YEARBOOK OF THE ALAMIRE FOUNDATION

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CONTENTS PREFACE 7 DRINKING MOTETS IN MEDIEVAL ARTOIS AND FLANDERS 9 Mary E. Wolinski FROM VARIETY TO REPETITION: THE BIRTH OF IMITATIVE POLYPHONY 21 Julie E. Cumming THE ROLE OF ACOUSTICS IN THE PERFORMANCE OF RENAISSANCE POLYPHONY 45 AT THE COLLEGIATE CHURCH OF SAINT MARY IN AACHEN Eric Rice POLYPHONY AND WORD-SOUND IN ADRIAN WILLAERT’S LAUS TIBI SACRA RUBENS 61 Katelijne Schiltz VIRTUS SCRIPTORIS: STEPS TOWARDS A TYPOLOGY OF ILLUSTRATION BORROWING IN 77 MUSIC THEORY TREATISES OF THE LATE MIDDLE AGES AND THE RENAISSANCE Luminita Florea UT HEC TE FIGURA DOCET: THE TRANSFORMATION OF 97 MUSIC THEORY ILLUSTRATIONS FROM MANUSCRIPTS TO PRINT C. Matthew Balensuela CHANGE AND CONTINUITY IN TWENTIETH-CENTURY TEXTBOOKS 111 ON SIXTEENTH-CENTURY COUNTERPOINT Thomas Holme Hansen ORLANDO DI LASSO ET AL.: 125 ANEW READING OF THE ROMAN VILLANELLA BOOK (1555) Donna G. Cardamone Jackson THE TWO EDITIONS OF LASSO’S SELECTISSIMAE CANTIONES, 1568 AND 1579 147 Peter Bergquist WHO OWNED LASSO’S CHANSONS? 159 Richard Freedman
... NEC NON TYRONIBUS QUÀM EIUS ARTIS PERITIORIBUS SUMMOPERE INSERVIENTES. 177 ZUR GEDRUCKTEN ÜBERLIEFERUNG VON LASSOS BICINIEN Bernhold Schmid MUSIQUE ET POLITIQUE À FLORENCE DANS LA PREMIÈRE MOITIÉ DU XVIE SIÈCLE: 205 LE STATUT DU MADRIGAL À LA LUMIÈRE DE NOUVELLES SOURCES Philippe Canguilhem SELLING THE MADRIGAL: PIERRE PHALÈSE II AND THE FOUR ‘ANTWERP ANTHOLOGIES’ 225 Susan Lewis Hammond
Page 1 and 2: YEARBOOK OF THE ALAMIRE FOUNDATION
Page 3: Yearbook of the Alamire Foundation
Page 7 and 8: DRINKING MOTETS IN MEDIEVAL ARTOIS
Page 9 and 10: TRIPLUM (TRANSLATION) Hare hare hye
Page 13 and 14: TRIPLUM (TRANSLATION) Domine ainz q
Page 17 and 18: TENOR (TRANSLATION) Domine tant ai
Page 19 and 20: FROM VARIETY TO REPETITION: THE BIR
Page 21 and 22: Vir - - - go se - re - - FROM VARIE
Page 41 and 42: ANEW KIND OF PATRON FROM VARIETY TO
Page 43 and 44: THE ROLE OF ACOUSTICS IN THE PERFOR
Page 49 and 50: Figure 4. Plan of the Marienkirche
Page 55 and 56:
THE ROLE OF ACOUSTICS IN THE PERFOR
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THE ROLE OF ACOUSTICS IN THE PERFOR
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POLYPHONY AND WORD-SOUND IN ADRIAN
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78 LUMINITA FLOREA The Hague, 6 and
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80 LUMINITA FLOREA Regardless of th
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82 LUMINITA FLOREA THE SCRIPTOR IN
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84 LUMINITA FLOREA At any rate, thi
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86 LUMINITA FLOREA normally result
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88 LUMINITA FLOREA instance, on fol
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90 LUMINITA FLOREA planets, and the
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92 LUMINITA FLOREA The pictor of Ca
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94 LUMINITA FLOREA open buds comfor
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UT HEC TE FIGURA DOCET: THE TRANSFO
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THE TRANSFORMATION OF MUSIC THEORY
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CHANGE AND CONTINUITY IN TWENTIETH-
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ORLANDO DI LASSO ET AL.: ANEW READI
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ORLANDO DI LASSO ET AL.: A NEW READ
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Page 129 and 130:
Page 131 and 132:
(1) Son morto e moro e pur cerco mo
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(1) Latra traitora tu mi fai morire
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(1) Bona sera como stai core mio be
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Page 145 and 146:
THE TWO EDITIONS OF LASSO’S SELEC
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160 RICHARD FREEDMAN Lasso’s chan
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162 RICHARD FREEDMAN prints, but by
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164 RICHARD FREEDMAN It seems likel
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166 RICHARD FREEDMAN II, who ruled
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168 RICHARD FREEDMAN Authorial cont
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170 RICHARD FREEDMAN APPENDIX Docum
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172 RICHARD FREEDMAN Royaume que bo
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174 RICHARD FREEDMAN machen unnd ei
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176 RICHARD FREEDMAN prejudice both
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178 BERNHOLD SCHMID Lassos vierundz
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180 BERNHOLD SCHMID cepta (quae nec
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182 BERNHOLD SCHMID sei senza parol
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184 BERNHOLD SCHMID Beispiel 1a: Ko
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186 BERNHOLD SCHMID Beispiel 3a: Nu
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188 BERNHOLD SCHMID Beispiel 5: Num
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190 BERNHOLD SCHMID Beispiel 6: Num
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192 BERNHOLD SCHMID Mensur in Numme
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194 BERNHOLD SCHMID Bis Takt 20 sin
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196 BERNHOLD SCHMID Beispiel 9b: Nu
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198 BERNHOLD SCHMID beschriebenen G
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200 BERNHOLD SCHMID Anhang 2: Die Q
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202 BERNHOLD SCHMID 1610-2 RISM 161
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MUSIQUE ET POLITIQUE À FLORENCE DA
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MUSIQUE ET POLITIQUE À FLORENCE Po
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MUSIQUE ET POLITIQUE À FLORENCE N
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Corsini, n° 28 Deh perche si rebel
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MUSIQUE ET POLITIQUE À FLORENCE Ro
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MUSIQUE ET POLITIQUE À FLORENCE So
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MUSIQUE ET POLITIQUE À FLORENCE me
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MUSIQUE ET POLITIQUE À FLORENCE D
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MUSIQUE ET POLITIQUE À FLORENCE Le
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MUSIQUE ET POLITIQUE À FLORENCE da
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226 SUSAN LEWIS HAMMOND Figure 1. M
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228 SUSAN LEWIS HAMMOND PRODUCING M
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230 SUSAN LEWIS HAMMOND YEAR RISM C
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232 SUSAN LEWIS HAMMOND Figure 2. M
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234 SUSAN LEWIS HAMMOND The title p
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236 SUSAN LEWIS HAMMOND Harmonia ce
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238 SUSAN LEWIS HAMMOND Tra romor d
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240 SUSAN LEWIS HAMMOND of King Chr
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242 SUSAN LEWIS HAMMOND the product
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244 SUSAN LEWIS HAMMOND APPENDIX: C
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246 SUSAN LEWIS HAMMOND Harmonia ce
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248 SUSAN LEWIS HAMMOND Symphonia a
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250 SUSAN LEWIS HAMMOND Melodia oly
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252 SUSAN LEWIS HAMMOND 1 The listi
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YEARBOOK OF THE ALAMIRE FOUNDATION

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