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"Traumlacher und Traditionen." Tip Magazin 10 (1979),<br />

pp. 36-37-<br />

New York. Museum of Modern Art. Contemporary Sculpture.<br />

Selections from the Collection of the Museum of Modern Art.<br />

New York: 1979 (exh. cat.).<br />

Purchase, New York. Neuberger Museum, State University of<br />

New York College at Purchase. Ten Artists/ Artists Space. Essay<br />

by Helene Winer. Purchase: 1979 (exh. cat.).<br />

New York. Independent Curators, Inc. Supershow. Curated by<br />

Susan Sollins and Elke Solomon. New York: 1979 (exh. cat. for<br />

traveling exhibition).<br />

Philadelphia. Institute of Contemporary Art, University of<br />

Pennsylvania. Masks, Tents, Vessels, Talismans. Text by Janet<br />

Kardon. Philadelphia: 1979 (exh. cat.).<br />

Les Sables-d'Olonne, France. Musee de l'Abbaye Sainte-Croix.<br />

<strong>Charles</strong> <strong>Simonds</strong>: "Evolution imaginaire d'un paysage." Text by<br />

Gilbert Lascault. Les Sables-d'Olonne: Cahiers de l'Abbaye<br />

Sainte-Croix, 1979 (exh. cat.).<br />

1980<br />

Gibson, Michael. "Baudoin Lebon Gallery, Paris; exhibit." Art<br />

News 79, I (January 1980), pp. 121-122.<br />

Foote, Nancy. "Situation Esthetics: Impermanent Art and the<br />

Seventies Audience." Artforum r8, 5 (January 198o), p. 29.<br />

Linker, Kate." An Anti-Architectural Analogue." Flash Art 94<br />

(January-February 1980), pp. 20-25.<br />

Hjort, (Zlystein. "Mot en ny sensibilitet: Niigra tendenser i ny<br />

amerikansk konst." Pal etten 2 ( 1980), pp. 35-36.<br />

"Observatoire abandonne (1976)." Architecture d'Aujourd'hui<br />

208 (April 198o), p.liv.<br />

Cork, Richard. "Little People live here." Evening Standard<br />

(London), May 28, 1980, p. 21.<br />

Shapiro, Babs. "Architectural References: The Consequences of<br />

the Post-Modern in Contemporary Art and Architecture." Vanguard<br />

9, 4 (May 198o), pp. 6-13.<br />

"People who live in a circle ( 1976)." Art and Artists 15 (July<br />

198o), p. 27.<br />

Forgey, Benjamin. "It takes more than an outdoor site to make ·<br />

sculpture public." Art News 79, 7 (September 1980) pp. 84-88<br />

(ill.).<br />

Clothier, Peter. "<strong>Charles</strong> <strong>Simonds</strong>: Architecture Humanized."<br />

Artweek 11, 35, October 25, 1980, pp. 1-2.<br />

------------------ ---<br />

95<br />

Restany, Pierre. "L'Immagine del Nostro Destino." Domus 6ro<br />

(October 1980), pp. 2-7.<br />

Daval, Jean-Luc. Skira Annuel N° 6: ArtActuel-Numera<br />

Special I970-r98o. Geneva: Editions Skira S.A., 1980, pp.<br />

121, r6o.<br />

Vancouver Art Gallery. Architectural References. Vancouver:<br />

1980 (exh. cat.).<br />

London, Hayward Gallery, and Otterlo, Rijksmuseum Kri:iller­<br />

Mi.iller. Pier + Ocean: Construction in the Art of the Seventies.<br />

Exhibition selected by Gerhard von Graevenitz assisted by Norman<br />

Dilworth. London: 1980 (exh. cat.).<br />

Dublin. National Gallery of Ireland and School of Architecture<br />

in University College. ROSC. Dublin: 1980 (exh. cat.).<br />

Los Angeles Institute of Contemporary Art. Architectural Sculpture.<br />

Los Angeles: 1980 (exh. cat.).<br />

1981<br />

Francblin, Catherine. "<strong>Charles</strong> <strong>Simonds</strong> batisseur de ruines."<br />

Art Press 45 (February 1981), pp. 14-15.

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