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NYMPHS (1587)<br />

18 engravings<br />

The series Nymphs consists of an engraved ride page and<br />

17 numbered engravings of water nymphs and was pub­<br />

lished by Philips Galle in 1587. According to the title page<br />

all engravings were engraved by Galle after his own<br />

designs .The Nymphs are dedicated to the Antwerp burgher<br />

and former alderman Rutger van der Haept, to whom<br />

Galle also dedicated a series of landscapes and cityscapes<br />

after Hendrik van Cleve; see Hollstein, vol. 4, p. 170, nos.<br />

1-38 and ibid., vol. 7, p. 80, nos. 423-460.The prints were<br />

reissued in Antwerp at an unknown date by his grandson<br />

Johannes Galle. In this new edition die nymphs were min­<br />

gled with dieir male counterparts, namely the 17 engraved<br />

sea and river gods, first published by Philips Galle in 1586<br />

(cp. appendix 3B).<br />

Lit.:<br />

Hollstein, vol. 7, p. 78, nos. 299-315;TIB. 56, pp. 354-362,<br />

nos. 91:1-17; Sellink 1992b, p. 52<br />

Copies:<br />

Amsterdam (Rijksprentenkabinet, Rijksmuseum, Am­<br />

sterdam), tide page, nos. 1-17, Antwerp (Stedelijk<br />

Prentenkabinet, Museum Plantin-Moretus, Antwerpen),<br />

title page, nos. 2-3, 12-13, 15, 17, Brussels (Prenten­<br />

kabinet, Koninklijke Bibliotheek Albert ï, Brussel;<br />

Cabinet des estampes, Bibliothèque Royale Albert Ier,<br />

Bruxelles), ride page, nos. 1-17, Coburg (Kupferstlch-<br />

kabinett der Kumtsarfirnlungen Veste Coburg, Coburg),<br />

second, enlarged edition Johannes Galle, tide page, nos.<br />

1-34, Copenhagen (Kongelige Kobberstiksamllng,<br />

Statens Museum for Kunst, Kobenhave), nos. 1, 14-17,<br />

Dresden (Kupferstichkabinett der Staatlichen Kunst-<br />

sammlungen, Dresden), tide page, nos. 1-17, London<br />

(The British Library, London), tide page, nos. 1-17,<br />

Madrid (Gabmete de estampas y bellas artes, Biblioteca<br />

Nacional, Madrid), title page, nos. 1-7, New York<br />

(Department of Prints, Drawings and Illustrated Books,<br />

Metropolitan Museum of Art, New York), tide page, nos.<br />

1-10, 13-14, 16, Paris (Cabinet des estampes, Biblio­<br />

thèque Nationale, Paris), tide page, nos. 1-1.7, Vienna<br />

(Graphische Sammlung Albertlna, Wien), tide page, nos.<br />

1-17<br />

Appendix 3 C<br />

325<br />

TITLE PAGE<br />

16.4 x 9.9 cm.<br />

In upper half of the engraving: "NIMPHARUM<br />

OCEANI-/ TIDUM, EPHYDRIDUM PO-/<br />

TAMIDUM, NAIAD UM, LY-/ NADUMQUE<br />

ICONES, IN/ GRATIAM PICTURAE STU-/<br />

DIOSAE IUVENTUTIS/ DELINIATAE, SCALP-/<br />

TAE,ETEDITAR/A/ PHILIP. GALLALO./ Antverpij/<br />

1587." (twelve lines).<br />

In lower half of the engraving: "NOBILÍ/ ORNATIS-<br />

SIMO QUE/ VIRO DfOMI]NO RUTGERO/VAN-<br />

DER HAEPT PATRI-/ CIO ANTVERPIANO<br />

OMNI-/AM ELEGANT!ARUM, GRAPHI-/ DIS<br />

IMPRIMIS SUMMO AD MI-/ RATORI IMPRIMIS<br />

SUMMO ADMI-/ RATORI, ATQUE FAUTORI BE-<br />

/ NÍGNISSIMO PH[I]L[ÍP]S GALLEUS./ AE.-DD."<br />

(ten lines) .<br />

I.<br />

As described,<br />

n.<br />

Added above inscription on upper half: "SEMIDEO-<br />

RUM MARINORUM"; erased in upper half "PHILIP",<br />

replaced by "IOANNE"; erased in upper half "1587".<br />

The second state was used by Johannes Galle as the tide<br />

page to the combined series of the Nymphs and the Sea<br />

and river gods.<br />

1<br />

AMPHITRITE<br />

16.3 x 10.0 cm.<br />

In lower margin: "AMPHITRITE/ 8<br />

In margin left: "1."<br />

In margin right: "Ph[i]l[ip]s. Gall./ inventor." (two lines).<br />

I.<br />

As described.<br />

n.<br />

Borderline added around composition; erased in margin<br />

left: "1."; added in margin right: "2".

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