YEARBOOK OF THE ALAMIRE FOUNDATION

252 SUSAN LEWIS HAMMOND
1 The listing of composers and contents follows their ordering in the Canto partbook of the earliest edition of
each anthology. Text repetitions have been omitted. First lines of text not taken from the Canto partbook are
indicated in brackets. Spellings of both composers’ names and madrigal texts conform to their appearance
in the Canto volume. Conflicting or doubtful attributions are given in footnotes. Composers of unattributed
madrigals, where known, are given in square brackets with attributions taken from the respective composer
entry in S. SADIE and J. TYRRELL eds., The New Grove Dictionary of Music and Musicians, 2nd ed., 1–29,
London, 2001.
2 Madrigal by Sessa D’Aranda; Phalèse misattributes the madrigal to Philippe de Monte.
3 Madrigal by Jacob Arcadelt; Phalèse misattributes the madrigal to Philippe de Monte.
4 Felis’s setting does not appear in the Canto partbook; Philippe de Monte’s Amorosi pensieri erroneously
appears in its place. The error is corrected in the remaining partbooks.
5 Ecco ch’io lass’l core appears for the first known time in Giovanni Ferretti’s Il secondo libro delle canzoni
a sei voci (Venice, 1575; RISM F534), where it is designated as an anonymous D’incerto. The madrigal is
attributed to Alessandro Striggio in RISM 1584 12 .
6 The attribution of this madrigal is uncertain.
7 The setting is correctly attributed in the headline, but incorrectly attributed to Orlando di Lasso in the TABLE
on folio 36v.
8 Though attributed in Harmonia celeste to Philippe de Monte, the canzona is by Gio. Francesco Caldarino.
9 The piece is misattributed to Marc’Antonio Ingegneri in the TABLE on folio 36v.
10 The piece is not listed in the TABLE on folio 36v.