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Knight, C. "Some recent art and an architectural analogue." LAICA Journal I7 (January-February 1978), pp. 50-54. Hasenkamp, Joh(annes?). "Ursprungliehes und Futurismen: Der Westfalische Kunstverein zeigt Arbeiten von Nikolaus Lang und Charles Simonds." Westfalische Nachrichten, March II, I978. Lober, Hermann. "Von Zukunft und Ursprung: Nikolaus Lang, Charles Simonds in Mi.insters Kunstvcrein." Miinstersche Zeitung, March 22, 1978. Haase, Amine. "Auf den Spuren versunkener Zeit: Charles Simonds, Nikolaus Lang und Urs Luthi in Munster und Essen." Rheinische Post, March 29, I978. Jochimscn, Margarethe. "Kunst als soziale Strategic." Kunstforum Intemational27 (March I978), pp. 72-99. Pohlen, Annelie. "Eine Utopie, die herausfordert: Simonds 'Strassenwelten' im Stadtischen Kunstmuseum." Bonner Stadtanzeiger, April 19, 1978. Gosch, Brigitte. "Strassenkunstler aus Amerika: Kunstspiel mit Kindern-Front gegcn Musentempel." Westfalischer Rundschen, April2o, I978. Winter, Peter. "Nistplatze fur die Phantasie der Stadtbewohner: Charles Simonds in Bonn." Frankfurter Allgemeine Zeitung, April26, 1978. Pohlen, Anneliese. "Ausbruch auf die Strasse: Die klcinen Welten von Charles Simonds in Bonn." Kultur 20, May I8, I978, p. 25. Lipper, Hal. "Seen any Little People? Tell them their homes are ready." Dayton Daily News (Ohio), May 24, I978, pp. I, 6. Beardsley, John. "Robert Smithson and the Dialectical Landscape." Arts Magazine 52,9 (May 1978), pp. 134-I35. Winter, Peter. "Erde ist der Urbaustoff des Menschcn." duioumal (May 1978), p. I4. A pel, Friedmar. "Der Baumeister der Traume: Wirklichkeit und Gedankenspiel bei Charles Simonds." Sprache im Technischen Zeitalter 6 (July 1978). Alinovi, Francesca. "Grande, grandissimo. Piccolo, piccolissimo. L'Arte di Gulliver." Bolaffiarte 9, 82 (September-October 1978), pp. 4Iff. Winter, Peter. "Schwebende Stadte und andere Architekturen: Stadtisches Kunstmuseum, Bonn; Ausstellung." Pantheon 36 (October 1978),pp. 357-358 (ill.). Saulnier, Emmanuel. "Charles Simonds: Habiter New York." Opus Intemational6s (Paris) (Winter I978), pp. 3I-33· Deecke, Thomas. "Die Ruinenlandschaften Charles Simonds Architektonische Phantasie." Kunstmagazin 82 (I978), pp. 62- 70,cover. Paris. The American Center. Spring Festival 1978. Paris: I978 (cxh. cat.; organized by Galerie Baudoin Lebon, Paris). Bordeaux, France. Centred' Arts Plastiques Contemporains de Bordeaux (CAPe). Sculpture/Nature. Bordeaux: I978 (exh. cat.). Amsterdam. Stcdelijk Museum. Made by Sculptors. Amsterdam: I978 (exh. cat.). New York. Whitney Museum of American Art, Downtown Branch. Architectural Analogues. New York: I978 (exh. cat.). Philadelphia. Institute of Contemporary Art, University of Pennsylvania. Dwellings. Text by Janet Kardon. Philadelphia: I978 (exh. cat.). Venice, Italy. La Biennale di Venezia '7 8, Section of Visual Art and Architecture. "Natura/ antinatura." Venice: I978 (exh. cat.). Dayton, Ohio. The Alternative Spaces Residency Program administered by the City Beautiful Council and the Wright State University. Quintessence. Dayton: I978 (exh. cat.). I979 Beardsley, John. "Charles Simonds: Extending the Metaphor." Art Intemational22, 9 (February I979), pp. I4-I9, 34. Stevens, Mark. "The Dizzy Decade." Newsweek 93, I3, March 26,I979,pp.88-94· Linker, Kate. "Charles Simonds' Emblematic Architecture." Artforum 17,7 (March I979), pp. 32-37. "Utopie im Liliput-Format: Charles Simonds in der Neuen Nationalgalerie." Der T11gesspiegel, May 4, I979, p. 5. Schmidt, Philip Peter. "Zurtick zur Natur: Bau-Arbeiten: George [sic] Simonds in de Nationalgalerie." Der Abend, May 7, I979· Russell, John." Art: 'Contemporary Sculpture' at Modern." New York Times, June I5, I979· Lascault, Gilbert. II Apprendre a habiter." La Quinzaine Litteraire 307, August 3I, I979· Daval, Jean-Luc. Skira Annuel N° 5: Art Actuel '79. Geneva: Editions SkiraS.A., I979, pp. 1I2-II3, I 55· Lippard, Lucy. Cracking. Cologne: Walter Konig, I979 (a book done in conjunction with the "Circles and Towers Growing" exhibitions in Cologne and Berlin). Koln. Museen der Stadt. Handbuch Museum Ludwig. Koln: I979, pp. 738-740 (ill.), 857· 94
