29.01.2013 Views

The whole publication in PDF - Culture in Development

The whole publication in PDF - Culture in Development

The whole publication in PDF - Culture in Development

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

1987; Onwubiko, 1991; Ormanni, 1975; Palma, 1999; Palmai, 1982; Pastoureau, 1984; Paton, 1985; Pearson,<br />

1979 and 1993a; Perti,1987 and 1989; Petherbridge et al., 1995; Perera, 1991; Plumbe, 1987c and 1987d; Pollack,<br />

1988; Rh odes, 1969; Ribeiro Zaher, 1999; Ricks, 1981 and 1982; Rijal, 1963; Rutimann, 1992; Salazar, 1974;<br />

Sauçois, 1976; Silva, 1991; Smith, 1996; Sulistyo et al., 1991; Souza Marder et al., 2000; Strickland, 1959;<br />

Sutaarga, 1974; Taylor, 1994; Terry González, 1996; Thurston, 1986; Tsonobe, 1986; Tunis, 1989; Unesco,<br />

1978;Unomah, 1985; V<strong>in</strong>as Torner, 1975; Werth, 1984; Westra, 1987; Wettas<strong>in</strong>ghe, 1989 and 1994; Wheeler, 1990;<br />

Wise, 1999; Zaki et al., 1993.<br />

For some literature on the <strong>in</strong>troduction of preservation, pro cedures, needs etc. <strong>in</strong> the tropics see Alegbeleye,<br />

1996; Bearman et al., 2000; Beck, 1999; B ergdah l et al., 1994; Cloonan, 199 7a; Dean, 199 7; Evan s, 1992; Jalil,<br />

1992; Kathpalia, 1978; Kivia, 1997; KraemerKoelier, 1960; Kufa, 1993 and 1997; Lyall, 1994; Perti, 1986;<br />

Plumbe, 1959a; Prajapati, 1995; Roper, 1980 and 1989; Russel, 1997; Swartzburg, 1993; UNESCO, 1989.<br />

2.4 Appropriate Technology<br />

Archives <strong>in</strong> tropical areas face formidable pro blem. <strong>The</strong> tropical environment is very hostile to records and archives<br />

often face shortages of funds, tra<strong>in</strong>ed personnel and tra<strong>in</strong><strong>in</strong>g facilities. Besides, it is exceptionally difficult to obta<strong>in</strong><br />

complex mach<strong>in</strong>ery or spare parts. Consequently conservation <strong>in</strong> the tropics should be deliberately oriented towards<br />

economy and low level technology; complex mach<strong>in</strong>ery sho uld not be suggested unless its use cannot be avoided<br />

and the simplest acceptable solutions have been put forward (Rhys-Lewis, 1997). It will not be easy for develop<strong>in</strong>g<br />

countries to get the right equipment <strong>in</strong> their vic<strong>in</strong>ity. For them it will be always more expensive, even if only for the<br />

extra transporation costs. <strong>The</strong> lack of a work<strong>in</strong>g b<strong>in</strong>dery and restoration equipment was found at the Nigerian<br />

National Archives (Albada et al., 1989). Hector Montenegro from Cuba also recognised these problems. He<br />

remarked that the scarcity of economic resources and the <strong>in</strong>applicability of m uch of the technology currently<br />

available, are the ma<strong>in</strong> causes of the problems <strong>in</strong> conservation. Creative, affordable solutions are required that<br />

address the specific regional conditions (Gerhard, 1990).<br />

An important recommendation from the meet<strong>in</strong>g on microfilm preservation <strong>in</strong> Chiang Mai <strong>in</strong> February 2000 was<br />

the need to fund research <strong>in</strong>to more appropriate technologies which would recognise the realities of the clim atic<br />

conditions <strong>in</strong> the region, utilise locally available materials, and establish standards which would recognise the<br />

necessities of us<strong>in</strong>g whatever capture techniques are at hand (A bhakorn et al., 2000; Davies, 19 79). Rosenberg fully<br />

agreed and added that solutions to conservation problems must use easily accessible resources and also be<br />

appropriate to the economic situation and the culture and tradition of the region (Rosenberg, 1986).<br />

