Appendix 2 B traits from the 1567-cdiuon;rlie other bound with eleven Pius II, second version (1572b) portraits from 1567-cdition, Wolíhnbüttél (Herxog Plantin, Christophe August Bibliothck,Wolfenbiittel,two copies: 1572a-edi- Poelman,Theodoor oon and 1572b-cdition Poliziano, Angelo Sartorius, Johannes* The 44 portraits from the 1572-edition are first listed in Savonarola, Girolamo* alphabetical order (I) and then according to the numbered Tapper, Ruard* sequence in the series (II),There is no difference in num- Tartaglia, Micolo* bering between the 1572a- and 1572b-editions. Those Vesalius, Andreas engravings which have been reused from the 1567-edi- Vives, Juan Luis* tion are marked with an asterisk. Zsamboky, janos Ï îï Adrian VI* 1. Plus II*, in both versions (A3) Agrícola, Rodolphus* 2. Adrian VI* (A4) Alciati, Andrea* 3. Bembo, Pietro* (A5) Apianus, Petrus 4. Hosius, Stamslaus* (A6) Arlas Montano, Benito 5. Fisher, John* (A7) Bembo, Pietro* 6. More, Thomas* (A8) Boccaccio, Giovanni 7. Arias Montano, Benito (BÍ) Bude, Guillaume 8. Vives,Juan Luis* (B2) Camerarius, Joachim* 9. Erasmus, Desiderius* (B3) Dante Alighieri 10. Junius, Hadrianus* (B4) Dodoens, Rembert 11. Macropedius, Georgius* (B5) Dousa, Janus 12. Dons a, Janus (B6) Erasmus, Desiderius* 13. Sartorius,Johannes* (B7) Fleino, Marsilio 14. Tapper, Ruard* (B8) Fisher, John* 15. Goropius Becanus,Johannes (CI) Fusch, Gilbert* 16. Latomus,Jacobus (C2) Gelli, Gian Battista* 17. Vesalius, Andreas Gemma Frisius 18. Grapheus, Cornelius* (C4) Gemma, Cornelius 19. Dodoens, Rembert (C5) Goropius Bee anus, Johann es 20. Ortels, Abraham (C6) Grapheus, Cornelius* 21. Agrícola, Rodolphus* (C7) Hosius, Stanislaus* 22. Geinma Frisius (C8) Junius, Hadrianus* 23. Frisius, Cornelius (Dl) Latomus, Jac obus 24. Fusch, Gilbert* (D2) Lazius, Wolfgang* 25. Poelman,Theodoor (D3) Macropedius, Georgius* 26. Pirckheimer, Willibald* (D4) Marot, Clement* 27. Zsamboky, Janos (D5) Mattioli, Pietro Andrea* 28. Camerarius,Joachim* (D6) More, Thomas* 29. Lazius, Wolfgang* (D7) Orteis, Abraham 30. Mattioli, Pietro Andrea* (D8) Petrarca, Francesco 31. Apianus, Petrus (El) Philandrier, Guillaume* 32= Budé, Guillaurne (E2) Pirckheimer, Willibald* 33. Philandrier, Guillaurne* (E3) Pius II, first version* (1572a) 34. Plantin, Christophe (E4) 226
35. Maxot, Clement* (E5) 36. Dante Alighieri (E6) 37. Petrarca, Francesco (E7) 38. Boccaccio, Giovanni (E8) 39. Ficmo, Marsilio (Fl) 40. Savonarola, Girolarno* (F2) 41. Pollziano, Angelo (F3) 42. Alciati, Andrea* (F4) 43. Tartagha, Nicola* (F5) 44. Gelli, Glan Battista* (F6) Appendix 2 B 227
- Page 1 and 2:
MANFRED SELLINK PHILIPS GALLE (1537
- Page 3 and 4:
*. Quoted from Guicciardini 1567; s
- Page 5 and 6:
meer thoonen can/ Als t'gen' ons Th
- Page 7 and 8:
on the Galle family byVan den Bemde
- Page 9 and 10:
50. On the here illustrated engravi
- Page 11 and 12:
From 1600, he was scaling down his
- Page 13 and 14:
7, p. 77, no, 155;TIB.56,p.212,no.6
- Page 15 and 16:
1969-72, vol. 2, pp. 262-278. judgi
- Page 17 and 18:
128. See appendix 1A. 129. "15.10.1
- Page 19 and 20:
Stradanus/Galle hunts; see Benisovi
- Page 21 and 22:
scapes will be catalogued in detail
- Page 23 and 24:
* ".„„ in aere incisas et dilig
- Page 25 and 26:
the notion of Gothic versus Italian
- Page 27 and 28:
31 The portrait accompanies a lette
- Page 29 and 30:
54. The use of a cache-tettre - or
- Page 31 and 32: eras dick semper, sed nescio eras i
- Page 33 and 34: 100. This Erst edition ofLe Mire s
- Page 35 and 36: line of verse praises Galle as the
- Page 37 and 38: * This chapter is a slightly revise
- Page 39 and 40: Hollstein, loc. cit., nos. 299-315
- Page 41 and 42: *. :< Ie/ me suis servi pen ou poin
- Page 43 and 44: New HoUstein, Maarten van Heemskerc
- Page 45 and 46: Around 1578 Galle published Goltziu
- Page 47 and 48: (St. Paul bitten by a viper) is sig
- Page 49 and 50: verso of each preceding engraving.A
- Page 51 and 52: 88. Cp.Voet 1980-83, vol 1, p. 172.
