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sigmund freud's collection an archaeology of the mind

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Baboon <strong>of</strong> Thoth<br />

Egypti<strong>an</strong>, Rom<strong>an</strong> period, 30 BC–AD 395.<br />

marble, 22.0 x 9.5 x 10.5 cm<br />

LDFRD 3133<br />

Collection Freud Museum London<br />

Thoth was one <strong>of</strong> Egypti<strong>an</strong> mythology’s most complex <strong>an</strong>d interesting<br />

deities, <strong>the</strong> scribe <strong>of</strong> <strong>the</strong> ceremony called <strong>the</strong> Weighing <strong>of</strong> <strong>the</strong> Heart.<br />

He was regarded as <strong>the</strong> inventor <strong>an</strong>d god <strong>of</strong> all <strong>the</strong> arts <strong>an</strong>d sciences<br />

<strong>an</strong>d <strong>the</strong> special patron <strong>of</strong> medicine, writing <strong>an</strong>d magic. The Book <strong>of</strong><br />

<strong>the</strong> Dead, a <strong>collection</strong> <strong>of</strong> spells which were ch<strong>an</strong>ted by priests over <strong>the</strong><br />

deceased, was assumed to have been composed by Thoth <strong>an</strong>d certain<br />

chapters written ‘with his own fi ngers.’ 1<br />

Baboon <strong>of</strong> Thoth shows <strong>the</strong> god in his m<strong>an</strong>ifestation as a dogheaded<br />

ape, symbolising wisdom <strong>an</strong>d equilibrium. On his head, he<br />

wears <strong>the</strong> lunar crescent <strong>an</strong>d disc, associating him with <strong>the</strong> moon <strong>an</strong>d<br />

<strong>the</strong> measurement <strong>of</strong> time. Seated with his paws on his knees, Thoth’s<br />

expression is sagacious <strong>an</strong>d refl ective. Thoth sometimes appeared<br />

twice in depictions <strong>of</strong> <strong>the</strong> Weighing <strong>of</strong> <strong>the</strong> Heart: as <strong>the</strong> ibis-headed<br />

scribe <strong>an</strong>d as a tiny baboon seated atop <strong>the</strong> scales, <strong>the</strong>ir equalising<br />

force. In his role as royal scribe, Thoth was represented as a bird; as<br />

a household god, he was depicted as a baboon <strong>an</strong>d me<strong>an</strong>t to confer<br />

good fortune. Exactly why Thoth had two <strong>an</strong>imal identities remains a<br />

mystery. 2<br />

The Egypti<strong>an</strong>s were fond <strong>of</strong> apes, regarding <strong>the</strong>m as lusty <strong>an</strong>d<br />

c<strong>an</strong>ny, <strong>an</strong>d <strong>of</strong>ten kept <strong>the</strong>m as pets. Thoth’s genitals are displayed<br />

<strong>an</strong>d realisitically rendered, unusual in Egypti<strong>an</strong> art which prized dignity<br />

<strong>an</strong>d <strong>the</strong> asexual schematisation <strong>of</strong> form. Thoth’s attributes as <strong>the</strong><br />

patron <strong>of</strong> writing, knowledge <strong>an</strong>d healing, as well as being a protective<br />

household deity, made him <strong>an</strong> ideal muse for Freud’s writerly journeys.<br />

Freud must have known, from <strong>the</strong> museum <strong>collection</strong>s with which he<br />

was familiar, that this was a fi rst-class work.<br />

1. E. A. Wallis Budge, The Gods <strong>of</strong> <strong>the</strong> Egypti<strong>an</strong>s,or Studies in Egypti<strong>an</strong> Mythology, vol. 1,<br />

Dover Publications, New York, (1904), 1969, p. 401.<br />

2. C. J. Bleeker points out that ‘whenever Thoth takes action <strong>an</strong>d makes pronouncements,<br />

he appears in hum<strong>an</strong> form with <strong>the</strong> head <strong>of</strong> <strong>an</strong> ibis’ but ‘for domestic use <strong>the</strong> effi gies <strong>of</strong><br />

Thoth as a baboon were made.’ C. J. Bleeker, Hathor <strong>an</strong>d Thoth, two key fi gures <strong>of</strong> <strong>the</strong><br />

<strong>an</strong>cient Egypti<strong>an</strong> Religion, Brill, Leiden, 1973, pp.108, 113.<br />

20

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