English I (Grade 9): Introduction to Literature - Anclote High School
English I (Grade 9): Introduction to Literature - Anclote High School
English I (Grade 9): Introduction to Literature - Anclote High School
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<strong>Anclote</strong> <strong>High</strong> <strong>School</strong><br />
Summer Reading Lists<br />
<strong>English</strong> I (<strong>Grade</strong> 9): <strong>Introduction</strong> <strong>to</strong> <strong>Literature</strong><br />
Regular students must choose ONE of the following novels <strong>to</strong> read. Honors students must choose<br />
TWO. After reading, students must complete one of the attached writing assignments on the novel of<br />
their choice.<br />
Thirteen Reasons Why- Jay Asher (Lexile 550)<br />
When Clay Jenson plays the cassette tapes he received in a mysterious package, he's surprised<br />
<strong>to</strong> hear the voice of dead classmate Hannah Baker. He's one of 13 people who receive Hannah's<br />
s<strong>to</strong>ry, which details the circumstances that led <strong>to</strong> her suicide.<br />
Monster- Walter Dean Myers (Lexile 670)<br />
"Monster" is what the prosecu<strong>to</strong>r called 16-year-old Steve Harmon for his supposed role in the<br />
fatal shooting of a convenience-s<strong>to</strong>re owner. But was Steve really the lookout who gave the "all<br />
clear" <strong>to</strong> the murderer, or was he just in the wrong place at the wrong time?<br />
Native Son- Richard Wright (Lexile 700)<br />
The novel tells the s<strong>to</strong>ry of 20-year old Bigger Thomas, an African American living in utter<br />
poverty in Chicago’s south side ghet<strong>to</strong> in the 1930s.<br />
Staying Fat for Sarah Byrnes- Chris Crutcher (Lexile 920)<br />
Daily class discussions about the nature of man, the existence of God, abortion, organized<br />
religion, and suicide serve as a backdrop for a senior's attempt <strong>to</strong> answer a friend's cry for help.<br />
The Pigman- Paul Zindel (Lexile 950)<br />
For sophomores John and Lorraine, the world feels meaningless; nothing is important. They<br />
certainly can never please their parents, and school is a chore. To pass the time, they play<br />
pranks on unsuspecting people. It's during one of these pranks that they meet the "Pigman"--a<br />
fat, balding old man with a zany smile plastered on his face. In spite of themselves, John and<br />
Lorraine soon find that they're caught up in Mr. Pignati's zest for life. In fact, they become so<br />
involved that they begin <strong>to</strong> destroy the only corner of the world that's ever mattered <strong>to</strong> them.<br />
Whale Talk- Chris Crutcher (Lexile 1000)<br />
Intellectually and athletically gifted, TJ, a multiracial, adopted teenager, shuns organized<br />
sports and the gung-ho athletes at his high school until he agrees <strong>to</strong> form a swimming team<br />
and recruits some of the school's less popular students.
<strong>English</strong> II (<strong>Grade</strong> 10): World <strong>Literature</strong><br />
Regular students must choose ONE of the following novels <strong>to</strong> read. Honors students must choose<br />
TWO. After reading, students must complete one of the attached writing assignments on the novel of<br />
their choice.<br />
Samurai Shortshop- Alan Gratz (Lexile 790)<br />
From his first day at boarding school, Toyo Shimada sees how upperclassmen make a sport out of<br />
terrorizing the first-years. Still, he’s taken aback when the seniors keep him from trying out for the<br />
baseball team–especially after he sees their current shorts<strong>to</strong>p. Toyo isn’t afraid <strong>to</strong> prove himself; He’s<br />
more troubled by his uncle’s recent suicide. Although Uncle Koji’s defiant death was supposedly heroic,<br />
it has made Toyo question many things about his family’s samurai background. And worse, Toyo fears<br />
that his father may be next.<br />
Snows of Kilimanjaro- Ernest Hemingway (Lexile 820)<br />
The s<strong>to</strong>ry centers on the flashbacks of a writer named Harry who is on a safari in Africa. He developed<br />
an infected wound from a thorn puncture, and lies awaiting his slow death.<br />
Life of Pi- Yann Martel (Lexile 830)<br />
The precocious son of a zookeeper, 16-year-old Pi Patel is raised in Pondicherry, India.<br />
Planning a move <strong>to</strong> Canada, his father packs up the family and their menagerie and they<br />
hitch a ride on an enormous freighter. After a harrowing shipwreck, Pi finds himself<br />
