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ITALORUM BOCTRXNA XXXUSTRIUM IMAG INES (1600) Published by Theodoor Gallc and jan Moretus 25 engravings This series consists of a typographically printed tide page, a one-page index set in letterpress on the verso of the tide page and 25 portraits of Italian scholars from the late Middle Ages onwards.The series is arranged more or less chronologically, the plates themselves are not numbered. The tide page informs the reader that the engravings were incised by Philips Galle, while the work was published by Theodoor Galle in collaboration with Jan Morems of the Offkina Plantiniana. Furthermore, the title page also refers to a slighdy earlier broadsheet engraving - published by Jan Moretus and Theodoor Galle jointly in 1599 - with the portraits of nine Greek scholars from the late four teenth- and fifteenth century (compare chapter 2, note 93 and fig. 32). As yet only one copy has been found, located in the British Library, inv. 564.c.20(1). Added at die back of this copy Is a three-page, manuscript index - probably written In die early seventeenth century. As this index also includes die names from Philips Galle's earlier 1572- and 1587-edi- tions, it logical to assume that at one point these three collections of portraits were bound together. Now added as convolute is an early Impression of Dominique Lampsons Piciorum aliquot celebrium Germaniae Inferiotis effigies, as published by Volcxken Diericx - die widow of Hieronymus Cock - in 1572. Fifteen plates were used from Philips Galle s earlier series of portraits, in order of their appearance in the Index of the book: Pope Pius II (1572b),Thomas ab Aquino (1587), Francesco Petrarca (1572b), Dante Alighicri (1572b), Marsilio Ficino (1572), Angelo Poliziano (1572b), Francesco GrifFolini (1587), Jacopo Sannazaro (1587), Ludovico Ariosto (1587), Pandolfo Collenuccio (1587), GiampictroValeriano (1587),Aldo Manuzio (1587),Paolo Manuzio (1587), Andrea Alciati (1567) and PietroVettori (1587). All of these portraits certainly have been engraved by Philips Galle. The verses in the lower margin are still exactly the same as in the original scries, written by Benito Arias Montano (1572-edition) and Frans van Ravellngen (1587-edirion). The 10 newly engraved portraits are, again in order of their appearance in the Index: Ermoiao Barbara, Daniel Appendm 2 I 310 Barbara, Gian Francesco Poggio Bracciolini, Marco Girolami Vida, Marcantomo Maioragio, Carlo Sigonio, Fulvio Orsini, Ippolito Capilupi, Lelio Capilupo and Giuseppe Castiglione. Judging by style and technique these images have not been engraved by Philips Galle, but by an unknown collaborator from the Galle workshop. As yet, it is unknown who is the author of the verses in the margin. Lit,: Johnson 1965, p. 81; die book will also be listed in Dirk Imhof's forthcoming catalogue (1998) of books printed and published by Jan Moretus, no. G-5.
