manfred sellink philips galle - VU-DARE Home
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drawing in the Albertina - compare Hollstein, vol. 6,<br />
p. 255, no. 94a; ibid, vol 7, p. 79, no. 388;TIB. 56, p. 374,<br />
no. 99; Riggs 1971, p. 332, no. 91 and Van deVelde 1975,<br />
p. 433, no. P 141.<br />
42. Cp.Veldman 1977a andVeldman 1986, passim.<br />
Also see chapter 4, where the collaboration between Gallc<br />
and Heemskerck is analyzed m detail. On the series to<br />
which the here reproduced engraving belongs, see<br />
Hollstein, vol. 8, p. 238, nos. 70-75 (as Coornhcrt); New<br />
Hollstein, Maarten van Heemskerck, vol. '1, pp. 117-121,<br />
nos. 132-137;TIB.56 3pp.42-47,nos.013il-6;Riggs 1971,<br />
p. 341, no. 123.<br />
43. On the rare Head of a reveller, see Hollstein,<br />
vol 7. p. 83 , no, 788 and TIB. 56, p. 495, no. 206. In 1585<br />
a second edition (or possibly an accurate copy in the same<br />
direction?) with. German verses was on the art market; see<br />
Christopher Mendez, sales catalogue, June 1985, no. 13.<br />
This version lacks the signature of Galle and the address<br />
of Peeters.<br />
44. On the series after Heemskerck, see Hollstein,<br />
vol 8, p. 248, nos. 476-483; New Hollstein, Maarten van<br />
Heemskerck, vol. 1, pp. 221-226, nos. 265-272;TIB. 56,<br />
pp. 221-228, nos. 63:1-8; also see chapter 4. On Floriss<br />
Tabula eebetis,see Hollstein, vol 6, p. 255, no. 94;ibid., vol.<br />
7, p. 80. no. 401 ;TIB. 56, p. 313, no. 82;Van deVelde 1975,<br />
pp. 430-431, no. P134 and Raupp 1981, pp. 26~28,no. 1<br />
(wrongly describing a later edition by the Amsterdam<br />
publisher Joos de Bosscher as the first edition).The impres<br />
sion of the Tabula cebetis in Brussels also includes an elab<br />
orate Latin text, set in letterpress and printed on separate<br />
sheets of paper. This text is signed by Peeters and ends<br />
with his address: "AJNTVERPIAE,/ excudebat Martinus<br />
Petreius in insigni Aurei/ Fonris prope novam Bursam/<br />
Cum gratia et privilegio/ Ad sexennium."<br />
45. On the tradition of illustrating this subject in<br />
Netherlandish art and its relation to literary publications,<br />
see Boas 1918 and Boas 1920. It is interesting to note that<br />
Floriss composition - unknown to Boas - was engraved<br />
three years before the first Dutch translation of the Latin<br />
text was issued (also in Antwerp).The woodcut illustra<br />
tion on the frontispiece of this edition of 1564 is a sim<br />
plified copy in the same direction after Galle s engraving;<br />
cp. Boas 1918, p. 14.<br />
46. Cp. Burger 1915 andVoet 1975, p. 26.<br />
Notes Chapter 1<br />
152<br />
47. This print was made by Frans Hogenberg after<br />
a drawing by joris Hoefhagel, who had been in Poitiers<br />
himself in 1561 .The engraving was used in the fifth vol<br />
ume ofBraun and Hogenberg's monumental atlas Cwiiaies<br />
orbis terramm (1598); cp. Koeman 1967-85, vol. 2, p. 21.<br />
On the history of this town atlas - of which Philips Galle<br />
obtained the exclusive right of sale in Antwerp at the date<br />
of appearance of the first volume in 1572 - see Skelton<br />
1965 and Koeman 1967-85, vol. 2, pp. 10-14.The infor<br />
mation on the inscriptions was apparently updated by<br />
Georg Braun, who scratched his own name on the stone<br />
in 1580 - the last year which can be deciphered on the<br />
engraving. If the transcriptions on the engraving are lit<br />
erally correct, Hendrick (or perhaps Hubert?) Gokzius<br />
visited the dolmen in 1577, just prior to his arrival in<br />
Haarlem.; Burger 1915, p, 73. In general, the possibility of<br />
a journey by Goltzius to Poitiers is doubted; cp. Reznicek<br />
1961, p. 48.<br />
48. Galle included the likenesses of Mercator and<br />
Ortels in his series of portraits of scholars; compare chap<br />
ter 2, and appendix 2E, nos. 92 and 100.The close friend<br />
ship between Galle and Ortels continued until the latter s<br />
death in 1598; compare Hcssels 1887, passim. In 1573 and<br />
again in 1582 Philips Galle published Deorum dearumque,<br />
an album with etched reproductions of ancient coins from<br />
Ortels s collection, see chapter 2, note 107. From 1577 to<br />
1598 Galle also published 11 editions, in four languages,<br />
of the 'pocket' version of Ortels s famous atlas Theairum<br />
orbis terramm; cp. Koeman 1964, passim; Koeman 1967-<br />
85, vol 3, pp. 71-77, nos. Ort. 47-57 andVoet 1980-83,<br />
vol 4,pp. 1699-1708, Finally, Galle in 1596 issued Ortels s<br />
historical treatise Aurei saecuti imago, illustrated with etch<br />
ings by Pieter van der Boreht; cp.Van de Waal 1952, vol.<br />
1, pp. 172-175 and Cockx-Indestege 1968-94, vol. 1, p.<br />
179, no. 2284. As mentioned above (note 47) Philips Galle<br />
represented the interests of Frans Hogenberg - living and<br />
working in Cologne - in the sale of his Civitates orbis ter<br />
ramm in Antwerp from 1572 on wards. Apparendy he occa<br />
sionally also acted as sales representative of other publica<br />
tions by Hogenberg; compare Hessels 1887, pp. 306-307,<br />
Galle also acted on behalf of Mercator in Antwerp, sell<br />
ing the latter s globes and maps to Plan tin; Voet 1962, p,<br />
178 and 194.<br />
49. The plausible suggestion that Galle's Haarlem<br />
print-shop was unlicensed, thus accounting for the lack<br />
of an address on most of the engravings, was first made<br />
byVeldman 1977a, pp. 106-107