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In This Issue: - Pennsylvania Academy of the Fine Arts

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Photos: Linda Johnson Photos: Linda Johnson<br />

4<br />

USArtists American<br />

<strong>Fine</strong> Art Show and Sale<br />

Samuel M.V. Hamilton Building<br />

Preview Gala: Thursday, September 22, 5 - 9 p.m.<br />

Friday and Saturday, September 23 and 24,<br />

11 a.m. – 8 p.m. daily<br />

Sunday, September 25, 11 a.m. – 5 p.m.<br />

At USArtists 2010, Paul Gratz, owner <strong>of</strong> Gratz Gallery & Conservation<br />

Studio, Doylestown, PA, discusses art with a client.<br />

The Women’s Board is sponsoring <strong>the</strong> 19th year <strong>of</strong><br />

USArtists, <strong>the</strong> show and sale <strong>of</strong> over 2,000 works <strong>of</strong><br />

American art, and <strong>the</strong> second year <strong>the</strong> show will be held<br />

at PAFA, making it <strong>the</strong> only major American art fair to be<br />

held within a museum. An overview <strong>of</strong> American art from<br />

colonial to contemporary, USArtists has long been considered<br />

a “must see” for serious collectors. Nearly 40 <strong>of</strong><br />

<strong>the</strong> country’s most prestigious dealers are invited to bring<br />

<strong>the</strong>ir finest works. Selected dealers will present ten-<br />

minute talks as part <strong>of</strong> <strong>the</strong> ongoing effort to help develop<br />

new collectors’ knowledge and enrich <strong>the</strong> USArtists<br />

experience for all attendees.<br />

The Preview Gala launches <strong>the</strong> event on Thursday,<br />

September 22, 5 – 9 p.m. and New Collectors Night<br />

is Friday, September 23, 5:30 – 8 p.m. The Preview<br />

Gala attracts <strong>the</strong> most serious collectors as it <strong>of</strong>fers <strong>the</strong><br />

first opportunity to view and purchase from <strong>the</strong> dealers’<br />

collections and includes an elegant cocktail reception and<br />

light buffet. If you are new to <strong>the</strong> world <strong>of</strong> fine art collecting,<br />

you can begin your journey at New Collectors Night.<br />

<strong>This</strong> event provides an opportunity to talk with <strong>the</strong> dealers<br />

while enjoying a light buffet and a Beer and Chocolate<br />

Tasting courtesy <strong>of</strong> Betty’s Speakeasy and Yards Brewing<br />

Company, both <strong>of</strong> Philadelphia.<br />

Tickets for <strong>the</strong> Preview Gala, New Collectors Night, and<br />

General Admission are available for purchase online at<br />

www.usartists.org or by phone (215-972-0550).<br />

Proceeds from USArtists support student scholarships<br />

at PAFA.<br />

Dealer Talks, free with general admission, take place<br />

Friday and Saturday, September 23 and 24, at noon, 1, 2,<br />

3, and 4 p.m.<br />

For <strong>the</strong> first time, you can now find us on Facebook at<br />

facebook.com/usartistsfineart, and follow us on twitter<br />

@usartistsphilly. For more information and links to<br />

facebook and twitter, please visit www.usartists.org.<br />

Questions? Contact Patty Castner, Director <strong>of</strong> <strong>the</strong><br />

Women’s Board: 215-972-0550 or pcastner@pafa.org.<br />

At USArtists 2010, Al Gury, Chair <strong>of</strong> <strong>the</strong> Department <strong>of</strong> Painting at PAFA,<br />

discusses painting processes with Audrey Hall and Tim Dixon <strong>of</strong> Dixon-<br />

Hall <strong>Fine</strong> Art, Phoenixville, PA.<br />

Photos: Barbara Katus<br />

From <strong>the</strong> Desk <strong>of</strong> <strong>the</strong> Museum Director<br />

<strong>This</strong>, to me, is still a very new desk<br />

- I have only had <strong>the</strong> pleasure <strong>of</strong> sitting<br />

