29.01.2013 Views

S1 (FriAM 1-65) - The Psychonomic Society

S1 (FriAM 1-65) - The Psychonomic Society

S1 (FriAM 1-65) - The Psychonomic Society

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Posters 4041–4047 Saturday Noon<br />

itoring changes in continuity is critical for the construction of these<br />

representations.<br />

(4041)<br />

Unfamiliarity and Belief Change: Manipulating Gender in Fictional<br />

Narratives. MIJA M. VAN DER WEGE, Carleton College—Research<br />

has shown that people alter their beliefs when reading fictional narratives<br />

(e.g., Prentice, Gerrig, & Bailis, 1997) and even learn information<br />

from fictional sources (e.g., Marsh, Meade, & Roediger,<br />

2003). One cognitive explanation for this is that familiarity with the<br />

story setting frees cognitive resources to evaluate factual claims in the<br />

fictional context, and previous research has found limited support for<br />

this theory by manipulating the familiarity of the setting of the story<br />

(Prentice, Gerrig, & Bailis, 1997). <strong>The</strong> present study found additional<br />

support for the familiarity hypothesis by manipulating the alignment<br />

of the reader’s and protagonist’s genders. When reading stories with<br />

a female protagonist, female readers experience less belief change<br />

than when reading stories with a male protagonist, with male readers<br />

showing the reverse pattern. However, this pattern was observed in<br />

first-person stories, but not in third-person stories.<br />

(4042)<br />

How Readers’ Mood and the Valence of Story Endings Structure<br />

Readers’ Experiences of Narratives. GIOVANNA EGIDI, University<br />

of Chicago, & RICHARD J. GERRIG, Stony Brook University—Do<br />

readers attend differently to story endings as a function of their positive<br />

or negative valence? Does the valence of readers’ mood—positive or<br />

negative—influence the way in which they process such outcomes? To<br />

address these questions, we wrote stories that could have a positive or<br />

negative ending, and induced participants to experience a positive or<br />

negative mood prior to reading the stories. Independent of their mood,<br />

participants read negative endings more slowly than positive endings<br />

and remembered them better. However, readers in a negative mood<br />

judged as more surprising positive endings, and readers in a positive<br />

mood judged as more surprising negative endings. This research illustrates<br />

that ending valence has strong influence on moment-bymoment<br />

reading, but readers’ mood influences readers’ expectations<br />

for story outcomes once they have formed a complete representation<br />

of the story.<br />

(4043)<br />

Simple Addition and Subtraction Calculations While Reading a<br />

Narrative. PAUL J. SCHROEDER & DAVID E. COPELAND, University<br />

of Nevada, Las Vegas—Research with word problems has shown<br />

that adults can make arithmetic calculations from text when asked to<br />

do so. However, do adults make calculations while reading a text if<br />

they are not explicitly asked to do it? <strong>The</strong> present study examined the<br />

extent to which readers make arithmetic calculations while reading a<br />

narrative under normal reading instructions and conditions. Specifically,<br />

this study considered whether readers track precise values for<br />

simple addition or subtraction while reading or whether general approximations<br />

were acceptable. Participants read short stories that presented<br />

two separate quantities (i.e., a starting amount and either an addition<br />

or a loss). Arithmetic calculation was examined by comparing<br />

reading times for inconsistent versus consistent statements regarding<br />

the sum or difference value. Surprisingly, initial results show that<br />

readers are more likely to detect inconsistent values for subtraction<br />

than for addition.<br />

• PERCEPTION •<br />

(4044)<br />

<strong>The</strong> Role of Familiarity and Reproducibility in Auditory Distance<br />

