<br />

but only to the perceiver. A<br />

cigarette smoker gets attracted<br />

by a pack of cigarette, but to a<br />

non-smoker it does nothing, no<br />

change of emotions whatever.<br />

A drunkard gets excited by<br />

seeing a bottle of alcohol. You<br />

cannot say that a bottle of<br />

alcohol or a pack of cigarette<br />

got enchanted. In fact, it is the<br />

other way round. You got<br />

attracted by that inert object.<br />

Your mind got trapped.<br />

Change your mind, and you<br />

have control over your actions!<br />

What is important at one<br />

plane of consciousness, as the<br />

boy’s inclination towards<br />

balloons and marbles, is not<br />

important at another plane<br />

where the boy is in the realm<br />

of adulthood or old age.<br />

Priorities changed. The man of<br />

discretion and self control<br />

raises himself to another plane<br />

of consciousness - that is the<br />

world familiar to him - this<br />

world of material objects<br />

and emotions and the<br />

consequential attachments are<br />

no longer troubling or pleasing<br />

him.<br />

The different levels of<br />

experiences and consciousness<br />

we enjoy as we grow can be<br />

compared to our dream and<br />

waking state. We cannot<br />

experience the world of dream<br />

and the world of waking state<br />

at the same time. When we are<br />

awake, in that new dimension<br />

of consciousness, the world<br />

familiar to us while we were in<br />

the dream state is no more. The<br />

self controlled man lives<br />

amidst all of us, no doubt, but<br />

he experiences a world of<br />

greater joy and happiness. And<br />

the familiar world where all of<br />

us are living is a world of many<br />

sorrows and tragedies, and<br />

disappointments and dejec<br />

tions. As long as we are in the<br />

evel of consciousness where we<br />

are attached to the worldly<br />

pleasures, temptations, charms<br />

and desires, and the resultant<br />

disappointments, dejections,<br />

sorrows and tragedies, no<br />

doubt, this material world will<br />

continue to fascinate us. But<br />

