manfred sellink philips galle - VU-DARE Home
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VIRORUM DOCTORUM BE DISCIPLINES<br />
BENBMERENTXUM EFFIGIES (1567)*<br />
36 engravings<br />
No copy of this first edition of Galles portrait series has<br />
been found yet. Its existence was first noted by Van<br />
Someren who refers to an incomplete set of engravings<br />
with an introduction (dated 1567) by Philips Galle in a<br />
German private collection.Van Someren lists 31 portraits,<br />
to which six more could be added until now. A title page<br />
has not been found so far. According to Van Someren 19<br />
Images were accompanied by verses, while 13 prints only<br />
had the name of the portrayed person engraved in the<br />
margin underneath. The 1567-series was, again accord<br />
ing to Van Someren s brief abstract of Galle s Introduction,<br />
devoted to scholars and illustrious men who had become<br />
famous due to 'sectarian quarrels*. Most of the scholars<br />
and theologians portrayed were active in the sixteenth<br />
century. Excluding some more outspoken reformers as<br />
Hus, Savonarola and Calvin, nearly all belonged to the<br />
moderate, humanist movement within both the Protestant<br />
and Catholic churches.<br />
The verses are in all cases different from the 1572- and<br />
later editions and are also engraved in a completely dif<br />
ferent type of letter. In style and technique these letters<br />
are very similar to those on Galles engravings with vers<br />
es by Hadrianus Junius, published in Haarlem between<br />
1560 and 1570. The verses under the portrait of Junius -<br />
using the Latin "me" several times - suggest that he might<br />
have been the author of these verses himself. On the other<br />
hand it may just have been a rhetoric figure of speech.<br />
I-Iowever, taking the frequent collaboration between Galle<br />
and Junius in this period in account it is certainly possi<br />
ble that Junius has been the author of several (or all?) vers<br />
es of the 1567-edition.<br />
*> This tide Is a provisional title, taken by anal<br />
ogy to the I572~edition;this series of portraits - complete<br />
or Incomplete - can perhaps be found in collections under<br />
entirely different titles.<br />
Lit.:<br />
Van Someren 1888-91, vol. I, p. 122; SeOink 1992a, p. 23<br />
Copies:<br />
Trie Hague (Koninklijke Bibhotheek,Den Haag, 12 por<br />
traits from 1567-edition, bound with 1572b-edition),<br />
Washington (Library of Congress, Washington, 10 por<br />
Appendix 2 A<br />
221<br />
traits from 1567-edition, bound with 1572- and 1587-<br />
editions*), Washington (Library of Congress,<br />
Washington, 11 portraits from 1567-edition, bound with<br />
1572-edition*)<br />
As the portraits from die reconstructed 1567-edition have<br />
no number, the order of the scholars included is in the<br />
first place alphabetical (I). The sequence in which Van<br />
Someren examined the portraits in a bound volume of<br />
the series is also given (Ha), followed by those engravings<br />
which Van Someren did not mention as belonging the<br />
1567-ediuon (lib). The portraits which have not been<br />
traced in this edition, but which were mentioned as such<br />
by Van Someren are marked with an asterisk.<br />
I<br />
Adrian VI<br />
Agricoia, Rodoiphus<br />
Alciati, Andrea*<br />
Aventinus, Johannes<br />
Beatus Rhenanus<br />
Bembo, Pierro<br />
Bueer, Martin<br />
Bugenhagen, Johannes<br />
Calvin, jean<br />
Camerarius, Joachim<br />
Erasmus, Desiderius<br />
Fisher, John<br />
Fusch, Gilbert*<br />
Gelli, Gian Battista*<br />
Grapheus, Cornelius*<br />
Hosius, Stanislaus*<br />
Hus,Johannes<br />
Junius, Hadrianus<br />
Laski,Jan<br />
Lazlus, Wolfgang*<br />
Luther, Martin<br />
Macropedius, Georgius*<br />
Marot, Clement*<br />
Mattioll, Pierre Andrea*<br />
Melanchton, Philippus<br />
More, Thomas<br />
Philandrier, Guillaume*<br />
Pirekheirner, W'illibald*<br />
Pius II*<br />
Sartorius, Johannes*<br />
Savonarola, Girolamo