In This Issue: - Pennsylvania Academy of the Fine Arts
In This Issue: - Pennsylvania Academy of the Fine Arts
In This Issue: - Pennsylvania Academy of the Fine Arts
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Photos: Linda Johnson Photos: Linda Johnson<br />
4<br />
USArtists American<br />
<strong>Fine</strong> Art Show and Sale<br />
Samuel M.V. Hamilton Building<br />
Preview Gala: Thursday, September 22, 5 - 9 p.m.<br />
Friday and Saturday, September 23 and 24,<br />
11 a.m. – 8 p.m. daily<br />
Sunday, September 25, 11 a.m. – 5 p.m.<br />
At USArtists 2010, Paul Gratz, owner <strong>of</strong> Gratz Gallery & Conservation<br />
Studio, Doylestown, PA, discusses art with a client.<br />
The Women’s Board is sponsoring <strong>the</strong> 19th year <strong>of</strong><br />
USArtists, <strong>the</strong> show and sale <strong>of</strong> over 2,000 works <strong>of</strong><br />
American art, and <strong>the</strong> second year <strong>the</strong> show will be held<br />
at PAFA, making it <strong>the</strong> only major American art fair to be<br />
held within a museum. An overview <strong>of</strong> American art from<br />
colonial to contemporary, USArtists has long been considered<br />
a “must see” for serious collectors. Nearly 40 <strong>of</strong><br />
<strong>the</strong> country’s most prestigious dealers are invited to bring<br />
<strong>the</strong>ir finest works. Selected dealers will present ten-<br />
minute talks as part <strong>of</strong> <strong>the</strong> ongoing effort to help develop<br />
new collectors’ knowledge and enrich <strong>the</strong> USArtists<br />
experience for all attendees.<br />
The Preview Gala launches <strong>the</strong> event on Thursday,<br />
September 22, 5 – 9 p.m. and New Collectors Night<br />
is Friday, September 23, 5:30 – 8 p.m. The Preview<br />
Gala attracts <strong>the</strong> most serious collectors as it <strong>of</strong>fers <strong>the</strong><br />
first opportunity to view and purchase from <strong>the</strong> dealers’<br />
collections and includes an elegant cocktail reception and<br />
light buffet. If you are new to <strong>the</strong> world <strong>of</strong> fine art collecting,<br />
you can begin your journey at New Collectors Night.<br />
<strong>This</strong> event provides an opportunity to talk with <strong>the</strong> dealers<br />
while enjoying a light buffet and a Beer and Chocolate<br />
Tasting courtesy <strong>of</strong> Betty’s Speakeasy and Yards Brewing<br />
Company, both <strong>of</strong> Philadelphia.<br />
Tickets for <strong>the</strong> Preview Gala, New Collectors Night, and<br />
General Admission are available for purchase online at<br />
www.usartists.org or by phone (215-972-0550).<br />
Proceeds from USArtists support student scholarships<br />
at PAFA.<br />
Dealer Talks, free with general admission, take place<br />
Friday and Saturday, September 23 and 24, at noon, 1, 2,<br />
3, and 4 p.m.<br />
For <strong>the</strong> first time, you can now find us on Facebook at<br />
facebook.com/usartistsfineart, and follow us on twitter<br />
@usartistsphilly. For more information and links to<br />
facebook and twitter, please visit www.usartists.org.<br />
Questions? Contact Patty Castner, Director <strong>of</strong> <strong>the</strong><br />
Women’s Board: 215-972-0550 or pcastner@pafa.org.<br />
At USArtists 2010, Al Gury, Chair <strong>of</strong> <strong>the</strong> Department <strong>of</strong> Painting at PAFA,<br />
discusses painting processes with Audrey Hall and Tim Dixon <strong>of</strong> Dixon-<br />
Hall <strong>Fine</strong> Art, Phoenixville, PA.<br />
Photos: Barbara Katus<br />
From <strong>the</strong> Desk <strong>of</strong> <strong>the</strong> Museum Director<br />
<strong>This</strong>, to me, is still a very new desk<br />
- I have only had <strong>the</strong> pleasure <strong>of</strong> sitting<br />
at it since March 1st. Then I was<br />
still coming back and forth from New<br />
York; my family and I just settled into<br />
Philadelphia in June. <strong>In</strong> my brief tenure<br />
here I have learned a great deal<br />
about this amazing place, although<br />
I am acutely aware that, with more<br />
than 200 years <strong>of</strong> history, this is a<br />
learning process that will never end.<br />
Coming from a non-collecting<br />
museum focused exclusively on<br />
contemporary art <strong>the</strong>re are many<br />
aspects <strong>of</strong> my job that are new to me,<br />
particularly <strong>the</strong> care, conservation,<br />
and growth <strong>of</strong> our amazing collection.<br />