when we reach the higher state<br />

of consciousness and enjoy the<br />

infinite bliss and look at this<br />

world from outside, we will<br />

understand the transient<br />

nature of those worldly objects<br />

and pleasures.<br />

To understand the transience<br />

and insignificance of this world<br />

we have to raise ourselves above<br />

the surroundings. But unfortu<br />

nately, many times we are going<br />

round and round in circles. Yes,<br />

we are still looking for marbles<br />

and balloons. But, when we<br />

realize that they no longer<br />

attract us, our journey towards<br />

the realization of the ultimate<br />

goal of life is getting smoother.<br />

Mr. Kumar is an Electronic<br />

Engineer by profession and is a<br />

Federal Government employee, in<br />

the Department of Defense. He has<br />

been teaching Vedanta since 1987<br />

in the Washington D.C. area and<br />

has lead many Vedanta discussion<br />

groups. He is an active member of<br />

Chinmaya Mission, Washington,<br />

D.C. He can be reached at<br />

vijaykumar@rocketmail.com.<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

41


Anjali January<br />

B-[p-\n-I Im-e-Øv ]m-c-<br />

º-cy P-\n-X-I L-S-I-߃, cmk-h-kv-Xp-°ƒ,<br />

tcm-Km-Wp-°ƒ<br />

F-∂n-h \n-an-Øw D≠m-Ip-∂<br />

tcm-K-߃-°p ]p-d-ta Po-hn-Xssi-en,<br />

`-£-W ssi-en F-∂nh-bn-se<br />

s]m-cp-Ø-t°-Sp-Iƒ \nan-Ø-hpw<br />

a-\p-jy¿-°v ]-e tcm-<br />

K-ß-fpw ]n-Sn-s]-Sp-∂-Xm-bn Im-<br />

Wmw. {]-ta-lw, D-b¿-∂ c-‡-k-<br />

Ω¿-±w, c-‡-Øn¬ {I-am-Xo-X-ambn<br />

sIm-gp-∏v h¿-≤n-°p-I, A-an-<br />

X-h-Æw F-∂n-h A-h-bn¬ {]-<br />

[m-\-s∏-´-h-bm-Ip-∂p. C-h-sb<br />

s]m-Xp-sh B-[p-\n-I ssh-Zy-imkv-{Xw<br />

Metabolic syndrome<br />

X F-∂p hn-fn-°p-∂p.<br />

i-co-c-Øn-se D-]-N-b A-]-Nb<br />

{]-h¿-Ø-\-ß-sf {]-]-©-Øn-<br />

sekr-jv-Sn-˛-ÿn-Xn-˛-kw-lm-c-ßtfm-Sp-]-an-°m-hp-∂-Xm-Wv. I-gn-<br />

°p-∂ B-lm-c-sØ kr-jv-Sn-bmbpw<br />

A-Xn-s‚ ]-cn-Wm-a-{]-{In-bsb<br />

ÿn-Xn-bm-bpw C-Xn¬ \n-<br />

∂p¬-∏m-Zn-∏n-°-s∏-Sp-∂ Du¿-÷sØ<br />

i-co-cw D-]-tbm-Kn-°p-∂-Xv<br />

kw-lm-c-am-bpw hn-ti-jn-∏n-°mhp-∂-Xm-Wv.<br />

kr-jv-Sn A-Y-hm `-<br />

£-Ww Iq-Sp-I-bpw kw-lm-cw A-<br />

