manfred sellink philips galle - VU-DARE Home

1. &igg5 1971, For further references on our
knowledge of Netherlandish printmaking m general and
Philips Galle in particular, see chapter 1, notes 32-33 and
chapter 4, note 1.
2. Van den Bemden 1863. My research of a print
acquired by the Rijksprentenkabinet in 1985 resulted in
ail article on the collaboration between the Galle family
and Johannes Stradanus on an abortive attempt to pro­
duce a series of engraved illustrations for Dante's Divina
Commedia (Seliink 1987)
3. It was, however, facilitated by the opportuni­
ty provided in 1986/87 to edit the Illustrated Bartsch-
volume on Philips Galle compiled by Arno Dolders (TIB.
56). Dolders kindly gave me access to all the information
he had gathered on Galle until then.
4. See chapter 1, passim.
5. See, for example, Denucc 1912-13, Delen
1932, Delen 1934-35 and Voet 1980-83- Karen Bowen
and I hope to write (and publish) several studies on die
relationship between the Cfficina Plantiniana znd the Galle
family in the near future-
6. In the year 2000 a large exhibition on Philips
Galle will be organized by the BoijmansVan Beuningen
Museum in Rotterdam and the printroom of die Veste
Coburg.The catalogue, which will be written in collab­
oration with the Coburg curator Christiane Wiebel, shall
provide more information on aspects of style and tech­
nique in the Galle workshop.
7. Holistcin is: EW.H. Hollstein et a!., Dutch and
Flemish etchings, engravings and woodcuts, ca, 1450-1700, in
progress,Arnsterdam 1949---...-; New Holistcin is: The New
Hollstein; Dutch and Flemish etchings, engravings and wood­
cuts, 1450-1700, in progress, Amsterdam & Roosendaal
1993- Two volumes of the New Hollstein series are
now planned to be devoted to Philips Galle, and, strong­
ly related to the subject of this book, three other volumes
will be dedicated to Johannes Stradanus. To both of these
projects I will contribute as a guest editor. In the fall of
1998 the publishers Sound &Vision will also issue a revised
edition of my dissertation in their new series Studies in
I\ints and Printmaking.
8„ These words were written by Paulus de
Kempenaer in 1617; see chapter l,note 129.
Notes Introduction
146