CV Robert L. Mack - Humanities - University of Exeter
CV Robert L. Mack - Humanities - University of Exeter CV Robert L. Mack - Humanities - University of Exeter
Personal Data: Education: CV Robert L. Mack: 1 Curriculum Vitae ROBERT LAWRENCE MACK Place of Birth: New York, New York Current Residence: 5A North Street Heavitree, Exeter Devon, EX1 2RH (United Kingdom) (work tel. 01392 264 265) e-mail: rlmack@exeter.ac.uk Current Employer: Department of English University of Exeter (Citizen, U.S.A.: Permanent Resident, U.K.) Princeton University, 1985-90. Ph.D. Oxford University (Hertford College) 1983-85. B.A.(Honours) English Language and Literature. Columbia University, 1979-83. B.A. summa cum laude. English. Academic Appointments: Senior Lecturer, University of Exeter, Autumn, 2006-present. Visiting Professor, Vassar College (New York), Autumn 2009. Lecturer, University of Exeter, Autumn 1999-Summer 2006. Assistant Professor, Department of English, Vanderbilt University, Autumn 1991-Spring 1999. Lecturer, Department of English, Princeton University, 1989-91. Selected Publications: BOOKS: The Wonderful and Surprising History of Sweeney Todd, The Demon Barber of Fleet Street. The Life and Times of an Urban Legend. London: Continuum Press, February 2008 The Genius of Parody: Imitation and Originality in Seventeenth- and Eighteenth-Century Literature. London: Palgrave-Macmillan. March 2007. Thomas Gray: A Life. London and New Haven: Yale University Press, November 2000.
- Page 2 and 3: SELECTED SCHOLARLY AND CRITICAL EDI
- Page 4 and 5: Eighteenth-Century Studies (forthco
- Page 6 and 7: Translation of Antoine Galland’s
- Page 8 and 9: University of Exeter: Head, Eightee
Personal Data:<br />
Education:<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 1<br />
Curriculum Vitae<br />
ROBERT LAWRENCE MACK<br />
Place <strong>of</strong> Birth: New York, New York<br />
Current Residence: 5A North Street<br />
Heavitree, <strong>Exeter</strong><br />
Devon, EX1 2RH (United Kingdom)<br />
(work tel. 01392 264 265)<br />
e-mail: rlmack@exeter.ac.uk<br />
Current Employer: Department <strong>of</strong> English<br />
<strong>University</strong> <strong>of</strong> <strong>Exeter</strong><br />
(Citizen, U.S.A.: Permanent Resident, U.K.)<br />
Princeton <strong>University</strong>, 1985-90. Ph.D.<br />
Oxford <strong>University</strong> (Hertford College) 1983-85. B.A.(Honours)<br />
English Language and Literature.<br />
Columbia <strong>University</strong>, 1979-83. B.A. summa cum laude. English.<br />
Academic Appointments:<br />
Senior Lecturer, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong>, Autumn, 2006-present.<br />
Visiting Pr<strong>of</strong>essor, Vassar College (New York), Autumn 2009.<br />
Lecturer, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong>, Autumn 1999-Summer 2006.<br />
Assistant Pr<strong>of</strong>essor, Department <strong>of</strong> English, Vanderbilt <strong>University</strong>,<br />
Autumn 1991-Spring 1999.<br />
Lecturer, Department <strong>of</strong> English, Princeton <strong>University</strong>, 1989-91.<br />
Selected Publications:<br />
BOOKS:<br />
The Wonderful and Surprising History <strong>of</strong> Sweeney Todd, The Demon<br />
Barber <strong>of</strong> Fleet Street. The Life and Times <strong>of</strong> an Urban Legend.<br />
London: Continuum Press, February 2008<br />
The Genius <strong>of</strong> Parody: Imitation and Originality in Seventeenth- and<br />
Eighteenth-Century Literature. London: Palgrave-Macmillan. March<br />
2007.<br />
Thomas Gray: A Life. London and New Haven: Yale <strong>University</strong> Press,<br />
November 2000.