adrift in the Pacific Ocean, trapped on a 26-foot lifeboat with a wounded zebra, a spotted<br />
hyena, a seasick orangutan, and a 450-pound Bengal tiger named Richard Parker.<br />
The House on Mango Street- Sandra Cisneros (Lexile 870)<br />
The coming of age s<strong>to</strong>ry about Esperanza Cordero, a young Mexican American girl living in the U.S.<br />
A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah (Lexile 920)<br />
Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is<br />
estimated that there are some 300,000 child soldiers. Child soldiers have been profiled by journalists,<br />
and novelists have struggled <strong>to</strong> imagine their lives. But until now, there has not been a first-person<br />
account from someone who came through this hell and survived. Ishmael Beah, now 25 years old, tells<br />
how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by<br />
violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy,<br />
found that he was capable of truly terrible acts.<br />
The Poisonwood Bible- Barbara Kingsolver (Lexile 960)<br />
The Price family, Baptist missionaries from Georgia, board an airplane in 1959, bound for the isolated<br />
village of Kilanga in the Belgian Congo, <strong>to</strong> undertake a mission that has fateful and life-wrenching<br />
consequences for each member of the family: As the family struggles <strong>to</strong> become acclimated <strong>to</strong> life in the<br />
village of Kilanga, the Congolese revolt against the Belgian colonial regime seethes just beneath the<br />
surface.<br />
The Chosen- Chaim Po<strong>to</strong>k (Lexile 970)<br />
The novel opens in the 1940's, in the Williamsburg neighborhood of Brooklyn. Two boys who have<br />
grown up within a few blocks of each other, but in two entirely different worlds, meet for the first time<br />
in a bizarre and explosive encounter--a baseball game between two Jewish parochial schools that turns<br />
in<strong>to</strong> a holy war.<br />
The Once and Future King- T.H. White (Lexile 1080)<br />
A collective volume of works based on Sir Thomas Malory’s Morte d’Arthur (c.1469). Includes The<br />
Sword in the S<strong>to</strong>ne, The Queen of Air and Darkness, The Ill-Made Knight, and The Candle in the Wind.
<strong>English</strong> III (<strong>Grade</strong> 11): American <strong>Literature</strong><br />
Regular students must choose ONE of the following novels <strong>to</strong> read. Honors students must choose<br />
TWO. After reading, students must complete one of the attached writing assignments on the novel of<br />
their choice.<br />
A Tree Grows in Brooklyn- Betty Smith (Lexile 810)<br />
This is the coming-of-age s<strong>to</strong>ry of Francie Nolan and her Austrian/Irish-American family<br />
struggling against poverty in Williamsburg, Brooklyn, New York City.<br />
The Bean Trees- Barbara Kingsolver (Lexile 900)<br />
Taylor Greer grows up poor in Kentucky, but decides <strong>to</strong> move west. By the time she reaches<br />
Arizona, she has acquired an unexpected child, a three-year-old named Turtle, and must decide<br />
how <strong>to</strong> put down roots.<br />
The Hessian- Howard Fast (Lexile 970)<br />
A boy soldier during the Revolutionary War is wounded and hidden on a farm by an American<br />
family. He becomes interested in the farmer’s daughter, and then…<br />
Black Elk Speaks- John G. Neihardt (Lexile 1010)<br />
A 1932 book that relates the s<strong>to</strong>ry of Black Elk, an Oglala Sioux medicine man.<br />
A Prayer for Owen Meany- John Irving (Lexile 1050)<br />
John Wheelwright is a former citizen of New Hampshire who has become a voluntary exile<br />
from the U.S (having settled in Toron<strong>to</strong>, Canada). The novel consists of John's memories of<br />
growing up in NH in the 1950s and 1960s with his best friend, Owen Meany.<br />
Angela’s Ashes- Frank McCourt (Lexile 1110)<br />
A memoir by Irish-American author Frank McCourt that tells the s<strong>to</strong>ry of his childhood in<br />
Brooklyn and Ireland.<br />
In<strong>to</strong> the Wild- John Krakauer (Lexile 1270)<br />
In April 1992, a young man named Chris<strong>to</strong>pher Johnson McCandless hitchhiked <strong>to</strong> Alaska and<br />
walked alone in<strong>to</strong> the wilderness. He gave $25,000 <strong>to</strong> charity, abandoned his car, burned all<br />
the cash in his wallet, and invented a new life. Four months later, a moose hunter found his<br />
decomposed body. How McCandless came <strong>to</strong> die is the unforgettable s<strong>to</strong>ry of In<strong>to</strong> the Wild.
