23.01.2013 Views

manfred sellink philips galle - VU-DARE Home

manfred sellink philips galle - VU-DARE Home

manfred sellink philips galle - VU-DARE Home

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

meer thoonen can/ Als t'gen' ons Theodor heeft weten<br />

voorts te bringhen/ Midts Gall s<br />

ghesneden heeft meest<br />

naer sijn teeckeninghen./ En naer veel ander meer<br />

sulckx dat zijn weerdigheyt/ Op plaet bekent sal staen<br />

noch veel en langhe eeuwen/ Door d'edel Kunst van GalT<br />

vol soete soetigheyt/ Daer Faern met reden op de wereldt<br />

door mach schreeuwenIbid., p. 480 (Cornells Galle the<br />

Elder): "Cornelis Galle Den ouden/ Plaedt-snijder van<br />

Antwerpen,/ Men acht op dese Aerdt gheen wcreldtsche<br />

juweelen/ soo seer als Konstenaers, Paletten en<br />

Pïnseelen,/ Graef-yser, pen en kol', om al hun vremde<br />

kracht/ Die door een konstich handt van elck wordt voort<br />

ghebracht./ Daer Gall' een proef van is door de ghesne­<br />

den belden/ Die sijnen weerden naem de wereldt door<br />

vermelden/ Om datmen daer in siet sulck een besielden<br />

gheest/ Als in Papiere-Konst is oyt te sien gheweest,/Voor<br />

wiens vroom ghemoedt al menich gheest moet buyghen/<br />

Soo als de wercken van sijn handt ghenoch ghetuyghen/<br />

Te siende wereldt door by Kenders vande Kunst/ Wat<br />

dienter meer gheseyt, de Gunst en soeckt gheen gunst"<br />

Ibid,p. 480 (Cornells Galle theYounger):"Cornelis Galle<br />

Den longhen/ Plaedt-snijder van Antwerpen./ Hoe<br />

gheestich heeft den Soon op d'aenbeldt vanden raedt/<br />

Des Vaders, sijn verstandt ghesmeedt, om t'achterhalen/<br />

De wetenschap die in het plaedtsnijden bestaedt/ Waer<br />

op men heden-daeghs oock sijnen roem siet praelen:/ De<br />

rechte weer-gae van zijn Vaders kloecken aerdt/<br />

Ghelijckheyt inden glieest, manier en soete seden/ Die<br />

worden vanden Soon oock op de plaedt ghebaert/ En van<br />

sijn rappe handt naer t'leven soo ghesneden/ Dat niet als<br />

t'leven selfs aen zijne Konst ghelijckt/ Wat canmen<br />

meerder lof vanjemandcs werckbeschrij ven/Want t'ghen<br />

dat over al ghenoch in printen blijckt/ En mach by onse<br />

Paem oock niet vergheten blijven."<br />

18. Evelyn 1906, p. 70.<br />

19. Baldinucci 1686, p. 37. In contrast to several<br />

other authors from the late seventeenth century onwards,<br />

Baldinucci was as such not biased against 'reproductive 5<br />

engravers. In the chronological introduction to his<br />

Cominciamento he praises prinmxakers as Hieronymus<br />

Cock and Cornelis Cort. His choice of biographies also<br />

includes Johannes, Raphael and Aegidius Sadeler, as well<br />

as Jan Saenredam.<br />

20. Le Conue 1699-1700, vols. 2 and 3, passim.<br />

Le Comte's treatise was, by the way, rather popular in<br />

Holland in the eighteenth century, judging by the two<br />

Notes Chapter 1<br />

149<br />

editions in the Dutch language that were published<br />

(Utrecht 1744-45 andDordrecht 1761).These contain no<br />

additional information on Galle.<br />

21. Van Heurck 1930, p. 71 .The only large groups<br />

of copperplates from the Galle workshop known to have<br />

survived until now, are those that were owned institutions<br />

such as the Trappist cloister at Westmalle; see chapter 4,<br />

note 282. Another collection of plates that survived at least<br />

until the eighteenth century was a large ensemble of<br />

Galle's portraits of scholars; see chapter 2, note 11. On the<br />

value of engraved copperplates, see the well documented<br />

case of the Offkina Plantiniana,Voct 1969-72, vol. 2. pp.<br />

231-232. Also see Orenstein 1992, pp. 108-119 and<br />

Orenstein 1993-94, pp. 170-171. In the last publication<br />

the authors characteristically end their account of man­<br />

nerist plates with the mention of the Amsterdam pub­<br />

lisher Cornelis Danckertss shop inventory of 1668 -<br />

matching very well with the Johannes Galle inventory of<br />

1676.<br />

22. There was in fact a public sale of the plates<br />

scheduled on 15 February 1677.The sale was later post­<br />

poned to March 8. Also see below.<br />

23. Brejon de Lavergnee 1979, p. 33. On the<br />

engraving, see Hollstein, vol. 2, p. 59, no. 17; ibid., vol. 7,<br />

p. 76, no. 103;TIB.56,p. 121, no. 33:1 andjost 1960, pp.<br />

177-178, no. 18.There are, however, also indications that<br />

at least some biblical series were reissued by eighteenth-<br />

century Antwerp publishers: Jan Bapnste Verdussen in<br />

1714 and Cornelis Martin us Spanoghe in 1783 published<br />

pictorial bibles which contained impressions of series from<br />

the Galle workshop, all still with the address of Johannes<br />

Galle. I owe this observation to the remarks on pictorial<br />

bibles from the late seventeenth and eighteenth centuries<br />

in Marianne Snijders's doctoral thesis (Free University,<br />

Amsterdam), kindly put at my disposal by the author;<br />

Snrjders 1992, pp. 45-51<br />

24. See: Marolles 1677 (who does not mention<br />

Philips Galle at all), Basan 1767 (who only mentions the<br />

elder Galle, in contrast to his sons Cornells andTheodoor,<br />

in passing in volume 1) and die posthumously published<br />

Mariette 1851-60 (who apparently had no interest in<br />

Philips Galle at all).<br />

25. Heinecken 1778-90. On Hemecken, his<br />

Dictionnaire - which was intended to be a complete his

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!