at it since March 1st. Then I was<br />

still coming back and forth from New<br />

York; my family and I just settled into<br />

Philadelphia in June. <strong>In</strong> my brief tenure<br />

here I have learned a great deal<br />

about this amazing place, although<br />

I am acutely aware that, with more<br />

than 200 years <strong>of</strong> history, this is a<br />

learning process that will never end.<br />

Coming from a non-collecting<br />

museum focused exclusively on<br />

contemporary art <strong>the</strong>re are many<br />

aspects <strong>of</strong> my job that are new to me,<br />

particularly <strong>the</strong> care, conservation,<br />

and growth <strong>of</strong> our amazing collection.<br />

More on that in a moment. What is<br />

familiar to me is <strong>the</strong> creative buzz that<br />

surrounds PAFA – my background<br />

is that <strong>of</strong> an artist turned educator<br />

turned curator turned administrator.<br />

At <strong>the</strong> heart <strong>of</strong> my career is a<br />

deep and pr<strong>of</strong>ound respect for, and<br />

belief in, artists. Their creativity, <strong>of</strong>ten<br />

messy, sometimes too controlling,<br />

sometimes too loose, or too provocative,<br />

or perplexing, is at <strong>the</strong> core <strong>of</strong> PAFA’s founding, and its<br />

storied and sometimes perilous journey through <strong>the</strong> 19th, 20th,<br />

and now 21st century. PAFA is in a place <strong>of</strong> great strength<br />

now - thanks to <strong>the</strong> good work <strong>of</strong> my predecessor in this job,<br />

David Brigham, and <strong>the</strong> Board, faculty, and staff.<br />

We still have much to do.<br />

One <strong>of</strong> our challenges is also one <strong>of</strong> our greatest assets, our<br />

incredible Frank Furness building. Part gallery, part church,<br />

part factory, part greenhouse, our Historic Landmark Building is<br />

one <strong>of</strong> <strong>the</strong> greatest places on <strong>the</strong> planet in which to look at art.<br />

<strong>In</strong> <strong>the</strong> long term we look to <strong>the</strong> maintenance and restoration <strong>of</strong><br />

our beloved building, particularly as <strong>the</strong> centenary <strong>of</strong> Furness’s<br />

death approaches in 2012. You can see from this view <strong>of</strong> <strong>the</strong><br />

space above <strong>the</strong> gallery skylights (photo below left) what a<br />

The Attic, Historic Landmark Building, <strong>Pennsylvania</strong> <strong>Academy</strong> <strong>of</strong> <strong>the</strong> <strong>Fine</strong><br />

<strong>Arts</strong>, Philadelphia, 2009<br />

<strong>Pennsylvania</strong> <strong>Academy</strong> <strong>of</strong> <strong>the</strong> <strong>Fine</strong> <strong>Arts</strong>, Philadelphia, 1876<br />

Paul Metrinko, A Picture Contest, 2011, Oil on linen, 64 x 144”, Judith McGregor Caldwell Purchase Prize from <strong>the</strong> <strong>Pennsylvania</strong> <strong>Academy</strong> Annual Student Exhibition, 2011.7a&b<br />

complex building this is, with its mix <strong>of</strong> 19th and 20th century<br />

technologies.<br />

Our immediate challenge is to encourage more people to<br />

walk through our doors, which, to contemporary eyes, can<br />

seem small and uninviting. <strong>In</strong> time we’ll be unveiling new signage<br />

and banners to make our invitation clearer. Eventually we<br />

will be introducing art to <strong>the</strong> exterior <strong>of</strong> our building to make our<br />

presence as a place for art more pronounced. <strong>This</strong> is a return<br />

to how <strong>the</strong> building was in <strong>the</strong> 19th century, when a marble<br />

statue graced <strong>the</strong> plinth above our main entrance.<br />

Our collection continues to grow, and one <strong>of</strong> my first <strong>of</strong>ficial<br />

duties was to select, along with my colleague Dean Jeffrey Carr<br />

<strong>the</strong> recipient <strong>of</strong> <strong>the</strong> Judith MacGregor Caldwell Purchase Prize,<br />

an annual purchase award from <strong>the</strong> Annual Student Exhibition.<br />

We settled on a two-panel painting by Paul Metrinko, A<br />

Picture Contest, which was painted on site on North Carlisle<br />

Street, at <strong>the</strong> back <strong>of</strong> <strong>the</strong> Hamilton building. From <strong>the</strong> first day<br />

I arrived here I watched Paul work on his large canvasses as<br />

<strong>the</strong> construction <strong>of</strong> our new Lenfest Plaza proceeded around<br />

him. Paul is, like so many <strong>of</strong> his peers here at PAFA, a talented<br />

and focused artist, which was plain to see as he worked and<br />

reworked sections <strong>of</strong> <strong>the</strong> canvas, moving figures and cars and<br />

fences and bicycles as his composition evolved.<br />

Not only did he create a wonderful painting, he marked<br />

a particular moment in <strong>the</strong> long life <strong>of</strong> PAFA’s continuing<br />

evolution.<br />

Please stop in and see for yourself!<br />

Harry Philbrick<br />

The Edna S. Tuttleman Director <strong>of</strong> <strong>the</strong> Museum<br />

Photos: Frederick Gutekunst

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