Perception. PATCHOULY N. BANKS, BARBARA A. CHURCH, &<br />

EDUARDO MERCADO III, University at Buffalo—Humans are poor<br />

at judging the distance to a sound source. <strong>The</strong>y typically underestimate<br />

the distance when sounds have traveled far, and overestimate the<br />

distance when sources are nearby. Several acoustic cues contribute to<br />

111<br />

auditory distance estimation, most notably intensity. Nonacoustic<br />

cues, including familiarity, may also play a role (Zahorik, Brungart,<br />

& Bronkhorst, 2005). For example, previous research suggests that<br />

distance judgments are easier for forward versus backward speech<br />

(McGregor, Horn, and Todd, 1985). One limitation of this prior study<br />

is that it confounded familiarity with reproducibility. We attempted to<br />

control these factors. Participants categorized different types of<br />

sounds, recorded at different distances, as coming from either near or<br />

far sources. <strong>The</strong> sounds varied orthogonally in familiarity and reproducibility.<br />

<strong>The</strong> results do not support the idea that distance judgments<br />

are always easier for familiar sounds, but do suggest that nonacoustic<br />

features of sounds can influence auditory distance estimation in interesting<br />

ways.<br />

(4045)<br />

Interpreting Asymmetrical Correlations Between Perceived Changes<br />

in Pitch and Loudness. ESTELLA H. LIU, BARBARA A. CHURCH,<br />

& EDUARDO MERCADO III, University at Buffalo—Perception of<br />

loudness and pitch interact during the processing of multidimensional<br />

sounds. For example, listeners overestimate changes in pitch when<br />

loudness increases, suggesting a perceptual bias for sounds with rising<br />

intensity. We examined whether listeners show this bias when<br />

asked to classify the direction of dynamic changes in pitch and loudness.<br />

Listeners categorized pitch and loudness as rising or falling<br />

when the correspondence between the two dimensions varied. Listeners<br />

were more likely to incorrectly categorize both pitch and loudness<br />

changes as rising/falling when the other dimension was also rising/falling.<br />

<strong>The</strong>y were also faster to correctly judge change direction<br />

for both when the other dimension changed in the same way. As in previous<br />

studies, perceptual bias in pitch judgments appeared to be<br />

strongest when sounds increased in loudness. However, reaction time<br />

data suggested a speed–accuracy trade-off. Implications of these results<br />

for previous interpretations of asymmetrical biases are discussed.<br />

(4046)<br />

Acoustic and Semantic Effects on Change Deafness and Auditory<br />

Object Encoding. MELISSA K. GREGG & ARTHUR G. SAMUEL,<br />

Stony Brook University—Although change blindness has been frequently<br />

demonstrated, detection of auditory change has been far less<br />

studied; little is known about change deafness. We explored change<br />

deafness by measuring both change detection and auditory object encoding.<br />

Considerable change deafness occurred, even when auditory<br />

objects were well encoded. We found that the pitch and periodicity of<br />

sounds provided important cues for change detection, but not for object<br />

encoding. In contrast, manipulation of the semantic relationships<br />

between objects affected both change detection and object encoding:<br />

Listeners committed more errors on both tasks when targets were semantically<br />

related than when they were not. This finding suggests that<br />

auditory objects are semantically encoded and that listeners sometimes<br />

rely more on semantic information than on physical detail. Potential<br />

mechanisms responsible for change deafness are discussed.<br />

(4047)<br />

Investigating Acoustic Property Cue Use for Complex Natural<br />

Sound Structures. JESSE D. FLINT, RICHARD E. PASTORE, &<br />

JEREMY R. GASTON, Binghamton University (sponsored by<br />

Richard E. Pastore)—Many investigations of natural sound perception<br />

assume a crisp relationship between source and sound properties, with<br />

perception reflecting all listeners’ evaluating the relevant and ignoring<br />

the irrelevant sound properties. However, each individual acoustic<br />

property often reflects a number of different aspects of the source<br />

event, resulting in fuzzy relationships between sound properties and<br />

specific aspects of the source event. In addition, perception of individual<br />

listeners reflects the evaluation of a limited subset of available<br />

acoustic information, with the specific subset differing across listeners.<br />

<strong>The</strong> present research investigates sound property utilization of individual<br />

listeners by manipulating experience with, and knowledge<br />

about, the relevance of specific sound properties. <strong>The</strong> results indicate

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!