SELECTED SCHOLARLY AND CRITICAL EDITIONS:<br />
Editor, Sweeney Todd, The Demon Barber <strong>of</strong> Fleet Street. Oxford<br />
<strong>University</strong> Press. New edition with Introduction, Notes,<br />
Chronology, and Bibliography, November 2007.<br />
Editor, The Austen Family’s The Loiterer. Edwin Mellen Press<br />
(Critical Edition with Introduction, Notes, Chronology, and Full<br />
Textual Apparatus) October 2006.<br />
Editor, Oliver Goldsmith, The Vicar <strong>of</strong> Wakefield. Oxford: O.U.P.<br />
(“World’s Classics”, new edition, introduction and notes)<br />
May 2006.<br />
Editor, Oliver Goldsmith: Selected Poetry. London: J.M. Dent-<br />
Everyman, 1997.<br />
Editor, Thomas Gray: Selected Poetry. London: J.M. Dent-Everyman,<br />
1996.<br />
Editor, Arabian Nights' Entertainments. Oxford: O.U.P. (“World’s<br />
Classics”) 1995.<br />
Editor, Horace Walpole, The Castle <strong>of</strong> Otranto and Hieroglyphic Tales<br />
London: J.M. Dent-Everyman, 1993.<br />
Editor, Oriental Tales. Oxford: O.U.P. (“World’s Classics”) 1992.<br />
Co-Editor, with Margaret Anne Doody and Peter Sabor, Fanny Burney,<br />
The Wanderer; or, Female Difficulties. Oxford: O.U.P. (“World’s<br />
Classics”) 1991.<br />
SELECTED JOURNAL ARTICLES AND CHAPTER CONTRIBUTIONS:<br />
“The Austen Family Writing: Gossip, Parody, and Corporate<br />
Personality” in The Blackwell Companion to Jane Austen.<br />
Eds. Claudia Johnson and Clara Tuite. Oxford: Blackwell’s<br />
Publishing, 2009: 31-40.<br />
“Antoine Galland’s Arabian Nights’ Entertainments in the Traditions<br />
<strong>of</strong> English Literature’ and ‘Selected Bibliography’ [for the entire<br />
volume] in The Arabian Nights in Historical Context: From Galland<br />
to Burton and Beyond. Eds. Saree Makdisi and Felicity Nussbaum.<br />
Oxford: O.U.P., 2008: 51-82; 317-28.<br />
“Extended Intertextual Reference to Nicholas Rowe’s The Fair Penitent<br />
in Oliver Goldsmith’s The Vicar <strong>of</strong> Wakefield” in Notes & Queries<br />
54.4 (December 2007): 467-69.<br />
“Oliver Goldsmith's The Vicar <strong>of</strong> Wakefield, Spiritual Sentimentality,<br />
and the Lost Polar Expedition <strong>of</strong> Sir John Franklin”. ELN: English<br />
Language Notes. 44.1 (Spring 2006): 43-56.<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 2
“Oliver Goldsmith's The Vicar <strong>of</strong> Wakefield, Spiritual Sentimentality,<br />
and the Lost Polar Expedition <strong>of</strong> Sir John Franklin”. ELN: English<br />
Language Notes 44.1 (Spring 2006): 43-56.<br />
“Quotation Marks: Living the life <strong>of</strong> a Language” in Life Writing:<br />
Exploring the Contemporary Meanings <strong>of</strong> Life Narrative, Vol. 2,<br />
no. 1 (Spring, 2005): 109-27.<br />
“Frances Burney’s Revisions to The Wanderer; Or, Female Difficulties”<br />
in Journal X: A Journal <strong>of</strong> Culture and Criticism. Vol. 9, no. 1<br />
(Spring 2005): 17-51.<br />
“The Arabian Nights’ Entertainments and Oriental Tales in the<br />
Eighteenth Century”. Chapter 7 in The Oxford History <strong>of</strong> Literary<br />
Translation, Volume III (1660-1790). Eds. David Hopkins and Stuart<br />
Gillespie, Oxford <strong>University</strong> Press, (2005): 470-75.<br />
“Another Thomas Gray Parody in Aldous Huxley’s Brave New World” in<br />
Notes & Queries 249 (N.S. Vol. 51) No. 2 (June 2004): 178-82.<br />
“From Eton to Ranelagh: Context and Meaning in an Early Parody <strong>of</strong><br />
Thomas Gray's Ode on a Distant Prospect <strong>of</strong> Eton College” in<br />
English Language Notes (June 2004) Volume 36, No. 1: 38-51.<br />
