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Read Catalog - Charles Simonds

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Circles and Towers Growing<br />

This series traces a possible and fairly comprehensive evolution<br />

of the Little People's world and their usc of it through ritual<br />

and architecture.<br />

Commentaries<br />

By John Hallmark Neff<br />

Number 1 (pl. 32)<br />

This is the beginning-that is, that point in the landscape's<br />

evolution that the artist has chosen to show us first. We infer<br />

what has gone before from what remains. There are few topographical<br />

features, no presence of life forms. The surface is<br />

slightly rough and the crust is broken by irregular networks of<br />

cracks, some fine, others coarse and deep. The pattern is not that<br />

of a window, smashed but still intact, with the lines radiating<br />

from the point of impact. Rather, the lines are peculiar to a<br />

horizontal surface drying at different rates according to the<br />

depth of the water, the intensity of the heat, and the malleability<br />

of the earth. The image is of a land once submerged, now<br />

recently revealed, a tabula raso upon which the landscape can<br />

begin to assert itself.<br />

We are unsure of the age of this first frame of <strong>Simonds</strong>'s landscape.<br />

There are no fossils, no reptilian tracks-it could be the<br />

summer mud of a housing tract in Illinois. Yet we know it is<br />

meant to be old, the water only just absorbed and evaporated,<br />

leaving the earth dry, anticipating change.1<br />

Number 2 (pl. 33)<br />

If the first landscape results from the surface action of sun,<br />

wind, and water upon the land, the second seems to represent a<br />

moment when forces from deep within the earth surge to the<br />

surface, erupting in shallow elliptical domes above the crust.<br />

The hypogene swellings are irregular in size and shape but<br />

share a diagonal orientation across the fundamental square.<br />

Some of the rounded hills are topped with smaller mounds or<br />

fissures; some are open, connectives to the interior heat; others<br />

are already smooth and cooling. Now visually differentiatedthe<br />

basis for fixed points, then axes and orientation-the landscape<br />

becomes a specific place: here, not there.2<br />

Number 3 (pl. 34)<br />

The third landscape shows for the first time signs of habitation.<br />

Two pathways beginning near opposite corners (but not precisely<br />

at the edges) meander over the earth's contours, curving<br />

around the shallow domes. One path appears to terminate at a<br />

pole, taller than the others that form a loose circle around one<br />

of the swelling mounds. The poles mark areas of ritual activity.<br />

Since Number 2, the swellings have been further accentuated<br />

by small rings, fissures, and nipplelike buds. Others have been<br />

capped with colored stones. Reddish-orange sand in the concavities<br />

or valleys further differentiates this half from the lessevolved<br />

yellow section where the water has receded further to<br />

a single arid quadrant.<br />

68

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