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VIRORUM DOCTORUM BE DISCIPLINES<br />

BENBMERENTXUM EFFIGIES (1567)*<br />

36 engravings<br />

No copy of this first edition of Galles portrait series has<br />

been found yet. Its existence was first noted by Van<br />

Someren who refers to an incomplete set of engravings<br />

with an introduction (dated 1567) by Philips Galle in a<br />

German private collection.Van Someren lists 31 portraits,<br />

to which six more could be added until now. A title page<br />

has not been found so far. According to Van Someren 19<br />

Images were accompanied by verses, while 13 prints only<br />

had the name of the portrayed person engraved in the<br />

margin underneath. The 1567-series was, again accord­<br />

ing to Van Someren s brief abstract of Galle s Introduction,<br />

devoted to scholars and illustrious men who had become<br />

famous due to 'sectarian quarrels*. Most of the scholars<br />

and theologians portrayed were active in the sixteenth<br />

century. Excluding some more outspoken reformers as<br />

Hus, Savonarola and Calvin, nearly all belonged to the<br />

moderate, humanist movement within both the Protestant<br />

and Catholic churches.<br />

The verses are in all cases different from the 1572- and<br />

later editions and are also engraved in a completely dif­<br />

ferent type of letter. In style and technique these letters<br />

are very similar to those on Galles engravings with vers­<br />

es by Hadrianus Junius, published in Haarlem between<br />

1560 and 1570. The verses under the portrait of Junius -<br />

using the Latin "me" several times - suggest that he might<br />

have been the author of these verses himself. On the other<br />

hand it may just have been a rhetoric figure of speech.<br />

I-Iowever, taking the frequent collaboration between Galle<br />

and Junius in this period in account it is certainly possi­<br />

ble that Junius has been the author of several (or all?) vers­<br />

es of the 1567-edition.<br />

*> This tide Is a provisional title, taken by anal­<br />

ogy to the I572~edition;this series of portraits - complete<br />

or Incomplete - can perhaps be found in collections under<br />

entirely different titles.<br />

Lit.:<br />

Van Someren 1888-91, vol. I, p. 122; SeOink 1992a, p. 23<br />

Copies:<br />

Trie Hague (Koninklijke Bibhotheek,Den Haag, 12 por­<br />

traits from 1567-edition, bound with 1572b-edition),<br />

Washington (Library of Congress, Washington, 10 por­<br />

Appendix 2 A<br />

221<br />

traits from 1567-edition, bound with 1572- and 1587-<br />

editions*), Washington (Library of Congress,<br />

Washington, 11 portraits from 1567-edition, bound with<br />

1572-edition*)<br />

As the portraits from die reconstructed 1567-edition have<br />

no number, the order of the scholars included is in the<br />

first place alphabetical (I). The sequence in which Van<br />

Someren examined the portraits in a bound volume of<br />

the series is also given (Ha), followed by those engravings<br />

which Van Someren did not mention as belonging the<br />

1567-ediuon (lib). The portraits which have not been<br />

traced in this edition, but which were mentioned as such<br />

by Van Someren are marked with an asterisk.<br />

I<br />

Adrian VI<br />

Agricoia, Rodoiphus<br />

Alciati, Andrea*<br />

Aventinus, Johannes<br />

Beatus Rhenanus<br />

Bembo, Pierro<br />

Bueer, Martin<br />

Bugenhagen, Johannes<br />

Calvin, jean<br />

Camerarius, Joachim<br />

Erasmus, Desiderius<br />

Fisher, John<br />

Fusch, Gilbert*<br />

Gelli, Gian Battista*<br />

Grapheus, Cornelius*<br />

Hosius, Stanislaus*<br />

Hus,Johannes<br />

Junius, Hadrianus<br />

Laski,Jan<br />

Lazlus, Wolfgang*<br />

Luther, Martin<br />

Macropedius, Georgius*<br />

Marot, Clement*<br />

Mattioll, Pierre Andrea*<br />

Melanchton, Philippus<br />

More, Thomas<br />

Philandrier, Guillaume*<br />

Pirekheirner, W'illibald*<br />

Pius II*<br />

Sartorius, Johannes*<br />

Savonarola, Girolamo

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