Contributor, Oxford Dictionary <strong>of</strong> National Biography (2004), s.v.<br />
“Ridley, James (1736-65)”, Volume 46: 939-40.<br />
Contributor, The Encyclopedia <strong>of</strong> the Romantic Era, 1765–1830, s.v.<br />
“Graveyard Poets” (i.448-49); “Horace Walpole” (ii.1205-06); “The<br />
Castle <strong>of</strong> Otranto” (i.161-62). Fitzroy-Dearborn (December 2003).<br />
Contributor, The Encyclopedia <strong>of</strong> Homosexuality, 2 nd . Ed. Vol. 2:<br />
Gay Histories and Cultures, George Haggerty, gen. ed. New York<br />
and London: Garland Publishing, 2000, s.v. “Arabian Nights”,<br />
“Molly Houses”.<br />
“‘Stand, Sir, And Deliver Up Your Muse’: Poetic Appropriation in the<br />
Early Augustan Battleground” in Restoration and Eighteenth-<br />
Century Theatre Research (January 1998): 61-67.<br />
“Ben Jonson's Own Comedy <strong>of</strong> Errors: ‘That Witty Play’, The Case Is<br />
Altered” in Ben Jonson Journal, Volume 4 (1997): 47-63.<br />
“‘Such Wounds as Hell Can Equal’: Tragic Guilt in the Drama <strong>of</strong><br />
George Lillo” in Restoration and Eighteenth-Century Theatre<br />
Research, 7.1 (Summer 1992): 35-53.<br />
SELECTED REVIEWS AND REVIEW ESSAYS:<br />
Review <strong>of</strong> Julia Briggs, Dennis Butts, and M.O. Grenby, eds. Popular<br />
Children’s Literature in Britain (Ashgate, 2009) in Journal for<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 3
Eighteenth-Century Studies (forthcoming Winter 2010).<br />
Review <strong>of</strong> Reginald McGinnis, ed. Originality and Intellectual<br />
Property in the French and English Enlightenment (Routledge, 2009)<br />
in Eighteenth-Century Fiction (forthcoming December 2009).<br />
Review <strong>of</strong> Robin Sowerby, The Augustan Art <strong>of</strong> Poetry: Augustan<br />
Translation <strong>of</strong> the Classics (Oxford, 2006) in Eighteenth-Century<br />
Studies (2007) 41.1: 130-33.<br />
Review <strong>of</strong> Ros Ballaster’s Fabulous Orients: Fictions <strong>of</strong> the<br />
East in England 1662-1785 (Oxford, 2005) and Fables <strong>of</strong> the East:<br />
Selected Tales 1662-1785 (Oxford, 2005) and <strong>Robert</strong> Irwin’s For<br />
Lust <strong>of</strong> Knowing: The Orientalists and Their Enemies (Allen Lane,<br />
2006) in Review <strong>of</strong> English Studies (Summer 2006) 57: 420-23.<br />
“Beloved Ancients … and Much, Much More” review <strong>of</strong> The Library and<br />
Reading <strong>of</strong> Jonathan Swift. Eds. D. Passmann and H. Vienken<br />
(Frankfurt: Peter Lang) in Eighteenth-Century Studies Vol. 39<br />
No. 2 (Winter 2006): 268-73.<br />
SELECTED MEDIA EXPOSURE AND PUBLIC/USER ENGAGEMENT:<br />
• Programme Notes completed for the Royal Shakespeare Company’s<br />
production <strong>of</strong> Dominic Cooke’s dramatic adaptation, Arabian Nights,<br />
performed at Stratford-Upon-Avon, December 2009-January 2010.<br />
• Radio Interview: BBC Radio 4 The Rise <strong>of</strong> the Footnote, presented by<br />
Ben Schott (air date: 1 April 2008).<br />
• Television Interview: BBC 2: Newsnight Review (17 January 2008).<br />
• Radio Interview: BBC 4: Open Book with Mariella Frostrup (20 November<br />
2007).<br />
• Radio Interview: BBC Radio Devon: The Review-Culture Show (24 January<br />
2008).<br />
• Radio Interview: BBC Three Counties Radio: “Breakfast” with <strong>Robert</strong><br />
Perrone (10 January 2008).<br />
• Radio Interview: Newstalk, Ireland’s National Independent Talk-Radio<br />
Broadcaster (27 January 2008).<br />
• Radio Interview: BBC London (94.9) The <strong>Robert</strong> Elms Show (5 February<br />
