YEARBOOK OF THE ALAMIRE FOUNDATION

CONTENTS
PREFACE 7
DRINKING MOTETS IN MEDIEVAL ARTOIS AND FLANDERS 9
Mary E. Wolinski
FROM VARIETY TO REPETITION: THE BIRTH OF IMITATIVE POLYPHONY 21
Julie E. Cumming
THE ROLE OF ACOUSTICS IN THE PERFORMANCE OF RENAISSANCE POLYPHONY 45
AT THE COLLEGIATE CHURCH OF SAINT MARY IN AACHEN
Eric Rice
POLYPHONY AND WORD-SOUND IN ADRIAN WILLAERT’S LAUS TIBI SACRA RUBENS 61
Katelijne Schiltz
VIRTUS SCRIPTORIS:
STEPS TOWARDS A TYPOLOGY OF ILLUSTRATION BORROWING IN 77
MUSIC THEORY TREATISES OF THE LATE MIDDLE AGES AND THE RENAISSANCE
Luminita Florea
UT HEC TE FIGURA DOCET: THE TRANSFORMATION OF 97
MUSIC THEORY ILLUSTRATIONS FROM MANUSCRIPTS TO PRINT
C. Matthew Balensuela
CHANGE AND CONTINUITY IN TWENTIETH-CENTURY TEXTBOOKS 111
ON SIXTEENTH-CENTURY COUNTERPOINT
Thomas Holme Hansen
ORLANDO DI LASSO ET AL.: 125
ANEW READING OF THE ROMAN VILLANELLA BOOK (1555)
Donna G. Cardamone Jackson
THE TWO EDITIONS OF LASSO’S SELECTISSIMAE CANTIONES, 1568 AND 1579 147
Peter Bergquist
WHO OWNED LASSO’S CHANSONS? 159
Richard Freedman