YEARBOOK OF THE ALAMIRE FOUNDATION

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48 ERIC RICE of the Gothic choir, the liturgy of Aachen was performed within the church’s octagon, which was surrounded by choir stalls, and it was undoubtedly here as well that liturgical polyphony was sung. Physical evidence within the church and several chronicles indicate this location as the church’s original choir. 7 Example 1. Syß willekommen heire Kerst, Johann Barba (?), ca. 1391; from the manuscript Erfurt, Stadtbücherei, Amplonia 4 o 332, fol. 105. 7 RICE, Music and Ritual, pp. 207–216.
THE ROLE OF ACOUSTICS IN THE PERFORMANCE OF RENAISSANCE POLYPHONY Example 2. Gloria in excelsis Deo (Responsory Verse for Christmas Day), Johann Barba (?), ca. 1391; from the manuscript Erfurt, Stadtbücherei, Amplonia 4 o 332, fol. 105v-106. (Notes derived from the chant are marked with a + sign.) 49
Page 1 and 2: YEARBOOK OF THE ALAMIRE FOUNDATION
Page 3 and 4: Yearbook of the Alamire Foundation
Page 5 and 6: ... NEC NON TYRONIBUS QUÀM EIUS AR
Page 7 and 8: DRINKING MOTETS IN MEDIEVAL ARTOIS
Page 9 and 10: TRIPLUM (TRANSLATION) Hare hare hye
Page 13 and 14: TRIPLUM (TRANSLATION) Domine ainz q
Page 17 and 18: TENOR (TRANSLATION) Domine tant ai
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Page 49 and 50: Figure 4. Plan of the Marienkirche
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THE TRANSFORMATION OF MUSIC THEORY
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CHANGE AND CONTINUITY IN TWENTIETH-
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ORLANDO DI LASSO ET AL.: ANEW READI
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(1) Son morto e moro e pur cerco mo
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(1) Latra traitora tu mi fai morire
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(1) Bona sera como stai core mio be
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THE TWO EDITIONS OF LASSO’S SELEC
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160 RICHARD FREEDMAN Lasso’s chan
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164 RICHARD FREEDMAN It seems likel
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166 RICHARD FREEDMAN II, who ruled
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168 RICHARD FREEDMAN Authorial cont
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170 RICHARD FREEDMAN APPENDIX Docum
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172 RICHARD FREEDMAN Royaume que bo
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176 RICHARD FREEDMAN prejudice both
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178 BERNHOLD SCHMID Lassos vierundz
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180 BERNHOLD SCHMID cepta (quae nec
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MUSIQUE ET POLITIQUE À FLORENCE DA
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Corsini, n° 28 Deh perche si rebel
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YEARBOOK OF THE ALAMIRE FOUNDATION

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