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sigmund freud's collection an archaeology of the mind

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Head <strong>of</strong> Osiris<br />

Egypti<strong>an</strong>, Third Intermediate period, 1075–716 BC<br />

bronze, 30.5 x 7.0 x 8.5 cm<br />

LDFRD 3128<br />

Collection Freud Museum London<br />

Freud’s bronze Head <strong>of</strong> Osiris enjoyed a privileged position on his<br />

desk. Osiris was <strong>the</strong> lord <strong>of</strong> <strong>the</strong> underworld who guided <strong>the</strong> dead on<br />

<strong>the</strong>ir journeys to <strong>the</strong> afterlife <strong>an</strong>d presided at <strong>the</strong>ir trial, known as <strong>the</strong><br />

Weighing <strong>of</strong> <strong>the</strong> Heart. He was Egypt’s most popular deity, beloved<br />

because he combined <strong>the</strong> roles <strong>of</strong> god, m<strong>an</strong> <strong>an</strong>d saviour. Killed by his<br />

bro<strong>the</strong>r Seth, Osiris was returned to life by <strong>the</strong> rituals <strong>of</strong> Isis, his wife,<br />

his sister <strong>an</strong>d a powerful witch. Incest was tolerated among Egypti<strong>an</strong><br />

royalty. Freud commented it was ‘merely bro<strong>the</strong>r-<strong>an</strong>d-sister incest,<br />

which even at <strong>the</strong> present time is not judged so harshly.’ 1<br />

Egypti<strong>an</strong> art forms <strong>the</strong> bulk <strong>of</strong> Freud’s <strong>collection</strong>. He wrote, ‘No o<strong>the</strong>r<br />

people <strong>of</strong> <strong>an</strong>tiquity did so much [as <strong>the</strong> Egypti<strong>an</strong>s] to deny death or<br />

took such pains to make existence in <strong>the</strong> next world possible.’ 2 Freud,<br />

who beg<strong>an</strong> collecting art in 1896 following <strong>the</strong> death <strong>of</strong> his fa<strong>the</strong>r, was<br />

intrigued by <strong>the</strong>ir rituals for rebirth. The Egypti<strong>an</strong> items in his <strong>collection</strong><br />

symbolically chart a preoccupation with mourning. Freud described<br />

mourning as work. Equally, it is a journey from <strong>the</strong> darkness <strong>of</strong> grief<br />

to <strong>the</strong> light <strong>of</strong> recovery <strong>an</strong>d renewal, <strong>the</strong> same journey that Egypti<strong>an</strong>s<br />

believed literally took place in <strong>the</strong> afterlife.<br />

Osiris’ expression is calm <strong>an</strong>d dignifi ed, yet he seems youthful,<br />

perhaps fi tting for a god who dies only to live again, a boy-god who<br />

defeats old age <strong>an</strong>d death. Osiris wears a crown decorated with<br />

a uraeus, <strong>the</strong> sacred cobra <strong>of</strong> Egypt. Osiris has lost much <strong>of</strong> his<br />

magnifi cence over time. His eyes, now empty sockets, would once<br />

have been inlaid with precious stones. He is also missing his beard <strong>an</strong>d<br />

<strong>the</strong> plumes <strong>an</strong>d disc <strong>of</strong> his crown. Nose, mouth <strong>an</strong>d cheeks are scored,<br />

probably by <strong>the</strong> same tomb robbers who stole his adornments. Once<br />

Osiris’s head would have sat atop <strong>an</strong> impressive bronze torso, a cult<br />

fi gure presented to <strong>the</strong> god by a wealthy worshipper.<br />

1. Sigmund Freud, Totem <strong>an</strong>d Taboo, S.E. vol XXIII, p.1.<br />

2. Sigmund Freud, Moses <strong>an</strong>d Mono<strong>the</strong>ism, (1939), S.E, vol XXIII, pp.19-20.<br />

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