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drawing in the Albertina - compare Hollstein, vol. 6,<br />

p. 255, no. 94a; ibid, vol 7, p. 79, no. 388;TIB. 56, p. 374,<br />

no. 99; Riggs 1971, p. 332, no. 91 and Van deVelde 1975,<br />

p. 433, no. P 141.<br />

42. Cp.Veldman 1977a andVeldman 1986, passim.<br />

Also see chapter 4, where the collaboration between Gallc<br />

and Heemskerck is analyzed m detail. On the series to<br />

which the here reproduced engraving belongs, see<br />

Hollstein, vol. 8, p. 238, nos. 70-75 (as Coornhcrt); New<br />

Hollstein, Maarten van Heemskerck, vol. '1, pp. 117-121,<br />

nos. 132-137;TIB.56 3pp.42-47,nos.013il-6;Riggs 1971,<br />

p. 341, no. 123.<br />

43. On the rare Head of a reveller, see Hollstein,<br />

vol 7. p. 83 , no, 788 and TIB. 56, p. 495, no. 206. In 1585<br />

a second edition (or possibly an accurate copy in the same<br />

direction?) with. German verses was on the art market; see<br />

Christopher Mendez, sales catalogue, June 1985, no. 13.<br />

This version lacks the signature of Galle and the address<br />

of Peeters.<br />

44. On the series after Heemskerck, see Hollstein,<br />

vol 8, p. 248, nos. 476-483; New Hollstein, Maarten van<br />

Heemskerck, vol. 1, pp. 221-226, nos. 265-272;TIB. 56,<br />

pp. 221-228, nos. 63:1-8; also see chapter 4. On Floriss<br />

Tabula eebetis,see Hollstein, vol 6, p. 255, no. 94;ibid., vol.<br />

7, p. 80. no. 401 ;TIB. 56, p. 313, no. 82;Van deVelde 1975,<br />

pp. 430-431, no. P134 and Raupp 1981, pp. 26~28,no. 1<br />

(wrongly describing a later edition by the Amsterdam<br />

publisher Joos de Bosscher as the first edition).The impres­<br />

sion of the Tabula cebetis in Brussels also includes an elab­<br />

orate Latin text, set in letterpress and printed on separate<br />

sheets of paper. This text is signed by Peeters and ends<br />

with his address: "AJNTVERPIAE,/ excudebat Martinus<br />

Petreius in insigni Aurei/ Fonris prope novam Bursam/<br />

Cum gratia et privilegio/ Ad sexennium."<br />

45. On the tradition of illustrating this subject in<br />

Netherlandish art and its relation to literary publications,<br />

see Boas 1918 and Boas 1920. It is interesting to note that<br />

Floriss composition - unknown to Boas - was engraved<br />

three years before the first Dutch translation of the Latin<br />

text was issued (also in Antwerp).The woodcut illustra­<br />

tion on the frontispiece of this edition of 1564 is a sim­<br />

plified copy in the same direction after Galle s engraving;<br />

cp. Boas 1918, p. 14.<br />

46. Cp. Burger 1915 andVoet 1975, p. 26.<br />

Notes Chapter 1<br />

152<br />

47. This print was made by Frans Hogenberg after<br />

a drawing by joris Hoefhagel, who had been in Poitiers<br />

himself in 1561 .The engraving was used in the fifth vol­<br />

ume ofBraun and Hogenberg's monumental atlas Cwiiaies<br />

orbis terramm (1598); cp. Koeman 1967-85, vol. 2, p. 21.<br />

On the history of this town atlas - of which Philips Galle<br />

obtained the exclusive right of sale in Antwerp at the date<br />

of appearance of the first volume in 1572 - see Skelton<br />

1965 and Koeman 1967-85, vol. 2, pp. 10-14.The infor­<br />

mation on the inscriptions was apparently updated by<br />

Georg Braun, who scratched his own name on the stone<br />

in 1580 - the last year which can be deciphered on the<br />

engraving. If the transcriptions on the engraving are lit­<br />

erally correct, Hendrick (or perhaps Hubert?) Gokzius<br />

visited the dolmen in 1577, just prior to his arrival in<br />

Haarlem.; Burger 1915, p, 73. In general, the possibility of<br />

a journey by Goltzius to Poitiers is doubted; cp. Reznicek<br />

1961, p. 48.<br />

48. Galle included the likenesses of Mercator and<br />

Ortels in his series of portraits of scholars; compare chap­<br />

ter 2, and appendix 2E, nos. 92 and 100.The close friend­<br />

ship between Galle and Ortels continued until the latter s<br />

death in 1598; compare Hcssels 1887, passim. In 1573 and<br />

again in 1582 Philips Galle published Deorum dearumque,<br />

an album with etched reproductions of ancient coins from<br />

Ortels s collection, see chapter 2, note 107. From 1577 to<br />

1598 Galle also published 11 editions, in four languages,<br />

of the 'pocket' version of Ortels s famous atlas Theairum<br />

orbis terramm; cp. Koeman 1964, passim; Koeman 1967-<br />

85, vol 3, pp. 71-77, nos. Ort. 47-57 andVoet 1980-83,<br />

vol 4,pp. 1699-1708, Finally, Galle in 1596 issued Ortels s<br />

historical treatise Aurei saecuti imago, illustrated with etch­<br />

ings by Pieter van der Boreht; cp.Van de Waal 1952, vol.<br />

1, pp. 172-175 and Cockx-Indestege 1968-94, vol. 1, p.<br />

179, no. 2284. As mentioned above (note 47) Philips Galle<br />

represented the interests of Frans Hogenberg - living and<br />

working in Cologne - in the sale of his Civitates orbis ter­<br />

ramm in Antwerp from 1572 on wards. Apparendy he occa­<br />

sionally also acted as sales representative of other publica­<br />

tions by Hogenberg; compare Hessels 1887, pp. 306-307,<br />

Galle also acted on behalf of Mercator in Antwerp, sell­<br />

ing the latter s globes and maps to Plan tin; Voet 1962, p,<br />

178 and 194.<br />

49. The plausible suggestion that Galle's Haarlem<br />

print-shop was unlicensed, thus accounting for the lack<br />

of an address on most of the engravings, was first made<br />

byVeldman 1977a, pp. 106-107

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