TITLE PAGE Letterpress text Filling entire sheet: "ITALORUM/ DOCTRINA/ ILLUSTRIUM/ IMAGINES./ Philippus Gailaeus aeri incidebat./ SEORSIM EDITAE/ GRAECORUM IX./ QUI PRIMI GRAECAS LITTER AS/ IN ITALIAM TRANSQ. ALPES/ INVEXERUNT/ ICONES CUM ELOGIIS/ PAULI IOVII, ET ALIORUM./ Opera Theodori Gallaei Phil. F.Antverp./ANTVERPIAE,/ EX OFFICINA PLANT!NIANA,/ ANNO SECULARI SACRO/ M.CIC[in reverse].IC[in reverse].C." (seven teen lines). 1 PIUS II (1572) 17.6 x 12.2 cm. In margin underneath: "AENEAS SILVIUS SENENSIS, POSTEA/ PIUS II NOMINATUSV Sum Pius AEneas fama notissimus Orbi,/ Quern rexi Pastor, Scriptor et institui./ Quaestio nulla fere est, in qua non docta reliqui/ Argumenta mei ferrilis ingenij." (six lines). In margin right: "A3". Engraved by Philips Galle, verses by Benito Arias Montane, Theodoor Galle reused the second version of his father's portrait of Pope Pius II from the 1572b- edition; see appendix 2E, no. 109. 2 THOMAS AB AQUINO (1587) 17.2 x 11.8 cm, In lower margin: "S. THOMAS AQUINAS./ Si sacra Christiadum liceat conferre profanis,/ Alcidem contra te faciam haereticos./ Tu toliis, veluti Alcides vicisse tot hydras/ Creditur, antidotls dira venena tuis." (five lines). In margin right:"!". Engraved by Philips Galle, verses by Frans van Ravelingen. Theodoor Galle reused his fathers portrait ofThornas ab Appendix 2 I 311 Aquino from the 1587-edition; see appendix 2E,no, 133. 3 PETRARCA, FRANCESCO (1572) After Giorgio Vasari 17.6 x 12.1 cm. In oval border around portrait: "FRANCISCUS PETRARCHA FLORENTINUS". In lower margin: "Vatibus ignotum priscis Franciscus araorem/ Et colult purum, versibus et cecinit./ Primus item nostro fugientem ex Orbe Latinum/ Dum sequitur Musam, pellicit et revocat." (four lines). In margin right: "E7". Engraved by Philips Galle, verses by Benito Arias Montano.Theodoor Galle reused his fathers portrait of Petrarca from the 1572b-edition; see appendix 2E, no. 104, second state. 4 DANTE AUGfflERI (1572) After Giorgio Vasari 17.7 x 12.2 cm. In oval border around portrait: "DANTE ALIGERUS FLORENTINUS". In lower margin: "lactat et ipsa suum Vat em Florenria Dantem,/ Doctrina antiqms iudicioque parem./ Quid deceat, quid non deceat, quae meta mails sit,/ Quaeque bonis, multa cum gravitate canit, 5 * (four lines) In margin right: "E6". Engraved by Philips Galle, verses by Benito Arias Montano.Theodoor Galle reused his fathers portrait of Dante from the 1572b-edition; see appendix 2E, no. 40, second state.
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MANFRED SELLINK PHILIPS GALLE (1537
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*. Quoted from Guicciardini 1567; s
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meer thoonen can/ Als t'gen' ons Th
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on the Galle family byVan den Bemde
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50. On the here illustrated engravi
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From 1600, he was scaling down his
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7, p. 77, no, 155;TIB.56,p.212,no.6
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1969-72, vol. 2, pp. 262-278. judgi
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128. See appendix 1A. 129. "15.10.1
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Stradanus/Galle hunts; see Benisovi
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scapes will be catalogued in detail
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* ".„„ in aere incisas et dilig
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the notion of Gothic versus Italian
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31 The portrait accompanies a lette
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54. The use of a cache-tettre - or
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eras dick semper, sed nescio eras i
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100. This Erst edition ofLe Mire s
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line of verse praises Galle as the
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* This chapter is a slightly revise
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Hollstein, loc. cit., nos. 299-315
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*. :< Ie/ me suis servi pen ou poin
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New HoUstein, Maarten van Heemskerc
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Around 1578 Galle published Goltziu
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(St. Paul bitten by a viper) is sig
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verso of each preceding engraving.A
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88. Cp.Voet 1980-83, vol 1, p. 172.