Unfortunately, there are few technical workshops <strong>in</strong> many libraries and archives <strong>in</strong> the African develop<strong>in</strong>g<br />

world. Those that have a workshop, of whatever type, experience real functional d ifficulties. <strong>The</strong>se are mostly<br />

related to m<strong>in</strong>imal eq uipment or obsolete technical materials, chronic shortage of raw materials, and <strong>in</strong>puts, and<br />

f<strong>in</strong>ally ma<strong>in</strong>tenance (Mbaye, 1995). In quite a number of countries on other cont<strong>in</strong>ents the situation is not very<br />

different. A significant disadvantage of educat<strong>in</strong>g conservation personnel abroad is that the type of equipment they<br />

have been tra<strong>in</strong>ed with is unavailable <strong>in</strong> the motherland. Another reason to tra<strong>in</strong> the staff <strong>in</strong> the homeland, is that<br />

the results of a study outside the region need to be readapted to the needs of the home region. A key concept for any<br />

conservation workshop <strong>in</strong> a develop<strong>in</strong>g country is self-reliance (Matwale, 1995).<br />

Quite often, despite the will to preserve, the necessary knowledge is lack<strong>in</strong>g; it is not realised that by follow<strong>in</strong>g<br />

simple precautions much can be achieved (Agrawal, 1993). Petherbridge formulates his work as a preservation<br />

consultant as follows: ‘Preservation for me is firstly technical knowledge, but that’s only a t<strong>in</strong>y fragment of the<br />

process. It’s basically a matter of manag<strong>in</strong>g political and economic situations. In the area of documentary<br />

preservation, it’s to do with develop<strong>in</strong>g a nucleus of tra<strong>in</strong>ed specialists and a cultural <strong>in</strong>frastructure that is not<br />

dependant on outside expertise’ (Giese, 1995).<br />

Paper has been a precious commodity for two millennia. In a chang<strong>in</strong>g world, there is a case for preserv<strong>in</strong>g<br />

<strong>in</strong>formation on permanent paper. Not all copies of a document need to be on permanent paper. A copy on permanent<br />

paper stored <strong>in</strong> a safe environment may preserve <strong>in</strong>formation for a very long time. We do not need permanent paper<br />

for every document, but we need permanent paper for all the <strong>in</strong>formation that will become the heritage of<br />

generations to come (Dahlø, 1998, see also Bég<strong>in</strong> et al., 2000).<br />

In the near future certa<strong>in</strong> professional groups <strong>in</strong> many rich countries will be under an obligation to use permanent<br />

papers. Frequently the quality of paper manufactured <strong>in</strong> develop<strong>in</strong>g countries for local use is very poor and not<br />

suitable for paper conservation (Biswas, 1992). <strong>The</strong> need for more permanent or alkal<strong>in</strong>e papers is therefore even<br />

bigger <strong>in</strong> these regions (Kirkham, 1990). Several resourceful <strong>in</strong>dividuals and <strong>in</strong>stitutions took the <strong>in</strong>itiative towards<br />

a more permanent local paper production. In at least three Lat<strong>in</strong> American countries this idea has been put to the test.<br />

<strong>The</strong> preventive conservation projects <strong>in</strong>volved are actively pursu<strong>in</strong>g private <strong>in</strong>dustry for assistance <strong>in</strong> develop<strong>in</strong>g<br />

supplies of stable papers to replace poor quality papers and as substitutes for Japanese tissue and other acid-free<br />

conservation papers (Raphael, 1993).<br />

For some time now the art of Japanese paper conservation has been very popular with western conservators. <strong>The</strong><br />

ideas and techniques are also exported to develop<strong>in</strong>g countries. Yet, the Japanese papers are extremely expensive,<br />

forc<strong>in</strong>g countries like Nepal, Thailand and India to use their local handmade paper for restoration purposes. <strong>The</strong>se<br />

papers might not be as f<strong>in</strong>e as the Japanese ones but they are certa<strong>in</strong>ly neutral if not a little alkal<strong>in</strong>e.<br />

In Brazil Antônio Gonçalves de Silva, chemical eng<strong>in</strong>eer at the National Archives, developed a conservation<br />

paper, similar to the Jap anese type, from the banana tree. It has good mechanical resistance and transparency.<br />

Together with a local NGO (Non-governmental Organisation) the National Archives has undertaken a study for the<br />

construction of a plant to produce this special paper. At the same time, the aim is to create an alternative source of<br />

<strong>in</strong>come to the peasants and thus m<strong>in</strong>imise migration to urban areas (personal communication from Adriana Cox<br />

Hollós, Arquivo Nacional, March 2001).

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!