Advanced Placement <strong>English</strong> Language (<strong>Grade</strong> 11) ONLY:<br />
-Read Fast Food Nation by Eric Schlosser and The Grapes of Wrath by John Steinbeck. Complete<br />
response logs for both texts.<br />
Eric Schlosser documents the way in which the emergence of the fast food industry mirrors the<br />
evolution of American life in the 20 th century. As you read this book, I want you <strong>to</strong> think about how<br />
Schlosser develops his argument about fast food’s influence and meaning. You will write a Response<br />
Log in order <strong>to</strong> further your thinking process and communicate your thoughts and ideas <strong>to</strong> your<br />
classmates and me. We will often refer <strong>to</strong> this text in class for supporting material and examples, so<br />
read closely and actively.<br />
The Response Log:<br />
A response log is an effective way <strong>to</strong> keep a record of your reading responses—positive or negative,<br />
sure or unsure. It offers a chance <strong>to</strong> respond personally, <strong>to</strong> ask questions, wonder, predict, or reflect<br />
on the characters, people, events, literary elements, writing techniques, or language of a text. Do not<br />
summarize! Instead, record your textual observations.<br />
1. Use notebook paper (one side only) or you may type<br />
2. Must have two columns (divide the page in half)<br />
3. Each response <strong>to</strong> a quotation should be 3-5 sentences and should include your analysis of the<br />
literary and rhe<strong>to</strong>rical techniques present in the quotations, the author’s attitude, purpose, or<br />
<strong>to</strong>ne, and relation <strong>to</strong> personal experience.<br />
4. You must include a <strong>to</strong>tal of 20 entries that range from beginning <strong>to</strong> end. Show me that you<br />
have read and unders<strong>to</strong>od the entire text.<br />
5. Make sure that you note the page number for each of your quotations.<br />
Format:<br />
• Title the column on the left “Quotations from the Text” or<br />
• Title the column on the right “Commentary/Responses <strong>to</strong> the Text.” Responses may start:<br />
o “The imagery reveals...”<br />
o “The setting gives the effect of...”<br />
o “The author seems <strong>to</strong> feel...”<br />
o “The <strong>to</strong>ne of this part is...”<br />
o “The character(s) feel(s)…”<br />
o “This is ironic because…”<br />
o “An interesting metaphor or symbol is”<br />
o “The detail seems effective/out of place/important because…”<br />
o “An interesting word/phrase/sentence/thought is…”<br />
o “This reminds me of…”<br />
o “Something I notice/appreciate/don’t appreciate/wonder about is…”<br />
o ʺThe author emphasizes________ in order <strong>to</strong>…”<br />
o Or you may start with something else you feel is appropriate
<strong>English</strong> IV (<strong>Grade</strong> 12): British <strong>Literature</strong><br />
Regular students must choose ONE of the following novels <strong>to</strong> read. After reading, regular students<br />
must complete one of the attached writing assignments. Honors students must choose TWO of the<br />
following novels <strong>to</strong> read and complete two of the attached reading assignments on the novel(s) of<br />
their choice.<br />
Alice’s Adventures in Wonderland- Lewis Carroll (Lexile 860)<br />
Fantasy fiction tale of a girl named Alice who ralls down a rabbit hole in<strong>to</strong> a fantasy world<br />
populated by peculiar and anthropomorphic creatures.<br />
Brave New World- Aldous Huxley (Lexile 870)<br />
Brave New World marked a step in a new direction for Huxley, combining his skill for satire<br />
with his fascination with science <strong>to</strong> create a dys<strong>to</strong>pian (anti-u<strong>to</strong>pian) world in which a<br />
<strong>to</strong>talitarian government controlled society by the use of science and technology.<br />
Dracula- Bram S<strong>to</strong>ker (Lexile: 960)<br />
Having deduced the double identity of Count Dracula, a wealthy Transylvanian nobleman, a<br />
small group of people vow <strong>to</strong> rid the world of the evil vampire.<br />
The Hound of the Baskervilles- Sir Arthur Conan Doyle (Lexile 1090)<br />
Sherlock Holmes is asked <strong>to</strong> investigate the tale of a hound that haunts the lonely moors<br />
around the Baskervilles' ancestral home.<br />
Heart of Darkness- Joseph Conrad (Lexile 1050)<br />
Marlowe, an introspective sailor, journeys up the Congo River <strong>to</strong> meet Kurtz, reputed <strong>to</strong> be an<br />
idealistic man of great abilities. Marlowe takes a job as a riverboat captain with the Company, a<br />
Belgian concern organized <strong>to</strong> trade in the Congo. As he travels <strong>to</strong> Africa and then up the Congo,<br />
Marlow encounters widespread inefficiency and brutality in the Company’s stations.