Y-hm Du¿-÷w sN-e-h-gn-°¬<br />

Ip-d-bp-I-bpw sN-øp-tºm-gm-Wv<br />

B-tcm-Kyw h-j-fm-Ip-∂-Xv F-∂p-<br />

Im-Wmw. Np-cp-°n-∏-d-m¬ [mcm-fw<br />

Du¿-÷-a-S-ßn-b `-£-Ww<br />

I-gn-°p-I-bpw hym-bm-aw Ip-d-bp-<br />

I-bpw sN-øp-∂-Xm-Wv Po-hn-Xssi-eo-P-\y-tcm-K-߃-°vh-gn-hbv-°p-∂-sX-∂v<br />

hy-‡w. a-\p-jy-<br />

42 KHNA - <strong>2011</strong><br />

i-co-c-Øn¬ am-{X-a-√, Cu {]-]-<br />

©-Øn-ep-≈ F-√m {]-{In-b-I-fnepw<br />

kr-jv-Sn ˛ ÿn-Xn ˛ kw-lmc-ß-fp-sS<br />

hn-hn-[ cq-]-߃ \-ap-<br />

°v Im-Wmw. i-co-c-Øn-s‚-bm-bmepw<br />

{]-]-©-Øn-s‚-bm-bm-epw<br />

B-tcm-Ky-I-c-am-b \n-e-\n-ev-]n-\v<br />

C-h aq-∂n-t‚-bpw k-¥p-en-Xm-hÿ<br />

A-Xy-¥m-t]-£n-X-am-Wv. i-<br />

co-c-Øn-se ta-ev-]-d- aq-∂p {]-<br />

{In-b-I-sf b-Ym-{I-aw I-^w, ]n-<br />

Øw, hm-Xw F-∂o ]-Z-߃ {]-<br />

Xn-\n-[m-\w sN-øp-∂p. tem-I-P-<br />

\-kw-Jy-bp-sS 30% {]-ta-l-tcm-<br />

Kn-Iƒ B-sW-∂p I-W-°p-Iƒ<br />

kq-Nn-∏n-°p-∂p. i-co-c-Øn-se Blm-c-]-cn-Wm-a-{]-{In-b-bp-sSt]mcm-bv-a-Iƒ<br />

\n-an-Øw i-cn-b-√m-sX<br />

]-Nn-®pm-Ip-∂ B-lm-c-km-cw B-<br />

Kn-c-Ww sN-ø-s∏-Sp-I-bpw Im-em-<br />

¥-c-Øn¬ i-co-c-[m-Xp-°ƒ-°v<br />

\p-e-hp kw-`-hn-°p-I-bpw sN-øp-<br />

∂p. Cu \p-e-hv aq-{X-am¿-t§-W<br />

_-ln¿-K-an-°p-∂-Xn-s\-bm-Wv Bbp¿-tΔ-Z<br />

im-kv-{Xw {]-ta-l-am-bn<br />

I-W-°m-°p-∂-Xv.<br />

i-co-c-Øn-se I-^-tZm-jw h¿-<br />

≤n-°p-∂-Xp \n-an-Øw kn-cm-[-a-<br />

\n-I-fn-eq-sS-bp-≈ c-‡-{]-hm-lw<br />

kp-K-a-a-√m-Xm-Ip-∂p. lr-Z-b-Øns‚<br />

{]-h¿-Ø-\-Øn-epw Cu G-<br />

‰-°p-d-®n¬ {]-Xn-^-en-°p-∂-Xv<br />

h¿-≤n-® c-‡-k-Ω¿-±-sØ {]-Zm-<br />

\w sN-øp-∂-Xm-bn B-bp¿-tΔ-Zim-kv-{Xw<br />

ho-£n-°p-∂p. c-‡-<br />

Øn-se sIm-gp-∏v h¿-≤n-°p-∂-Xn-<br />

\pw A-Sn-ÿm-\-Im-c-W-am-bn I-<br />

^-tIm-]-sØ X-s∂-bm-Wv ]-cma¿-in-®n-´p-≈-Xv.<br />

A-an-X-h-Æw A-<br />

Y-hm A-Xn-ÿu-eyw F-∂-Xv ico-c-Øn¬<br />

{I-am-Xo-X-am-bn sImgp-∏v<br />

h¿-≤n-®pm-Ip-∂ A-h-ÿ-bm-<br />

Wv. Body Mass Index (BMI)<br />

A-f-°p-I h-gn H-cp hy-‡n-°v Aan-X-h-Æw<br />

D-t≠m F-∂v ]-cn-tim-<br />

[n-°m-hp-∂-Xm-Wv.<br />

Po-hn-X-ssi-en-bn-se {]-iv-\-<br />

tUm. Ir-jv-W≥ ]n-jm-c-Sn,<br />

߃ F-∂-Xn-t\-°mƒ Po-hn-Xssi-en-bpw<br />

`-£-W-co-Xn-bpw X-<br />

Ωn-ep-≈ tbm-Pn-∏n-√m-bv-a \n-an-<br />

