manfred sellink philips galle - VU-DARE Home
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meer thoonen can/ Als t'gen' ons Theodor heeft weten<br />
voorts te bringhen/ Midts Gall s<br />
ghesneden heeft meest<br />
naer sijn teeckeninghen./ En naer veel ander meer<br />
sulckx dat zijn weerdigheyt/ Op plaet bekent sal staen<br />
noch veel en langhe eeuwen/ Door d'edel Kunst van GalT<br />
vol soete soetigheyt/ Daer Faern met reden op de wereldt<br />
door mach schreeuwenIbid., p. 480 (Cornells Galle the<br />
Elder): "Cornelis Galle Den ouden/ Plaedt-snijder van<br />
Antwerpen,/ Men acht op dese Aerdt gheen wcreldtsche<br />
juweelen/ soo seer als Konstenaers, Paletten en<br />
Pïnseelen,/ Graef-yser, pen en kol', om al hun vremde<br />
kracht/ Die door een konstich handt van elck wordt voort<br />
ghebracht./ Daer Gall' een proef van is door de ghesne<br />
den belden/ Die sijnen weerden naem de wereldt door<br />
vermelden/ Om datmen daer in siet sulck een besielden<br />
gheest/ Als in Papiere-Konst is oyt te sien gheweest,/Voor<br />
wiens vroom ghemoedt al menich gheest moet buyghen/<br />
Soo als de wercken van sijn handt ghenoch ghetuyghen/<br />
Te siende wereldt door by Kenders vande Kunst/ Wat<br />
dienter meer gheseyt, de Gunst en soeckt gheen gunst"<br />
Ibid,p. 480 (Cornells Galle theYounger):"Cornelis Galle<br />
Den longhen/ Plaedt-snijder van Antwerpen./ Hoe<br />
gheestich heeft den Soon op d'aenbeldt vanden raedt/<br />
Des Vaders, sijn verstandt ghesmeedt, om t'achterhalen/<br />
De wetenschap die in het plaedtsnijden bestaedt/ Waer<br />
op men heden-daeghs oock sijnen roem siet praelen:/ De<br />
rechte weer-gae van zijn Vaders kloecken aerdt/<br />
Ghelijckheyt inden glieest, manier en soete seden/ Die<br />
worden vanden Soon oock op de plaedt ghebaert/ En van<br />
sijn rappe handt naer t'leven soo ghesneden/ Dat niet als<br />
t'leven selfs aen zijne Konst ghelijckt/ Wat canmen<br />
meerder lof vanjemandcs werckbeschrij ven/Want t'ghen<br />
dat over al ghenoch in printen blijckt/ En mach by onse<br />
Paem oock niet vergheten blijven."<br />
18. Evelyn 1906, p. 70.<br />
19. Baldinucci 1686, p. 37. In contrast to several<br />
other authors from the late seventeenth century onwards,<br />
Baldinucci was as such not biased against 'reproductive 5<br />
engravers. In the chronological introduction to his<br />
Cominciamento he praises prinmxakers as Hieronymus<br />
Cock and Cornelis Cort. His choice of biographies also<br />
includes Johannes, Raphael and Aegidius Sadeler, as well<br />
as Jan Saenredam.<br />
20. Le Conue 1699-1700, vols. 2 and 3, passim.<br />
Le Comte's treatise was, by the way, rather popular in<br />
Holland in the eighteenth century, judging by the two<br />
Notes Chapter 1<br />
149<br />
editions in the Dutch language that were published<br />
(Utrecht 1744-45 andDordrecht 1761).These contain no<br />
additional information on Galle.<br />
21. Van Heurck 1930, p. 71 .The only large groups<br />
of copperplates from the Galle workshop known to have<br />
survived until now, are those that were owned institutions<br />
such as the Trappist cloister at Westmalle; see chapter 4,<br />
note 282. Another collection of plates that survived at least<br />
until the eighteenth century was a large ensemble of<br />
Galle's portraits of scholars; see chapter 2, note 11. On the<br />
value of engraved copperplates, see the well documented<br />
case of the Offkina Plantiniana,Voct 1969-72, vol. 2. pp.<br />
231-232. Also see Orenstein 1992, pp. 108-119 and<br />
Orenstein 1993-94, pp. 170-171. In the last publication<br />
the authors characteristically end their account of man<br />
nerist plates with the mention of the Amsterdam pub<br />
lisher Cornelis Danckertss shop inventory of 1668 -<br />
matching very well with the Johannes Galle inventory of<br />
1676.<br />
22. There was in fact a public sale of the plates<br />
scheduled on 15 February 1677.The sale was later post<br />
poned to March 8. Also see below.<br />
23. Brejon de Lavergnee 1979, p. 33. On the<br />
engraving, see Hollstein, vol. 2, p. 59, no. 17; ibid., vol. 7,<br />
p. 76, no. 103;TIB.56,p. 121, no. 33:1 andjost 1960, pp.<br />
177-178, no. 18.There are, however, also indications that<br />
at least some biblical series were reissued by eighteenth-<br />
century Antwerp publishers: Jan Bapnste Verdussen in<br />
1714 and Cornelis Martin us Spanoghe in 1783 published<br />
pictorial bibles which contained impressions of series from<br />
the Galle workshop, all still with the address of Johannes<br />
Galle. I owe this observation to the remarks on pictorial<br />
bibles from the late seventeenth and eighteenth centuries<br />
in Marianne Snijders's doctoral thesis (Free University,<br />
Amsterdam), kindly put at my disposal by the author;<br />
Snrjders 1992, pp. 45-51<br />
24. See: Marolles 1677 (who does not mention<br />
Philips Galle at all), Basan 1767 (who only mentions the<br />
elder Galle, in contrast to his sons Cornells andTheodoor,<br />
in passing in volume 1) and die posthumously published<br />
Mariette 1851-60 (who apparently had no interest in<br />
Philips Galle at all).<br />
25. Heinecken 1778-90. On Hemecken, his<br />
Dictionnaire - which was intended to be a complete his