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The whole publication in PDF - Culture in Development

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(Egbor, 1985; Nwafor, 1980; S<strong>in</strong>gh, 1982). This is corroborated by the outcome of the African survey from 1998<br />

<strong>in</strong> which only 15% of the purpose-built build<strong>in</strong>gs had air-condition<strong>in</strong>g (Coates, 2001).<br />

Because of poorly operat<strong>in</strong>g air-cond ition<strong>in</strong>g systems the conservator often has to resort to free-stand<strong>in</strong>g<br />

dehumidifiers or silica gel <strong>in</strong> order to exercise some control over the humidity (Aranyanak, 1988); (see also<br />

Boustead, 1968).<br />

Often archivists hold the mistaken belief that if a comprehensive air-condition<strong>in</strong>g system is <strong>in</strong>stalled all will be<br />

well. It is now clear that this view is entirely erroneous. In essence, the fabric of a build<strong>in</strong>g must create a sealed<br />

environment that is then complemented by an air-condition<strong>in</strong>g system. <strong>The</strong> system itself cannot make up for<br />

deficiencies <strong>in</strong> design and construction (L<strong>in</strong>g, 1998; Rosenberg, 1986). Unless highly reliable (and highly expensive)<br />

systems are used, the p resence of air-condition<strong>in</strong>g can often cause more d amage than if it had not been <strong>in</strong>stalled.<br />

<strong>The</strong>re have been reported cases where air-condition<strong>in</strong>g has been <strong>in</strong>stalled <strong>in</strong> previously unconditioned build<strong>in</strong>gs with<br />

disastrous results, particularly problems of relative humidity (Daniel et al., 2000). Petherbridge noticed that <strong>in</strong> two<br />

hot, humid countries money had been <strong>in</strong>vested <strong>in</strong> air-condition<strong>in</strong>g <strong>in</strong> archive hold<strong>in</strong>gs. In both cases, however, only<br />

the temperature was lowered, effectively rais<strong>in</strong>g the humidity even further. Consequently the collections deteriorated<br />

even more quickly (Giese, 1995).<br />

If an air-condition<strong>in</strong>g system is <strong>in</strong>stalled it is essential that the system runs cont<strong>in</strong>uously, even <strong>in</strong> the silent hours.<br />

<strong>The</strong>re is no po<strong>in</strong>t <strong>in</strong> switch<strong>in</strong>g it off at night or at weekends. While you may save on energy, the degradation of the<br />

records will be hastened. However, dur<strong>in</strong>g a cyclone warn<strong>in</strong>g the system should be turned off. <strong>The</strong> reason for this<br />

is that the build<strong>in</strong>g may be damaged by w<strong>in</strong>d, ra<strong>in</strong> or lightn<strong>in</strong>g. If the air-co ndition<strong>in</strong>g system is operat<strong>in</strong>g, there is<br />

the possibility that the damage could be made worse (L<strong>in</strong>g, 1998).<br />

In 1997 the thermal and hygrosmetric behaviour of both an air-conditioned and a non-air-conditioned storage area<br />

of the Fiji Museum at Suva was monitored for 54 days. <strong>The</strong> museum is located on an island <strong>in</strong> the Pacific. <strong>The</strong><br />

build<strong>in</strong>g is located close to the coast and is very typical of most modern build<strong>in</strong>gs <strong>in</strong> tropical climates, be<strong>in</strong>g<br />

constructed ma<strong>in</strong>ly of concrete. <strong>The</strong> results <strong>in</strong>dicate that the daily fluctuations of relative humidity and temperature<br />

<strong>in</strong> the air-conditioned space, as compared to the non-air-conditioned room, were significant (Daniel et al., 2000). It<br />

is therefore of great importance to consider whether any other system than air-condition<strong>in</strong>g would have a sufficient<br />

effect on the museum climate, whether anyth<strong>in</strong>g can be done, through orientation and d esign<strong>in</strong>g of the b uild<strong>in</strong>g, to<br />

control the <strong>in</strong>door climate, if not fully, at least to a certa<strong>in</strong> effect (Agrawal et al., 1974) (see also section on Build<strong>in</strong>g).<br />

For further read<strong>in</strong>gs see Adamson et al., 1993a and 1993b; Anonymous, 1961; Baxi, 1974b; Cottell et al., 1983.<br />

5.2.2 Simple Mechanical Provision<br />

Much can be done besides the air-condition<strong>in</strong>g systems so many conservators crave for. Sim ple measures to reduce<br />

the solar ga<strong>in</strong> <strong>in</strong> temperature <strong>in</strong>clude shutters, bl<strong>in</strong>ds and curta<strong>in</strong>s. Curta<strong>in</strong>s should not be pleated but framed between<br />

horizontal supports to prevent dust collection. <strong>The</strong>y should also preferably be white to reflect the sunlight<br />

