Christmas - The American Century Theater
Christmas - The American Century Theater
Christmas - The American Century Theater
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THE COMPANY<br />
ANN DEMICHELE TACT debut. Ann’s credits include <strong>The</strong> Greek Myth Project at the George<br />
Street Playhouse, Brigadoon at the Riverside <strong>The</strong>ater, Gladys (Pajama Game) at the Lazy<br />
Susan Dinner <strong>The</strong>ater, and Crazy for You at the former West End Dinner <strong>The</strong>ater. She has toured<br />
with <strong>American</strong> Family <strong>The</strong>ater’s production of Babes in Toyland and was Annie in Chicago,<br />
as well as numerous other shows. Ann is a professional horsewoman and travels the country<br />
competing. She helped come up with the “Ride for the Cure,” which raises money for the Susan<br />
G. Komen Foundation “Race for the Cure.”<br />
MCCALL NOELLE DOYLE is a voice and dialect coach with an opera degree from Loyola<br />
New Orleans. Recent local credits include <strong>The</strong> Ingenue (A Thurber Carnival), Kate (Art of<br />
Murder), Annelle and Shelby (Steel Magnolias), Elizabeth Proctor (<strong>The</strong> Crucible), Wanda (<strong>The</strong><br />
Baby Dance), Nora (A Doll’s House), Gillian (Bell, Book, and Candle), and Alice Sycamore<br />
(You Can’t Take It with You). McCall just finished a series of one-act festivals in Virginia<br />
(NVTA) and Maryland (SSS), taking home NVTA’s Best Actress award for <strong>The</strong> Typists. She<br />
had a featured role in the indie film Violent Karma in late 2007 and has worked as a voiceover<br />
artist for the Discovery Channel. <strong>The</strong> best roles are the ones that her brilliant and wonderful<br />
playwright/hubby Brian writes for her! When not performing, McCall is a theatre critic for<br />
Showbiz Radio.<br />
KATHRYN FULLER TACT: Hellzapoppin’, Tea and Sympathy, If Only in My Dreams, <strong>The</strong><br />
Robber Bridegroom, Laughter at 10 O’Clock: Memories of the Carol Burnett Show, Picnic,<br />
Hollywood Pinafore, <strong>The</strong> Cradle Will Rock, Lady in the Dark. Signature <strong>The</strong>atre: Anyone Can<br />
Whistle in Concert, My Fair Lady, Crossings (reading), Assassins, Nevermore (u/s), Hedwig<br />
and the Angry Inch (u/s), <strong>Christmas</strong> Carol Rag (u/s). Keegan <strong>The</strong>atre: Suddenly Last Summer.<br />
BILL GORDON TACT: Major Von Konigswald (Happy Birthday, Wanda June) and Cabbie<br />
and Lt. Buchevski (Cops). Spooky Action <strong>The</strong>atre: Boo (<strong>The</strong> Marriage of Bette and Boo). A<br />
former radio producer, Bill designed sound for many professional productions in Richmond,<br />
VA, during the 1990s, including shows at the Firehouse <strong>The</strong>atre Project, of which he was a<br />
founding member and former president. He has also designed sound for TACT.<br />
ADAM JURAN TACT: Ensemble (Stunt Girl). Opera credits include: Figaro (Il Barbiere di<br />
Siviglia), Count Almaviva (Le Nozze di Figaro), Escamillo (Carmen), Marcello (La Bohème),<br />
Papageno (Die Zauberflöte), and the title role in Eugene Onegin. Musical theater credits include<br />
Pirate King (<strong>The</strong> Pirates of Penzance), Cinderella’s Prince (Into the Woods), Jigger (Carousel),<br />
and Caliph (Kismet). Adam is singing musical theater again after a 15-year hiatus: upcoming<br />
performances include Tamino in Die Zauberflöte. When not singing, he is a senior web developer<br />
for Interactive Strategies, a web consulting firm in Washington, DC.<br />
SCOTT KENISON TACT: Steve Lawrence (Laughter at 10’Clock, Memories of the Carol<br />
Burnett Show). Also Major General (<strong>The</strong> Pirates of Penzance) with the Washington Savoyards;<br />
Joseph Hewes (1776) at Olney <strong>The</strong>atre Center; Bunthorne (Patience), King Hildebrand<br />
(Princess Ida), <strong>The</strong> Judge (Trial by Jury), Ko-Ko (Mikado), Sir Joseph (Pinafore), Duke (<strong>The</strong><br />
Gondoliers), and General (Kiss Me, Kate) with TAP; and Jacob (Shenandoah) at <strong>The</strong> Little<br />
<strong>The</strong>atre of Alexandria. While in New York, he performed for 8 years with the New York Gilbert<br />
and Sullivan players during their NY season and on the road. For the past three years, his <strong>The</strong><br />
