YEARBOOK OF THE ALAMIRE FOUNDATION

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58 ERIC RICE Example 3. Johannes Mangon, Regina celi letare, 4 April 1574; from the manuscript Aachen, Domarchiv, Mangon Chorbuch III, fol. 172v-173r.
THE ROLE OF ACOUSTICS IN THE PERFORMANCE OF RENAISSANCE POLYPHONY Figure 12. Ambo donated by Emperor Henry II in 1002. (Photo by Ann Münchow. © Domkapitel Aachen.) 59
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YEARBOOK OF THE ALAMIRE FOUNDATION
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Yearbook of the Alamire Foundation
Page 5 and 6: ... NEC NON TYRONIBUS QUÀM EIUS AR
Page 7 and 8: DRINKING MOTETS IN MEDIEVAL ARTOIS
Page 9 and 10: TRIPLUM (TRANSLATION) Hare hare hye
Page 13 and 14: TRIPLUM (TRANSLATION) Domine ainz q
Page 17 and 18: TENOR (TRANSLATION) Domine tant ai
Page 19 and 20: FROM VARIETY TO REPETITION: THE BIR
Page 21 and 22: Vir - - - go se - re - - FROM VARIE
Page 41 and 42: ANEW KIND OF PATRON FROM VARIETY TO
Page 43 and 44: THE ROLE OF ACOUSTICS IN THE PERFOR
Page 49 and 50: Figure 4. Plan of the Marienkirche
Page 55: THE ROLE OF ACOUSTICS IN THE PERFOR
Page 59 and 60: POLYPHONY AND WORD-SOUND IN ADRIAN
Page 73: POLYPHONY AND WORD-SOUND IN ADRIAN
Page 76 and 77: 78 LUMINITA FLOREA The Hague, 6 and
Page 78 and 79: 80 LUMINITA FLOREA Regardless of th
Page 80 and 81: 82 LUMINITA FLOREA THE SCRIPTOR IN
Page 82 and 83: 84 LUMINITA FLOREA At any rate, thi
Page 84 and 85: 86 LUMINITA FLOREA normally result
Page 86 and 87: 88 LUMINITA FLOREA instance, on fol
Page 88 and 89: 90 LUMINITA FLOREA planets, and the
Page 90 and 91: 92 LUMINITA FLOREA The pictor of Ca
Page 92 and 93: 94 LUMINITA FLOREA open buds comfor
Page 95 and 96: UT HEC TE FIGURA DOCET: THE TRANSFO
Page 97 and 98: THE TRANSFORMATION OF MUSIC THEORY
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THE TRANSFORMATION OF MUSIC THEORY
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CHANGE AND CONTINUITY IN TWENTIETH-
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ORLANDO DI LASSO ET AL.: ANEW READI
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ORLANDO DI LASSO ET AL.: A NEW READ
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(1) Son morto e moro e pur cerco mo
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(1) Latra traitora tu mi fai morire
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(1) Bona sera como stai core mio be
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THE TWO EDITIONS OF LASSO’S SELEC
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160 RICHARD FREEDMAN Lasso’s chan
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162 RICHARD FREEDMAN prints, but by
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164 RICHARD FREEDMAN It seems likel
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166 RICHARD FREEDMAN II, who ruled
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168 RICHARD FREEDMAN Authorial cont
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170 RICHARD FREEDMAN APPENDIX Docum
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172 RICHARD FREEDMAN Royaume que bo
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174 RICHARD FREEDMAN machen unnd ei
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176 RICHARD FREEDMAN prejudice both
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178 BERNHOLD SCHMID Lassos vierundz
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180 BERNHOLD SCHMID cepta (quae nec
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182 BERNHOLD SCHMID sei senza parol
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184 BERNHOLD SCHMID Beispiel 1a: Ko
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186 BERNHOLD SCHMID Beispiel 3a: Nu
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188 BERNHOLD SCHMID Beispiel 5: Num
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190 BERNHOLD SCHMID Beispiel 6: Num
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192 BERNHOLD SCHMID Mensur in Numme
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194 BERNHOLD SCHMID Bis Takt 20 sin
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196 BERNHOLD SCHMID Beispiel 9b: Nu
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198 BERNHOLD SCHMID beschriebenen G
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200 BERNHOLD SCHMID Anhang 2: Die Q
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202 BERNHOLD SCHMID 1610-2 RISM 161
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MUSIQUE ET POLITIQUE À FLORENCE DA
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MUSIQUE ET POLITIQUE À FLORENCE Po
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MUSIQUE ET POLITIQUE À FLORENCE N
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Corsini, n° 28 Deh perche si rebel
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MUSIQUE ET POLITIQUE À FLORENCE Ro
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MUSIQUE ET POLITIQUE À FLORENCE So
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MUSIQUE ET POLITIQUE À FLORENCE me
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MUSIQUE ET POLITIQUE À FLORENCE D
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MUSIQUE ET POLITIQUE À FLORENCE Le
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MUSIQUE ET POLITIQUE À FLORENCE da
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226 SUSAN LEWIS HAMMOND Figure 1. M
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228 SUSAN LEWIS HAMMOND PRODUCING M
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230 SUSAN LEWIS HAMMOND YEAR RISM C
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232 SUSAN LEWIS HAMMOND Figure 2. M
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234 SUSAN LEWIS HAMMOND The title p
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236 SUSAN LEWIS HAMMOND Harmonia ce
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238 SUSAN LEWIS HAMMOND Tra romor d
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240 SUSAN LEWIS HAMMOND of King Chr
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242 SUSAN LEWIS HAMMOND the product
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244 SUSAN LEWIS HAMMOND APPENDIX: C
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246 SUSAN LEWIS HAMMOND Harmonia ce
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248 SUSAN LEWIS HAMMOND Symphonia a
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250 SUSAN LEWIS HAMMOND Melodia oly
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252 SUSAN LEWIS HAMMOND 1 The listi
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