More on that in a moment. What is<br />
familiar to me is <strong>the</strong> creative buzz that<br />
surrounds PAFA – my background<br />
is that <strong>of</strong> an artist turned educator<br />
turned curator turned administrator.<br />
At <strong>the</strong> heart <strong>of</strong> my career is a<br />
deep and pr<strong>of</strong>ound respect for, and<br />
belief in, artists. Their creativity, <strong>of</strong>ten<br />
messy, sometimes too controlling,<br />
sometimes too loose, or too provocative,<br />
or perplexing, is at <strong>the</strong> core <strong>of</strong> PAFA’s founding, and its<br />
storied and sometimes perilous journey through <strong>the</strong> 19th, 20th,<br />
and now 21st century. PAFA is in a place <strong>of</strong> great strength<br />
now - thanks to <strong>the</strong> good work <strong>of</strong> my predecessor in this job,<br />
David Brigham, and <strong>the</strong> Board, faculty, and staff.<br />
We still have much to do.<br />
One <strong>of</strong> our challenges is also one <strong>of</strong> our greatest assets, our<br />
incredible Frank Furness building. Part gallery, part church,<br />
part factory, part greenhouse, our Historic Landmark Building is<br />
one <strong>of</strong> <strong>the</strong> greatest places on <strong>the</strong> planet in which to look at art.<br />
<strong>In</strong> <strong>the</strong> long term we look to <strong>the</strong> maintenance and restoration <strong>of</strong><br />
our beloved building, particularly as <strong>the</strong> centenary <strong>of</strong> Furness’s<br />
death approaches in 2012. You can see from this view <strong>of</strong> <strong>the</strong><br />
space above <strong>the</strong> gallery skylights (photo below left) what a<br />
The Attic, Historic Landmark Building, <strong>Pennsylvania</strong> <strong>Academy</strong> <strong>of</strong> <strong>the</strong> <strong>Fine</strong><br />
<strong>Arts</strong>, Philadelphia, 2009<br />
<strong>Pennsylvania</strong> <strong>Academy</strong> <strong>of</strong> <strong>the</strong> <strong>Fine</strong> <strong>Arts</strong>, Philadelphia, 1876<br />
Paul Metrinko, A Picture Contest, 2011, Oil on linen, 64 x 144”, Judith McGregor Caldwell Purchase Prize from <strong>the</strong> <strong>Pennsylvania</strong> <strong>Academy</strong> Annual Student Exhibition, 2011.7a&b<br />
complex building this is, with its mix <strong>of</strong> 19th and 20th century<br />
technologies.<br />
Our immediate challenge is to encourage more people to<br />
walk through our doors, which, to contemporary eyes, can<br />
seem small and uninviting. <strong>In</strong> time we’ll be unveiling new signage<br />
and banners to make our invitation clearer. Eventually we<br />
will be introducing art to <strong>the</strong> exterior <strong>of</strong> our building to make our<br />
presence as a place for art more pronounced. <strong>This</strong> is a return<br />
to how <strong>the</strong> building was in <strong>the</strong> 19th century, when a marble<br />
statue graced <strong>the</strong> plinth above our main entrance.<br />
Our collection continues to grow, and one <strong>of</strong> my first <strong>of</strong>ficial<br />
duties was to select, along with my colleague Dean Jeffrey Carr<br />
<strong>the</strong> recipient <strong>of</strong> <strong>the</strong> Judith MacGregor Caldwell Purchase Prize,<br />
an annual purchase award from <strong>the</strong> Annual Student Exhibition.<br />
We settled on a two-panel painting by Paul Metrinko, A<br />
Picture Contest, which was painted on site on North Carlisle<br />
Street, at <strong>the</strong> back <strong>of</strong> <strong>the</strong> Hamilton building. From <strong>the</strong> first day<br />
I arrived here I watched Paul work on his large canvasses as<br />
<strong>the</strong> construction <strong>of</strong> our new Lenfest Plaza proceeded around<br />
him. Paul is, like so many <strong>of</strong> his peers here at PAFA, a talented<br />
and focused artist, which was plain to see as he worked and<br />
reworked sections <strong>of</strong> <strong>the</strong> canvas, moving figures and cars and<br />
fences and bicycles as his composition evolved.<br />
Not only did he create a wonderful painting, he marked<br />
a particular moment in <strong>the</strong> long life <strong>of</strong> PAFA’s continuing<br />
evolution.<br />
Please stop in and see for yourself!<br />
Harry Philbrick<br />
The Edna S. Tuttleman Director <strong>of</strong> <strong>the</strong> Museum<br />
Photos: Frederick Gutekunst