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Tapper, Ruard Tartaglia, Nicolo* VIret, Pierre Vives, Juan Luis Zwingli, Huldrych Ha (1.) Laski.Jan (2.) Sartorius, Johannes* (3.) Bucer, Martin (4.) Alciari, Andréa* (5.) Viret, Pierre (6.) Savonarola, Girolamo (7.) Hosius, Stanislaus* (8.) AdrianVI (9.) Bernbo, Pietro (10.) Pius II* (11.) Bugenhagenjohannes (12.) Cameranus,Joachkn (13.) Erasrnus, Desiderius (14.) Pirckheimer, Willibald* (15.) Gelli, Gian Battista* (16.) Marot, Clément* (17.) Aventinus,Johannes (18.) Junius, Iladrianus (19.) Philandrier, Guillaume* (20.) Tapper, Ruard (21.) Macropedius, Georgius* (22.) Fusch, Gilbert* (23.) Tartaglia, Nicolo* (24.) Mattioli, Pietro Andréa* (25.) Agricola, Rodolphus (26.) Lazius,Wolfgang* (27.) Vives,Juan Luis (28.) Beatus Rhenanus (29.) Grapheus, Cornélius* (30.) Fisher,John (31.) More, Thomas Hb (32.) Calvin, Jean (33.) Hus, Johannes (34.) Luther, Martin (35.) Melanchton, Philippus (36.) Zwingii, Huldrych Appendix 2 A 222
VIRORUM DOCTORUM DE DISCIPLINIS BENEMERENTIUM EFFIGIES XOIII (1572) 44 engravings in 1572 Philips Galle published a second series of 44 famous men, this rime devoted to European humanists and scholars In general. The verses were written by the Spanish humanist Benito Arias Montano, a friend of Galle and then living and working in Antwerp; the verses under the image of Arias Montano himself were composed by Hadnanus Junius. Two versions of this series were pub lished, a first (1572a-edition) with all the verses printed In letterpress - probably printed by Christophe Plantin - and a second (1572b-edition) with (nearly) identical vers es engraved In the margin underneath the portraits. Galle reused at least 25 portraits of his 1567- series, all of them with new verses. In several engravings of the 1572a-edition traces of the older inscriptions are still visible.When printing the 1572a-edition Philips Galle did not erase the existing inscriptions but covered them with a piece of paper. He could then use the blank space underneath the image to print the texts In letterpress in a second printing at the Plantin press. At a later date - pos sibly at the occasion of publishing of the 1587-edition - all the margins were made blank in order to engrave the same verses and print the 1572b-edition. 1572a On the recto of the title page an alphabetical table of con tents Is printed in letterpress: "NOMINUM HOC LIBELLO/ DEPICTORUM/ Index./ underneath the index is the approbatio by the Antwerp canon Sebasnanus Baer (Delft ?? - Antwerp 1576/77), also in let terpress: "Nihil habet S. Romanae Ecclesiae fidei contra- / rium aut, Reipub. offensivum. Quod attestor/ Sebasnanus Baer Delphius, insignis Ca-/ thed. Ecclesiae S.Marlae Hantwerp./ Plebanus et Canonicus."(five lines). The tide page (page Al) Is followed by page A2, which has an introduction in letterpress on both sides, written by Philips Galle: "PHILIPPUS GALLAEUS PICTOR ET CHALCOGRAPHUS/ B ON ARUM ARTIUM AMA- TORIBUS, SJ Qukurnque bonas disciplinas et ingen uas arces Ipsarum tan-/ turn causa diligunt, ij cum avari- tiam oderint, quae et ingenia/ hominum corrumpit et artes etiani obscurat, ab omni inviden/ tla prorsus alieni, singularique erga virtutem afFectu ducn, non/ possunt Appendix 2 B 223 non amare eos, quos exceilens animi virtus aliqua no-/ bilitaverit. Quam quidem ob rem, cum ipse a pueritia usque/ naturae quadam propensione Picturae artem, et earn etiam, qua Pictura longe la-/ teque propagatur, Chalchographicen, coluerim et exercuerim; non solum mearum/ artium peritissimos omnes amavi, sed quos- cunque bonarum literarum disciplina-/ rumque eogni- tione plurimum valere cognoveram, et praesentes (si mihi eosdem/ videre aut ailoqui contingeret) vehementer dilexi et colui, vel absentes, aut vita/ etiam functos ammo