(Hagmueller et al., 1991).<br />

Simple electric fans can also be used to keep air circulat<strong>in</strong>g and offset some of the effects of high temperature<br />

and humid ity (MacK enzie, 199 6). Accord<strong>in</strong>g to L<strong>in</strong>g, ceil<strong>in</strong>g fans will aid the process of adequate ventilation but<br />

will not actually lower the temperatures or relative humidity levels, they merely keep the air mov<strong>in</strong>g (L<strong>in</strong>g, 1998).<br />

<strong>The</strong> location of the fans or other type of air circulators <strong>in</strong> a museum enviro nment should not be disturb <strong>in</strong>g to staff<br />

or visitors (Agrawal et al., 1974). In the Vanuatu Cultural Centre high air movement and air exchange is promoted<br />

as a strategy to reduce high humidity and condensation problems <strong>in</strong> the storage area (Daniel et al., 2000). Electrical<br />

ventilators are much less appropriate than roof fans (Hagmueller et al., 1991).<br />

For adequate ventilation one should rely on natural through-draughts. <strong>The</strong> provision of small w<strong>in</strong>dows at floor<br />

level will improve the circulation of air. Of course unnecessary <strong>in</strong>ternal doors, walls or screens should not block the<br />

free movement of air. Compare for passive climate control the section on Build<strong>in</strong>g – Susta<strong>in</strong>able Build<strong>in</strong>g – Passive<br />

Climate C ontrol.<br />

5.2.3 Air Pollution<br />

<strong>The</strong> cultural heritage, man’s valuable possession, is <strong>in</strong> great danger of ext<strong>in</strong>ction today because of adverse<br />

environmental conditions and air pollution. Air knows neither limits nor state boundaries. It is a resource w hich is<br />

shared by the entire nation or, more realistically, the entire world. Air pollution is a socio-technological disease born<br />

out of the Industrial Revolution. It is an undesirable change <strong>in</strong> the physical, chemical and biological characteristics<br />

of the atmosphere, caused ma<strong>in</strong>ly by compound s which are present ‘<strong>in</strong> the wrong place, at the wrong time and <strong>in</strong><br />

the wrong concentration’. <strong>The</strong> pollutants have a disastrous effect on life and materials. Deterioration of archival and<br />

library materials, which is greatly <strong>in</strong>fluenced by the prevail<strong>in</strong>g environmental conditions, could be retarded by<br />

ma<strong>in</strong>tenance of ambient environme ntal conditions <strong>in</strong> the storage area. Simple measures like the use of acid removers,<br />

dust removers, sun bl<strong>in</strong>ders, dehumidifiers etc. might help to mitigate the effects (Joshi, 1995). Most libraries are<br />

located <strong>in</strong> urban, <strong>in</strong>dustrialised centres, with the result that the atmospheric environm ent is full of pollutants, plac<strong>in</strong>g<br />

library materials at risk (E zennia et al., 1995). In Nigeria oil produc<strong>in</strong>g regions cause thermal pollution either from<br />

the high temperature present <strong>in</strong> discharges or from the flar<strong>in</strong>g of gas. It also contam<strong>in</strong>ates the ra<strong>in</strong> water and<br />

contributes to the acid deterioration of books and paper (Aziagba, 1991).<br />

Dust-laden w<strong>in</strong>ds often co nta<strong>in</strong> impure air with damag<strong>in</strong>g quantities of all k<strong>in</strong>ds of gases. <strong>The</strong>se will cause<br />

oxidation of some library materials. As well as the <strong>in</strong>direct effects of heavy w<strong>in</strong>ds, like bush fires and excessive<br />

ultraviolet radiation, these conditions produce their own share of deterioration (Ezennia, 1989). Even when<br />

conditions outside become so bad as to preclude br<strong>in</strong>g<strong>in</strong>g large quantities of air <strong>in</strong>side, good air circulation with<strong>in</strong><br />

the build<strong>in</strong>g is important, us<strong>in</strong>g fans as needed. It is important to locate <strong>in</strong>take and exhaust fans along the axis of<br />

stack aisles with exhaust fans placed high <strong>in</strong> the walls. Air <strong>in</strong>takes should be positioned to pull air <strong>in</strong>to the build<strong>in</strong>g<br />

that is as pollution free as possible. Intakes should not pull <strong>in</strong> vehicle exhaust, or smoke or exhaust from nearby<br />

structures or the archive s build<strong>in</strong>g itself. <strong>The</strong> idea is to exhaust stale air, while pull<strong>in</strong>g fresh air <strong>in</strong>to and through the<br />

stack areas of the build<strong>in</strong>g. In many countries a f<strong>in</strong>ely woven cloth material can be fastened over the w<strong>in</strong>d ows. This

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