"Traumlticher und Traditionen." Tip Magazin IO (I979), pp. 36-37· New Y ark. Museum of Modern Art. Contemporary Sculpture. Selections from the Collection of the Museum of Modem Art. New York: I979 (exh. cat.). Purchase, New York. Neuberger Museum, State University of New York College at Purchase. Ten Artists/ Artists Space. Essay by Helene Winer. Purchase: I979 (exh. cat.). New York. Independent Curators, Inc. Supershow. Curated by Susan Sollins and Elke Solomon. New York: I979 (exh. cat. for traveling exhibition). Philadelphia. Institute of Contemporary Art, University of Pennsylvania. Masks, Tents, Vessels, Talismans. Text by Janet Kardon. Philadelphia: I979 (exh. cat.). Les Sables-d'Olonne, France. Musee del' Ab baye Sainte-Croix. Charles Simonds: "Evolution imaginaire d'un paysage." Text by Gilbert Lascault. Les Sables-d'Olonne: Cahiers de 1' Abbaye Sainte-Croix, 1979 (exh. cat.). I980 Gibson, Michael. "Baudoin Lebon Gallery, Paris; exhibit." Art News 79, I (January I98o), pp. I2I-I22. Foote, Nancy. "Situation Esthetics: Impermanent Art and the Seventies Audience." Artforum IS, 5 (January I98o), p. 29. Linker, Kate." An Anti-Architectural Analogue." Flash Art 94 (January-February r98o), pp. 20-25. Hjort, Qjystein. "Mot en ny sensibilitet: Nagra tendenser i ny amerikansk konst." Paletten 2 (I98o), pp. 35-36. "Observatoire abandonne (I976)." Architecture d'Aujourd'hui 208 (April I98o), p.liv. Cork, Richard. "Little People live here." Evening Standard (London), May 28, I98o, p. 21. Shapiro, Babs. "Architectural References: The Consequences of the Post-Modern in Contemporary Art and Architecture." Vanguard 9, 4 (May I98o), pp. 6-I3. "People who live in a circle ( 1976)." Art and Artists r 5 (July I98o), p. 27. Forgey, Benjamin. "It takes more than an outdoor site to make sculpture public." Art News 79, 7 (September I98o) pp. 84-88 (ill.). Clothier, Peter. "Charles Simonds: Architecture Humanized." Artweek II, 35, October 25, I98o, pp. I-2. 95 Restany, Pierre. "L'Immagine del Nostro Destino." Domus 6Io (October I98o), pp. 2-7. Daval, Jean-Luc. Skira Annuel N° 6: Art Actuel-Numero Special 1970-1980. Geneva: Editions Skira S.A., 1980, pp. I2I 1 I60. Vancouver Art Gallery. Architectural References. Vancouver: 1980 (exh. cat.). London, Hayward Gallery, and Otterlo, Rijksmuseum Krtiller Mtiller. Pier + Ocean: Construction in the Art of the Seventies. Exhibition selected by Gerhard von Graevenitz assisted by Norman Dilworth. London: I980 (exh. cat.). Dublin. National Gallery of Ireland and School of Architecture in University College. ROSC. Dublin: I98o (exh. cat.). Los Angeles Institute of Contemporary Art. Architectural Sculpture. Los Angeles: I98o (exh. cat.). I98I Francblin, Catherine. "Charles Simonds batisseur de ruines." Art Press 45 (February r98I), pp. I4-I5.
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Exhibition Tour Museum of Contempor
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Introduction Reunited for this exhi
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y Clive Phillpot, Librarian of the
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the question, just as formal analys
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miniature landscapes into an instru
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source. As has been noted in anothe
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Certainly Simonds seeks to undergo
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4 "I think of the dwellings in a ve
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I9 Bib. I I978, Simonds and Molderi
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33 Bristow, The Sex Life of Plants,
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miniature landscape and dwellings w
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uildings into a community park and
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Simonds: Life Built to Dream. Dimen
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toms, justified their constructions
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Three Peoples By Charles Simonds Th
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gradually deposited in front of it
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Mythologies The Mythologies embody
Page 41 and 42: Plate 2. Body - Earth, 1971. Stills
Page 43 and 44: Plate 4· Dwelling, Dublin, 1980. 4
Page 46 and 47: Plate 8. Charles Simonds building D
Page 48 and 49: Plate 11. Dwelling, Kunsthaus Zuric
Page 50 and 51: Plate 14. People Who Live in a Circ
Page 52 and 53: Plate 16. Labyrinth, 1972. Collecti
Page 54 and 55: Plate 18. Gate of Souls, 1981, deta
Page 56 and 57: u D ," Temenos, Birthscape These in
Page 58 and 59: Niagara Gorge, La Placita, Park Mod
Page 60 and 61: Plate 2 7. Proposal for a Stanley T
Page 62: Floating Cities Charles Simonds's F
Page 65 and 66: The third landscape also shows us t
Page 67 and 68: Number 10 (pl. 41) From the first v
Page 69 and 70: containing seeds which anticipated
Page 71 and 72: *Plate 33. Number 2 (Untitled), 197
Page 73 and 74: *Plate 35· Number 4 (Untitled), 19
Page 75 and 76: •Plate 37. Number 6 (Untitled), 1
Page 77 and 78: *Plate 39. Number 8 (Untitled), 197
Page 79 and 80: *Plate 41. Number ro (Ritual Tower)
Page 81 and 82: *Plate 43· Number 12 (Untitled), 1
Page 83 and 84: *Plate 45· Stone Sprout, 1981. Col
Page 85 and 86: One-Person Exhibitions I9?S-?6 Cent
Page 87 and 88: Commissions, Projects, Films Commis
Page 89: Art Institute of Chicago. Small Sca
Page 94: Museum of Contemporary Art Board of
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