2008).<br />
• News Interview, The Big Issue (21-27 January 2008), 6: The Big Issue<br />
Scotland (14-20 January 2008).<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 4
• Featured News Interview: The Daily Express (Wednesday 5 December<br />
2007): 24-5.<br />
• Featured Guest Author: The Interview Online: Audio and Video Podcasts<br />
with Authors, Playwrights, Directors, and other Artists in Britain<br />
(www.brightsounds.co.uk) from 16 January 2008.<br />
• Featured Author: Guardian Review: Arts (19 January 2008) “On a Knife<br />
Edge”, p. 19.<br />
• Guest Author, Guardian Unlimited (25 January 2008), “Short and<br />
Sharp”.<br />
• Featured Interview and Pr<strong>of</strong>ile, The <strong>Exeter</strong> Express and Echo (30<br />
January 2008), p. 3.<br />
• Guest “Blogger”. Oxford <strong>University</strong> Press (five postings: week <strong>of</strong> 17-<br />
21 December 2007).<br />
• Guest “Blogger”. Powell’s Bookstore (five postings; week <strong>of</strong> 17-21<br />
December 2007).<br />
• Review “Classic: Sweeney Todd: The Demon Barber <strong>of</strong> Fleet Street” in<br />
The Times by Margaret Reynolds (18 January 2008).<br />
• Review “The Wonderful and Surprising History <strong>of</strong> Sweeney Todd: The<br />
Life and Times <strong>of</strong> an Urban Legend” by Rohan McWilliam (2008: 50.4):<br />
731–32.<br />
WORK CURRENTLY IN SUBMISSION and WORK IN PROGRESS:<br />
The Arabian Nights and the Traditions <strong>of</strong> Children’s Literature.<br />
Walt Disney and Children’s Literature<br />
“Beastly Babies and Lines <strong>of</strong> Descent: Little Victims at Play in the<br />
Work <strong>of</strong> Hilaire Belloc, Basil Blackwell, Edward Gorey, and Frank<br />
O’Hara” (25,000 words).<br />
Selected List <strong>of</strong> Participation in Scholarly Meetings:<br />
Invited Speaker and Participant, “The Diasporic Text: Arrivals and<br />
Departures in 1001 Nights”. Three-day conference panel, ACLA<br />
(American Comparative Literature Association), 23-27 April, Long<br />
Beach, California.<br />
Invited Speaker and Participant: “The Compass <strong>of</strong> Story: The Oriental<br />
Tale and the Western Imagination” British Academy, 28-29 March<br />
2008. Organised by Marina Warner, FBA.<br />
Invited and Featured Speaker: Tercentenary Celebration <strong>of</strong> the<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 5
Translation <strong>of</strong> Antoine Galland’s Arabian Nights’ Entertainments,<br />
Clark Library, UCLA, Los Angeles California, 19-20 October 2005.<br />
Organizer and Principal Coordinator: Eighteenth-Century Narrative<br />
Conference, School <strong>of</strong> English, Univ. <strong>of</strong> <strong>Exeter</strong>, 19-23 July 2004.<br />
Speaker and Panel Chair, Conference on Women and Material Culture,<br />
Southampton, July 2004.<br />
Invited Speaker, American Society for Eighteenth-Century Studies,<br />
Boston, April 2004.<br />
Other Participation in Scholarly Meetings (selection):<br />
American Society for Eighteenth-Century Studies, Univ. <strong>of</strong> Notre Dame,<br />
April, 1998; First Annual Univ. <strong>of</strong> Mississippi Conference on the<br />
Renaissance, Oxford, MS, April, 1997; American Society for Eighteenth-<br />
Century Studies, Nashville, TN, April 1997; Conference on Modern<br />
Critical Approaches to Children's Literature, Nashville, TN, April,<br />
1997; MLA Annual Convention, Washington, D.C., Dec. 1996; Sixteenth-<br />
Century Studies Conference, St. Louis, MO, October, 1996; Valparaiso<br />
