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Genealogy of the Galle family from Cornells Galle Í onwards I. Cornells Galle I, engraver and print publisher, born in Antwerp in 1576, burled on 29 March 1650. Married on 5 July 1623 in Brussels to Maria vander Moten, date of birth unknown, died 1651/52 in Antwerp. From his marriage: 1. Cornelis Galle II, continues II. II. Cornelis Galle II, engraver and print publisher, baptized in the church of St. Jacob in Antwerp on 23 February 1615, died 18 October 1678. Married on 23 december 1641 in the church of St. Jacob to Francisca Nys - ille gitimate daughter ofjacques Nys - date ofbirth unknown, died 16 October 1678. Both were buried in the church of St, George in Antwerp. From 1. his marriage: Cornelis Galle III, continues III. 2. Balthasar Galle, baptized 13 April 1644 (god father Balthasar Moretus II, godmother Susanna Goetheyns). 3. Maria Francisca Galle, baptized 7 July 1645 (godfather Carel Collaert, engraver and print publisher, godmother Maria vander IVloten) 4. Jan Franciscus Galle, baptized 20 October 1648 (godfather Jan Meyssens, painter, godmother Maria vander Moten). 5. Maria Francisca Galle, baptized 26 June 1650 (godfather Franciscus Bolognino, godmother Susanna vander Cruyce) 6. Maria Anna Galle, baptized 23 March 1653 (godfather Johannes Galle I, godmother Catharina Flocquet) 7. Philips Jacobus Galle, baptized 10 March 1654 (godfather Peter van Gindcrdeuren, godmother Maria Wiggers). in, Cornells Galle III, engraver, baptized in the Onze-Lieve- Vrouwe church in Antwerp on 12 November 1642 (god father Cornelis Galle I, godmother Anna de Boes), died after 1676. Married on 1 July 1670 in the Onze-Lieve- Vrouwe church In Antwerp to Margaretha Muytmcx - daughter of Nicolaes Muytincx and Elisabeth Borrekens - date ofbirth unknown, died after 1676. Witnesses to their marriage were Cornells Galle II and Nicolaes Muytincx. Appendix 1C 220 From his marriage: 1. Cornelis Galle IV,baptized 13 June 1672 (god father Cornells Galle II, godmother Elisabeth Borrekens). 2. Nicolaes Galle, baptized 7 August '1673 (god father Nicolaes Muytincx, godmother Francisca Nys). 3. Cornells Siger Galle, baptized 14 July 1675 (godfather Siger van Hontsum, priest and Pronotary Apostilac, godmother Anna Borrekens) 4. Cornelis Philips Galle, baptized 31 December 1676 (godfather Cornelis Galle II, godmother Elisabeth Borrekens.
VIRORUM DOCTORUM BE DISCIPLINES BENBMERENTXUM EFFIGIES (1567)* 36 engravings No copy of this first edition of Galles portrait series has been found yet. Its existence was first noted by Van Someren who refers to an incomplete set of engravings with an introduction (dated 1567) by Philips Galle in a German private collection.Van Someren lists 31 portraits, to which six more could be added until now. A title page has not been found so far. According to Van Someren 19 Images were accompanied by verses, while 13 prints only had the name of the portrayed person engraved in the margin underneath. The 1567-series was, again accord ing to Van Someren s brief abstract of Galle s Introduction, devoted to scholars and illustrious men who had become famous due to 'sectarian quarrels*. Most of the scholars and theologians portrayed were active in the sixteenth century. Excluding some more outspoken reformers as Hus, Savonarola and Calvin, nearly all belonged to the moderate, humanist movement within both the Protestant and Catholic churches. The verses are in all cases different from the 1572- and later editions and are also engraved in a completely dif ferent type of letter. In style and technique these letters are very similar to those on Galles engravings with vers es by Hadrianus Junius, published in Haarlem between 1560 and 1570. The verses under the portrait of Junius - using the