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All works comprising Circles and Towers Growing are made of clay on a plywood base with sand, pebbles, sticks, bones, and shells. The dimensions are approximately 76.2 x 76.2 em {30 x 30 in.) with variable heights. 74 *Plate 32. Number r (Untitled), 1978. Collection of the artist.
*Plate 33. Number 2 (Untitled), 1978. Collection of the artist. 75
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! I - I 'vi r ....--' I \ \
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Exhibition Tour Museum of Contempor
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Introduction Reunited for this exhi
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y Clive Phillpot, Librarian of the
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the question, just as formal analys
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miniature landscapes into an instru
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source. As has been noted in anothe
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Certainly Simonds seeks to undergo
Page 19 and 20: 4 "I think of the dwellings in a ve
Page 21 and 22: I9 Bib. I I978, Simonds and Molderi
Page 23 and 24: 33 Bristow, The Sex Life of Plants,
Page 25 and 26: miniature landscape and dwellings w
Page 27 and 28: uildings into a community park and
Page 29 and 30: Simonds: Life Built to Dream. Dimen
Page 31 and 32: toms, justified their constructions
Page 33: Three Peoples By Charles Simonds Th
Page 36 and 37: gradually deposited in front of it
Page 38 and 39: Mythologies The Mythologies embody
Page 41 and 42: Plate 2. Body - Earth, 1971. Stills
Page 43 and 44: Plate 4· Dwelling, Dublin, 1980. 4
Page 46 and 47: Plate 8. Charles Simonds building D
Page 48 and 49: Plate 11. Dwelling, Kunsthaus Zuric
Page 50 and 51: Plate 14. People Who Live in a Circ
Page 52 and 53: Plate 16. Labyrinth, 1972. Collecti
Page 54 and 55: Plate 18. Gate of Souls, 1981, deta
Page 56 and 57: u D ," Temenos, Birthscape These in
Page 58 and 59: Niagara Gorge, La Placita, Park Mod
Page 60 and 61: Plate 2 7. Proposal for a Stanley T
Page 62: Floating Cities Charles Simonds's F
Page 65 and 66: The third landscape also shows us t
Page 67 and 68: Number 10 (pl. 41) From the first v
Page 69: containing seeds which anticipated
Page 73 and 74: *Plate 35· Number 4 (Untitled), 19
Page 75 and 76: •Plate 37. Number 6 (Untitled), 1
Page 77 and 78: *Plate 39. Number 8 (Untitled), 197
Page 79 and 80: *Plate 41. Number ro (Ritual Tower)
Page 81 and 82: *Plate 43· Number 12 (Untitled), 1
Page 83 and 84: *Plate 45· Stone Sprout, 1981. Col
Page 85 and 86: One-Person Exhibitions I9?S-?6 Cent
Page 87 and 88: Commissions, Projects, Films Commis
Page 89: Art Institute of Chicago. Small Sca
Page 92 and 93: Knight, C. "Some recent art and an
Page 94: Museum of Contemporary Art Board of
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