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That Goltzius did not engrave any w
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lso dated 1577 (TIB, 56, pp. 249-25
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dees ordinantie ghesneden is, en in
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in the hands of any human, David ch
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changes in the nudity of some women
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Stradanus produced the Galle worksh
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236. On the biographical data, comp
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was more or less concentrated in It
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In the first half of the seventeent
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Galle also published a series often
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Genealogy of the Galle family up to
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5. Petrus Nuyts, baptized 12 May 16
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VIRORUM DOCTORUM BE DISCIPLINES BEN
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VIRORUM DOCTORUM DE DISCIPLINIS BEN
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skilled in all arts, Including ours
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35. Maxot, Clement* (E5) 36. Dante
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1587-edition. Besides changes in th
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IXXUSTRIUM GA1XIAE BELGICAE 8CRIPTO
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Peck, Pieter Pigge, Albert Reyvaert
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COAT OF ARMS OF THE AUSTRIAN HABS-
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lib. Verses in letterpress in lower
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8 ARI08T0, LUBOVICÖ (1587) 16.7 x
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13 BACKERS, PETRUS BE (1604) 16.7 x
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lib. Verses in letterpress in lower
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The Hague (Koninklijke Bibliotheek,
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engraved: "D6"- Used in 1572b-editi
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Italomm ..... (1600), no. 14; Imagi
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40 DANTE AIIGHXERX (1572) After Gio
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aequa mis " (eight lines) In margin
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49 ERASMUS, DESIDERIUS (1567) After
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gionis amor./ Sed dum romuleo nimiu
Page 115 and 116: n. Erased in margin left: "14." Use
Page 117 and 118: 61 GDIS, DA MI AO DE (1587) After A
Page 119 and 120: Used in: Iliustrium Galliae ..... (
Page 121 and 122: In margin right: "4?". I. As descri
Page 123 and 124: 75 LANGUE, CHARLES DE (1587) 16.8 x
Page 125 and 126: I. As described. Used in 16Ö4- and
Page 127 and 128: Used in; Imagines ..... (1587), no.
Page 129 and 130: ans styli,/ Inveheris minus, et par
Page 131 and 132: the Reformation. Engraved by Philip
Page 133 and 134: y:"Nic. RhedingerusVratisl." Used i
Page 135 and 136: Used in: Illosixiuni Galliae (1604)
Page 137 and 138: 108 PIUS II {1567} 16.2 x 12.1 cm.
Page 139 and 140: 113 POLXZIANO, ANGELO (1572) After
Page 141 and 142: n. Erased In margin left: "6.b" Use
Page 143 and 144: 124 SCHOTT, ANDREAS (1587) 17.0 x 1
Page 145 and 146: S 'B8", replaced by "Bened. Arias M
Page 147 and 148: (Voet 1980-83, nos. 2335-2341). Eng
Page 149 and 150: 141 VETTOR1, PIETRO (1587) After Co
Page 151 and 152: Wildhaus 1484 - Kappel 1531; Swiss
Page 153 and 154: 3 BONIFACE DC 18.1 x 11.8 cm. Under
Page 155 and 156: Appendix 2 F 18 Galle's other portr
Page 157 and 158: XL The portrait has been heavily re
Page 159 and 160: centre is the cartouche with the ti
Page 161 and 162: Lit.: Collon-Gevaert 1966, p. 98, n
Page 163 and 164: Generalis secundus, Obijt Romae/ XI
Page 165: 12 BROETIUS, PASCHASRJS 13.3 x 9.5
Page 169 and 170: 10 GRIFFOLINI, FRANCESCO (1587) 16.
Page 171 and 172: 20 CARLO 8IGONIO (1600) 17.1 x 12.2
Page 173 and 174: INSTRUCTION ET FONDEMENTS DE M E N
Page 175 and 176: 3 SKELETON SEEN FROM BEHIND 23.6 x
Page 177 and 178: SEA AND RIVER GODS (15S6) 18 engrav
Page 179 and 180: 8 ACHELOUS 16.5 x 9.9 cm, In lower
Page 181 and 182: NYMPHS (1587) 18 engravings The ser
Page 183 and 184: n. Borderline added around composki
Page 185 and 186: ORNAMENTAL DESIGNS FOR CIRCULAR PLA
Page 187 and 188: DE DEIS GENTIUM IMAGINES (1581) 30
Page 189 and 190: 6 AMPHITRITE 13,0x8.0 cm. In lower
Page 191 and 192: 18 MINERVA 13.1 x8.Q cm. In lower m
Page 193: 29 PAN 13 J x 8.1 cm. In lower marg
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