Latin "me" several times - suggest that he might have been the author of these verses himself. On the other hand it may just have been a rhetoric figure of speech. I-Iowever, taking the frequent collaboration between Galle and Junius in this period in account it is certainly possi ble that Junius has been the author of several (or all?) vers es of the 1567-edition. *> This tide Is a provisional title, taken by anal ogy to the I572~edition;this series of portraits - complete or Incomplete - can perhaps be found in collections under entirely different titles. Lit.: Van Someren 1888-91, vol. I, p. 122; SeOink 1992a, p. 23 Copies: Trie Hague (Koninklijke Bibhotheek,Den Haag, 12 por traits from 1567-edition, bound with 1572b-edition), Washington (Library of Congress, Washington, 10 por Appendix 2 A 221 traits from 1567-edition, bound with 1572- and 1587- editions*), Washington (Library of Congress, Washington, 11 portraits from 1567-edition, bound with 1572-edition*) As the portraits from die reconstructed 1567-edition have no number, the order of the scholars included is in the first place alphabetical (I). The sequence in which Van Someren examined the portraits in a bound volume of the series is also given (Ha), followed by those engravings which Van Someren did not mention as belonging the 1567-ediuon (lib). The portraits which have not been traced in this edition, but which were mentioned as such by Van Someren are marked with an asterisk. I Adrian VI Agricoia, Rodoiphus Alciati, Andrea* Aventinus, Johannes Beatus Rhenanus Bembo, Pierro Bueer, Martin Bugenhagen, Johannes Calvin, jean Camerarius, Joachim Erasmus, Desiderius Fisher, John Fusch, Gilbert* Gelli, Gian Battista* Grapheus, Cornelius* Hosius, Stanislaus* Hus,Johannes Junius, Hadrianus Laski,Jan Lazlus, Wolfgang* Luther, Martin Macropedius, Georgius* Marot, Clement* Mattioll, Pierre Andrea* Melanchton, Philippus More, Thomas Philandrier, Guillaume* Pirekheirner, W'illibald* Pius II* Sartorius, Johannes* Savonarola, Girolamo
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MANFRED SELLINK PHILIPS GALLE (1537
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*. Quoted from Guicciardini 1567; s
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meer thoonen can/ Als t'gen' ons Th
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on the Galle family byVan den Bemde
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50. On the here illustrated engravi
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From 1600, he was scaling down his
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7, p. 77, no, 155;TIB.56,p.212,no.6
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1969-72, vol. 2, pp. 262-278. judgi
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128. See appendix 1A. 129. "15.10.1
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Stradanus/Galle hunts; see Benisovi
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scapes will be catalogued in detail
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* ".„„ in aere incisas et dilig
Page 25 and 26: the notion of Gothic versus Italian
Page 27 and 28: 31 The portrait accompanies a lette
Page 29 and 30: 54. The use of a cache-tettre - or
Page 31 and 32: eras dick semper, sed nescio eras i
Page 33 and 34: 100. This Erst edition ofLe Mire s
Page 35 and 36: line of verse praises Galle as the
Page 37 and 38: * This chapter is a slightly revise
Page 39 and 40: Hollstein, loc. cit., nos. 299-315
Page 41 and 42: *. :< Ie/ me suis servi pen ou poin
Page 43 and 44: New HoUstein, Maarten van Heemskerc
Page 45 and 46: Around 1578 Galle published Goltziu
Page 47 and 48: (St. Paul bitten by a viper) is sig
Page 49 and 50: verso of each preceding engraving.A
Page 51 and 52: 88. Cp.Voet 1980-83, vol 1, p. 172.
