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exi vice regis iberos:/ HInc dominae irnperiurn romae, et fasrigia rerum/ Conscendi. toti scripturus iura super- ba/ Orbi, at sancta fuit vita, et mens Integra semper." (seven lines) I. As described. Used in 1567-edition. Madrid (Gabinete de estarnpas y Bellas artes, Biblioteca Nacional, Madrid), Vienna (Sammiung Schioss Ambras, Kunsthistorisches Museum,Wien) Ha. Verses in lower margin replaced by new text in letterpress: "HADRIANUS TRAIECTENSIS/ PONTIFEX MAXIMUS./ Regnat ubi In terris prudens vir, constat et almae/Virtuti in terris, quod meret ipsa, decus./ Dat mini et haec teneros formandi Caesaris annos,/ Orbis Pontifkem et me facit haec cadem.' s (six lines); added in margin right, also in letterpress: "A4". Used in 1572a- edition. nb. Verses in letterpress in lower margin replaced by engraved, slightly different inscription: "Hadrianus Traiectensis Pont. Max. [one line]/ " (five lines); added in margin right, also engraved: "A4". Used m 1572b-edition. IIL Erased in margin right: "A4". Used in XII Cardinalium IV. (1598) Added in upper right corner coat of arms of Hadrianus VI; added above portrait, at top centre: "Sedit An. L M. VHLD.VI. Obit XVIII. Kal Octob. CIC[in reverse]. IC[in reverseJXXIII. AEt. LXIIII/'Verses In lower margin replaced by: "HADRLANUS VI. PONT. MAX./ Edit Utricesiurn minima de fomite luceni,/ Lampada Lovanium, Roma dat esse Pharum./ Fax ammae cmen niniium est vieiiia doloso,/ Et quae lente oritur flamrna, cito ernoritur./ Disce rneo exemplo tenui dc lumine Solcm/ Sperare, et Soils disce amere obmirn." (seven hues); added in margin left "1." Used in 1604- and 1608- editlons and Foppens 1739. Used in: Virorum ..... (1567), no. ??;Virorum ..... (1572), no.A4; XII Cardinalium ...... (1598), no. 14; iUustrium Galliac Appendix 2E 236 (1604), no. l,Iilustrium Galllae ..... (1608), no. 1; Foppens 1739, vol. I, p. 22 Lit.: TIB. 56, p. 466, no. 148; Hoogewerf 1923, p. 13 Adrian VI (Hadrianus VI, Adriaan Florensz. Boeyens), Utrecht 1459 - Rome 1523; Dutch theologian and prelate, tutor of die future emperor Charles V and at one point head of the Spanish government.The first (and last) Dutch pope (1522-23), tried to reform the Catholic Church from within. Engraved by Philips Galle, verses by ?? (1567-edition), Benito Arias Montano (1572-edition) and Aubert Le Mire (1608-edirion). The engraving is probably copied after a lost painting by Jan van Scorch 3 AGR1COLA, ROBOLPHUS (1567) After Lucas Cranach 17.7 x 12.3 cm. In lower margin: "Rodolphus Agricola/ Pro meriris quae digna satis te docte rodolphc/ Musa canet, frisii speni 'que decus' que soli?/ Dum logicae salebras In apertam eoni- icis artcm,/ Et resonat numens dulcibus ista chclys,/ Ausonia ingemuit, peregrinae rnurmura linguae./ Tarn mulccre aures moUiter ilia suas " (seven lines) I. As described. Used in 1567-edition. Vienna (Sammiung Schioss Ambras, Kunsthistorisches Museum, Wien), Vienna (Oesterreichische National- bibliothck (Portratsamrnlung), Wien) Ha. Verses in lower margin replaced by new text in letterpress: "RGDOLPHUS AGRICOLA/ GROENINGUS./ Si tibi maturis tantuni licuisset ab annis/ Quod medium sta tuis perficere Agricola/ Auctorcs alij poterant quievisse diserti,/ Quidquid enim ratio postulat, ipse dabas." (six lines);added in margin right,also in letterpress:" C7". Used in 1572a-edition
lib. Verses in letterpress in lower margin replaced by engraved, slightly different inscription: "RODOLPHUS AGRI- COLA GROENINGUS. [one line]/ tautum [instead of tantum] ..... persicere [instead of perficere] tacuisse [instead of quievisse] ..... ipse dabas [no period]" (five lines); added in margin right, also engraved; "C7". Used in 1572b-edition. XIL Portrait slightly reworked; added above portrait, at top centre: "Vita excessit Heidelbergae An. Chrisri CIC[in reverse]. CCCCLXXXV"; erased in margin right: "C7"; added in margin left: "32." Used in 1604-cdition. IV. Verses in lower margin replaced by :"RUD OLFUS AGRI- COLA, GRONINGANUS./Talis eras, tali splendebas ore Rudolfe/ Agricole.o Frisij solque decusque soli./ Scilicet hoc uno meruisti Frisia, laudis/ Quidquid habet Latium, Graecia quidquid habet." (five lines). Used in 1608- e did on. Used in: Virorum (1567), no. ??;Virorum (1572), no. C7; Illustrium Galliae (1604),no.32;illustrium Galliae ..... (1608), no. 32 Lit.: Ekkart 1988;Sellink 1992a, p. 23 Rodolphus Agricola (Roelof Huusman, also called Phrisius),Baflo 1444 - Heidelberg 1485; Dutch jurist and humanist, wrote on both classical and biblical subjects, translated several classical Greek works. Engraved by Philips Galle, verses by ?? (1567-cdition), Benito Arias Montano (1572-edition) and Aubert Le Mire (1608- edition).The engraving is copied in reverse after a proto type painted by Lucas Cranach around 1530, of which several versions still exist. 4 ALARDUS OF AMSTERDAM (1604) After Jacob Cornelisz van Oostsanen 15.1 x 11.3 cm. Appendix 2E 237 Above portrait, at top centre: "Obijt Lovanij A. CIC[in reverse]. ICjin reverse]!.!." In lower margin: "ALARDUS AMSTELREDAMUS BATA<strong>VU</strong>S/ THEOLOGUS ET PHILOLOGUS./ Tororn te study's impendis Alarde luvandis,/ Sollicitatque tuas Haeresis orta manusV Et, si quid Logica est prae- cellere in arte, Rudolphum/ Agrlcolam acqualis gloria, teque manet" (six lines) In margin right: "Aub. Miraeus." In margin left: "33" Used in: Illustrium Galliae (1604),no.33;Illustrium Galliae ..... (1608), no. 33; Foppens 1739, vol. I, p. 38 Lit.: Kolker 1963, pp. 343-345 Alardus of Amsterdam (Alardus Amstelredamus, Alard van Amsterdam), Amsterdam 1491 - Louvain 1544; Dutch humanist and theologian, compded the Opera Omnia of Agricola, vigorous opponent of the Reformation. Engraved in the Galle workshop, verses by Aubert Le Mire. Copy in reverse after a woodcut by Jacob Cornelisz van Oostsanen (Hollstein 163) 5 ALCIATI, ANDREA (1567) 17.6 x 12.2 cm. In lower margin,in letterpress:" ANDREAS ALCIATUS, ME-/ DIOLANENSIS./ Eloquio lus Romanum luce- bat et arte, id/Turb a obscurarant barb ara Legulei./ Andreas prisco reddit sua Jura nitori,/ Consultosque facit doctius inde loqui" (six lines) In margin right, also in letterpress: "F4". I. 1567-edition. Mentioned by Van Someren (p. 122), not yet found. As described. Used in 1572a-edition.
Page 1 and 2:
MANFRED SELLINK PHILIPS GALLE (1537
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*. Quoted from Guicciardini 1567; s
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meer thoonen can/ Als t'gen' ons Th
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on the Galle family byVan den Bemde
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50. On the here illustrated engravi
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From 1600, he was scaling down his
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7, p. 77, no, 155;TIB.56,p.212,no.6
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1969-72, vol. 2, pp. 262-278. judgi
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128. See appendix 1A. 129. "15.10.1
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Stradanus/Galle hunts; see Benisovi
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scapes will be catalogued in detail
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* ".„„ in aere incisas et dilig
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the notion of Gothic versus Italian
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31 The portrait accompanies a lette
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54. The use of a cache-tettre - or
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eras dick semper, sed nescio eras i
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100. This Erst edition ofLe Mire s
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line of verse praises Galle as the
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* This chapter is a slightly revise
Page 39 and 40:
Hollstein, loc. cit., nos. 299-315
Page 41 and 42: *. :< Ie/ me suis servi pen ou poin
Page 43 and 44: New HoUstein, Maarten van Heemskerc
Page 45 and 46: Around 1578 Galle published Goltziu
Page 47 and 48: (St. Paul bitten by a viper) is sig
Page 49 and 50: verso of each preceding engraving.A
Page 51 and 52: 88. Cp.Voet 1980-83, vol 1, p. 172.