- Page 53 and 54: That Goltzius did not engrave any w
- Page 55 and 56: lso dated 1577 (TIB, 56, pp. 249-25
- Page 57 and 58: dees ordinantie ghesneden is, en in
- Page 59 and 60: in the hands of any human, David ch
- Page 61 and 62: changes in the nudity of some women
- Page 63 and 64: Stradanus produced the Galle worksh
- Page 65 and 66: 236. On the biographical data, comp
- Page 67 and 68: was more or less concentrated in It
- Page 69 and 70: In the first half of the seventeent
- Page 71 and 72: Galle also published a series often
- Page 73 and 74: Genealogy of the Galle family up to
- Page 75 and 76: 5. Petrus Nuyts, baptized 12 May 16
- Page 77 and 78: VIRORUM DOCTORUM BE DISCIPLINES BEN
- Page 79 and 80: VIRORUM DOCTORUM DE DISCIPLINIS BEN
- Page 81: skilled in all arts, Including ours
- Page 85 and 86: 1587-edition. Besides changes in th
- Page 87 and 88: IXXUSTRIUM GA1XIAE BELGICAE 8CRIPTO
- Page 89 and 90: Peck, Pieter Pigge, Albert Reyvaert
- Page 91 and 92: COAT OF ARMS OF THE AUSTRIAN HABS-
- Page 93 and 94: lib. Verses in letterpress in lower
- Page 95 and 96: 8 ARI08T0, LUBOVICÖ (1587) 16.7 x
- Page 97 and 98: 13 BACKERS, PETRUS BE (1604) 16.7 x
- Page 99 and 100: lib. Verses in letterpress in lower
- Page 101 and 102: The Hague (Koninklijke Bibliotheek,
- Page 103 and 104: engraved: "D6"- Used in 1572b-editi
- Page 105 and 106: Italomm ..... (1600), no. 14; Imagi
- Page 107 and 108: 40 DANTE AIIGHXERX (1572) After Gio
- Page 109 and 110: aequa mis " (eight lines) In margin
- Page 111 and 112: 49 ERASMUS, DESIDERIUS (1567) After
- Page 113 and 114: gionis amor./ Sed dum romuleo nimiu
- Page 115 and 116: n. Erased in margin left: "14." Use
- Page 117 and 118: 61 GDIS, DA MI AO DE (1587) After A
- Page 119 and 120: Used in: Iliustrium Galliae ..... (
- Page 121 and 122: In margin right: "4?". I. As descri
- Page 123 and 124: 75 LANGUE, CHARLES DE (1587) 16.8 x
- Page 125 and 126: I. As described. Used in 16Ö4- and
- Page 127 and 128: Used in; Imagines ..... (1587), no.
- Page 129 and 130: ans styli,/ Inveheris minus, et par
- Page 131 and 132: the Reformation. Engraved by Philip
- Page 133 and 134:
y:"Nic. RhedingerusVratisl." Used i
- Page 135 and 136:
Used in: Illosixiuni Galliae (1604)
- Page 137 and 138:
108 PIUS II {1567} 16.2 x 12.1 cm.
- Page 139 and 140:
113 POLXZIANO, ANGELO (1572) After
- Page 141 and 142:
n. Erased In margin left: "6.b" Use
- Page 143 and 144:
124 SCHOTT, ANDREAS (1587) 17.0 x 1
- Page 145 and 146:
S 'B8", replaced by "Bened. Arias M
- Page 147 and 148:
(Voet 1980-83, nos. 2335-2341). Eng
- Page 149 and 150:
141 VETTOR1, PIETRO (1587) After Co
- Page 151 and 152:
Wildhaus 1484 - Kappel 1531; Swiss
- Page 153 and 154:
3 BONIFACE DC 18.1 x 11.8 cm. Under
- Page 155 and 156:
Appendix 2 F 18 Galle's other portr
- Page 157 and 158:
XL The portrait has been heavily re
- Page 159 and 160:
centre is the cartouche with the ti
- Page 161 and 162:
Lit.: Collon-Gevaert 1966, p. 98, n
- Page 163 and 164:
Generalis secundus, Obijt Romae/ XI
- Page 165 and 166:
12 BROETIUS, PASCHASRJS 13.3 x 9.5
- Page 167 and 168:
TITLE PAGE Letterpress text Filling
- Page 169 and 170:
10 GRIFFOLINI, FRANCESCO (1587) 16.
- Page 171 and 172:
20 CARLO 8IGONIO (1600) 17.1 x 12.2
- Page 173 and 174:
INSTRUCTION ET FONDEMENTS DE M E N
- Page 175 and 176:
3 SKELETON SEEN FROM BEHIND 23.6 x
- Page 177 and 178:
SEA AND RIVER GODS (15S6) 18 engrav
- Page 179 and 180:
8 ACHELOUS 16.5 x 9.9 cm, In lower
- Page 181 and 182:
NYMPHS (1587) 18 engravings The ser
- Page 183 and 184:
n. Borderline added around composki
- Page 185 and 186:
ORNAMENTAL DESIGNS FOR CIRCULAR PLA
- Page 187 and 188:
DE DEIS GENTIUM IMAGINES (1581) 30
- Page 189 and 190:
6 AMPHITRITE 13,0x8.0 cm. In lower
- Page 191 and 192:
18 MINERVA 13.1 x8.Q cm. In lower m
- Page 193:
29 PAN 13 J x 8.1 cm. In lower marg