Page 53 and 54: That Goltzius did not engrave any w
Page 55 and 56: lso dated 1577 (TIB, 56, pp. 249-25
Page 57 and 58: dees ordinantie ghesneden is, en in
Page 59 and 60: in the hands of any human, David ch
Page 61 and 62: changes in the nudity of some women
Page 63 and 64: Stradanus produced the Galle worksh
Page 65 and 66: 236. On the biographical data, comp
Page 67 and 68: was more or less concentrated in It
Page 69 and 70: In the first half of the seventeent
Page 71 and 72: Galle also published a series often
Page 73 and 74: Genealogy of the Galle family up to
Page 75: 5. Petrus Nuyts, baptized 12 May 16
Page 79 and 80: VIRORUM DOCTORUM DE DISCIPLINIS BEN
Page 81 and 82: skilled in all arts, Including ours
Page 83 and 84: 35. Maxot, Clement* (E5) 36. Dante
Page 85 and 86: 1587-edition. Besides changes in th
Page 87 and 88: IXXUSTRIUM GA1XIAE BELGICAE 8CRIPTO
Page 89 and 90: Peck, Pieter Pigge, Albert Reyvaert
Page 91 and 92: COAT OF ARMS OF THE AUSTRIAN HABS-
Page 93 and 94: lib. Verses in letterpress in lower
Page 95 and 96: 8 ARI08T0, LUBOVICÖ (1587) 16.7 x
Page 97 and 98: 13 BACKERS, PETRUS BE (1604) 16.7 x
Page 99 and 100: lib. Verses in letterpress in lower
Page 101 and 102: The Hague (Koninklijke Bibliotheek,
Page 103 and 104: engraved: "D6"- Used in 1572b-editi
Page 105 and 106: Italomm ..... (1600), no. 14; Imagi
Page 107 and 108: 40 DANTE AIIGHXERX (1572) After Gio
Page 109 and 110: aequa mis " (eight lines) In margin
Page 111 and 112: 49 ERASMUS, DESIDERIUS (1567) After
Page 113 and 114: gionis amor./ Sed dum romuleo nimiu
Page 115 and 116: n. Erased in margin left: "14." Use
Page 117 and 118: 61 GDIS, DA MI AO DE (1587) After A
Page 119 and 120: Used in: Iliustrium Galliae ..... (
Page 121 and 122: In margin right: "4?". I. As descri
Page 123 and 124: 75 LANGUE, CHARLES DE (1587) 16.8 x
Page 125 and 126: I. As described. Used in 16Ö4- and
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Used in; Imagines ..... (1587), no.
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ans styli,/ Inveheris minus, et par
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the Reformation. Engraved by Philip
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y:"Nic. RhedingerusVratisl." Used i
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Used in: Illosixiuni Galliae (1604)
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108 PIUS II {1567} 16.2 x 12.1 cm.
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113 POLXZIANO, ANGELO (1572) After
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n. Erased In margin left: "6.b" Use
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124 SCHOTT, ANDREAS (1587) 17.0 x 1
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S 'B8", replaced by "Bened. Arias M
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(Voet 1980-83, nos. 2335-2341). Eng
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141 VETTOR1, PIETRO (1587) After Co
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Wildhaus 1484 - Kappel 1531; Swiss
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3 BONIFACE DC 18.1 x 11.8 cm. Under
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Appendix 2 F 18 Galle's other portr
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XL The portrait has been heavily re
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centre is the cartouche with the ti
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Lit.: Collon-Gevaert 1966, p. 98, n
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Generalis secundus, Obijt Romae/ XI
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12 BROETIUS, PASCHASRJS 13.3 x 9.5
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TITLE PAGE Letterpress text Filling
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10 GRIFFOLINI, FRANCESCO (1587) 16.
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20 CARLO 8IGONIO (1600) 17.1 x 12.2
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INSTRUCTION ET FONDEMENTS DE M E N
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3 SKELETON SEEN FROM BEHIND 23.6 x
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SEA AND RIVER GODS (15S6) 18 engrav
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8 ACHELOUS 16.5 x 9.9 cm, In lower
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NYMPHS (1587) 18 engravings The ser
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n. Borderline added around composki
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ORNAMENTAL DESIGNS FOR CIRCULAR PLA
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DE DEIS GENTIUM IMAGINES (1581) 30
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6 AMPHITRITE 13,0x8.0 cm. In lower
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18 MINERVA 13.1 x8.Q cm. In lower m
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29 PAN 13 J x 8.1 cm. In lower marg
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