Advanced Placement <strong>English</strong> <strong>Literature</strong> (<strong>Grade</strong> 12) ONLY:<br />
-Read Invisible Man by Ralph Ellison and Wise Blood by Flannery O’Connor. Complete dialectical journals.<br />
Keeping a dialectical reading journal: You will need a composition book or spiral notebook <strong>to</strong> make notes about the<br />
following readings. Entries are <strong>to</strong> be written neatly and legibly (If you wish <strong>to</strong> type create a table on Word. Use Times New<br />
Roman, 12-‐point font, 1-‐inch margins.<br />
Your literary journal is not a diary; it is rather an important means by which you will develop a better understanding of the<br />
texts. It is the place where you will incorporate the ideas we discuss in class, your own ideas about literature and the specific<br />
texts we study, and your personal relationship with those texts. It will be invaluable when you prepare for examinations, and<br />
class discussions. Dialectic means “the art of practice of arriving at the truth by using conversation involving question and<br />
answer.” This is what you must do in your journal—dialogue with yourself. In your journal, have a conversation with the text<br />
and with yourself. Write down your thoughts, questions, insights, and ideas while you read.<br />
Procedure: Draw a vertical line down the middle of the page in your journal notebook and repeat, as needed. Use this double-‐<br />
entry format <strong>to</strong> examine the details of a passage and <strong>to</strong> synthesize your understanding of the details of the texts.<br />
At the <strong>to</strong>p of the left column, write the heading Reading Notes (something from the text). At the <strong>to</strong>p of the right column, write<br />
the heading Analysis and Questions (something from you). While you read or after you read a section of the literature, record<br />
page numbers and notes (details, quotations, summaries, and/or key ideas and concepts) in the left column. In the right<br />
column, write YOUR ideas, insights, thoughts, questions, and commentary related <strong>to</strong> the notations on the left. Make certain that<br />
you are specific in your observations.<br />
Sample Dialectical Journal for TKAM<br />
READING NOTES<br />
Quote/Passage (#)<br />
“When he was nearly thirteen, my brother Jem<br />
got his arm badly broken at the elbow. . . (3).<br />
(Note: I have not included the entire quotation <strong>to</strong><br />
which I am referring. Instead, I use an ellipsis [. . .]<br />
<strong>to</strong> quote only the part that is most important.)<br />
Atticus, the lawyer, “knew his people, they knew<br />
him, and because of Simon Finch’s industry,<br />
Atticus was related by blood or marriage <strong>to</strong><br />
nearly every family in the Town” (5).<br />
(Note: Instead of quoting the part about<br />
Atticus and his job immediately before this, I put it<br />
as a side note at the front before the quotation.<br />
ANALYSIS AND QUESTIONS<br />
Response/Commentary<br />
I remember breaking my foot before a<br />
choir concert. I was not feeling well and<br />
had <strong>to</strong> leave the risers before a concert.<br />
When I was hopping down from the third riser, I<br />
landed on the side of my foot and broke it. All I<br />
cared about when I was recovering was being<br />
able <strong>to</strong> walk without crutches or a walking cast<br />
again. This seems <strong>to</strong> be how Jem kind of feels.<br />
(Making a Connection)<br />
Atticus is a well-‐respected person in Maycomb,<br />
and since he is a lawyer, he also must be fairly<br />
intelligent. Maycomb must be a small <strong>to</strong>wn<br />
where everyone knows everyone if Atticus is<br />
indeed related <strong>to</strong> most of the people. I think<br />
Atticus most likely will play an important role in<br />
this book because of his position.<br />
(Interpreting/Making a Prediction)<br />
Write when:<br />
• you learn something that will aid you in your analysis of language and literature.<br />
• you learn something that will aid you in your writing.<br />
• you see something you didn’t see before (an epiphany).<br />
• you recognize a pattern-‐overlapping images, repetition of ideas, details, colors that make a connection.<br />
• you discover that the text is about something different from what you originally thought it was about (structural or<br />
content shifts).<br />
• something puzzles you or confuses you.<br />
• you agree or disagree with an observation by the narra<strong>to</strong>r or author.<br />
• certain details seem important <strong>to</strong> you.<br />
• circumstances or issues are especially relevant <strong>to</strong> your life or the lives of others<br />
• you notice something specific about the writer’s style – unique/unusual dialogue or shifting perspective/ time<br />
sequence shifts/effective use of rhe<strong>to</strong>rical/literary devices.<br />
Expectations: You are expected <strong>to</strong> have a bare minimum of three specific and detailed <strong>to</strong>tal entries on each side of the<br />
dialectical journal for each chapter.
REGULAR AND HONORS STUDENTS<br />
Writing Assignments for Summer Reading<br />
Directions: Please answer ONE of the questions below for each of the books you read. Your essay<br />
should be a minimum of 250 words, typed and double-spaced in 12-point Times New Roman font. If<br />
you do not have access <strong>to</strong> a computer, write your answers neatly in blue or black INK.<br />
1) Discuss the characters in the book. What are their attributes, motivations and conflicts? What<br />
character do you dislike? Why? Does anyone in this work remind you of someone you know? Explain.<br />
2) What is the significance of the title of this work? Would you change the title? Why?<br />
3) What kind of person do you feel the author is? What makes you feel this way?<br />
4) What do you feel is the most important word, phrase, or paragraph? Explain why it is important.<br />
5) What is the overall theme (or message—life lesson) of the book?