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Iliustrium Galliae (1604),no. 49; Imagines (1606), no. 10 (numbered 49); Iliustrium Galliae (1608), no. 49; Foppens 1739, vol. I, p. 215 Lit.: TIB. 56, p. 478, no. 174;Veldman 1977, pp. 97-98, note 8 Cornells rVluys (Cornells Musius), Delft 1500 - Leiden 1572; Dutch poet, priest and rector of the nonnery in Delft, murdered by the Gcuzen. fviuys was a friend of Maarten van Hecmskerck and might, through the latter, have been acquainted with Philips Galle. One of Muyss studies was published by Plantin (Voet 1980-83,no. 1725). Engraved by Philips Galle, verses by Frans van Ravelingen. After a lost painting by Maarten van Hecmskerck, of which several copies exist. 99 NANN1US, PETRUS (1604) 15.9 x 10.7 cm. Above portrait, at top centre: "Vixit Arm. LVII. Obijt Lovamj XII. Kal. Aug. CIC [in reverse]. IC[in reverse] EVIL" In lower margin. "PETRUS NANNIUS ALCMARI- ANUS BATA<strong>VU</strong>S/ PHILOLOGUS ET PROFESSOR BUSLIDIANUS./ Nanni Castalidum decus sororum,/ Quisquis te videat, tuosque fetus,/ Hand Nanum vocitet, sed o Gigantern." (five lines) In margin left: "36/' I. As described, Used in 1604- and 1.608-editions. XL Erased in margin left: "36." Used in Foppens 1739. Used in: Iliustrium Galliae ..... (1604),no.36;Iliustrium Galliae . (1608), no. 36; Foppens 1739, vol. II, p. 994 Lit.: Coppens 1993, pp. 244-245, no. 104 Petrus Nanmus, Alkmaar 1500 - Louvain 1557; Dutch priest and philologist, professor in Louvain, editor of scv- Appendix 2E 276 era! texts by classical authors. Engraved in the Galle work shop, verses by Andreas Schott. According to Van Someren (p. 129) some copies of Foppens 1739 include the second state of Galle ? s portrait, while others Include an anony mous copy in reverse. 100 ORTELS, ABRAHAM (1572) 17.5 x 12.1 cm. In lower margin, in letterpress: "ABRAHAMUS ORTELIUS/ ANTVERPIANUS./ Ortcli dum propo- nis spectantibus Orbem,/ Quam tua delectant structa Theatra homines!/ Pulchrum opus est, plaudunt orrmes; sed quels raa virtus/ Nota patet, plaudunt laetius artifici." (six lines) In margin right, in letterpress: "C6". Ia. As described. Used in 1572a-edition. Ib- Verses in letterpress in lower margin replaced by engraved, slightly different inscription: "ABRAHAMUS ORTELIUS ANTVERPIANUS [on one line]/ "(five lines); added in margin right, also engraved: "C6". Used in 1572b-edirion. XL Added above the portrait, at top centre:"Obijt Antverpiae IIII. Kal. lull. CIC[in reverse]. IC[in reverse]XCIIX.AEt. LXXL"; verses in lower margin slightiy changed: "ABRA HAMUS ORTELIUS ANTVERPIANUS. [period added]/ " (five lines); erased in margin right: "C6"\ replaced by "Ar. Montanus"; added in margin left: "45." Used in 1604-edition. ÏÏL Verses in lower margin replaced by: "ABRAHAMUS ORTELIUS, COSMOGRAPHUS REGIUS./ Inventum nuper se iactat Ibcrus ob orbem:/ Ad radium Orteli, sed nihil Ista tuum./ Namque una socias vet- crcmq[ue] novumq[ue] tabella,/ Et novus ingenio est orbis uterq[ue] tuo./ Ergo orbis matrem, si te, Natura, vocamus,/ Orbis te,Ortcli,quisneget esse patrem?"(seven lines); erased in margin right: "Ar. Montanus.", replaced
y:"Nic. RhedingerusVratisl." Used in 1608-edition. Used in: Virorum ..... (1572),no. C6;lUustrium GaUiae ..... (1604), no. 45; lllustrium GaUiae (1608), no. 45 Lit.: TIB. 56, p. 480, no. 177; Le Loup 1983-84, pp. 106-107, no. 17; De Nave 1994, p. 145, no. 36 Abraham Grtels (Abrahamus Ortelius,Abraham Wortels), Antwerp 1527 - 1598; Belgian humanist and geograph er, friend of Philips Galle and Christophe Plantin, both of whom published work of Ortels (Plantin 1969-72, nos. 1817-1839). Engraved by Philips GaUe, verses by Benito Arias Montano (1572-edition) and Nicolaus von Rehdiger (1608-edition) Compare the other two relat ed portraits engraved by Philips Galle (see below). 100a ORTELS, ABRAHAM (1579) 32.3 x 21.5 cm. Above portrait, in médaillon at top centre:"VITAE SCO PUS" and monogram of Christ in Greek letters between letters "ut" and the "Q". Underneath portrait, in cartouche: "Spectandum dedit Ortelius mortalib. orbem,/ Orbi spectandum Galleus Ortelium. Papius" (two Unes) Coburg (Kupferstiehkabinett der Kunst-sammlungen Veste Coburg, Coburg), Paris (Cabinet des estampes, Bibliothèque Nationale, Paris), Paris (Cabinet des estam pes, Bibliothèque Nationale, Paris) Lit.: Plantin 1883-1918, vol. 6, pp. 305-306; Denucé 1912-13, pp.68-69,106-107;Koemanl964,pp.5,42-44;Voetl980- 83, vol. 4, pp. 1683-84, no. 1817 The portrait is a copy in the same direction of Galle s ear lier portrait of Ortels, included in the 1572-edition of the portrait series (see above).The portrait was engraved a few years later by Philips Galle on request of Plantin on the occasion of the edition of the Tkeatrum orbis ierrarum that he was to publish in 1579 (Ortels 1579).The portrait was Appendix 2E 277 since then Included in Plantin's edition of this book.Verses by Andreas de Paepe. 