Condensed Mikado has been part of the National Cherry Blossom Festival for the Savoyards.<br />
Scott will be directing Iolanthe for the Washington Savoyards in March 2009.<br />
STEVE LEBENS TACT: Hellzapoppin’, Drama under the Influence, Call Me Mister.<br />
International: K2, A Walk in the Woods, Tres Hermanas, True West. Regional: <strong>The</strong> Entertainer<br />
(Guthrie <strong>The</strong>atre). Local: Cabaret, Passion (Signature <strong>The</strong>atre); Hot Fudge, Virgin Molly,<br />
Muzeeka, A Clockwork Orange (Studio SecondStage); <strong>The</strong> Merchant of Venice, Playing Juliet/<br />
Casting Othello, Sherlock Holmes and the Case of the Purloined Patience (<strong>The</strong> Folger <strong>The</strong>atre).<br />
Television: Law and Order: Criminal Intent, El Amor es Mas Fuerte, Te Amo Pecas.<br />
MICK TINDER TACT: Winemiller (<strong>The</strong> Eccentricities of a Nightingale) and Robert (Stunt<br />
Girl). Mick has played Teddy (Keegan <strong>The</strong>atre’s Faith Healer) and has played Finbar Mack,<br />
Jack Mullen, Nathan Detroit, John Proctor, Deputy Governor Danforth, Lycus, Asher, Potiphar,<br />
and Paul Bratter. He has served as director, executive producer, and/or stage manager for various<br />
productions around the DC area. Mick recently returned to harass the Congress once again in<br />
his perennial role, John Adams, for the Little <strong>The</strong>atre of Arlington’s Diamond Jubilee Season<br />
opener, 1776.<br />
PATRICIA TINDER TACT: Ensemble (Stunt Girl). Prior roles include Abigail Adams (1776),<br />
Miss Adelaide (Guys and Dolls), and Catherine (Pippin). Costuming credits include <strong>The</strong> Iceman<br />
Cometh (ESP) and Taking Leave and Father of the Bride (VTC). Patricia has a Bachelor of<br />
Music from George Mason University.<br />
GLENN WHITE TACT: Ensemble (Stunt Girl) as well as Call Me Mister, Moby Dick<br />
Rehearsed, Uncle Tom’s Cabin, <strong>The</strong> Andersonville Trial, <strong>The</strong> Crucible, and Twelve Angry Men.<br />
Glenn also voiced TACT’s telephone-radio show production of A <strong>Christmas</strong> Carol and appeared<br />
in ten skits and seven songs as a character in Hellzapoppin’. He is Vice Chairman of the Warren<br />
County (VA) Board of Supervisors and sings with <strong>The</strong> Academy Arts Chorale, a community<br />
chorus at Shenandoah University, Winchester VA.<br />
PRODUCTION STAFF<br />
JACK MARSHALL (Director) is the Artistic Director of <strong>The</strong> <strong>American</strong> <strong>Century</strong> <strong>The</strong>ater<br />
and, with Tim Lynch, its co-founder. He has directed more than 70 plays, revues and musicals<br />
professionally, including the TACT productions of Twelve Angry Men, all three productions<br />
of Moby Dick Rehearsed, Lady in the Dark, archy and mehitabel, Thirst, <strong>The</strong> Cradle Will<br />
Rock, Hollywood Pinafore, <strong>The</strong> Andersonville Trial, Laughter at Ten O’Clock, Memories of the<br />
Carol Burnett Show, Call Me Mister, Mister Roberts, Uncle Tom’s Cabin, Hellzapoppin’, and<br />
three productions of Danny and Sylvia. He also has written or adapted several TACT shows,<br />
including <strong>The</strong> Clarence Darrow Story (with Paul Morella), Laughter at 10 O’Clock, Memories<br />
of the Carol Burnett Show, the W.W.II <strong>Christmas</strong> revue If Only in My Dreams (with Jacqueline<br />
Manger and Tom Fuller), Uncle Tom’s Cabin (with Tom Fuller), and Hellzapoppin’.<br />
TOM FULLER (Musical Director) TACT: adapted Uncle Tom’s Cabin for TACT, his first foray<br />
into serious drama, and also collaborated with Jack Marshall on TACT’s W.W. II <strong>Christmas</strong><br />
revue If Only In My Dreams. Tom has been an actor, singer, pianist, director, musical director,<br />
and playwright since 1967. His musical comedy Softly Stealing, with music by Gerald Moshell,<br />
was produced to rave reviews in Boston, and has since been produced in Hartford and Stamford<br />
as well. Tom has also authored countless comedy and satirical sketches for local groups in<br />
Washington, including <strong>The</strong> Music Lobby.<br />
RHONDA HILL (Stage Manager) TACT: Stage Manager credentials include 35 productions,<br />
among them Hellzapoppin’, Moby Dick Rehearsed, archy and mehitabel, Lady in the Dark, and<br />
<strong>The</strong>Titans.