Univ. Guest Lecturer, Dept. <strong>of</strong> Music, Valparaiso, IN, April, 1994;<br />
American Society for Eighteenth-Century Studies, Charleston, S.C.,<br />
March, 1994; Southeast American Society for Eighteenth-Century Studies,<br />
Univ. <strong>of</strong> Alabama, Birmingham, March,1993; Northeast American Society for<br />
Eighteenth-Century Studies Stonybrook Univ., October, 1992; American<br />
Society for Eighteenth-Century Studies, Univ. <strong>of</strong> Seattle, March, 1992;<br />
DeBartolo Conference on Eighteenth-Century Studies, Univ. <strong>of</strong> Tampa,<br />
February, 1992; The Notre Dame Sesquicentennial Irish Meetings, Univ. <strong>of</strong><br />
Notre Dame, October, 1991; Western American Society for Eighteenth-<br />
Century Studies, Univ. <strong>of</strong> San Diego, February, 1991; Seventh Citadel<br />
Conference on Literature, The Citadel, S.C. Feb. 1991; Northeast<br />
American Society for Eighteenth-Century Studies, Univ. <strong>of</strong> Mass. At<br />
Amherst, Nov. 1990; Midwestern American Society for Eighteenth-Century<br />
Studies, Univ. <strong>of</strong> Notre Dame, Oct. 1988.<br />
Miscellaneous Publications and Related Experience:<br />
“My Empire is <strong>of</strong> the Imagination”. Programme Notes and web-link for<br />
the Royal Shakespeare Company’s 2009-10 production <strong>of</strong> Arabian<br />
Nights, adapted and directed by Dominic Cooke at The Courtyard<br />
Theatre, Stratford-Upon-Avon (December 2009).<br />
Literary Consultant and Advisor to John Copley, Director and<br />
Producer, Royal College <strong>of</strong> Music, Benjamin Britten’s The Turn <strong>of</strong><br />
the Screw (2003-04).<br />
Literary Consultant and Adviser to Douglas McGrath, Director, Jane<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 6
Austen’s Emma, starring Gwyneth Paltrow and Alan Cumming (2001).<br />
Author "Daniel Defoe's Robinson Crusoe", an audio-cassette for A+<br />
Audio Classics, a division <strong>of</strong> Atlantic Records.<br />
Oxford <strong>University</strong> Press, May-August, 1986. Assisted in the on-going<br />
preparation <strong>of</strong> the Oxford English Dictionary and the Oxford<br />
Dictionary <strong>of</strong> Twentieth-Century Quotations.<br />
Teaching Experience:<br />
Courses in: Past and Present (Homer to Philip Larkin); Sex and<br />
Sensibility (Literature <strong>of</strong> the Enlightenment); Satire; Classics <strong>of</strong><br />
Children’s Literature; Classics <strong>of</strong> Modern Children’s Literature;<br />
The Arabian Night’s Entertainments and the English Literary<br />
Tradition; The Age <strong>of</strong> Dryden and Swift; The Age <strong>of</strong> Pope and<br />
Johnson; Representative English Writers I (Beowulf to Milton), II<br />
(Dryden to Woolf); Introduction to Poetry; The Classical Roots <strong>of</strong><br />
Western Literature I (Homer to Ovid), II (the Bible to Proust);<br />
Literary Tradition from the 19 th to 20th Century; Shakespeare;<br />
Journalism; London and Its Literature in the 17 th -Century;<br />
Literature and the Opera; The Nature <strong>of</strong> Biography Graduate<br />
Seminar); Classical Myth, Folk-Tales, and Fairy Tales; Power and<br />
Desire (Sixteenth-Century Drama and Poetry); Blood, Bodies and<br />
Revolution (Seventeenth-Century Drama and Poetry); Restoration and<br />
Eighteenth-Century Drama (Graduate Seminar; Walt Disney: Text and<br />
Adaptation; Modern Children’s Literature<br />
Contributions to Leadership and Management <strong>of</strong> the School <strong>of</strong> English:<br />
Principal applicant, British Academy Conference Grant (BCG 37848):<br />