100b ORTELS, ABRAHAM After Hendrick Goltzius $ 5.6 cm. Around portrait: "Spectandum dedit Ortelius mortalibus orbem, Orbi spectandum Galleus Ortelium. HG[inter twined], in". Amsterdam (Rijksprentenkabinet, Rijks-museum, Amsterdam, nakijken), Aoiwerp (Stedelijk Prenten kabinet, Museum Plantijn-Moretus, Antwerpen, Copen hagen (Kongelige Kobberstiksamling, Statens Museum for Kunst, Kobenhave), New York (Depart-ment of Prints, Drawings and Illustrated Books, Metropolitan Museum of Art, New York), Paris (Cabinet des estampes, Bibliothèque Nationale, Paris), Rotterdam (Prenten kabinet, Museum Boymans-van Beuningen, Rotterdam) Lit.: HoUstein, vol. 8, p. 61, no. 204ad;TIB. 3, p. 169, no. 180; Hirschmann 1921, p. 167; Strauss 1977, vol. I, pp. 378- 379, no. 227; Reznicek 1961, vol. I, p. 398 The engraving has been attributed by some to Hendrick Goltzius. Hirschmann, however, rejected this attribution, while Hollstein listed the print without a number and Strauss Included this portrait as "probably engraved by another hand'. According to the inscription 'HG in" the portrait has been engraved after a drawing by Goltzius. This is supported by the fact that there also exists a draw ing of Ortels s sister Catherine, dated 1586, in the Musée Condé In Chantüly (cp. Reznicek 1961, loc. clt.). The inscription indicates that Philips Galle himself engraved this portrait of his friend; both style and technique sup port this attribution. The Inscription is exactly the same as on Galle s 1579-portrait of Ortels and might thus have simply been copied from this print, without actually refer ring to Galle as the engraver.Verses by Andreas de Paepe.
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MANFRED SELLINK PHILIPS GALLE (1537
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*. Quoted from Guicciardini 1567; s
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meer thoonen can/ Als t'gen' ons Th
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on the Galle family byVan den Bemde
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50. On the here illustrated engravi
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From 1600, he was scaling down his
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7, p. 77, no, 155;TIB.56,p.212,no.6
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1969-72, vol. 2, pp. 262-278. judgi
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128. See appendix 1A. 129. "15.10.1
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Stradanus/Galle hunts; see Benisovi
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scapes will be catalogued in detail
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* ".„„ in aere incisas et dilig
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the notion of Gothic versus Italian
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31 The portrait accompanies a lette
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54. The use of a cache-tettre - or
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eras dick semper, sed nescio eras i
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100. This Erst edition ofLe Mire s
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line of verse praises Galle as the
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* This chapter is a slightly revise
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Hollstein, loc. cit., nos. 299-315
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*. :< Ie/ me suis servi pen ou poin
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New HoUstein, Maarten van Heemskerc
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Around 1578 Galle published Goltziu
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(St. Paul bitten by a viper) is sig
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verso of each preceding engraving.A
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88. Cp.Voet 1980-83, vol 1, p. 172.
