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ing verses from the 1572- and 1587-editions were now<br />
replaced by other inscriptions written by a number of<br />
authors. The verso of the changed tide page is blank, the<br />
approbatio is now engraved on the title page Itself. On<br />
the recto of the next page the coat of arms of the Austrian<br />
Hahsburg-dynasty Is engraved, together with some vers<br />
es by joost Lips; the verso is blank. On the recto of the<br />
following page an engraved dedlcanon to Albert of Austria<br />
is printed; the verso is blank. Then follows an engraved<br />
eulogy of Aubert Le Mire, written by Joost Lips; the verso<br />
is again blank. Then follow 57 portraits, of which four are<br />
without a number.<br />
A large number of engravings from this last<br />
series of portraits of scholars published in the Galle work<br />
shop was reused in Johannes Franciscus Foppens*<br />
Bibïioikeca Belgica, published in two volumes in Brussels in<br />
1739.<br />
Lit.:<br />
Van Someren 1888-91, vol. l,p. 125;Sellink 1992a, p. 25<br />
Copies:<br />
1604-edition:<br />
Paris (Cabinet des estampes, Bibliothèque Nationale,<br />
Paris, bound with 1572a- and 1606-editions), The<br />
Hague (Koninklijke Bibliotheek, Den Haag), Vienna<br />
(Oesterreichische Nationalbibliothck, Wicn, incomplete,<br />
lacking portraits of Erasmus and Modius)<br />
1608-edirion:<br />
Amsterdam (Rijksprentenkabinet, Rijksmuseum, Amster<br />
dam), Antwerp (Stedelijk Prenten-kabinet, Museum<br />
Plantm-Moretus, Antwerpen, Brussels (Koninklijke<br />
Bibliotheek Albert I, Brussel; Bibliothèque Royale Albert<br />
Ier, Bruxelles, bound with Lampson 1572),London (The<br />
British Library, London, New York (New York Public<br />
Library, New York Vienna (Oesterreichische National<br />
bibliothck, Wien, two copies, one copy mingled with Le<br />
Mire 1609)<br />
The 52 portraits from the 1604-edition are first listed in<br />
alphabetical order (la), followed by the six additions in<br />
Theodoor Galle's 1608-edition (lb).Then follow the por<br />
traits according to the numbered sequence in the series<br />
(Ha); the additions in die 1608-edirion - which main<br />
tained the same order as the 1604-edition - are given sep<br />
arately (Hb). Portraits with numbers in square brackets arc<br />
without a number in the 1608-edition, although they do<br />
Appendix 2 D<br />
232<br />
have a fixed place in the sequence of the known copies.<br />
After the names of the portraits used in earlier editions<br />
the date of the first application in the portrait series is<br />
given in round brackets.<br />
la (1604)<br />
Adrian VI<br />
Agricola, Rodofphus (1567)<br />
Alardus of Amsterdam<br />
Ayala, Balthasar<br />
Aytta van Zwichem„Viglius van (1587)<br />
Backere, Petrus de<br />
Baudouin, Francois<br />
Beverns, Johannes<br />
Blois, Louis de<br />
Busbecq, Ogier Ghislain de<br />
Canlsius, Petrus<br />
Canter, Willem<br />
Cleynaerts, Nicolaas<br />
Commynes, Philippe de<br />
Damhoudere, Joost de (1587)<br />
Dinter, Edmund van<br />
Donck, Martinus<br />
Epo, Boedus<br />
Erasmus, Desiderius (1567)<br />
Everaerts, Nicolaes<br />
Galen, Mattheus van<br />
Garet, Johannes<br />
Gemma Frisius (1572)<br />
Gemma, Cornelius (1572)<br />
Goropius Becanus, Johannes (1572)<br />
Grudius, Nicolaus<br />
Hunaeus, Augustinus<br />
Jansenius, Cornelius<br />
Janus Seeundus(1587)<br />
Lampson, Domemque<br />
Langhe, Charles de (1587)<br />
Latomus, Jacobus (1572)<br />
Linden, Willem van der<br />
Lievensjan<br />
Macropedius, Georgius (1567)<br />
Maulde, Frans de<br />
Muyden, Gabriel van der<br />
Muys, Cornells (1587)<br />
Nannius, Petrus<br />
Ortels, Abraham (1572)<br />
Pamele, Jacob van