£2,000. Eighteenth-Century Narratives Conference (July 2004).<br />
Member, Research Team preparing and brokering international contacts<br />
Current AHRC bid (£60,000) for Spring, 2007: ‘Research Network:<br />
Narratives 1680-1830’.<br />
Library Officer, Department <strong>of</strong> English (2006-present).<br />
Admissions Officer, School <strong>of</strong> English, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong><br />
(2002-2006).<br />
External Ph.D. Examiner, Oxford <strong>University</strong> (November 2005).<br />
AHRC Research Leave Assessor (External Application).<br />
Internal Ph.D. Examiner, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong> (from 2005).<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 7
<strong>University</strong> <strong>of</strong> <strong>Exeter</strong>: Head, Eighteenth-Century Research Group<br />
(2002-2006).<br />
Director <strong>of</strong> Single Honours Programme, School <strong>of</strong> English (2004-2006).<br />
Member, Undergraduate Studies Committee, School <strong>of</strong><br />
English, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong> (2002-2006).<br />
Member, School <strong>of</strong> English Research Committee, School <strong>of</strong><br />
English, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong> (2001-2006).<br />
Convenor, ‘Sex and Sensibility’, School <strong>of</strong> English,<br />
<strong>University</strong> <strong>of</strong> <strong>Exeter</strong> (2002-present).<br />
Convenor, ‘Past and Present’ (Semesters I-II), School <strong>of</strong><br />
English, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong> (2004-05; 2006-07).<br />
Personal Tutor, School <strong>of</strong> English, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong><br />
(2000-present).<br />
Teaching and Learning Convenor, B.A. in English<br />
Programme, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong> in Cornwall (1999-2001).<br />
Director <strong>of</strong> Studies, Year Two, B.A. in English<br />
Programme, <strong>University</strong> <strong>of</strong> <strong>Exeter</strong> in Cornwall (2000-2001).<br />
Other <strong>University</strong> and External Pr<strong>of</strong>essional Service:<br />
Languages:<br />
Membership Committee, Phi Beta Kappa, Alpha <strong>of</strong><br />
Tennessee, 1996-99.<br />
Member, Advisory Board, Journal X: A Journal in Culture<br />
and Criticism (1994-2005).<br />
Pre-major and major adviser, Vanderbilt <strong>University</strong><br />
(Fall, 1993-Spring, 1994; Fall, 1996-1999).<br />
Undergraduate Studies Committee, Vanderbilt <strong>University</strong><br />
(Fall, 1992-Spring, 1994; Fall, 1995-1999).<br />
Undergraduate Honours Committee, Vanderbilt <strong>University</strong><br />
(Fall, 1992-Spring, 1994).<br />
Greek, Latin, French, Anglo-Saxon (Old English).<br />
Other Pr<strong>of</strong>essional Experience:<br />
Certified Personal Fitness Trainer. American Council on<br />
Exercise. 1997.<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 8
Featured by-lined articles (travel related) in: The<br />
Boston Globe, The Baltimore Sun, Philadelphia<br />
Inquirer, San Francisco Examiner, Dallas Morning<br />
News, Cincinnati Enquirer, Toronto Globe and Mail,<br />
Milwaukee Sentinel, The Daily Oklahoman, Providence<br />
Journal, Grand Rapids Press, Tacoma News, Danbury<br />
Post, Middletown Times (NY), Buffalo News.<br />
Soloist, chorus member, and actor, the Metropolitan<br />
Opera, Lincoln Center, New York City, 1967-75.<br />
<strong>CV</strong> <strong>Robert</strong> L. <strong>Mack</strong>: 9