manfred sellink philips galle - VU-DARE Home

ing verses from the 1572- and 1587-editions were now
replaced by other inscriptions written by a number of
authors. The verso of the changed tide page is blank, the
approbatio is now engraved on the title page Itself. On
the recto of the next page the coat of arms of the Austrian
Hahsburg-dynasty Is engraved, together with some vers­
es by joost Lips; the verso is blank. On the recto of the
following page an engraved dedlcanon to Albert of Austria
is printed; the verso is blank. Then follows an engraved
eulogy of Aubert Le Mire, written by Joost Lips; the verso
is again blank. Then follow 57 portraits, of which four are
without a number.
A large number of engravings from this last
series of portraits of scholars published in the Galle work­
shop was reused in Johannes Franciscus Foppens*
Bibïioikeca Belgica, published in two volumes in Brussels in
1739.
Lit.:
Van Someren 1888-91, vol. l,p. 125;Sellink 1992a, p. 25
Copies:
1604-edition:
Paris (Cabinet des estampes, Bibliothèque Nationale,
Paris, bound with 1572a- and 1606-editions), The
Hague (Koninklijke Bibliotheek, Den Haag), Vienna
(Oesterreichische Nationalbibliothck, Wicn, incomplete,
lacking portraits of Erasmus and Modius)
1608-edirion:
Amsterdam (Rijksprentenkabinet, Rijksmuseum, Amster­
dam), Antwerp (Stedelijk Prenten-kabinet, Museum
Plantm-Moretus, Antwerpen, Brussels (Koninklijke
Bibliotheek Albert I, Brussel; Bibliothèque Royale Albert
Ier, Bruxelles, bound with Lampson 1572),London (The
British Library, London, New York (New York Public
Library, New York Vienna (Oesterreichische National­
bibliothck, Wien, two copies, one copy mingled with Le
Mire 1609)
The 52 portraits from the 1604-edition are first listed in
alphabetical order (la), followed by the six additions in
Theodoor Galle's 1608-edition (lb).Then follow the por­
traits according to the numbered sequence in the series
(Ha); the additions in die 1608-edirion - which main­
tained the same order as the 1604-edition - are given sep­
arately (Hb). Portraits with numbers in square brackets arc
without a number in the 1608-edition, although they do
Appendix 2 D
232
have a fixed place in the sequence of the known copies.
After the names of the portraits used in earlier editions
the date of the first application in the portrait series is
given in round brackets.
la (1604)
Adrian VI
Agricola, Rodofphus (1567)
Alardus of Amsterdam
Ayala, Balthasar
Aytta van Zwichem„Viglius van (1587)
Backere, Petrus de
Baudouin, Francois
Beverns, Johannes
Blois, Louis de
Busbecq, Ogier Ghislain de
Canlsius, Petrus
Canter, Willem
Cleynaerts, Nicolaas
Commynes, Philippe de
Damhoudere, Joost de (1587)
Dinter, Edmund van
Donck, Martinus
Epo, Boedus
Erasmus, Desiderius (1567)
Everaerts, Nicolaes
Galen, Mattheus van
Garet, Johannes
Gemma Frisius (1572)
Gemma, Cornelius (1572)
Goropius Becanus, Johannes (1572)
Grudius, Nicolaus
Hunaeus, Augustinus
Jansenius, Cornelius
Janus Seeundus(1587)
Lampson, Domemque
Langhe, Charles de (1587)
Latomus, Jacobus (1572)
Linden, Willem van der
Lievensjan
Macropedius, Georgius (1567)
Maulde, Frans de
Muyden, Gabriel van der
Muys, Cornells (1587)
Nannius, Petrus
Ortels, Abraham (1572)
Pamele, Jacob van