Page 53 and 54: That Goltzius did not engrave any w
Page 55 and 56: lso dated 1577 (TIB, 56, pp. 249-25
Page 57 and 58: dees ordinantie ghesneden is, en in
Page 59 and 60: in the hands of any human, David ch
Page 61 and 62: changes in the nudity of some women
Page 63 and 64: Stradanus produced the Galle worksh
Page 65 and 66: 236. On the biographical data, comp
Page 67 and 68: was more or less concentrated in It
Page 69 and 70: In the first half of the seventeent
Page 71 and 72: Galle also published a series often
Page 73 and 74: Genealogy of the Galle family up to
Page 75 and 76: 5. Petrus Nuyts, baptized 12 May 16
Page 77 and 78: VIRORUM DOCTORUM BE DISCIPLINES BEN
Page 79 and 80: VIRORUM DOCTORUM DE DISCIPLINIS BEN
Page 81 and 82: skilled in all arts, Including ours
Page 83 and 84: 35. Maxot, Clement* (E5) 36. Dante
Page 85 and 86: 1587-edition. Besides changes in th
Page 87 and 88: IXXUSTRIUM GA1XIAE BELGICAE 8CRIPTO
Page 89 and 90: Peck, Pieter Pigge, Albert Reyvaert
Page 91: COAT OF ARMS OF THE AUSTRIAN HABS-
Page 95 and 96: 8 ARI08T0, LUBOVICÖ (1587) 16.7 x
Page 97 and 98: 13 BACKERS, PETRUS BE (1604) 16.7 x
Page 99 and 100: lib. Verses in letterpress in lower
Page 101 and 102: The Hague (Koninklijke Bibliotheek,
Page 103 and 104: engraved: "D6"- Used in 1572b-editi
Page 105 and 106: Italomm ..... (1600), no. 14; Imagi
Page 107 and 108: 40 DANTE AIIGHXERX (1572) After Gio
Page 109 and 110: aequa mis " (eight lines) In margin
Page 111 and 112: 49 ERASMUS, DESIDERIUS (1567) After
Page 113 and 114: gionis amor./ Sed dum romuleo nimiu
Page 115 and 116: n. Erased in margin left: "14." Use
Page 117 and 118: 61 GDIS, DA MI AO DE (1587) After A
Page 119 and 120: Used in: Iliustrium Galliae ..... (
Page 121 and 122: In margin right: "4?". I. As descri
Page 123 and 124: 75 LANGUE, CHARLES DE (1587) 16.8 x
Page 125 and 126: I. As described. Used in 16Ö4- and
Page 127 and 128: Used in; Imagines ..... (1587), no.
Page 129 and 130: ans styli,/ Inveheris minus, et par
Page 131 and 132: the Reformation. Engraved by Philip
Page 133 and 134: y:"Nic. RhedingerusVratisl." Used i
Page 135 and 136: Used in: Illosixiuni Galliae (1604)
Page 137 and 138: 108 PIUS II {1567} 16.2 x 12.1 cm.
Page 139 and 140: 113 POLXZIANO, ANGELO (1572) After
Page 141 and 142: n. Erased In margin left: "6.b" Use
Page 143 and 144:
124 SCHOTT, ANDREAS (1587) 17.0 x 1
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S 'B8", replaced by "Bened. Arias M
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(Voet 1980-83, nos. 2335-2341). Eng
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141 VETTOR1, PIETRO (1587) After Co
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Wildhaus 1484 - Kappel 1531; Swiss
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3 BONIFACE DC 18.1 x 11.8 cm. Under
Page 155 and 156:
Appendix 2 F 18 Galle's other portr
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XL The portrait has been heavily re
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centre is the cartouche with the ti
Page 161 and 162:
Lit.: Collon-Gevaert 1966, p. 98, n
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Generalis secundus, Obijt Romae/ XI
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12 BROETIUS, PASCHASRJS 13.3 x 9.5
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TITLE PAGE Letterpress text Filling
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10 GRIFFOLINI, FRANCESCO (1587) 16.
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20 CARLO 8IGONIO (1600) 17.1 x 12.2
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INSTRUCTION ET FONDEMENTS DE M E N
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3 SKELETON SEEN FROM BEHIND 23.6 x
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SEA AND RIVER GODS (15S6) 18 engrav
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8 ACHELOUS 16.5 x 9.9 cm, In lower
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NYMPHS (1587) 18 engravings The ser
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n. Borderline added around composki
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ORNAMENTAL DESIGNS FOR CIRCULAR PLA
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DE DEIS GENTIUM IMAGINES (1581) 30
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6 AMPHITRITE 13,0x8.0 cm. In lower
Page 191 and 192:
18 MINERVA 13.1 x8.Q cm. In lower m
Page 193:
29 PAN 13 J x 8.1 cm. In lower marg
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