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That Goltzius did not engrave any w
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lso dated 1577 (TIB, 56, pp. 249-25
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dees ordinantie ghesneden is, en in
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in the hands of any human, David ch
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changes in the nudity of some women
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Stradanus produced the Galle worksh
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236. On the biographical data, comp
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was more or less concentrated in It
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In the first half of the seventeent
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Galle also published a series often
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Genealogy of the Galle family up to
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5. Petrus Nuyts, baptized 12 May 16
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VIRORUM DOCTORUM BE DISCIPLINES BEN
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VIRORUM DOCTORUM DE DISCIPLINIS BEN
Page 81 and 82: skilled in all arts, Including ours
Page 83 and 84: 35. Maxot, Clement* (E5) 36. Dante
Page 85 and 86: 1587-edition. Besides changes in th
Page 87 and 88: IXXUSTRIUM GA1XIAE BELGICAE 8CRIPTO
Page 89 and 90: Peck, Pieter Pigge, Albert Reyvaert
Page 91 and 92: COAT OF ARMS OF THE AUSTRIAN HABS-
Page 93 and 94: lib. Verses in letterpress in lower
Page 95 and 96: 8 ARI08T0, LUBOVICÖ (1587) 16.7 x
Page 97 and 98: 13 BACKERS, PETRUS BE (1604) 16.7 x
Page 99 and 100: lib. Verses in letterpress in lower
Page 101 and 102: The Hague (Koninklijke Bibliotheek,
Page 103 and 104: engraved: "D6"- Used in 1572b-editi
Page 105 and 106: Italomm ..... (1600), no. 14; Imagi
Page 107 and 108: 40 DANTE AIIGHXERX (1572) After Gio
Page 109 and 110: aequa mis " (eight lines) In margin
Page 111 and 112: 49 ERASMUS, DESIDERIUS (1567) After
Page 113 and 114: gionis amor./ Sed dum romuleo nimiu
Page 115 and 116: n. Erased in margin left: "14." Use
Page 117 and 118: 61 GDIS, DA MI AO DE (1587) After A
Page 119 and 120: Used in: Iliustrium Galliae ..... (
Page 121 and 122: In margin right: "4?". I. As descri
Page 123 and 124: 75 LANGUE, CHARLES DE (1587) 16.8 x
Page 125 and 126: I. As described. Used in 16Ö4- and
Page 127 and 128: Used in; Imagines ..... (1587), no.
Page 129 and 130: ans styli,/ Inveheris minus, et par
Page 131: the Reformation. Engraved by Philip
Page 135 and 136: Used in: Illosixiuni Galliae (1604)
Page 137 and 138: 108 PIUS II {1567} 16.2 x 12.1 cm.
Page 139 and 140: 113 POLXZIANO, ANGELO (1572) After
Page 141 and 142: n. Erased In margin left: "6.b" Use
Page 143 and 144: 124 SCHOTT, ANDREAS (1587) 17.0 x 1
Page 145 and 146: S 'B8", replaced by "Bened. Arias M
Page 147 and 148: (Voet 1980-83, nos. 2335-2341). Eng
Page 149 and 150: 141 VETTOR1, PIETRO (1587) After Co
Page 151 and 152: Wildhaus 1484 - Kappel 1531; Swiss
Page 153 and 154: 3 BONIFACE DC 18.1 x 11.8 cm. Under
Page 155 and 156: Appendix 2 F 18 Galle's other portr
Page 157 and 158: XL The portrait has been heavily re
Page 159 and 160: centre is the cartouche with the ti
Page 161 and 162: Lit.: Collon-Gevaert 1966, p. 98, n
Page 163 and 164: Generalis secundus, Obijt Romae/ XI
Page 165 and 166: 12 BROETIUS, PASCHASRJS 13.3 x 9.5
Page 167 and 168: TITLE PAGE Letterpress text Filling
Page 169 and 170: 10 GRIFFOLINI, FRANCESCO (1587) 16.
Page 171 and 172: 20 CARLO 8IGONIO (1600) 17.1 x 12.2
Page 173 and 174: INSTRUCTION ET FONDEMENTS DE M E N
Page 175 and 176: 3 SKELETON SEEN FROM BEHIND 23.6 x
Page 177 and 178: SEA AND RIVER GODS (15S6) 18 engrav
Page 179 and 180: 8 ACHELOUS 16.5 x 9.9 cm, In lower
Page 181 and 182: NYMPHS (1587) 18 engravings The ser
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n. Borderline added around composki
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ORNAMENTAL DESIGNS FOR CIRCULAR PLA
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DE DEIS GENTIUM IMAGINES (1581) 30
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6 AMPHITRITE 13,0x8.0 cm. In lower
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18 MINERVA 13.1 x8.Q cm. In lower m
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29 PAN 13 J x 8.1 cm. In lower marg
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