Ø-am-Wv ta-ev-]-d- tcm-K-߃<br />

Dm-Ip-∂-Xv F-∂v ]-d-bp-∂-Xm-bncn-°pw<br />

Iq-Sp-X¬ i-cn. hym-bm-a-<br />

°p-d-hv, ]-I-ep-d-ßp-∂ io-ew, Nne-X-cw<br />

Hu-j-[-ß-fp-sS ]m¿-iz-<br />

^-e-߃, ^m-Ãv ^p-Uv, A-an-X<br />

a-Zy-]m-\w, ]m-c-º-cy-L-S-I-߃<br />

F-∂n-h-bp-sS kzm-[o-\-hpw {]-k-<br />

‡-am-Wv. b-{¥-h-ev-°-c-W-hpw a-<br />

‰v B-[p-\n-I-ku-I-cy-ß-fp-sS hc-hpw<br />

a-\p-jy-cp-sS im-co-cn-Im-[zm-<br />

\-sØ h-f-sc-b-[n-Iw Ip-d-bv-°p-<br />

I-bpw `-£-W-°m-cy-Øn¬ Du¿-<br />

÷w (calorie) A-[n-Iw D-≈-hbp-sS<br />

D-]-t`m-Kw Iq-Sp-I-bpw sNbv-Xp.<br />

C-Xp-\n-an-Øw B-Kn-c-Ww


sN-øp-∂ A-[n-I-cn-® calorie<br />

sIm-gp-∏m-bn tZ-l-Øn¬ A-Sn-<br />

v tcm-K-ß-sf D≠m-°p-I-bpw<br />

sN-øp-∂p.<br />

C-Xn-s\-√mw D-]-cn-bm-bn B-<br />

[p-\n-I Po-h-X-Øn-s‚ `m-K-am-b<br />

h¿-≤n-® ]n-cn-ap-dp-°w F-√m-Øcw<br />

tcm-K-ß-tf-bpw £-Wn-®p hcp-Øp-∂-Xn¬<br />

ap-Jy-]-p h-ln-<br />

°p-I-bpw sN-øp-∂p. -cm-Km-Zn<br />

tcm-Km≥ k-X-Xm-\p-j-‡m≥F-<br />

∂p Xp-S-ßp-∂ A-jv-Smw-K-lr-Zbw<br />

C-hn-sS {]-tXy-I {]m-[m-\yw<br />

A¿-ln-°p-∂p. cm-Kw F-∂ hm-<br />

°p-sIm≠v a-\- n-\pm-Ip-∂ A-<br />

\p-Iq-e-tam {]-Xn-Iq-e-tam B-b<br />

Nm-©-eyw F-∂m-Wv A¿-∞-am-<br />

°p-∂-Xv. cm-Kw \n-an-Ø-am-bn ico-c-Øn-s‚<br />

Xp-e-\m-h-ÿ-bv-°v<br />

am-‰w h-cm-sa-∂pw X-Zzm-cm tcm-K߃<br />

Dm-Ip-sa-∂pw A-jv-Smw-K-lr-<br />

Z-bw A-\p-im-kn-°p-∂p. B-[p-<br />

\n-I a-\p-jy-\n¬ Im-Wp-∂ am-<br />

\-kn-I ]n-cn-ap-dp-°-hpw (stress)<br />

H-cp-X-cw cm-Kw X-s∂-bm-sW-∂-<br />

Xn¬ kw-i-b-an-√.<br />

Po-hn-X-ssi-eo-P-\y-tcm-K߃<br />

Xn-cn-®-dn-bp-∂-Xv an-°-hmdpw<br />

hn-k-bv-t°m, C≥-jp-d≥-kv<br />

t]m-fn-kn-t°m th≠n \-S-Øp-∂<br />

ssh-Zy-]-cn-tim-[-\-bn-tem A-s√-<br />

n¬ a-s‰-s¥-n-epw tcm-K-߃-<br />

°p-≈ c-‡-]-cn-tim-[-\-bn-tem<br />

am-{X-am-bn-cn-°pw. tcm-Kw \n¿-Æbn-°-s∏-Sp-∂-Xp-h-sc<br />

Xm≥ Btcm-Ky-hm-\m-sW-∂[m-c-W-bnem-bn-cn-°pw<br />

Hm-tcm hy-‡n-bpw.<br />

A-t∏m-tg-°pw {]-Xn-tcm-[-am¿-§ßƒ<br />

(preventive care) A-hew-_n-°p-hm≥<br />

km-[n-°m-Ø A-<br />

h-ÿ-bn¬ F-Øn-bn-cn-°pw. ap-<br />

∏-Øn-b-©p h-b- n-\p ti-jw \n-<br />

›n-X C-S-th-f-I-fn¬ c-‡-]-cntim-[-\<br />

\-S-Øp-∂-Xp-h-gn tcm-Kw<br />

t\-c-sØ A-dn-bp-I-bpw i-cn-bmb<br />

{]-Xn-tcm-am¿-§-߃ A-h-ew-<br />