venetatus sum semper, omniumque laudes et praedlcare li-/ benter audio, et ipse quantum in me est, perpetuo praedico. Dignos enim iudi-/ co omnes, qui aliquam vitae utilitatem, praesertim in bonis artibus promovendis/ attulerint, quorum nomen ab ijs qui ingenio valent, et similium artium studio/ tenentur, gratissima commenda- tione commemoretur. Haec igitur mihi causa/ fuit, quamobrem nonnullorum in bonis artibus illustrium viro rum, qui nostra/ aetate vel paulo ante floruerunt,vei adhuc cum multa ingenij et eruditionis lau-/ de vivunt,tum mini notorum, et quibus cum consuetude aliqua intercessit, effi-/ gies ad vivum expresserim, turn eorum quos non- dum viderkn ex optimis et cer-/ tissimis exemplaribus undique conqulsitis depictas In prívalo cubículo, ubi artem/ exerceo meam, maximi ornamenti nomine collo- caverim.Verumenimvero cum/ illorum famae colendae, atque eorundem armcls, cognatis, studiosis, et concivibus/ iuvandis id a me quod praestari posset, deberi intelligerem, selectissimas et cer-/ tissimas, quas habere potueram, in aere Incisas et diligenter expressas, cum meae/ atque aliarum bonarum artium amatoribus communicare con stituí. Equidem/ plures habere percuperem, quibus et ipse delectarer, et ad publicam noticiam/ exprimendis et exhibendis operam darem. Sed quondam quasdam nactus fue-/ ram non usque adeo veram virorum referentes formam, et incena pro certis tra-/ dere,neque ingenui animi, neque mei Institui esse existimaren!, has in praesentia-/ rum, quibus animum studiumque nostrum testaremur, exhibendas duximus:plu/ res etiam post hac secundo libro exhibituri, modo boni studiosique viri, aut Civi/ tatum Magistratus, apud quos huiusmodi doctorum virorum effigies ad nominis/ rnonumentum depictae habentur, exempfum aliquod a perito arris pictore exprés-/ sum, sive cum coloribus, sive ex nigro et albo tantum, perinde enim nobis fuerit:/ aut si sculptum habeant, vel m numis- matis formam relatum, nobis tradendum/ hue Antverpiain mittant ad Christophorum Plantinum Prototypographum Re-/ gium, aut ad Abrahamum Ortelium Geographum, viros nonssimos: a quibus ipse/ reddita huiusmodi exem-
Page 1 and 2:
MANFRED SELLINK PHILIPS GALLE (1537
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*. Quoted from Guicciardini 1567; s
Page 5 and 6:
meer thoonen can/ Als t'gen' ons Th
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on the Galle family byVan den Bemde
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50. On the here illustrated engravi
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From 1600, he was scaling down his
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7, p. 77, no, 155;TIB.56,p.212,no.6
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1969-72, vol. 2, pp. 262-278. judgi
Page 17 and 18:
128. See appendix 1A. 129. "15.10.1
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Stradanus/Galle hunts; see Benisovi
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scapes will be catalogued in detail
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* ".„„ in aere incisas et dilig
Page 25 and 26:
the notion of Gothic versus Italian
Page 27 and 28: 31 The portrait accompanies a lette
Page 29 and 30: 54. The use of a cache-tettre - or
Page 31 and 32: eras dick semper, sed nescio eras i
Page 33 and 34: 100. This Erst edition ofLe Mire s
Page 35 and 36: line of verse praises Galle as the
Page 37 and 38: * This chapter is a slightly revise
Page 39 and 40: Hollstein, loc. cit., nos. 299-315
Page 41 and 42: *. :< Ie/ me suis servi pen ou poin
Page 43 and 44: New HoUstein, Maarten van Heemskerc
Page 45 and 46: Around 1578 Galle published Goltziu
Page 47 and 48: (St. Paul bitten by a viper) is sig
Page 49 and 50: verso of each preceding engraving.A
Page 51 and 52: 88. Cp.Voet 1980-83, vol 1, p. 172.