_n-°p-I-bpw sN-øm-hp-∂-Xm-Wv.<br />

sa-en-n-cn-°p-∂-Xm-Wv t{ijvT-sa-∂pw<br />

s]m-Æ-Ø-Sn-°v Nn-<br />

In-’ _p-≤n-ap-´m-sW-∂p-am-Wv<br />

B-bp¿-tΔ-Z-im-kv-{X-a-Xw. A-\-`na-X-cm-b<br />

F-´p-X-c-°m-cn¬ H-∂v<br />

A-an-X-h-Æ-°m-cm-sW-∂v N-c-Ikw-ln-X-bn¬<br />

]-d-bp-∂pv. A-Xn-<br />

\m¬ i-co-c-`m-cw h¿-≤n-°m-sX<br />

t\m-°p-I-bpw Iq-Sn-b `m-c-ap-≈h¿<br />

A-Xp Ip-d-bv-°m≥ {i-an-°p-<br />

I-bpw sN-øp-∂-Xv \-∂m-bn-cn-<br />

°pw. C-Xn-\m-bn ]p-I-h-en, a-Zy-<br />

]m-\w F-∂n-h D-t]-£n-°p-I,<br />

amw-km-lm-cw, ssX-cv, ]-I-ep-d-<br />

°w, a-[p-c-]-e-lm-c-߃, Ir-{Xnam-lm-c-߃,<br />

Ir-{Xn-a ]m-\o-b߃<br />

F-∂n-h-bp-sS D-]-tbm-Kw<br />

\n-b-{¥n-°p-I F-∂n-h A-Xym-hiy-am-Wv.<br />

`-£-W-Øn-\v k-a-b-{Iaw<br />

]m-en-°p-I-bpw km-am-\yw {]m-<br />

X¬, an-X-am-b D-®-`-£-Ww, an-<br />

X-am-b A-Øm-gw F-∂n-ß-s\ `-<br />

£-Ww {I-ao-I-cn-°p-I-bpw sNøp-∂-Xv<br />

\-∂m-bn-cn-°pw. H-cp Imc-W-h-im-epw<br />

cm-{Xn ssh-In A-<br />

Øm-gw I-gn-°m-Xn-cn-°p-I, ssh-<br />

In I-gn-t° km-l-N-cyw h-cp-∂-<br />

]-£w ]-c-am-h-[n e-Lp-hm-bn am-<br />

{Xw I-gn-°p-I, A-Øm-gw I-gn-<br />

D-S-s\ D-d-ßm-sX A-Xp Zln-°p-hm-\p-≈<br />

k-a-b-Øn-\p tijw<br />

am-{Xw D-d-ßp-I, cm-{Xn tPmen<br />

sN-bv-Xv ]-I-ep-d-tß≠ kml-N-cy-ap-≈-h¿<br />

h-b¿ \n-d-®-Xn-<br />

\p ti-jw D-d-ßm-sX \m-a-am-{Xam-bn<br />

`-£n-®v D-d-ßn F-gp-t∂-‰<br />

ti-jw am-{Xw km-am-\yw `-£-<br />

Ww I-gn-°p-I, C-h-sb-√mw h-fsc<br />

e-fn-X-am-b B-lm-c-{I-ao-I-c-<br />

W-ß-fm-Wv.<br />

\n-Xy-hpw hym-bm-aw sN-øp-∂-<br />

Xp-h-gn i-co-c-Øn-s‚ Du¿-÷-kze-X<br />

\n-e-\n¿-Øm-\pw A-[n-Iw hcp-∂<br />

Du¿-÷w D-]-tbm-Kn-®p<br />

Xo¿-°p-hm-\pw km-[n-°pw. {]-tal-ap-≈-h¿-°v<br />

s\-√n-°-bpw a-<br />

-fpw Iq-´n s]m-Sn-®v ssh-Zy-<br />

\n¿-t±-im-\p-km-tc-W tk-hn-°p-<br />

∂-Xv c-‡-Øn-se ]-©-km-c-bpsS<br />

A-f-hv \n-b-{¥n-°p-hm≥ klm-b-I-c-am-Wv.<br />

I-dn-th-∏n-e Ac-®-Xv<br />

H-cp kv-]q¨, A-ev-]w tamcn¬<br />

tN¿-Øv cm-hn-se sh-dpw hb-‰n¬<br />

I-gn-°p-∂-Xv c-‡-Øn-se<br />

sIm-gp-∏n-s‚ A-f-hv Ip-d-bv-°p-∂-<br />

Xn-\p-≈ F-fp-∏-h-gn-bm-Wv. {Xn-^em-Nq¿-Æ-Øn-s‚<br />

hn-[n-{]-Im-c-ap-<br />

≈ D-]-tbm-Kw X-Sn Ip-d-bv-°p-∂-<br />

Xn-\pw {]-ta-lw \n-b-{¥n-°p-∂-<br />