Page 53 and 54: That Goltzius did not engrave any w
Page 55 and 56: lso dated 1577 (TIB, 56, pp. 249-25
Page 57 and 58: dees ordinantie ghesneden is, en in
Page 59 and 60: in the hands of any human, David ch
Page 61 and 62: changes in the nudity of some women
Page 63 and 64: Stradanus produced the Galle worksh
Page 65 and 66: 236. On the biographical data, comp
Page 67 and 68: was more or less concentrated in It
Page 69 and 70: In the first half of the seventeent
Page 71 and 72: Galle also published a series often
Page 73 and 74: Genealogy of the Galle family up to
Page 75 and 76: 5. Petrus Nuyts, baptized 12 May 16
Page 77: VIRORUM DOCTORUM BE DISCIPLINES BEN
Page 81 and 82: skilled in all arts, Including ours
Page 83 and 84: 35. Maxot, Clement* (E5) 36. Dante
Page 85 and 86: 1587-edition. Besides changes in th
Page 87 and 88: IXXUSTRIUM GA1XIAE BELGICAE 8CRIPTO
Page 89 and 90: Peck, Pieter Pigge, Albert Reyvaert
Page 91 and 92: COAT OF ARMS OF THE AUSTRIAN HABS-
Page 93 and 94: lib. Verses in letterpress in lower
Page 95 and 96: 8 ARI08T0, LUBOVICÖ (1587) 16.7 x
Page 97 and 98: 13 BACKERS, PETRUS BE (1604) 16.7 x
Page 99 and 100: lib. Verses in letterpress in lower
Page 101 and 102: The Hague (Koninklijke Bibliotheek,
Page 103 and 104: engraved: "D6"- Used in 1572b-editi
Page 105 and 106: Italomm ..... (1600), no. 14; Imagi
Page 107 and 108: 40 DANTE AIIGHXERX (1572) After Gio
Page 109 and 110: aequa mis " (eight lines) In margin
Page 111 and 112: 49 ERASMUS, DESIDERIUS (1567) After
Page 113 and 114: gionis amor./ Sed dum romuleo nimiu
Page 115 and 116: n. Erased in margin left: "14." Use
Page 117 and 118: 61 GDIS, DA MI AO DE (1587) After A
Page 119 and 120: Used in: Iliustrium Galliae ..... (
Page 121 and 122: In margin right: "4?". I. As descri
Page 123 and 124: 75 LANGUE, CHARLES DE (1587) 16.8 x
Page 125 and 126: I. As described. Used in 16Ö4- and
Page 127 and 128: Used in; Imagines ..... (1587), no.
Page 129 and 130:
ans styli,/ Inveheris minus, et par
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the Reformation. Engraved by Philip
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y:"Nic. RhedingerusVratisl." Used i
Page 135 and 136:
Used in: Illosixiuni Galliae (1604)
Page 137 and 138:
108 PIUS II {1567} 16.2 x 12.1 cm.
Page 139 and 140:
113 POLXZIANO, ANGELO (1572) After
Page 141 and 142:
n. Erased In margin left: "6.b" Use
Page 143 and 144:
124 SCHOTT, ANDREAS (1587) 17.0 x 1
Page 145 and 146:
S 'B8", replaced by "Bened. Arias M
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(Voet 1980-83, nos. 2335-2341). Eng
Page 149 and 150:
141 VETTOR1, PIETRO (1587) After Co
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Wildhaus 1484 - Kappel 1531; Swiss
Page 153 and 154:
3 BONIFACE DC 18.1 x 11.8 cm. Under
Page 155 and 156:
Appendix 2 F 18 Galle's other portr
Page 157 and 158:
XL The portrait has been heavily re
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centre is the cartouche with the ti
Page 161 and 162:
Lit.: Collon-Gevaert 1966, p. 98, n
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Generalis secundus, Obijt Romae/ XI
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12 BROETIUS, PASCHASRJS 13.3 x 9.5
Page 167 and 168:
TITLE PAGE Letterpress text Filling
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10 GRIFFOLINI, FRANCESCO (1587) 16.
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20 CARLO 8IGONIO (1600) 17.1 x 12.2
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INSTRUCTION ET FONDEMENTS DE M E N
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3 SKELETON SEEN FROM BEHIND 23.6 x
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SEA AND RIVER GODS (15S6) 18 engrav
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8 ACHELOUS 16.5 x 9.9 cm, In lower
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NYMPHS (1587) 18 engravings The ser
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n. Borderline added around composki
Page 185 and 186:
ORNAMENTAL DESIGNS FOR CIRCULAR PLA
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DE DEIS GENTIUM IMAGINES (1581) 30
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6 AMPHITRITE 13,0x8.0 cm. In lower
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18 MINERVA 13.1 x8.Q cm. In lower m
Page 193:
29 PAN 13 J x 8.1 cm. In lower marg
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