Xn-\pw c-‡-Øn-se sIm-gp-∏n-s\<br />

\n-b-{¥n-°p-∂-Xn-\pw D-Ø-a-am-b<br />

H-∂m-Wv. kq-cy-\-a-kv-°m-cw, [ym-<br />

\w, {]m-Wm-bm-aw, F-∂n-h i-cnbm-b<br />

hn-[-Øn¬ io-en-°p-∂-Xv<br />

im-co-cn-I ˛ am-\-kn-Im-tcm-Kyw \ne-\n¿-Øp-sa-∂<br />

Im-cy-Øn¬ kwi-b-an-s√-∂v<br />

A-\p-`-h-߃ km-<br />

£y-s∏-Sp-Øp-∂p. Ip-´n-°m-ew ap-<br />

X¬ X-s∂ Nn-´-bm-b `-£-W-hpw<br />

Po-hn-X-N-cy-I-fpw io-en-°p-∂-Xv<br />

]n-ev-°m-e-Øpm-tb-°m-hp-∂ tcm-<br />

K-ß-sf H-cp ]-cn-[n-h-sc A-I-‰n<br />

\n¿-Øm-hp-∂-Xm-Wv.<br />

tUm. Ir-jv-W≥ ]n-jm-c-Sn,<br />

F.- -hn.- --<br />

-F≥. --<br />

B-tcm-Ky sl¬-<br />

Øv sI-b¿ en-an-‰-Uv,<br />

A-t‘-cn (sh-Ãv),<br />

apw-ss_ ˛ 61<br />

Email:kpisharady@gmail.com<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

43


Anjali January<br />

44 KHNA - <strong>2011</strong>


18 Steps are said to be the five organs<br />

of actions; five organs of knowledge<br />

five basic elements; mind intellect<br />

and ego<br />

F.-]n. kpIp-am¿<br />

aWn-I-WvT-kzmanX≥ aWn-a-μncw I≠p<br />

aXn h∂p aa a\ pw Aar-tXm-]aw<br />

AI-Xm-cn¬ Aøs‚ Nn∑p{Z \nd-bp∂p<br />

Adn-bp∂p aa P∑ ]ptWym-Zbw<br />

Cl-]c kpIr-Xw, ZpjvIr-X-sa√mw<br />

Ccp-ap-Sn-bn¬ \nd-s®-Øp-tºmƒ<br />

]Xn-s\´p ]Sn-I-fn¬ Hmtcm-∂nepw<br />

\n≥ aln-am-Zo]vXn {]Im-in∏q<br />

]Øp ]Sn-I-fn¬ ImWn-°-bn´p<br />

]Øn-{μn-b-ßsf "Rm≥' Xs∂<br />

]©-`q-X-߃ ]p©n-cn®q ]n∂<br />

k©nX am¿§w ImWn®q<br />

I∂n-b-ø-∏-\mbv NnØhpw _p≤nbpw<br />

{io`q-X-\m-Y-\n¬ A¿∏n-°m≥<br />

]ns∂bpw _m°nbmw F∂nse "Rm\p'am<br />

Xncp-\S X∂n-ep-S-®p-hm¿°m≥<br />

a‰ns√mcm{ibw IWvtT hnd-sIm≠<br />

kZvKp-cp-kzman a{¥w icW a{¥w<br />

{]W-hm-[m-camw k®n-Zm-\-μ-Øn¬<br />

{]Xy-£-cq-]amw ]c-a-]Zw<br />

Im\-\-hm-ks‚ Imcp-Wy-]qcw<br />

I¿∏q-cm-gn-bn¬ Rm≥ I≠p<br />

XØz-kz-cq-]\w Z¿in®p<br />

Bfl-kz-cq]w Aar-X-kz-cq-]-Øn¬<br />

kzmfl\n tN¿∂p hnf-ßp-tºmƒ<br />

aa a\-t -Iamw k®n-Zm-\-μ-Øn¬<br />

s]m≥IWn I≠p ebn-°p∂p<br />

KHNA - <strong>2011</strong><br />

Anjali January<br />

45


Anjali January<br />

46 KHNA - <strong>2011</strong>


KHNA - <strong>2011</strong><br />

Anjali January<br />

47


Anjali January<br />

48 KHNA - <strong>2011</strong>

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